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Source: Brouland 1855 Number of entries found: 152
Entry ID	Reference Gloss Author’s Gloss	Description	Page
	a little	N/A	15
	un peu
	accompany	Bring your hands forward.	22
	accompagner
	again	Strike two small blows in the hand.	19
	encore
	always	Form several small circular lines with your finger, moving it forward.	15
	toujours
	angel	Alternately wiggle your fingers.	17
	ange
	anger	Strike the chest repeatedly from bottom to top.	16
	colère
	at the house of	Repeat this sign to which we add that of house.	21
	chez
	bad (wicked, evil)	Hit fingertips repeatedly.	17
	méchant
	badly, sick	Repeat this sign, to which we add that of placing the hand on the suffering part.	22
	mal, malade
	believe	Move your finger down to your mouth.	13
	croire
	betrayal, hypocrisy	Slide the finger along the hand.	22
	trahison, hypocrisie
	between	Pass the right index finger between the two fingers of the left hand.	20
	entre
	bread	Simulate the action of cutting with the right hand.	20
	pain
	candy	Suck on fingertip.	8
	bonbons
	city	Repeat this sign several times to mark the meeting of the roofs.	20
	ville
	coffee	Make the action of grinding with the right fist placed on the left.	22
	café
	cold	Blow into his fingers.	18
	froid
	come	Make the opposite sign.	21
	venir
	content, pleasure, joy	Make several circular lines on his heart. The face expresses joy.	13
	content, plaisir, joie
	desire	Pull your hands towards yourself a little.	11
	désirer
	despise	N/A	11
	mépriser
	difficult, difficulty	Turn the fists once around each other, with effort.	12
	difficile, difficulté
	dirty	Shake fingers alternately.	10
	sale
	drink, thirst	Also rub the upper chest and do the action of drinking.	18
	boire, soif
	egg	Simulate the action of breaking an egg with a knife.	22
	oeuf
	enough	Pass the right hand twice over the profile of the left hand.	19
	assez
	far, distant, distant	The right thumb separates from the left.	10
	loin, lointain, éloigné
	fat	Puff out your cheeks a little.	15
	gras
	fear, fear(v)	Remove fists back; the body follows the same movement. physionomy expresses fear.	7
	peur, craindre
	fever	Strike the index finger lightly and repeatedly on the pulse.	23
	fievre
	finish	Drop the right hand behind the left.	17
	finir
	fish	Imitate the movement of fish in the water.	23
	poisson
	flower, feel	Extend your fingers. Do the act of feeling.	17
	fleur, sentir
	forget	Quickly pass the hand over the forehead, raising it a little above the head.	14
	oublier
	friend	N/A	18
	ami
	friend	Shake hands.	23
	ami
	future, the future	Move your hand forward a little.	8
	futur, l’avenir
	go	The two indexes revolve around each other and move forward.	21
	aller
	god	Raising your eyes to the sky.	17
	dieu
	greedy, gluttony	Hit yourself with your hand under your chin repeatedly.	14
	gourmand, gourmandise
	grow, push	The right hand comes out of the left hand, the fingers widen.	20
	croître, pousser
	happy, happiness	Turn hands into each other.	8
	heureux, bonheur
	hard	Clap repeatedly on the back of the hand.	23
	dur
	have, possess	N/A	18
	avoir, posséder
	health, how are you?	Feel the pulse.	22
	santé, comment vous portez-vous?
	hello	Salute with the hand.	18
	bonjour
	help	Raise the left forearm a little with the right.	21
	aider
	holy	N/A	17
	saint
	house	N/A	20
	maison
	How are you?	N/A	18
	Comment vous portez-vous?
	how? 'or' what? what? what?	Interrogative sign that we use each time we interrogate.	19
	comment? quoi? quelle?
	hunger	Rub the upper chest.	18
	faim
	hunt (seek)	The eyes look from side to side while the hand makes several small circular lines in front of the face.	15
	chercher
	I	N/A	11
	je
	I am wrong.	N/A	10
	Je me trompe.
	if, on condition, conditional	Raise your hands a little with effort; the shoulders follow the same movement.	16
	si, a condition, conditionnel
	ignorant, ignoring	N/A	14
	ignorant, ignorance
	in	Throw the right hand into the half-open left hand.	21
	dans
	instruct, teach	Throw the hands forward a little, widening the fingers.	13
	instruire, enseigner
	it is necessary. I want it, I order it.	Imperative sign.	18
	il faut, je le veux, je l'ordonne
	It's different.	The two indexes separate.	19
	C'est différent.
	jealousy, jealous	Bite your fingertip. The physiognomy expresses jealousy.	8
	jalousie, jaloux
	kind, gentle, gentleness	Slowly move the fingers down which meet at the bottom of the chin. The face takes on an expression of gentleness.	15
	gentille, doux, douceur
	know, understand	Smack your forehead lightly several times.	12
	savoir, comprendre
	lady	Gracefully raise the hands to shoulder height	16
	demoiselle
	laugh, smile	Hit very lightly, and several times, the corner of the mouth that should smile.	17
	rire, sourire
	law	N/A	10
	loi
	lazy	N/A	17
	paresseux
	learned, science	Strike the forehead lightly, then raise the hand above the head, extending the fingers.	11
	savant, science
	leave	Strike the right hand behind the left hand.	9
	partir
	lend	Alternately advance and withdraw the fists.	23
	prêter
	lie	Run your fingers under your nose.	11
	mensonge
	life, living	Breathe hard.	14
	vie, vivant
	light, candle, candle	Blow on the finger and raise it to the height of the forehead.	16
	lumière, bougie, chandelle
	like	Press your hand firmly to your heart.	13
	aimer
	love	Bow respectfully.	15
	adorer
	malice, clever	Move the hand a little without changing the place of the finger. The physiognomy expresses malice.	12
	malice, malin
	man	Do the action of taking your hat to salute.	7
	homme
	many, too much	Raise the right hand above the left.	13
	beaucoup, trop
	may be	Raise and lower your hands a little alternately, to imitate the pans of a balance. Shrug your shoulders slightly. The physiognomy must express the doubt.	9
	peut-être
	meat	Slightly pinch the back of the hand.	22
	viande
	milk	Do the act of milking.	22
	lait
	miser	Scratch his hand.	13
	avare
	month	Slide the right thumb to the bottom of the left, then raise as many fingers as you want to express months.	23
	mois
	morning	Raise the right hand behind the left hand.	20
	matin (le)
	my, my, my, me	N/A	18
	mon, ma, mes, moi
	name, name(v), how are you named? (what is your name?)	Strike the left index lightly with the right.	20
	nom, nommer, comment vous nommez-vous?
	never	The hand makes an oblique line, returning to the right.	13
	jamais
	new, new, new	Make the opposite sign, raise the right hand behind the left hand, striking it a little.	17
	nouveau, neuf, neuve
	night	Lower the right hand behind the left.	20
	soir (le)
	not yet	Tap lightly, repeatedly, the finger at the bottom of the chin.	10
	pas encore
	obey, obedient, obedience	Slowly lower your hands to the left; the body follows the same movement.	11
	obéir, obéissant, obéissance
	occupy, occupation	The hands move back and forth from left to right.	13
	occuper, occupation
	on	Place the right hand over the left hand.	21
	sur
	on your knees (kneeling)	N/A	21
	a genoux (à genoux)
	other	Quickly turn the hand over, palm out; for the plural we turn the hand over several times.	14
	l'autre
	pardon, forgive	Pass the right hand over the left hand.	13
	pardon, pardonner
	past, formerly	Throw hand over shoulder.	9
	passé, autrefois
	pay	N/A	21
	payer
	poor	Move your hand a little.	10
	pauvre
	power, courage	The fists close to the body move a little forward, with effort.	7
	pouvoir, courage
	pray, ask	Direct the eyes or towards the sky, or towards the people to whom one is addressing.	8
	prier, demander
	present, be	Lower your hands a little.	8
	présent, être
	pride, proud	Raise hand to upper chest; the head follows the same movement.	16
	orgueil, orgueilleux
	quickly, hurry	Quickly pass your hand under your chin.	10
	vite, se dépécher
	regret, repentance	N/A	11
	regret, repentir
	restart	Make a comma in the left hand with the index finger of the right hand, then make the preceding sign.	19
	recommencer
	sad	Slowly lower the hand to the bottom of the face; where the fingers meet, the head bows, the countenance expresses sadness.	15
	triste
	sadness, pain, grief	Press your fist against your chest.	11
	peine, douleur, chagrin
	same, similar, like	The indexes are getting closer.	21
	pareille, semblable, comme
	see	Advance your finger a little towards the object you are pointing to.	8
	apercevoir
	see	N/A	11
	voir
	show	Move your hand a little forward.	14
	montrer
	sir, madame	Move the hand from side to side, without changing its place. Precede this gesture with that of the masculine or the feminine, depending on the word you want to express.	8
	monsieur, madame
	start	The index finger of the right hand slides between the two fingers of the left hand to the bottom of the last phalanx.	19
	commencer
	stay, remain	Lower your thumbs a little with a small abrupt movement. To the sign remain add the action of sleeping with the head resting on the hand.	9
	rester, demeurer
	street	Bring your hands forward a little, bring them together or separate them, depending on the width you want to express.	17
	rue
	strength, powerful	Throw the fists a little forward with a sudden movement.	7
	force, puissant
	study, learn	Bring the hand to the forehead, several times, widening the fingers.	12
	étudier, apprendre
	take a walk, garden	Wave the hands back and forth, without moving the arms.	9
	promener, jardin
	tempt, temptation	Hit the right side repeatedly.	11
	tenter, tentation
	thank	Raise your head and lower your hands.	15
	remercier
	Thank you.	N/A	19
	Je vous remercie.
	thin	Slide the fingers on the cheeks, pressing them hard, as if to lengthen the face.	16
	maige
	think	Lightly draw several small circular lines on the forehead.	12
	penser
	time, what time is it?	Tap the finger lightly on the back of the hand several times.	21
	heure, quelle heure est-il?
	today	Trace a semi-circle with your finger at head height, then make the present sign.	9
	aujourd'hui
	tomorrow	Quickly return the hand, the back outside.	14
	demain
	tree	Raise the hand to the height of the forehead, turning it from side to side.	16
	arbre
	truth, true	Lower your hand in a sign of oath.	10
	vérité, vrai
	ugly	Make several circular lines in front of the face with your hand.	15
	laid
	under	Pass the right hand under the left.	22
	sous
	upright, right	N/A	20
	debout, droit
	vacation, leave	Wiggle your fingers.	9
	vacances, congé
	wait	N/A	10
	attendre
	want	Shake the ends of the hands a little, drawing them towards you.	14
	vouloir
	warm	Warm the back of his hand with his breath.	18
	chaud
	water	Wiggle your fingertip a little.	20
	eau
	we	Bring the fingers from the left side to the right side, describing a horizontal line.	12
	nous
	well, goodness, good	Kissing each other's hand; if we speak of a food which is good, add to this sign that of passing one's hand, several times, over the top of the pear.	19
	bien, bonté, bon
	wine	N/A	8
	vin
	wise	Shake fingers alternately.	10
	sage
	with, together	Hands come together.	7
	avec, ensemble
	woman	Lower the thumb to the bottom of the cheek. This sign is used to designate the feminine.	7
	femme
	year	Turn the right fist once around the left and put it on it; raise as many fingers as you want to express years.	23
	année
	yes	Lower your hand in affirmation.	12
	oui
	yesterday	Throw your hand back a little.	14
	hier
	you	Point the hand towards the people you are talking to.	12
	vous
	You are wrong.	Move your hand a little forward.	9
	Vous vous trompez.
	you, you, you	N/A	11
	tu, te, toi
	young, play	Sway your hands a little from side to side without changing their place. The face takes on a smiling air.	16
	jeune, jouer
	your	Extend your hand straight towards the person you are talking to.	10
	votre

Source: Higgins 1923 Number of entries found: 1024
Entry ID	Reference Gloss Author’s Gloss	Description	Page
	1P-IX	I or ME: Right index points to oneself.	76
	I, ME
	1P-IX-PL	WE or US: Right index tip against right shoulder, turned down to pointing right, and moved around, pointing out, until at left side it points against left shoulder.	145
	WE, US
	1P-POSS	MY or MINE: Right palm placed on chest.	96
	MY or MINE
	1P-POSS-PL	OUR: Right vertical palm outward at right shoulder, moved outward and around to palm inward on left shoulder, palm faces line of motion.	103
	OUR
	2P-IX	YOU (singular): Right index pointing outward.	152
	YOU (singular)
	2P-IX-PL	YOU (plural): Right index pointing outward to left, and moved rightward till hand points to right. (Motion can be from right to left also).	152
	YOU (plural)
	2P-POSS	YOUR (singular): Right vertical palm pushed frontward.	152
	YOUR (singular)
	2P-POSS-PL	YOUR (plural): Right vertical palm facing out to the left and hand moved rightward till palm faces the right. (Motion can be made from right to left).	152
	YOUR (plural)
	ABOUT	ABOUT: Left "&" hand finger tips pointing rightward and right index tip, pointing leftward, passed around them.	5
	ABOUT
	ABOVE	ABOVE: Natural sign, pointing above the object previously signed.	5
	ABOVE
	ABSOLUTION	ABSOLUTION: As the priest signs the cross in the conferring of absolution; or "Blessed" "Forgive."	5
	ABSOLUTION
	ABSTINENCE	ABSTAIN: Left hand palm rightward, fingers pointing outward and right bent fingers scratch down off left palm. (Subtract) (Remission) (Deficiency) (Less) (This sign is used to denote	5
	ABSTAIN
	ACCOMPANY	ACCOMPANY: Both "A" hands together, palm toward palm, thumbs pointing upward, both hands moved forward together horizontally.	5
	ACCOMPANY
	ACROSS	ACROSS: Left hand prone, fingers pointing rightward, and right hand, fingers pointing outward, pushed out edgewise across back of left hand.	6
	ACROSS
	ADD	ADD: Left "&" fingers pointing upward, right "&" fingers pointing downward, are brought down onto the tips of the left repeatedly as if adding something, and left hand gradually rises to show the increase. (More).	6
	ADD
	ADMIT	CONFESSION: Indicate unburdening of the bosom by placing both palms on the breast and raising them up and out to supine.	34
	CONFESSION
	AFRAID	FRIGHTEN: Tips of both "&" hands pointing from sides towards body, hands brought in quickly, and hands opening so tips of spread fingers strike firmly against body. (At a loss) (Dumbfounded) (Confused).	63
	FRIGHTEN
	AFTER	AFTER: Left arm horizontal, palm towards the right, push right hand, palm leftward and edgewise, across left wrist back of left hand. (Afterwards) (Then) (Next).	7
	AFTER
	AGAIN	AGAIN: Finger tips of open right hand, palm inward, moved horizontally to left palm, left palm rightward. (Often: "Again" repeated).	7
	AGAIN
	AGAINST	AGAINST: Same as "Again" but hands do not touch and both hands move. (Objection) (Opposition) (Difficulty).	7
	AGAINST
	AGENT	ER (of occupation): Heels of palms, fingers pointing outward, slid down the sides of body. (The action is signed and then the "Er" added, to indicate the individual).	53
	ER
	AGO	FORMERLY: Right vertical hand palm backward, thrown backward over right shoulder. (Past) (Ago) (The larger and slower and more hesitatingly this sign is made the more distant is the past indicated.) (Once upon a time).	62
	FORMERLY
	ALL	ALL: Right tips, back down in supine left palm and then move in circle leftward-outward-rightward back to left palm, right palm facing line of motion. (Universal) (Whole) (Entire).	8
	ALL
	ALLOW	LET: Both hands, fingers pointing down, right palm leftward and left palm rightward, hands moved upwards and outwards from the wrists till fingers point outward. (May) (Permission) (Allow).	86
	LET
	ALONE	ALONE: Hold up right index, palm inward, and circle it a little to the left. (Only) (Simple) (Unity).	8
	ALONE
	ALRIGHT	ALL RIGHT: Right hand edgewise pushed out across left supine palm. (Correct) (Right).	7
	ALL RIGHT
	ALSO	SAME: "AS;" or, both indices prone and pointing outward at a distance from each other and brought up-over and down to other side, preserving their parallel distance. (Like) (Similar) (Also) (Such) (Same as) (Even).	119
	SAME
	ALWAYS	ALWAYS: Right index pointing outward and moved leftward-upward-rightward-downward-leftward. (Ever) (Eternity) (Forever).	8
	ALWAYS
	AMONG	AMONG: Right index pointing leftward, passed in and out among the spread fingers of the left hand, which is palm inward and fingers pointing rightward.	8
	AMONG
	AND	AND: Right hand at left side before body, fingers pointing leftward, palm inward, fingers spread as if to catch something; draw hand rightward, tips closing as hand moves along. (Besides) (With) (Moreover) (Also) (Even)	9
	AND
	ANGEL	ANGEL: Palms of both hands facing back over shoulders moved up, back, and down as if smoothing feathers of imaginary wings.	9
	ANGEL
	ANGRY	ANGER: Both hands downward, palms toward body, bent fingers as if hooked into wasit and drawn up sides of the body as if tearing the flesh.	9
	ANGER
	ANIMAL	ANIMAL: Tips of fingers on breastbone, palms inward, and elbows in-and-out to simulate the breathing of a horse.	9
	ANIMAL
	ANSWER	ANSWER: Both indices vertical and tandem, right palm leftward and left palm rightward, both indices thrown forward tandem to point tandem to the person supposed to answer. (Reply) (Make response).	9
	ANSWER
	ANTICIPATE	ANTICIPATE: Thumb and index tips of both hands joined, fingers pointing outward, right palm leftward and left palm rightward, both hands brought back up against the body.	9
	ANTICIPATE
	ANY	ANY: Right "A" hand, thumb upward, shaken as it moves from left to right before the body. (Anything).	10
	ANY
	APPLE	APPLE: Index knuckle of right "S" hand pressed sharply into right cheek.	10
	APPLE
	APPLY	APPLY: Index tip at the forehead to show "think" and then down to left palm.	10
	APPLY
	APPRECIATE	PLEASE: Right palm placed on chest and circled, pleased or pleading expression on the face according to idea. (Willful) (Like) (Pleasure).	108
	PLEASE
	APPROACH	APPROACH: Left hand edgewise, palm towards body, bring right edgewise hand in a few staccato movements to the left hand, the back of one hand approaching the palm of the other.	11
	APPROACH
	APRON	APRON: Thumbs and indices moved around the waist to indicate the strings of apron.	11
	APRON
	ARITHMETIC	MULTIPLY: Vertical indices, or "V" hands, palms inward moved from the sides till hands cross at wrists. (Calculate) (Estimate) (Figure) (Arithmetic).	96
	MULTIPLY
	ARMY	SOLDIER: Both hands as if holding a gun slantwise before the body. (Picnic).	127
	SOLDIER
	AROUND	AROUND: Left "&" fingers pointing upward and the right index pointing downward is passed around the fingers of the left.	11
	AROUND
	ARRANGE	CLASSED: Hands edgewise, palm toward palm, about nine inches apart and fingers pointing outward, moved rightward and stopping repeatedly to show division or arrangement. (Plan) (Order) (Complete) (Arrangement) (Prepare) (Ready) (Degree) (Put in order).	31
	CLASSED
	ARRIVE	ARRIVE: Left palm inward held from body at right side, bent right hand with fingers pointing leftward, moved upward-outward-downward-inward-upward and sharply into left palm. (Reach).	11
	ARRIVE
	ARROW	ARROW: Hands held as in the drawing of the bow to shoot the arrow.	12
	ARROW
	ASCEND	ASCENSION (of the Lord): Right inverted "V" tips on left palm, and then right hand alone lifted upward, left hand remaining stationary and right hand retaining inverted position.	12
	ASCENSION
	ASK	ASK: Hands as in "Amen" and draw them back to body. (Prefer a request).	12
	ASK
	ASK-QUESTION	QUESTION: Right index of prone hand, pointing out and bent as if to dig into the person questioned. (Same sign with both hands: "Examination") (Quiz) ("Examination" made with both hands towards oneself: "Examination of conscience").	113
	QUESTION
	AT	AT: Right finger tips put against back of left prone hand, left fingers pointing outward.	13
	AT
	AUNT	AUNT: Right vertical "A" down in wavy line near right cheek.	13
	AUNT
	AUTOMOBILE	AUTO: Hands as if grasping the wheel.	13
	AUTO
	AUTUMN	FALL (Weather): Left forearm pointing upward to the right, and right prone "B" hand pushed down along the side of left arm as if right index edge were scraping something off side of left arm.	56
	FALL (weather)
	AWFUL	DANGER: Both "&" tips at sides of temples sprung upwards and opened. (Fearful) (Awful).	41
	DANGER
	BABY	BABY: Right hand placed in crook of left arm as if it were a child.	14
	BABY
	BAD	BAD: Right fingers, palm inward, against lips, turned from lips and cast down to prone.	14
	BAD
	BALD	BALD: Right palm moved over back of left closed prone hand. (Naked).	14
	BALD
	BANANA	BANANA: Hold banana perpendicularly in left hand and with right hand pull down the peeling from the sides.	14
	BANANA
	BAPTISM	BAPTISM: Right vertical "W" palm leftward, with index at corner of mouth and then raised over head and tilted as if pouring water on the head.	15
	BAPTISM
	BARK	BARK: Both hands, palm to palm, fingers pointing outward, tips moved apart and together again to show the opening and closing of the dog's mouth, hands held near the mouth.	15
	BARK
	BARREL	BARREL: Right closed hand as hammer to strike the left closed hand as it moves around on the hoop.	15
	BARREL
	BASKET	BASKET: Right index tip traces handle of basket hanging from left arm.	15
	BASKET
	BEANS	GRAIN: Right thumb and index measuring the size of the grain on the tip of the left index. (General sign for all grains).	67
	GRAIN
	BEAR	BEAR: Arms crossed on breast and fingers scratching at the arms near the shoulders.	16
	BEAR
	BEARD	BEARD: Natural sign as if stroking a large beard.	16
	BEARD
	BEAUTIFUL	BEAUTIFUL: Right hand finger tips, palm inward, passed down over the face and closed when brought to lips then ending with a slight upward curve to the right. (Pretty) (Fair) (Handsome).	16
	BEAUTIFUL
	BECKON	NECESSITY: Both supine hands frontwards, fingers bent upwards and moved in and out as if beckoning. (Need) (Use) (Useful) ("Must" is very generally used for "Need" or "Necessity").	97
	NECESSITY
	BECOME	BECOME: Both hands, fingers pointing outward, palm towards palm, right hand prone and left hand supine below then reversed to left hand prone above and right hand supine below.	16
	BECOME
	BEE	BEE: Pinch cheek with index and thumb and then brush cheek with forward motion of open hand finger tips.	17
	BEE
	BEER	BEER: Thumb tip of right vertical "Y" tossed to the lips as if drinking from a bottle, palm leftward. (Drink liquor) ("Beer" and right vertical forearm swaying back and forth will denote "drunkenness").	17
	BEER
	BEFORE	BEFORE (Time): Both vertical hands held in front, back to back, left palm frontwards and right palm inward, right palm moved back towards and over shoulder.	17
	BEFORE (time)
	BEFORE	BEHIND (Time): Both hands vertical held in front, back to back, left palm inward and right palm outward, right hand alone moved forward. (This sign has the sense of "After" "Future" or "Next").	18
	BEHIND (time)
	BEG	BEG: Right supine palm, fingers pointing outward, move in little jerks from left to right as if extended to beg. (Ask alms).	17
	BEG
	BEGIN	BEGIN: Right index tip turned in between left index and middle as if it were a screw. (Commence).	18
	BEGIN
	BEHIND	BET: Both "A" hands thumbs upward, side by side, right hand brought around to back of left hand. (Behind) (Evade).	19
	BET
	BELIEVE	BELIEVE: Right vertical index, palm leftward, moved straight out from the lips to clasped hands, or right index tip from the forehead to clasped hands. (Faith) (Fidelity) (Truth) (Trust) (Confidence).	18
	BELIEVE
	BENEDICTION	BENEDICTION: Make the sign of the cross with both hands holding the Monstrance.	18
	BENEDICTION
	BEST	BEST: "Est" added to "Good" denotes "Best".	66
	BEST
	BETRAY	DECEIVE: "Y" on both hands, palms down, extended to the left tandem wise, and right hand glides slowly outward along back of left hand as the left hand is withdrawn toward body. (Hypocrite).	43
	DECEIVE
	BETTER	BETTER: "Er" added to "Good" denotes "Better".	66
	BETTER
	BETWEEN	BETWEEN: Right palm edgewise, palm inward placed between index and thumb of left hand left fingers pointing outward and left palm upwards to the right.	19
	BETWEEN
	BEYOND	BEYOND: Point out over object previously signed.	19
	BEYOND
	BIRD	BEAK: Right hand vertical, back of hand against lips, and index and thumb tips opening and closing to represent beak of bird, other fingers closed.	16
	BEAK
	BIRD~cl:B(chop-off-head)	CHICKEN: Right thumb and index pointing out from mouth for "Beak" and right palm over shoulder pointing to neck, struck forward to show the stroke of hatchet used to chop off the head.	30
	CHICKEN
	BISHOP	BISHOP: Kiss the ring on finger.	20
	BISHOP
	BLACK	BLACK: Rub right index tip across eyebrow towards the right, palm inward.	20
	BLACK
	BLACK~CLOUD	CLOUD: Right index tip drawn along the brow for "Black" and open hand raised and moved around to indicate the rolling of the clouds.	32
	CLOUD
	BLACK~CLOUD(1h)	SMOKE: "Black" and right vertical fingers upwards in spirals. (Smoke a cigar: Right vertical "V" fingers, palm inward, as if holding a cigar).	126
	SMOKE
	BLAME	ACCUSE: Right "A" hand, thumb upward, resting on the back of prone left hand, and then right hand is thrown at person accused.	5
	ACCUSE
	BLAME	BLAME: Right "A" hand, thumb upward, resting on the back of prone left hand, left fingers pointing rightward. (Fault) (Found) (Cause) (Establish) (Foundation).	20
	BLAME
	BLESS	BLESS: Both elevated prone "A" hands brought down onto head of person to be blessed, hands opening as they descend.	20
	BLESS
	BLIND	BLIND: Tips of right "V" hand, palm inward, drawn downward over closed eyelids.	21
	BLIND
	BLUE	BLUE: Right "B" hand, fingers pointing frontward, shaken right and left horizontally, palm leftward.	21
	BLUE
	BOAT	BOAT: Both hands horizontal, tips of fingers, lower edges and heels of palm touching to show form of boat, and forward motion as if over the waves.	22
	BOAT
	BODY	BODY: Open hands, palm inward, placed on upper part of body and then on lower trunk.	22
	BODY
	BONE	BONE: Point index tip to teeth with striking motion, or point to prominent knuckles of closed left hand.	22
	BONE
	BONE~STATUE	STATUE: "Bone" or "Stone" and the little finger tips of both "I" hands trace a form in the air.	130
	STATUE
	BOOK	BOOK: Hands palm to palm and then opened as if they were a book.	22
	BOOK
	BORN	BIRTH: Both hands on lower trunk of body at side, palms inward, left fingers pointing rightward and right fingers pointing leftward, right palm back of left hand, then both hands turned upward and outward to supine. (Womb) (Born).	20
	BIRTH
	BORN~DAY	BIRTHDAY: Pluck left sleeve above elbow with right thumb and index; or, "Birth" and right vertical "D" palm outward brought from right side up-over-down to left side.	19
	BIRTHDAY
	BOTH	BOTH: Right vertical "V" palm inward, brought down between thumb and fingers of left horizontal "C" hand, which closes as right passes through. The right "V" becomes "U" in a little curve to the right after passing through the left.	23
	BOTH
	BOTTOM	BOTTOM: Right index pointing down at the side circled outward-rightward-inward-leftward as the hand goes gradually lower until bottom is supposed to be reached by the stopping of the hand. (Large slow movements indicate greater depth.)	23
	BOTTOM
	BRAVE	BRAVE: Both hands taking oneself as if by the lapel of coat and then pulling oneself forward. (Courageous).	23
	BRAVE
	BREAD	BREAD: Left palm against body, pointing to shoulder, right palm rightward and fingers pointing upward, moved up and down across back of left hand as if the little finger edge were cutting the bread.	23
	BREAD
	BREAK	BREAK: Both hands as if breaking a stick.	23
	BREAK
	BREATHE	BREATHE: Both hands palms inward, moved in and out before the chest to simulate breathing.	24
	BREATHE
	BRIDGE	BRIDGE: Left arm held out horizontally as if road of bridge, and right vertical "V" stuck up against bottom of forearm and then against bottom of upper arm to represent the four main supports of the bridge.	24
	BRIDGE
	BRIGHT	BRIGHT: Right "&" finger tips at corner of eye, fingers oscillate as hand moves off to the right. (Glistening) (Shining) (Light) (Glory) (Glorious).	24
	BRIGHT
	BRING	CARRY: Both hands at left side, palms upward, brought from left to right as if carrying something. (Bear) (Bring) (Serve) (Convey) (Wait on).	28
	CARRY
	BROTHER	BROTHER: Thumb of right "A" hand touched to temple, and then sign "As."	24
	BROTHER
	BROWN	BROWN: Prone "R" fingers of open hand pointing outward shaken with twisting motion.	24
	BROWN
	BUILD	BUILD: Right palm on back of left hand and then left withdrawn and placed on right hand, hands higher, as building progresses, fingers of hands pointing in opposite directions.	24
	BUILD
	BUSINESS	BUSINESS: Heel of right vertical "B" placed on back of left prone closed hand.	25
	BUSINESS
	BUT	BUT: Both indices of prone hands pointing outward side by side and separated to the sides. (On the contrary) (Although) (However).	25
	BUT
	BUTTER	BUTTER: Right index and middle used as knife to spread butter on the palm of the left hand.	25
	BUTTER
	BUTTERFLY	BUTTERFLY: Both hands crossed at the wrists, palms inward fingers pointing upward, thumbs interlocked, and fingers oscillating.	25
	BUTTERFLY
	BUTTON	BUTTON: Right index and thumb tips joined and placed on several button holes of the coat.	25
	BUTTON
	CABBAGE	CABBAGE: Both closed vertical hands struck in against sides of head, palms facing head.	25
	CABBAGE
	CAKE	CAKE: Right inverted finger tips as if holding cover of can to cut the cakes. (Biscuit: "Hot" "Cakes").	26
	CAKE
	CAMEL	CAMEL: Right supine "C" in front of neck, moved out and up as if under camel's neck.	26
	CAMEL
	CAN	CAN: Both closed hands horizontal, palm towards palm, forced down a few inches with a jerk. (Possible) (Able) (Ability).	26
	CAN
	CANDLE	CANDLE: Blow on the tip of the right vertical index as if to extinguish candle.	27
	CANDLE
	CANT	CAN'T: Left index pointing to the right, palm inward and right index, palm leftward, struck down onto and past left index which rises again. (Impossible).	27
	CAN'T
	CAPTAIN	CAPTAIN: Right index and thumb traces the epaulets on the left arm.	27
	CAPTAIN
	CARDS	CARDS: As if dealing the cards.	27
	CARDS
	CAREFUL~DAY	Feast day: "Care" and vertical "D" moved from right side-up rightward and down to left side.	27
	FEAST DAY
	CARELESS	CARELESS: Right vertical "V" palm outward, shaken from right to left before the eyes. (Heedless).	28
	CARELESS
	CAT	CAT: Joined indices and thumb tips at either side of mouth as if pulling at the whiskers of cat.	28
	CAT
	CATHOLIC	CATHOLIC: Tips of right index and middle, palm inward, trace a cross before the face.	28
	CATHOLIC
	CATHOLIC~cl:D(chop-off-head)	MARTYR: "Catholic" and right palm, fingers pointing to back of neck and prone, is struck forward as if an ax to cut off the head.	90
	MARTYR
	CELEBRATE	EXULTATION: Right hand as if holding a flag up straight over the head and waving it. (Victory) (Win).	56
	EXULTATION
	CELEBRATE	VICTORY: Right hand as if waving a flag above the head in triumph. (Triumph) (Win).	142
	VICTORY
	CENTER	CENTER: Right hand tips trace a circle over the supine left and then point out the center.	29
	CENTER
	CHAINS	CHAIN: Thumb and index of both hands, joined as if links, separating and joining repeatedly, as hands move rightward, reversing also so that one thumb is up and then the other. (Sentence) (Language).	29
	CHAIN
	CHANGE	CHANGE: Both closed hands, thumbs up, extended horizontally, then both hands change places by crossing at the wrists so that hands are then back to back. (Instead).	29
	CHANGE
	CHARACTER	CHARACTER: Right vertical "C" placed on heart, palm leftward.	29
	CHARACTER
	CHARGE	FINE (Tax): Back of right tips tapped in left palm for "Money" then bent right index, palm in, drawn down left palm. (Charge) (Dock).	59
	FINE (tax)
	CHEESE	CHEESE: Both palms pressed together and pulled apart as if sticky, and right horizontal "Y" shaken at side for "Yellow."	30
	CHEESE
	CHICKEN-POX	CHICKEN-POX: Right index and thumb plucking at right cheek in several places.	30
	CHICKEN-POX
	CHURCH	CHURCH: Right vertical "C" hand resting on back of left closed prone hand.	31
	CHURCH
	CITY	CITY: Hands pointing upward, palms apart, but tips touching repeatedly, as hands move from right to left, to represent succession of gable end of houses.	31
	CITY
	cl-d-trace:C(profile)	PICTURE: Right "C" hand palm leftward placed so that the index hangs on the nose.	107
	PICTURE
	cl-d:55(ocean)	WAVE: Both prone hands moved sidewise tandem over the surface of the waves.	145
	WAVE
	cl-d:BB(increase)	INCREASE: Palms separated up and down or to the sides to show increase. (Amplify) (Expand).	78
	INCREASE
	cl-i:XxXx(coach-ride)	WAGON: Both hands as if holding reins. (Drive).	143
	WAGON
	cl-p:55(gather)	CROWD: Both hands horizontal, palms down and fingers pointing frontwards, fingers oscillate as hands move forward. (The slower the hands move and the greater the oscillation the greater the crowd.)	38
	CROWD
	cl-trace:1(bind-wrist)~HABIT	FETTER: Right index traces manacle around the wrist, and left index does the same to wrist of right, then both closed hands crossed at wrists as if bound together.	58
	FETTER
	cl-trace:1>O>5(sunshine)	SUN: Spell, or, right vertical index traces the sun's disc, in the sky, and right "&" hand, fingers pointing away from the disc, are opened as the hand descends. (Sunrise and sunset indicate the rising or setting). (Sun light).	132
	SUN
	cl:11(4-table-legs)~cl-d:BB(table-top)	TABLE: Both inverted indices pointing first two legs of table and then other two, and both prone palms moved from center to sides to show top of table.	133
	TABLE
	cl:55(branches-hanging-arched)	BRANCH: Right arm resting lower on left hand and shaken.	139
	BRANCH
	cl:B(small-height)	LOW (stature): Prone palm lowered at side.	89
	LOW (stature)
	cl:LEG(hops-from-place-to-place)	JUMP: Right inverted "V" fingers standing on left supine palm are bent as if at knees, and made to jump off the left palm.	82
	JUMP
	cl:LEGSonB(ride-horse)	RIDE: Right inverted "V" fingers astride left "B," palm of left hand rightward, and both hands moved to represent the galloping of horse and rider.	116
	RIDE
	CLEAR	CLEAR: Tips of both "&" hands at corner of eyes, then briskly darted forward, fingers opening at same time. (Plain).	31
	CLEAR
	CLIMB	CLIMB: Both vertical "V" hands, palms out from body, one hand above the other, and "V" fingers bending repeatedly as hands go up or down. (Ladder) (Ascend or Descend ladder or stairs) (Stairs).	32
	CLIMB
	CLOTHES	DRESS: Brush hands down lightly over clothing palms inward.	48
	DRESS
	CLOTHESPIN	CLOTHESPIN: Left index pointing rightward and right inverted "V" fingers palm rightward, placed astride the left index. ("Pin clothes on a line": The sign for "Clothespin" is made repeatedly as the hands move from right to left).	108
	CLOTHESPIN
	COCK	ROOSTER: Right vertical hand, palm leftward, thumb tip on forehead, index and middle spread upwards, other fingers closed.	117
	ROOSTER
	COFFEE	COFFEE: Right hand closed, moved around in circle on left closed hand to show turning of coffee mill.	32
	COFFEE
	COLD	COLD: Both fists horizontal and shaken as if from the cold. (Winter).	32
	COLD
	COLLECT	EARN: Right bent hand, palm leftward, is drawn in several times across the left supine palm, as if scraping something off left palm. (Gain).	50
	EARN
	COLLIDE	COLLIDE: Bent knuckles of "V" hands, palms inward, struck together from the sides. (Obstacle) (Hindrance) (Difficulty) (Wreck) (Run up against).	32
	COLLIDE
	COLOGNE	COLOGNE: Closed right to nostrils as if smelling perfume and then as if shaking perfume from the bottle to clothes.	33
	COLOGNE
	COLOR	COLOR: Tips of right "B" hand prone moved on left supine palm as if mixing colors.	33
	COLOR
	COME	COME: Indices upward, palms towards body, and indices moved toward body as if beckoning.	33
	COME
	COMFORT	PEACE: Right hand grasps the left as if to shake it and the left hand grasps the right.	105
	PEACE
	COMFORT	CONSOLE: Right palm placed on the back of left hand and moved toward finger tips and then left palm on the back of the right hand moved in the same way. (Comfortable).	35
	CONSOLE
	COMPARE	COMPARE: Hold out hands in horizontal plane, palms upward, and then draw one against the other, looking at the same as if comparing. (Contrast).	33
	COMPARE
	CONCEIVE	CONCEIVE: Right "&" hand above head, fingers pointing down, left "&" hand before body, fingers pointing upward, all fingers open as hands are brought together.	34
	CONCEIVE
	CONFESSION	CONFESSION: Indicate unburdening of the bosom by placing both palms on the breast and raising them up and out to supine. For sacramental confession, add the grating by crossing open fingers at side of face, palms inward. (Sometimes "grating" alone is used.)	34
	CONFESSION
	CONFIRMATION~gs:pat-cheek	CONFIRMATION: With fleshy side of thumb trace cross on forehead and slap right cheek with open palm.	34
	CONFIRMATION
	CONSECRATION	CONSECRATION (In Mass): Bow the head and strike breast.	34
	CONSECRATION
	CONSUMPTION	CONSUMPTION: Right index finger tip to the lips and then passed up the center of the chest several times to indicate the spitting of blood.	35
	CONSUMPTION
	CONTAGIOUS	CONTAGIOUS: Left palm toward body, fingers pointing rightward and moved from right to left whilst right finger tips are continually touching back of left hand and moving outward as if giving off.	35
	CONTAGIOUS
	CONTEST	RACE: Both hands as in "accompany" but the hands are pushed ahead and backward alternately. (Contest) (Rivalry) (Rival).	114
	RACE
	CONTINUE	CONTINUE: Both closed hands horizontal, palm toward palm, and right thumb holding down left thumb nail and both hands move forward. (Persist) (Persevere).	35
	CONTINUE
	CONTRIBUTE	CONTRIBUTE: Right hand dropping an imaginary coin into the left "O" hand, and then left hand dropping imaginary coin into right "O" hand.	35
	CONTRIBUTE
	COOK	COOK: Left supine palm as if griddle, right supine hand shoved onto the left palm, lifted up and turned over to palm down on left palm, as in the turning of a pancake. (Kitchen).	36
	COOK
	COPY	COPY: Left hand vertical, palm slightly inward, right fingers of outward vertical palm grasp something, and turn and place that something on left palm. (Imitate).	36
	COPY
	CORN	CORN: Left index as the cob, and right hand as if rubbing the grains of corn off cob.	36
	CORN
	CORRECT	PERFECT: Indices extended frontward, right hand on the left, right palm leftward and left palm rightward; or, middle tips of vertical "P" hands struck together, palm towards palm. (The showing of an effort to make indices exactly parallel in the first sign indicates "Exact").	106
	PERFECT
	CORRESPOND	CORRESPOND: Both "&" hands vertical before the face right palm outward and left palm inward fingers open as hands pass, right from the body and left toward the body.	36
	CORRESPOND
	COUGH	COUGH: Right "V" tips, palm downward, struck into side of neck.	37
	COUGH
	COUGH~PNEUMONIA	PNEUMONIA: Right prone "V" tips stuck into the throat and then finger tips of bent hands moved up and down on the sides of the chest.	109
	PNEUMONIA
	COUNTRY	COUNTRY: Right palm rubbed around under the left elbow, left forearm pointing upward to left.	37
	COUNTRY
	COUSIN	COUSIN (female): Right vertical "C" moved at side of cheek, palm outward. (COUSIN (male): Same sign made at side of temple.) (AFFINITY or RELATIONSHIP: Right vertical "C" is shaken as it moves from temple to cheek.)	37
	COUSIN
	COW	COW: Thumb tip of right vertical "Y" hand placed at side of forehead, palm forward.	37
	COW
	CRACKER	CRACKER: Right closed fist struck several times against the end of elbow of left forearm, which points upward, right palm prone.	37
	CRACKER
	CRAZY	CRAZY: Bent separated right fingers, palm inward, forming circles before the forehead, from right to left; or right index tip to forehead, palm inward, and then right inverted index whirling around left vertical index which also is whirling. (Queer) (Insane).	38
	CRAZY
	CREAM	CREAM: Right inverted "C" hand moved as if skimming the cream from the surface of the milk.	37
	CREAM
	CRITICIZE	CORRECT: Right index tip makes lines on left supine palm as if crossing out mistakes. (Criticise) (Find fault).	36
	CORRECT
	CROSS	CROSS: Trace cross with right "C" hand, thumb and index following edge of beam. (Crucifix: "Cross" "Jesus" and outstretched arms).	38
	CROSS
	CROWN	CROWN: Separated bent fingers of right hand show crown as tips of fingers rest on crown of head.	39
	CROWN
	CRUCIFY	CRUCIFY: Indicate driving of nails by placing index tip of right on left palm and strike left palm with right fist, show same for right palm, and then hold hands outstretched in form of cross.	39
	CRUCIFY
	CRUEL	CRUEL: Right"X" hand struck on thumb of left "X" hand with forward motion, right palm leftward, and left palm right ward. (Torment) (Persecute) (Same sign struck little or rubbed lightly denotes "Tease").	39
	CRUEL
	CRY	CRY: Tips of indices trace course of tears down the cheeks. (Weep).	39
	CRY
	CURSE	CURSE (Blaspheme): Right hand as if taking something from mouth and throwing it heavenward.	40
	CURSE
	CUT	CUT: Right index cutting across left index. (Knife).	40
	CUT
	DAD	FATHER: Thumb of right hand touching temple, palm outward and fingers pointing upward.	57
	FATHER
	DAD~gs:hold-baby-higher	GRANDFATHER: "Father" and right supine elevated at side, left supine also raised but some what lower.	68
	GRANDFATHER
	DAILY	DAILY: Rub knuckles of closed right hand backwards and forwards on the cheek, palm towards face.	40
	DAILY
	DANCE	DANCE: Right inverted "V" hand swung to and fro over left supine palm.	41
	DANCE
	DARK	DARK: Pass vertical hands, palms inward, across the face from sides until hands are crossed at wrists. (Night).	41
	DARK
	DARN	DARN: Both hands prone, left fingers pointing outward, and right fingers pushed across and through left fingers to show the crossing of the threads.	41
	DARN
	DAUGHTER	DAUGHTER: Thumb tip of right "A" hand on the lower part of cheek and then open right hand placed in the crook of left arm as if it were a child.	41
	DAUGHTER
	DAY	DAY: Right vertical "D" raised from right side up over and down to left side. (This repeated means "Daily).	41
	DAY
	DAZZLE	DAZZLE: Directing eyes towards light giving object, close them quickly and ward off the rays of light by the vertical open palms out towards the object.	42
	DAZZLE
	DEAF	DEAF-MUTE: Right index tip to ear and then to closed lips.	42
	DEAF-MUTE
	DEBATE	DEBATE: Right index struck several times onto the left supine palm and then left index struck several times onto the right supine palm. (Argue) (Discuss: First half of the above sign).	42
	DEBATE
	DECORATE	DECORATE: With both "C" hands at either side of the head, palms outward, move them to either side and downward in successive curves as if following the direction of drapery. (Trim) (Adorn) (Ornament).	43
	DECORATE
	DECREASE	LESS: "Abstain" or both palms brought towards each other with a few jerks.	86
	LESS
	DECREASE	DECREASE: Palms brought together from above and below, or from the sides to show decrease. (Condense) (Make brief).	43
	DECREASE
	DEER	DEER: Both spread hands to represent antlers, palm outward and vertical, thumb tips at sides of head.	43
	DEER
	DEFEAT-1P	CONQUER: Both "A" hands horizontal, thumbs upward, right moves over and down on left pushing left over with itself. (Overcome) (Defeat) (Beat).	34
	CONQUER
	DELICIOUS	DELICIOUS: Draw extremity of right finger tips up across the lips as if licking them one after the other, palm inward and vertical. (Excellent).	43
	DELICIOUS
	DEPEND	DEPEND: Left hand pointing outward, palm rightward, and then right bent index hanging on upper edge of left hand.	44
	DEPEND
	DESCEND	DESCEND: Both inverted indices before the body and moved down frontwards to the right.	44
	DESCEND
	DESPISE	DESPISE: Both palms outward to one side, thumb tips holding middle tips, middles released and face averted. (Detest) (Contempt) (Scorn).	44
	DESPISE
	DET-IX	THE: Right index pointing outward, dropped several inches.	135
	THE
	DET-IX	THIS: Right index points to something near.	136
	THIS
	DET-IX-PL	THESE: Right index points to several things near.	136
	THESE
	DET-IX-PL(apport)	THOSE, THEY: Right index point to several things distant.	137
	THOSE, THEY
	DETERIORATE	NOT-IMPROVE: Same as preceding sign, but the stages of motion are made from near the elbow downwards towards the wrist. (To become worse) (Deterioration) (Decline) (Relapse).	78
	NOT IMPROVE
	DEVIATE	DEVIATE: Both prone indices side by side and pointing frontwards, right hand moved frontward along side of left and then suddenly diverted rightward. (Deflect) (Run off the track).	45
	DEVIATE
	DEVIL	DEVIL: Right and left bent indices and middles towards sides of head to represent horns. (Satan) (Demon).	45
	DEVIL
	DIE	DIE: Prone hands tandem pointing to one side, both hands turned till fingers become supine. (Wish to die a happy death - Wish happy death). If the turning of the hands be done hesitatingly, "dying" will be understood and the completion of dying will be indicated by final emphatic upturning of hands or by adding signs for "Finish." (Right hand alone is often used.) (Death).	45
	DIE
	DIE~BURY	FUNERAL: "Die" and "&" hands pointing down and lowered, then both prone hands as if resting on mound, fingers pointing lengthwise on the grave, drawn in towards body to show finished mound. (Bury) (Sometimes procession is indicated by vertical tandem "V" hands, moved as if marching one behind the other.)	63
	FUNERAL
	DIE~BURY	GRAVE: Both prone hands as if on the mound of the grave, fingers pointing along the grave, and hands drawn towards body as if over the length of the grave.	68
	GRAVE
	DIRTY	DIRTY: Right prone fingers pointing leftward, oscillated under the chin. (Soiled) (Stain) (Impure) (Immodest) (Nasty) (Immoral).	46
	DIRTY
	DISBELIEVE	DON'T BELIEVE: Bent right index and middle astride the nose, and bending repeatedly as if scratching the eyelids or pulling them down. (Distrust) (Incredulity).	18
	DON'T BELIEVE
	DISSATISFIED	DON'T CARE FOR: Fingers spread on chest and body moved slightly from right to left as if recoiling from something, look of disgust. (Detest) (Displeased) (Don't like) (Discontented).	28
	DON'T CARE FOR
	DISSATISFIED	DISPLEASED: Open hand placed on chest and body moved slightly from right to left as if recoiling from something, face expressive of disgust. (Don't care for) (Detest) (Don't like) (Discontented).	46
	DISPLEASED
	DISTRIBUTE	SPREAD: Both "&" hands tips together, hands supine, right hand pointing leftward and left hand pointing rightward, and both hands moved up-out to sides, hands opening as they go. (Generous) (Distribute) (Scatter).	129
	SPREAD
	DIVORCE	DIVORCE: Clasp hands then link joined indices and thumbs and tear apart. (Clasping of hands often omitted).	46
	DIVORCE
	DO	ACTION: Both hands prone before body, fingers pointing downward, and both hands moved first to one side and then to the other. (Actual) (Do) (Conduct) (Deed) (Actual Grace "Help" "Grace")	6
	ACTION
	DOCTOR	DOCTOR: Index tip of right "D" hand on left pulse.	47
	DOCTOR
	DOLLAR	DOLLAR: Right index and thumb tips trace edges of dollar bill lengthwise on left supine palm; or, left palm edgewise, fingers pointing rightward, and right hand placed over upper edge of left hand so that right fingers are against left back and right thumb against left palm, then right hand drawn rightward rubbed off end of left fingers. (Bills).	47
	DOLLAR
	DONKEY	MULE: Thumbs of both hands at temples, palms outward and vertical, hands bent forward and backward. (Donkey) (Stubborn).	95
	MULE
	DONT-CARE	DON'T CARE: Tips of right "&" hand to forehead and then thrown to right with quick movement to palm outward.	28
	DON'T CARE
	DONT-KNOW	DON'T KNOW: Right finger tips against the forehead as in know, and then hand turned quickly to palm outward.	83
	DON'T KNOW
	DONT-WANT	DON'T WANT: Same sign as preceding sign but both hands turned suddenly prone without being drawn to body.	44
	DON'T WANT
	DOOR	DOOR: Both hands vertical, palms outward and index edges touching (Separate the hands for "Open the door" and bring them together for "Close the door").	47
	DOOR
	DOUGHNUT	DOUGHNUT: Right "R" tips between teeth.	47
	DOUGHNUT
	DRAMA	ENTERTAINMENT: Both vertical palms frontward and moved up and down alternately. (Show) (Drama).	53
	ENTERTAINMENT
	DRAW	DRAW: Imitate drawing on the left supine palm with tip of the right "I" little finger.	47
	DRAW
	DREAM	DISTRACTION: Right index tip palm inward applied to forehead, and then moved frontward and wiggled as hand moves off to the right. (Inattention) (Dreaming) (Imagination).	46
	DISTRACTION
	DRINK	DRINK: Right "O" hand as a cup from which to drink.	48
	DRINK
	DROWN	DROWN: Right vertical "V" brought down with shaking movement through left horizontal "C" hand, left palm rightward and right palm leftward.	48
	DROWN
	DRY	DRY: Right bent index drawn across lips from left to right, palm downward. (Thirsty) (Drought) (Same sign across the forehead indicates "Summer"). (Warm weather).	48
	DRY
	DUCK	DUCK: Right index and middle on thumb tip at the mouth, palm outward, to indicate "Bill" and hand wobbled slightly to show gait of duck. (Goose: Same sign without the wobbling of the hand, sometimes the hand in "Goose" goes up and out from the mouth to indicate the long neck of the bird.)	48
	DUCK
	DULL(edge)	DULL: Left hand horizontal edgewise, fingers pointing outward, palm rightward, right edgewise hand, fingers pointing leftward, struck up against lower edge of left hand. (Stupid) (Slow).	49
	DULL
	DURING	DURING: Indices near body, pointing downward and outward, palms downward, both indices pushed from body downward and outward. (While) (Meantime).	48
	DURING
	DUTY	DUTY: Right vertical "D" palm outward, resting on the back of left closed prone hand.	49
	DUTY
	EACH	EACH: Right "A" hand, palm leftward, knuckles resting on the thumb of left "A" hand, both thumbs pointing outward, right hand repeatedly struck down onto left as thumbs point in various directions from right to left. (Sometimes "Each" is expressed by the right vertical "E," palm outward, moved in shaking line from left across to the right).	49
	EACH
	EARLY	EARLY: Left forearm supine, pointing outward, and right hand supine, pointing leftward into crook of left elbow. (Often the sign for "Quick" is made, as hand moves to elbow, by shooting thumb off index as in the shooting of a marble).	49
	EARLY
	EARRING~YELLOW	GOLD: Right index and thumb pinch lobe of ear and then right "Y" horizontal and palm leftward, is shaken for "Yellow." (California).	67
	GOLD
	EARTH	EARTH (planet): Left hand closed, palm downward, and right thumb and middle of open hand forming a semicircle, as if the tips were holding the ends of an axis in the left hand, left hand moved slightly to indicate revolving on axis.	50
	EARTH (planet)
	EARTH~BREAK	EARTHQUAKE: "Earth" and "Break" made so that the hands are upward at end of sign.	50
	EARTHQUAKE
	EAST	EAST: Right vertical "E" thrown towards East.	50
	EAST
	EASY	EASY: Palm of right fingers brushed lightly against back of left fingers which are bent upwards from supine left, right palm leftward.	51
	EASY
	EAT	EAT: Right "&" tips placed repeatedly at the lips. (Food) (Gluttony: Same sign with both hands as if crowding things down the throat) (Feed: Both "&" hand tips against chest then moved up-out-down-to supine, and "Eat").	51
	EAT
	EGG	EGG: Right index and middle struck onto left index and middle, both hands being edgewise, after striking, the hands are separated to the sides in an upward-sideward-downward semicircle.	51
	EGG
	ELEVATOR	ELEVATOR: Right inverted "V" tips standing on left supine palm and both hands elevated.	51
	ELEVATOR
	EMBARRASSED	EMBARRASSED: Both "&" hands with tips against the cheeks, and fingers extended upwards along the face as if blushing to roots of hair.	51
	EMBARRASSED
	EMPEROR	EMPEROR: Right vertical "E" palm leftward moved from left shoulder down to right hip. (King: "K" in similar manner). (Queen: "Q" in similar manner). (Lord: "L" in similar manner).	52
	EMPEROR
	END	FINISH: Right hand palm leftward placed across wrist of left hand whose palm is inward toward the right; right hand is moved along edge of left hand to end of fingers and then straight down.	59
	FINISH (2)
	ENOUGH	ENOUGH: Closed left hand horizontal, palm rightward, right prone palm pushed out over the left as if smoothing off a measure evenly full. (Full) (Too) (Plenty) (Excessive) (Grievous).	53
	ENOUGH
	ENTER	INTO: "In" but the "&" hand is pushed down through the left "O" hand.	80
	INTO
	ENTHUSIASTIC	ANXIOUS: Both hands, palm to palm, fingers pointing outward, rubbed back and forwards together. (Ambition) (Ardent) (Zealous) (Desirious) (Earnest) (Industrious).	10
	ANXIOUS
	ENVY	ENVY: "Jealous" and both supine horizontal bent hands drawn in, to oneself. (Covet).	53
	ENVY
	ENVY	JEALOUS: Index tip placed between the teeth as if being bitten, palm inward.	81
	JEALOUS
	EPISCOPAL	EPISCOPALIAN: Right index horizontal pointing leftward passed outward-downward-inward from wrist of vertical left forearm to under left elbow.	53
	EPISCOPALIAN
	ETERNITY	EVER: Right vertical "E" at right side, circled up-right-down-left several times. (The oftener the circle is made, the larger and slower the motion, the longer duration is indicated). (Forever) (Eternity).	54
	EVER
	EUCHARIST	COMMUNION (Blessed Sacrament): Right thumb and index place Sacred Host on tips of tongue. (Eucharist).	33
	COMMUNION (blessed sacrament)
	EXACT	EXACT: Right thumb and index tips joined and struck down against joined left thumb and index tips, right palm down and left palm upward, taking care to make the tips strike evenly.	54
	EXACT
	EXPENSIVE	DEAR (Costly): Back of finger tips in the left palm for "money" and then flipped up and off to the right, or simply lifted upwards to show heap of money. (Expensive) (Valuable) (Cheap: "Money" and palm turned prone and down onto left for "Little").	42
	DEAR (costly)
	EXTREME-UNCTION	EXTREME UNCTION: Trace sign of cross over the eyes with fleshy side of thumb.	55
	EXTREME UNCTION
	FADE-AWAY	FADE (Melt or vanish): Both open hands, palms inward and fingers pointing upward, lowered to the sides as hands gradually become "&" hands. (Die out) (Dissolve).	56
	FADE
	FAIR	JUSTICE: Both hands with joined thumb and index tips, other fingers pointing outward, and palm towards palm, moved from the sides to make the joined tips of one hand meet the joined tips of the other.	82
	JUSTICE
	FALL	FALL: Right inverted "V" tips on left supine palm, and then falling off to one side. (To have one's feet knocked out from under oneself, the right "V" falls prone on left palm, fingers pointing up and out).	56
	FALL
	FALSE	FALSE: Right vertical index pushed across the lips from right to left.	57
	FALSE
	FANCY	FINE (Nice): Right palm leftward, fingers vertical and spread, and thumb tip against chest. (Polite) (Courteous).	59
	FINE (nice)
	FAR	FAR: Both "A" hands, thumbs up, moved apart to the sides. (The slower and more tense the movement the greater the distance indicated.)	57
	FAR
	FASCINATE	YIELD: Thumb tips and index tips of both open hands joined, the right before the face and as if to take hold of nose, and the left before the chest. Both hands drawn frontward, and body showing an inclination to follow. (Fascinate) (Eyes may show fascination by object).	152
	YIELD
	FAST(religious)	FAST (From food): "Eat" and make a cross on the lips with the thumb of the right "A" hand, palm inward.	57
	FAST
	FAT	FAT: Indicate fat cheeks by holding open bent hand or hands before the cheeks, palms inward. (Sometimes cheeks are inflated at same time).	57
	FAT
	FATHER-IN-LAW	FATHER-IN-LAW: "Father" and right vertical "L" placed against left vertical palm, both palms out.	57
	FATHER-IN-LAW
	FAVOR	FAVORITE: Right index brought rapidly from forehead to tip of one of the left vertical fingers, left palm inward. (Favor) (Aspire) (Aim towards securing some object) (Prefer).	58
	FAVORITE
	FEAR	AFRAID: Body shrinking backward and both vertical palms outward as if to ward off the object both seen and feared. (Timid) (Fear) (Coward: "fear" "er").	7
	AFRAID
	FEEL	FEEL: Right middle tip of open hand, palm inward, drawn up across the heart, fingers pointing down. (Conscience) (Same sign with both hands alternately denotes "Worry" or "Excitement").	58
	FEEL
	FEEL~CONTENTED	CONTENTED: Right middle tip of open hand drawn upward over the heart and then both prone palms passed downward over the lower trunk.	35
	CONTENTED
	FEEL~PITY	MERCY: "Feel" then right palm outward and circled as if on the back of the person pitied. (Pity).	91
	MERCY
	FEEL~SATISFIED	SATISFIED: "Feel" with right hand drawn up chest till back of hand strikes chin.	120
	SATISFIED
	FEMALE~cl-d:B(height)	WOMAN: Thumb tip of right "A" hand on lower jaw and right prone hand shows height. (Women: same as above in first part but then right prone is passed along off to the right as if along the top of many heads).	149
	WOMAN
	FEMALE~cl-d:B(small-height)	GIRL: Right "A" hand thumb tip on lower cheek for "Female," and right prone to indicate height of child.	65
	GIRL
	FEMALE~MARRY	WIFE: Right vertical "A" hand thumb tip to lower jaw for "female" and "Marry."	148
	WIFE
	FEMALE~SAME	SISTER-IN-LAW: Right thumb tip of "A" hand at lower jaw and "Same" and "Law." (Sister: The first two parts of this sign).	124
	SISTER
	FENCE	FENCE: Tips of horizontal hands, palms inward, interlaced or dovetailed, drawn apart to sides. (When hands are drawn apart to sides, then inward and next together again by making heels of palms meet, the "Garden" or Field is indicated).	58
	FENCE
	FEW	FEW: Right "C" hand, palm upward, and right thumb tip drawn across the tips to little finger tip, fingers straighten as thumb passes. (Some) (Several) (Something).	58
	FEW
	FIGHT	FIGHT: Use fists as if striking one's face.	58
	FIGHT
	FIND	FIND: Right index and thumb extended down over left prone forearm, joined and brought up as if picking up something. (Choose) (Pick) (Discover) (Select).	59
	FIND
	FINE(very-small)	FINE (Very small): Right thumb and index tip rubbed together as if there were something between them that one can hardly see, hand vertical and palm outward.	59
	FINE (very small)
	FINISH	FINISH: Right horizontal bent hand, palm leftward, turned quickly to palm down. (Complete) (Done).	59
	FINISH (1)
	FIRE	FIRE: Palms inward, fingers spread and vertical fingers oscillate as they are raised up and down alternately. (Burn).	60
	FIRE
	FIRED	EXPEL: Fingers of left supine palm bent upwards, palm of fingers slightly to the left, the open right fingers pointing down and palm leftward, strike against back of left fingers, and fingers of left hand close. (This sign is also made by using indices only, instead of all fingers). (Discharge) (Banish).	55
	EXPEL
	FISH	FISH: Right hand palm leftward, fingers pointing outward, hand bent back and forth to show motion of fish's tail in water as hand comes toward body.	60
	FISH
	FLAG	FLAG: Right hand holds flag and waves it to and fro.	60
	FLAG
	FLEXIBLE	TIN: Right "&" fingers grasp the fingers of the left hand and bend them back and forth like a piece of tin, palms inward.	138
	TIN
	FLIRT	FLATTER: Open prone hands, thumbs touching hands elevated to height of lips as they move outward with oscillating fingers. (Flattery) (Flirt).	60
	FLATTER
	FLOAT	FLOAT: Right index and middle prone resting on left index and middle prone, and hands moved up and down as if floating.	60
	FLOAT
	FLOOR	FLOOR: Both "B" hands prone moved from right to left repeatedly striking right index edge against left index edge to show succession of boards.	60
	FLOOR
	FLOWER	FLOWER: Right "&" hand as if holding imaginary blossom, stem towards palm, passed from cheek to cheek before the nose.	61
	FLOWER
	FLY	FLY (as a bird): Imitate the flapping of the wings with both elevated prone hands at either side.	61
	FLY (as a bird)
	FOLLOW	FOLLOW: Both "A" hands, thumbs upward, tandem towards the left, left hand moves leftward and right hand follows. (Chase).	61
	FOLLOW
	FOOL	JOKE: Right bent index of "X" hand hooked over the nose to pull the nose down with a slight jerk. (Hoax) (Fool).	82
	JOKE
	FOR	FOR: Right index tip to forehead, palm inward, brought forward as palm turns from inward to outward. (Because).	61
	FOR
	FORBID	FORBID: Right horizontal index of the "L" hand thrown sidewise against the palm of vertical left hand, left palm rightward.	62
	FORBID
	FORGET	FORGET: Right "C" palm inward, thumb near right temple and four fingers near left temple; and fingers drawn across forehead to thumb, as hand apparently takes from mind.	62
	FORGET
	FORGIVE	EXCUSE: "Clean" but only the finger tips of right are applied to left palm.	55
	EXCUSE
	FOX	FOX: Vertical right "F" palm leftward grasps tip of nose between index finger and thumb tip and bends leftward as if twisting the nose. (Foxy) (Cunning) (Shrewd) (Sly).	62
	FOX
	FREE	DELIVER: Both hands closed, palms downward, crossed at the wrists as if manacled and then drawn apart to the sides as if breaking the bonds. (Free) (Relief) (Safe) (Save) (Redeem).	44
	DELIVER
	FRIDAY	FRIDAY: Right "F" vertical, palm outward, circled leftward-upward-rightward-downward.	62
	FRIDAY
	FRIEND	FRIEND: Right index, palm down, around left index, palm upward; and then the opposite. (Advocate) (Friendship).	63
	FRIEND
	FRIEND~OPPOSITE	ENEMY: Joined thumbs and indices linked and then torn apart to remain at either side pointing at each other threateningly ("Opponent" and not a charitable one).	52
	ENEMY
	FROM	FROM: Right index bent, palm inward, drawn upward and rightward from under the side of left prone index, which points outward.	64
	FROM
	FRUIT	FRUIT: Right "&" fingers, pointing upwards, pushed up through the horizontal left "O" and then opening out, left palm rightward. (Growing) (Spring up).	63
	FRUIT
	fs:NO	NO: Right index and middle of vertical hand resting on tip of thumb, palm outward, index and middle moved upward and then down on thumb tip. (Negation).	99
	NO
	fs:OF	OF: "O" hand, palm leftward, hand horizontal, flipped up to vertical "F" palm outward.	101
	OF
	FUNNY	FUNNY: Vertical middle and index tips of right hand palm inward, drawn down on tip of nose. (Comical) (Humorous).	64
	FUNNY
	FUTURE	FUTURE: Open right hand, palm leftward, fingers pointing outward and upward, moved forward into the future. (Shall) (Will) (Next) (Then) (After) (Afterwards) ("Always" "Future" denotes "Eternity" or "Forever").	64
	FUTURE
	GATHER	ASSEMBLY: Extended hands, palms outward, left fingers pointing leftward and right fingers pointing rightward, bring both hands together at the wrists and close in all fingers together. (Meeting) (Center).	12
	ASSEMBLY
	GENTLEMAN	GENTLEMAN: Right hand as if grasping peak of hat, or thumb tip of right "A" hand at temple to denote "Male," and then the sign for "Fine" meaning "Polite" (Lady: Thumb tip of right "A" hand on lower jaw and "Polite").	64
	GENTLEMAN
	GERMANY	GERMAN: Hands edgewise and crossed at wrists, sometimes the fingers are oscillated.	64
	GERMAN
	GET	GET: Closed left hand palm rightward, right open hand palm leftward, reaches out as if to gather in, and comes to rest closed on top of left hand. (Attain) (Obtain) (Take) (Accept) (Receive) (Catch). (When the finished sign is brought in towards the body it shows more clearly the idea of receiving or accepting).	64
	GET
	GET-UP	ARISE: Backs of right "V" fingers on left supine palm and then right inverted "V" tips on the left supine palm. (Get up) ("Stand up" from lying).	11
	ARISE
	GIVE	GIVE: Both "&" hands supine as if holding something between fingers and thumbs, moved forward-upward and down, fingers opening to point outward, giving something to another. (If it is to give to me, the sign is moved in the reverse direction, ending with closed "&" hands pointing to oneself.) ("Apply" i.e. In the sense of giving grace to soul.)	65
	GIVE
	GIVE-GIFT	PRESENT: Both "A" hands, thumbs pointing outward, as if holding something between them and the indices, and both hands brought down frontwards as if to place that something on the table. (Gift).	110
	PRESENT
	GLOVES	GLOVES: Pulling the gloves down on the fingers.	65
	GLOVES
	GO	GO: Both indices pointing downward and moved forward. (Depart). (Go up or ascend: the same hands moved frontward and upward) (Go down or descend: the same hands moved frontward and downwards.)	66
	GO
	GOAT	GOAT: Bent fingers of right vertical "V" hand, back against chin, and then to forehead and upward as fingers straighten.	66
	GOAT
	GOD	GOD: Right open palm points upward and then with a slight reverent flourish bend the wrist so hand becomes slightly prone. (Some merely point the index toward heaven, but this seems to be better used only when we refer to God as angry with sin.)	67
	GOD
	GONE	EMPTY: Right open vertical hand, palm inward, closing to "&" hand as it is drawn down through closing left "O" hand. (Bereft) (Disappear).	52
	EMPTY
	GOOD	GOOD: Flat of vertical fingers against lips and then moved forward becoming more and more supine. (For "Hello" or "Good-bye" and "Thank You": the hand moves further from the mouth and becomes more supine.) ("Er" and "Est" added to "Good" denotes "Better" or "Best").	66
	GOOD
	GOSSIP	CHATTING: Right thumb, index and middle extended from the mouth, left thumb, index and middle opposed pointing to mouth, indices and middles up and down on thumb tips, representing motion of two mouths talking at once. (Language).	29
	CHATTING
	GOSSIP	TALES: Right index and middle tip resting on thumb tip placed at corner of mouth, and as hand moves off to the right, the finger tips are moved up and down on thumb tip. (Complain) (Gossip) (Tell-Tale).	134
	TALES
	GOVERNMENT	GOVERN: Right index tip pointing leftward placed at side of head, raised-backward-upward-frontward-downward to side of head again. (Capital City: "Govern" "City").	67
	GOVERN
	GRACE	GRACE: Right "&" fingers pointing down towards the head, fingers opening as hand is lowered toward head. (Same sign, but hand lowered till it rests on head is used to denote "Sacrament").	67
	GRACE
	GRADUATE~LEAVE-FROM	GRADUATE: Left palm inward, fingers pointing rightward, right fist circled up-out-down-in-up around left hand and struck into the left palm and then both prone hands extended tandem to one side are drawn back up towards body till they are vertical "A" hands, palms outward.	67
	GRADUATE
	GRAPE	GRAPE: Tips of bent right hand touching back of left prone hand in several places from wrist to fingers.	68
	GRAPE
	GRATEFUL	GRATEFUL: "Good" with right hand, and the left hand similarly from the region of the heart.	68
	GRATEFUL
	GRAVY	GRAVY: Right index knuckle and thumb of partly closed hand repeatedly seizing and pulling downward off lower edge of left inward palm, which points rightward.	68
	GRAVY
	GREEDY	GREEDY: Both hands prone, fingers bent downwards, and hands moved as if to rake in all things quickly to oneself. (Selfish).	69
	GREEDY
	GREEN	GREEN: Right index of "G" hand pointing outward, shaken back and forth sidewise. (Greenhorn: Right horizontal "G" shaken back and forth as it moves along imaginary horn from mouth.)	69
	GREEN
	GRIEVE	GRIEF: Both "A" hands, palm towards palm, pressed together and twisted tensely and slowly as if wringing a wet cloth.	69
	GRIEF
	GROW~BLOSSOM	BLOSSOM: "Grow" and both "&" hands with tips together to indicate "Bud" and then finger tips are separated to show opening of bud.	21
	BLOSSOM
	gs:ring-bells	BELL: Grasp the bell and ring it, or grasp the rope to ring the bell.	18
	BELL
	GUESS	GUESS: Index tip of right vertical "V" touching teeth once or twice, palm leftward. (Suspicion) (Suspect) (Spy).	69
	GUESS
	HABIT	HABIT: Left closed prone hand pointing outward, and right closed prone hand brought down onto left wrist and forcing it down. (Virtue: "Good" "Habit") (Vice: "Bad" "Habit").	70
	HABIT
	HABIT	MENTAL HABIT: Right index tip to middle of forehead and then "Habit."	70
	MENTAL HABIT
	HANDKERCHIEF	HANDKERCHIEF: Right bent index and thumb of closed hand at either side of the nose as if using a handkerchief.	70
	HANDKERCHIEF
	HANDS	HAND: Point to it.	70
	HAND
	HANG	HANG (On scaffold): Thumb of right "Y" hand under the chin at the side, and little finger pointing upward.	70
	HANG (on scaffold)
	HAPPEN	HAPPEN: Both indices, palm towards palm, pointing outward, hands suddenly turned to prone, tips of indices tracing a small curve each. (Therefore) (Event) (Effect). (History: "Happen" made repeatedly as hands move from over left shoulder down and out to right side.)	71
	HAPPEN
	HAPPY	GLAD: Right hand palm patting against the chest several times. (Happy) (Delighted) (Joy).	65
	GLAD
	HARD	HARD: Bent fingers of right "H" hand struck onto back of left prone and off to left slightly. (Scarcely) (Difficult) (Reverses) (Obstacle) (Stone).	71
	HARD
	HARVEST	HARVEST: Left hand grasps the stalk and the right cuts down across with corn-knife.	71
	HARVEST
	HATE	HATE: Both vertical palms to one side and face averted.	71
	HATE
	HAVE	HAVE: Both palms inward, right palm against back of left hand, and both hands moved in to chest. (Possess) (Have, the auxiliary: "Finish" or "Past").	72
	HAVE
	HEAR	HEAR: Right index points to ear. (Listen) (Deaf: "can't" "hear" or "hear" "closed").	72
	HEAR
	HEART	HEART: Right index points to heart; or right thumb and index trace shape of heart in region of the heart; or both index tips trace shape of heart. (Heartily).	72
	HEART
	HEAR~NOISE	NOISE: Right index points to ear, and then both bent hands, palm towards palm, shaken back and forth in front, to indicate reverberation. (Thunder) (Sometimes this last part of the sign is added to "Earth" for "Earthquake").	99
	NOISE
	HEAVEN	HEAVEN: Finger tips touch above forehead to form gable end of house, left moves left-back-right and right hand moves right-back-left till both hands cross at wrists, palms outward. (Supernatural: "From" "Heaven" or "Heaven").	72
	HEAVEN
	HEAVY	HEAVY: Both supine hands as if lifting with an effort.	72
	HEAVY
	HELP	HELP: Left horizontal closed hand, palm rightward; right supine fingers placed under left hand and raising it a trifle. (Encouragement) (Assistance) (Aid) (Benefit) (Give assistance) (Help of God: "Grace").	73
	HELP
	HERE	HERE: Both supine palms, fingers pointing outward immediately in front.	73
	HERE
	HIDE	HIDE: Left thumb of "A" hand pointing upward, and right palm closed, down over it to hide it.	73
	HIDE
	HIDE	SECRET: Thumb nail of vertical "A" hand, palm leftward, pressed against the lips and "Hide."	121
	SECRET
	HOME	ADDRESS: Finger tips of right "&" hand touch closed lips and then right cheek.	6
	ADDRESS
	HOME	HOME: Right "&" hand tips placed on the lips and then on the cheek.	73
	HOME
	HONEST	HONEST: Left palm supine, fingers pointing outward, right "H" hand, pointing outward, pushes its middle tip straight along the left palm from heel to tip of left index. (Just) (Fair).	73
	HONEST
	HONOR	HONOR: Right vertical "H" hand, palm leftward, is moved leftward-downward-rightward, palm gradually turning to prone, fingers pointing outward. (Hail) (Hallowed).	74
	HONOR
	HOOK	HANG (On nail): Right bent index of vertical hand as if being hung over a nail or hook. (Suspend).	70
	HANG (on nail)
	HORSE	HORSE: Vertical "H" hands at either side of head, palms outward and fingers moved to represent the ears of a horse.	74
	HORSE
	HOT	HOT: Bent fingers, palm inward, around mouth as if to take something from it, hand turned suddenly to palm outward as if to drop the hot article. (Warm: same sign made more slowly).	74
	HOT
	HOUR	HOUR: Vertical left palm, rightward for face of clock right vertical index laid against left as hand of clock and moved around. (Minute: same sign but only slight movement.) (Second: same sign as "minute" but right hand is lowered on left palm.)	74
	HOUR
	HOUSE	HOUSE: Tips of palms touching to form gable end of house, and then separated down to sides as if sliding down either side of roof.	74
	HOUSE
	HOUSEFLY	FLY (Insect): Right hand as if catching a fly off the back of the left hand.	61
	FLY (insect)
	HOW	HOW: Both hands back to back, fingers pointing downwards, hands moved so fingers go inward-upward-outward till both hands are supine, fingers pointing outward. (Manner) (Means) (Way).	75
	HOW
	HUMBLE	HUMBLE: Both vertical hands palm towards palm, right palm higher than the left, hands lowered to sides and head bowing down.	75
	HUMBLE
	HUNDRED	HUNDRED: Right vertical "C" hand, palm outward.	75
	HUNDRED
	HUNGRY	HUNGRY: Tips of vertical bent fingers of right hand drawn down on center of chest, palm inward. (Famine) (Appetite) (Starved).	75
	HUNGRY
	HURRY	HURRY: Right "H" fingers pointing outward, palm leftward, shaken up and down as hand pushes forward. (Haste).	76
	HURRY
	HUSH	HUSH: Tip of right vertical index to the lips.	76
	HUSH
	HUSH	SILENCE or HUSH: Index tip placed at mouth. (If the index, palm inward, is thrown against closed lips, it has the force of a severe command for silence.) (Be still) (Keep quiet) (Shut up).	124
	SILENCE
	HYPOCRITE	HUMBUG: Right prone palm on the back of left prone hand, fingers pointing outward, fingers of both hands bending in and out together.	75
	HUMBUG
	ICE	ICE: Spread prone hands dropped several inches fingers straightening out rigidly. (Freeze).	76
	ICE
	IDEA	IDEA: Tip of little finger of right "I" hand placed on the forehead, palm inward, little finger then twisted up away from the forehead by turning the hand palm outward.	77
	IDEA
	IDLE	IDLE: Thumb tips under imaginary suspenders, other fingers hanging down loosely. (No work) (Holiday).	77
	IDLE
	IGNORANT	IGNORANT: Knuckles of bent fingers of right vertical "V" hand struck against forehead, palm outward.	77
	IGNORANT
	IMAGINE	IDEA: Tip of little finger of right "I" hand placed on the forehead, palm inward, little finger then twisted up away from the forehead by turning the hand palm outward. (If the tip of little finger is elevated in spirals it would denote "imagination").	77
	IMAGINATION
	IMMACULATE-CONCEPTION	IMMACULATE CONCEPTION: Right inverted index tip traces halo above the head and then both supine hands as in the ordinary stature of the Blessed Virgin.	77
	IMMACULATE CONCEPTION
	IMPORTANT	IMPORTANT: Right vertical "I" hand resting on the back of the left closed prone hand and both hands raised upward together.	77
	IMPORTANT
	IMPROVE	IMPROVE: Left hand pointing outward, palm rightward, left hand edgewise across left wrist and moved in successive stages up the arm. (Amend).	78
	IMPROVE
	IN	IN: Finger tips of right inverted "&" hands stuck into left horizontal "O" hand.	78
	IN
	IN-FRONT-OF	BEFORE (Place): Both vertical hands palm towards palm, right palm outward and left palm inward, moved to right palm inward and left palm outward.	17
	BEFORE (place)
	INCH	INCH: Right "C" hand measures the length of the top joint of the thumb of the left "A" hand.	78
	INCH
	INCREASE	EXTRA: Right index and middle pointing outward, left index and middle pointing rightward, both palms downward, right hand moved right-up-left-down so that right index and middle rest crosswise on left index and middle, palms still down; or, make sign for "Add."	55
	EXTRA
	INDEFINITE	ANYONE: Right vertical index shaken before the body, palm inward.	10
	ANYONE
	INDIAN	INDIAN: Joined index and thumb tips of right hand at the lobe of the ear and then at the nostrils to indicate the rings worn by some Indians. (Sometimes this sign is used to denote the "Cent").	78
	INDIAN
	INK	INK: Little finger of right "I" hand dipped into left closed hand, left palm rightward, as if into a bottle of ink and then thrown over down to one side as if shaking the ink from the pen.	79
	INK
	INSECT	INSECT: Tips of right bent fingers run along over the back of the left prone closed hand to represent the feet of the insect.	79
	INSECT
	INSTITUTE	INSTITUTE: Right "I" hand moved in a circle upward-outward-downward-inward around the left closed prone hand and then rested on the back of the left. (Sometimes this circle is made entirely above the back of the left hand.) (Establish) (Foundation).	79
	INSTITUTE
	INSULT	INSULT: Left "V" fingers pointing up to the right, palm prone, and right vertical index, palm leftward, struck down leftward, sharply between the "V" fingers of the lefthand.	79
	INSULT
	INTERFERE	INTERRUPT: Right hand edgewise, brought down sharply across left supine palm. (Interfere) (Come between) (Intercept) (Stop: Same sign, but if a motion is to be stopped both hands move against the motion's direction, as they are struck together.)	80
	INTERRUPT
	INTRODUCE	INTRODUCE: Both indices vertical at the sides, palm towards palm, hands brought together and right index turned prone onto left index, crosswise, left index also prone.	80
	INTRODUCE
	INVENT~ADD~ADD	EXAGGERATE: Right index tip to forehead for "Think" and then "Add" made repeatedly, first the right hand on top and then the left hand.	54
	EXAGGERATE
	IRON	IRON: Left index pointing out to the right, palm rightward, and right closed hand struck repeatedly down onto the left index as if the left index were a smith's anvil.	80
	IRON
	JAIL~KEY	PRISON: Fingers of open hands placed before the face, palms inward and "Key."	111
	PRISON
	JEW	JEW: Right bent fingers, palm inward, scratched through the beard near the chin.	81
	JEW
	KEEP	KEEP: "Care."	82
	KEEP
	KEY	KEY: Knuckle of the right closed index hand turned in the left vertical palm.	82
	KEY
	KILL	KILL: Left palm prone, fingers pointing outward and upward, right index pointing leftward thrust under and past the left palm. (If in this sign the right hand is pushed slowly and steadily leftward till it is under the left hand, it will denote "Strictness" or "Severity").	82
	KILL
	KIND	KIND: Both "B" hands, palm inward, left hand pointing rightward and right hand pointing leftward, moved around each other. (Gracious) (Benevolent) (Gentleness).	83
	KIND
	KING~OVER-ALL	KINGDOM: "King" (See emperor), and right open prone hand circled horizontally over the prone closed left hand.	83
	KINGDOM
	KISS	KISS: Right vertical "A" hand, palm inward, placed against the lips, and then on cheek.	83
	KISS
	KNEEL	KNEEL: Right bent fingers of inverted "V" hand kneeling on the left supine palm. (Kneel down).	83
	KNEEL
	KNOW	KNOW: Tips of right vertical hand, palm inward, placed against the forehead. (Knowledge) (Intelligence) (Inform: "Know" and both vertical hands moved downward and outward to supine as if giving out.)	83
	KNOW
	LACES	LACES: Both "I" hands horizontal, palm towards palm, and the tips of little fingers passing up and down against each other.	84
	LACES
	LAND	EARTH (land): Both hands frontward supine, thumbs rubbing tips of fingers to indicate fineness. (The sign for "Blow" is added to indicate "Dust").	50
	EARTH (land)
	LARGE	LARGE: Both "L" hands, indices pointing outward and thumbs upward, drawn to sides to show size. (The slower and more tense, the larger the object.)	84
	LARGE
	LAST	END (limit): Little finger of left "I" hand pointing rightward, palm inward, and right index brought down edgewise and rested on end of little finger. (Last) (Finally).	52
	END
	LAUGH	LAUGH: Right index tip drawn down several times at corner of mouth to show wrinkles made by laughter. (Smile) (Cheerful).	84
	LAUGH
	LAW	LAW: Right "L" placed against the left vertical palm, both palms outward. (Statute) (Precept).	84
	LAW
	LAY	LIE (to rest): Back of right "V" hand fingers laid down on left supine palm, or both "V" hands extended out to one side, tandem and supine. (Recline).	86
	LIE (to rest)
	LAZY	LAZY: Right vertical "L" palm inward, in wavy lines from left shoulder down to right side. (Sometimes vertical "L" is simply shaken near the left shoulder.) (Sloth).	84
	LAZY
	LEAD	LEAD: Right finger tips and thumb grasp the left finger tips and draw the left hand to the right, palms inward.	85
	LEAD
	LEARN	LEARN: Right thumb and finger tips brought together on left supine as if to take something and then lift it to head. (This sign made alternately with both hands denotes "Education").	85
	LEARN
	LEAVE-FROM	LEAVE: Both prone hands extended tandem to one side, both hands brought back up to body, closing to vertical "A" hands palms outward. (Avoid) (Retire) (Depart) (Withdraw oneself) (In this sign as in most signs the direction of the sign is capable of uch variation according to circumstances.)	85
	LEAVE
	LEAVE-THERE	NEGLECT: Both open hands, palms towards palm, cast to one side, as if throwing aside something as useless. (Let alone) (Abandon) (Leave).	97
	NEGLECT
	LECTURE	LECTURE: Right hand horizontal, pointing outward, palm leftward, moved up and down as if repeating gesture of emphasis. (Orate).	85
	LECTURE
	LEMON	LEMON: Right index tip of "L" hand at corner of mouth, sour look on face, palm leftward.	85
	LEMON
	LESSON	LESSON: Right palm edgewise on left supine palm as if to divide the page represented by left palm.	86
	LESSON
	LESSON	LIST: Left palm vertical and rightward, right hand writes a little on it repeatedly and after each writing, stamps the writing with back of right fingers.	87
	LIST
	LETTER	LETTER: Thumb tip of right "A" hands from lip to left supine palm near the end of left index, left fingers pointing outward.	86
	LETTER
	LETTUCE	LETTUCE: Right wrist resting on left hand, and right hand swung to and fro.	139
	LETTUCE
	LIE	LIE (prevaricate): Right index pointing leftward and palm downward, is pushed across the lips from right to left.	86
	LIE (prevaricate)
	LIGHT-WEIGHT	HEAVY: Both supine hands as if lifting with an effort. (Light: same hands as if lifting something light).	72
	LIGHT
	LIGHTNING	LIGHTNING: Right vertical index tip tracing zig-zag course of the lightning through the sky. (Electricity).	87
	LIGHTNING
	LIKE	LIKE: Right index and thumb extended over heart and drawn frontwards, tips joined as hand moves as if pulling the heart out towards the object loved.	87
	LIKE
	LION	LION: Right bent fingers over head and shaken as they move back down, as if through the hair of the lion's mane.	87
	LION
	LIPREAD	READ LIPS: Right vertical "R" tips drawn from left to right across lips, palm inward.	114
	READ LIPS
	LIQUID-CLASS~DYE	DYE: Make the sign for any color, (In the picture the color indicated is "Red"), then with both hands palms down and finger tips as if grasping the wet clothes, which are dipped up and down into the coloring fluids.	49
	DYE
	LISTEN	HARK: Right palm held to ear as if to aid hearing. (Listen).	71
	HARK
	LITTLE-BIT	LITTLE: Index tip of right "X" hand rubbed or touched to the knuckle of thumb of same hand.	87
	LITTLE
	LIVE	LIVE: Tips of both bent hands, palms inward, passed up the sides of chest. (Live) (Natural) (Live a good life: "Live" "Good").	87
	LIVE
	LONG	LONG: Left hand prone pointing outward, and right index tip passed, along back of wrist up the arm.	88
	LONG
	LONG-DIVISION	Division in Arithemetic: make the signs used in the process of long or short division.	46
	DIVISION
	LOOK-AFTER	CARE: Right "V" hand placed on left "V" hand, fingers pointing outward, right palm leftward and left palm rightward. (Keep) (Watch) (Guard) (Celebrate) (Feast day: "Care" and vertical "D" moved from right side-up rightward and down to left side).	27
	CARE
	LOOK-AT	LOOK: Right "V" tips, palms inward, on cheek below the eye, and then turned to pointing outward toward the object to be seen. (Observe).	88
	LOOK
	LORD	LORD (God): Right vertical "L" elevated before the face, palm outward. (Lord, a man: see "Emperor").	88
	LORD (God)
	LOSE	LOSE: Both hands with backs of fingers touching, fingers pointing upward, palms supine, hands separated to sides, fingers becoming supine as if dropping something from between them.	88
	LOSE
	LOVE	LOVE: Closed or open hands, palms inward, crossed at the wrists and pressed to the body over the heart. (Charity) (Beloved) (Dear).	88
	LOVE
	LOVE~FALL	FALL IN LOVE: Backs of right inverted "V" fingers struck against palm of left hand, the palm of which is rightward and fingers pointing outward; both hands become supine, and the right "V" slides on its back along the left palm and over the ends of the left supine fingers.	56
	FALL IN LOVE
	LOW	LOW (in morals): Right "A" hand, thumb upward, lowered at side. (Base). (The lowering of hand denotes "Degeneration"). (Elevation of hand denotes rise in morals).	89
	LOW (in morals)
	MACHINE	MACHINE: Both palms inward, fingers bent and dovetailed, both hands turned up and down, allowing the fingers to act as the cogs of two engaged wheels.	89
	MACHINE
	MAD	CROSS (Ill tempered): Separated fingers of right bent hand, palm inward before the face, as if dug into the face like talons.	38
	CROSS (ill tempered)
	MAKE	MAKE: Both hands closed, right rests on left, palms inward; right hand struck continually on left, both hands changing from palms inward to right palm leftward and left palm rightward and back again. (Fix) (Repair) (Mend).	89
	MAKE
	MAKEUP	PAINT (the face): Right "&" hand as if holding a powder puff and powdering the face. (Use powder on the face.)	104
	PAINT (face)
	MALE~3P-IX	HE: Thumb tip of right vertical "A" hand at temple for "male" and then right index point to one side or to an imaginary person. (Him) (She or Her, objective case: same sign as above, but thumb tip on lower part of cheek instead of temple.)	72
	HE
	MALE~3P-POSS	HIS: Thumb tip of right "A" hand to temple and vertical palm pushed to one side or towards an imaginary person. (Hers or Her, possessive: the same sign as above but thumb tip on lower part of cheek instead of temple). (If the person is present in any way the vertical palm pushed towards the person would denote "His" or "Hers" according to gender of person).	73
	HIS
	MALE~cl-d:B(height)	MAN: The right hand as if grasping peak of hat, or thumb tip of right "A" hand at side of forehead, and prone hand to indicate height. (Men: "Man" and prone hand passed along as if over the heads of the men.) (Boys: Men but prone hand lower).	89
	MAN
	MALE~cl-d:B(small-height)	BOY: Tip of right "A" thumb to side of forehead and then prone right shows height of boy.	23
	BOY
	MALE~MARRY	HUSBAND: Right "A" thumb tip to temple and clasp hands for "Marry."	76
	HUSBAND
	MANY	MANY: Both closed supine hands open out the fingers. (The oftener this action is repeated, and the more rapid the motion, the greater the number indicated.)	89
	MANY
	MARCH	MARCH: Fingers of tandem hands, pointing downwards are bent and straightened as hands move forward, to show steps of soldiers.	90
	MARCH
	MARRY	MARRY: Both hands clasped palm to palm. (Sometimes right index and thumb tips trace the ring on the ring finger, then hands are clasped).	90
	MARRY
	MASS	MASS: Hands as if holding consecrated Host, elevated as at time of Elevation during Mass.	90
	MASS
	MAYBE	PERHAPS: Both hands supine at either side, fingers pointing outward, moved up and down alternately. (Maybe) (May) (Might) (Hesitate) (Waver) (Right index tip on forehead, palm inward and "Perhaps" denotes "Doubt").	106
	PERHAPS
	MEAN	BACKBITE: left "A" horizontal, palm rightward and knuckle of right "A" hand, palm leftward, struck down against and past left knuckles as if striking a flint. (Mean).	14
	BACKBITE
	MEANING	INTEND: Left fingers pointing outward and palm rightward, right "V" tips prone, struck against left palm; removed, turned palm inward and struck against left palm. (Would) (Mean or intention) (Purpose).	79
	INTEND
	MEASURE	MEASURE: Both prone "Y" hands, to denote "one foot" length, moved from left to right, tips of thumbs touching and separating as hands move.	90
	MEASURE
	MEAT	MEAT: Right thumb and index seizing the fleshy part of left hand between left thumb and index, left palm rightward. (Flesh).	91
	MEAT
	MEDICINE	MEDICINE: Right middle tip of open hand as if mixing powder in the left palm. (Poison: "Bad" "Medicine").	91
	MEDICINE
	MEET	MEET: Both vertical indices palm towards palm, brought together from the sides. (If the motion is continued till hands pass, it denotes "Pass by").	91
	MEET
	MEMORIZE	RECALL: Right hand reaches back over right shoulder as if to grasp something and then brings the imaginary thing before face. (Recollect).	115
	RECALL
	MILK	MILK: Both hands partially closed, moved up and down and closed as if milking a cow.	91
	MILK
	MIND	MIND: Right index points to forehead.	92
	MIND
	MINGLE	ONE ANOTHER: Both "A" hands, right thumb downwards and left thumb upwards and both hands moved in horizontal circles around each other. (Each other).	102
	ONE ANOTHER
	MIRROR	MIRROR: Left vertical palm held at side of face and is gazed into as if into a mirror.	92
	MIRROR
	MISUNDERSTAND	MISUNDERSTAND: Right index tip of vertical "V" hand at middle of forehead, palm leftward, changed to middle tip of "V" hand on forehead, palm rightward.	92
	MISUNDERSTAND
	MITRE	MITRE: Both vertical palms at side of head, palm towards palm, moved upward over the head till tips meet and form mitre. (Bishop).	92
	MITRE
	MIX	MIX: Right bent hand prone and left bent hand supine and both hands moved as if mixing with the fingers. (Confusion).	92
	MIX
	MOCK	MOCK: Index tip and little finger of prone hands extended tandem to the side after the right index tip has touched the mouth at corner, then both hands are thrust several times in the direction of the fingers towards the person mocked. (Ridicule) (Make fun of).	93
	MOCK
	MOLASSES	MOLASSES: Right index of prone hand, pointing leftward, drawn across the lips from left to right. (Syrup).	93
	MOLASSES
	MOM	MOTHER: Thumb tip of open hand at lower jaw, palm outward and fingers upward. (Mother-in-law: "Mother" "Law").	94
	MOTHER
	MOM~gs:hold-baby-higher	GRANDFATHER: "Father" and right supine elevated at side, left supine also raised but some what lower. (Grandmother: "Mother" and as above.)	68
	GRANDMOTHER
	MONDAY	MONDAY: Right vertical "M" hand, palm outward, circled up-right-down-left.	93
	MONDAY
	MONEY	MONEY: Right fingers and thumb opposed and fingers back down on left supine palm as if counting money into the palm.	93
	MONEY
	MONKEY	MONKEY: Both bent palms toward sides, fingers down and hands as if scratching the sides.	94
	MONKEY
	MONTH	MONTH: Left index vertical, palm rightward, and tip of index of prone right hand moved from tip of left index to lowest joint.	94
	MONTH
	MOON~cl:O>5(shining)	MOON: Right vertical "C" at the eye extended upwards and out, then right "&" fingers as if pointing from face of crescent indicated by the "C" are opened as they are brought down away from the crescent.	93
	MOON
	MORE	Tips of "&" hands stuck together for "more."	94
	MORE
	MORE~SUPERIOR	MOST: Tips of "&" hands stuck together for "more" "Est" added. ("Many" and "Est": most).	94
	MOST
	MORNING	MORNING: Supine right hand laid on the supine left forearm. (Often the supine right is brought up under the supine left forearm.)	94
	MORNING
	MOUSE	MOUSE: Right vertical index tip, palm leftward, scratching forward at side of nose tip.	95
	MOUSE
	MOVE	MOVE: Both hands at one side as if grasping something with the "&" hands lift the imaginary thing up and over down to the other side.	95
	MOVE
	MOW	MOW: Hands as if swinging the scythe.	95
	MOW
	MUCH	GREAT: Both hands palm towards palm, drawn apart to the sides to show greatness. (Grievous) (Tenseness, slowness and larger motion indicate greater degree of magnitude or seriousness, and if at the end of the sign the hands are shaken as if unable to reach or measure the greatness the idea of infinity is indicated.)	68
	GREAT
	MUTE	MUTE: Point to closed lips. (Never use the word "Dumb"; "Mute" is the word, and very few are strictly mute.)	95
	MUTE
	NAIL	NAIL: Left index pointing outward, palm leftward, then right thumb and index joined and the tips placed against the base of the left index to indicate head of nail. (The right closed hand used as a hammer is sometimes added.)	96
	NAIL
	NAMED	NAME: Right index and middle resting on, left index and middle, crosswise, right palm leftward and left palm rightward. (Call).	96
	NAME
	NATION	NATION: Right prone "N" circled horizontally over left closed prone hand, and then tips of right "N" fingers resting on back of left hand.	97
	NATION
	NEAR	NEAR: Left palm near body, fingers pointing rightward, and right palm placed just behind it, fingers pointing leftward. (By) (Nearly) (Almost) (When this sign is moved from left to right before the body it denotes "Neighborhood" "Environment" "Vicinity" or "Occasion" as "in occasion of sin").	97
	NEAR
	NEAT	CLEAN: Draw right palm, fingers pointing leftward, over left palm, fingers pointing outward. (Pure) (Holy) (Forgive) (Smooth) (Nice).	31
	CLEAN
	NECKTIE	TIE: Hands as if making a tie.	137
	TIE
	NEED	MUST: Right bent index of prone hand forced down a few indices. (Need) (Obligation) (Ought) (Have to). (Should, i.e., in sense of obligation).	96
	MUST
	NEGATIVE	DON'T: Right palm vertical, outward, shaken rightward and leftward. (Stop).	47
	DON'T
	NEGRO	NEGRO: Tip of right vertical index pressing tip of nose, to indicate soft flat nose of race. (Sometimes middle tip of open hand instead of index tip is used.)	97
	NEGRO
	NEPHEW	NEPHEW: Right vertical "N" palm leftward shaken at side of temple.	97
	NEPHEW
	NEVER	NEVER: Right prone hand pointing outward, moved left-up-right-down and off to the right.	98
	NEVER
	NEW	NEW: Left palm inward, fingers pointing rightward, and right palm inward, pointing leftward, slid leftward along back of left hand. (News).	98
	NEW
	NEW~PAPER	NEWSPAPER: "New" and right prone "P" pointing outward, shaken to indicate paper; or both palms struck together crosswise and "Paper" added.	98
	NEWSPAPER
	NEXT	NEXT: "Near" and hand nearest body, lifted up-out and down behind the other hand. (Then) (Afterwards) (After).	98
	NEXT
	NIECE	NIECE: Right vertical "N" hand, palm leftward, shaken at side of lower jaw.	99
	NIECE
	NIGHT	NIGHT: Left horizontal prone forearm pointing out to the right, right vertical forearm lowered over the left. (If lowered to horizontal it would signify "Evening" if not so low, it would indicate "Afternoon" if lowered below horizontal, it would denote "Night").	99
	NIGHT
	NO-MATTER	INDIFFERENT: Left hand supine fingers bent upward, palm of fingers leftward, right hand fingers downward, brush back and forth against the left fingers, left fingers yielding to the brushing.	79
	INDIFFERENT
	NOBLE	NOBLE: Right "N" palm leftward, and placed with a flourish onto the heart.	99
	NOBLE
	NOON	NOON: Right perpendicular forearm pointing to the zenith, palm leftward. (Mid-day).	99
	NOON
	NORTH	NORTH: Right vertical "N" thrown to the north.	100
	NORTH
	NOT	NOT: Right vertical "A" hand, palm leftward, thumb tip under chin and hand moved forward by bending wrist till thumb points outward. (Deny) (Negation). (This sign can be made more emphatic by making it with both hands at the same time in unison or in sequence.)	100
	NOT
	NOT-YET	LATE: Right hand at side, fingers pointing down, palm backward, hand moved toward back several times. (Not yet) (This sign denotes that something is neglected or not done) (In the same way "Finish" denotes something is done or not neglected.)	84
	LATE
	NOTICE	NOTICE: Right index tip to eye and then down onto left supine palm.	100
	NOTICE
	NOW	NOW: Both supine hands before body, hands pointing outward, fingers bent upward, both hands dropped a trifle. (Present) ("This" i.e., meaning "Present" as in "This day"). (Also "About" when "About" means present time.)	100
	NOW
	NUN	NUN: Both vertical hands palm towards head at either side, drawn down to shoulders to indicate veil. (Sister).	100
	NUN
	NURSE	NURSE: Tips of right "N" placed on the left pulse of the wrist.	101
	NURSE
	NUT	NUT: Thumb tip of right vertical "A" hand placed between the teeth.	101
	NUT
	NUT~cl-trace:A(sole-of-lt-foot)	OVERSHOE: Tip of thumb of right "A" hand between the teeth and then thumb tip traces a half a sole on the left supine palm. (If the shoes have high uppers, indicate them by moving the right palm up the back of the left hand as if up the instep).	104
	OVER SHOE
	NUT~ELASTIC	RUBBER: Right vertical "A" hand, palm leftward, snaps thumb tip out from under upper teeth, and then both hands, palms inward, bent indices and middles opposed, drawn apart and brought together again as if stretching a rubber band.	118
	RUBBER
	OBEY	OBEY: Both supine "A" hands held up and then lowered and becoming open supine, fingers pointing outward. (Serve).	101
	OBEY
	OFFER	OFFER: Both hands fingers pointing upward as if holding a plate on the finger tips, and elevated as if in the act of offering. (Propose).	101
	OFFER
	OH	O!, OH!: Right vertical "O" hand, palm outward, passed from left to right. (In most places, "Admire" is used for "O!" and "Oh!").	101
	O, OH
	OLD	OLD: Right hand strokes thin beard with palsied motion. (Age).	102
	OLD
	ON	ON: Prone fingers of right hand placed on the back of left prone closed hand.	102
	ON
	ONION	ONION: Right index and knuckles of closed hand placed at the corner of the eye to signify tears.	102
	ONION
	OPEN	OPEN: Both vertical hands palm outward, separated to the sides.	102
	OPEN
	OPERA-GLASSES	OPERA GLASSES: Hands as if holding the glasses before the eyes.	102
	OPERA GLASSES
	OR	OR: Both "A" hands, thumbs upward, moved up and down alternately. (Either) (Whether) ("Neither": "Not" "Either") (Which).	103
	OR
	ORANGE	ORANGE: Right closed hand as if holding and squeezing orange at the mouth; or, left closed hand to represent orange, and the thumb of right vertical "Y" hand used as a knife to cut down the sides of orange.	103
	ORANGE
	ORDER	COMMAND: Right index pointing leftward and moved below tips as if rolling words from the mouth and then out and down from mouth with force. (Appoint) (Decree) (Sentence) (Order).	33
	COMMAND
	OTHER	OTHER: Right "A" hand, thumb upward, thumb is thrown over to right side so that hand becomes supine. (Another).	103
	OTHER
	OUT	OUT: Right "&" hand lifted up through and out of the left "C" hand and down to one side. (Empty) (Gone) (Departed) (Absent).	103
	OUT
	OVER-ALL	RULE: Right open prone palm, circled horizontally over the left prone closed hand, right hand about ten or twelve inches above the left. (Authority) (Control).	118
	RULE
	OWE	DEBT: Right index tip placed on left supine palm and then both hands moved toward creditor or away from debtor. (Owe) (Due) ("Demand" is the same sign made emphatically).	42
	DEBT
	OYSTERS	OYSTER: Both palms together, fingers pointing outward, right hand lifted and struck downwards, prone, past the left palm as if striking off the right half of shell. (Sometimes left hand alone, palm rightward and fingers pointing outward represents the shell and right "B" tips stuck between thumb and index of left hand like a knife to open shell).	104
	OYSTER
	PAIN	HURT: Indices of both hands, palms inward, jabbed toward each other repeatedly. (This sign made near the ear denotes "earache" near the teeth for "tooth-ache".) (When awkwardness would occur, spell the afflicted member and sign "Hurt") (Pain) (Injury) (Quarrel: Sign "Hurt" lower the hands, elevate them again and sign "Hurt").	75
	HURT
	PAINT	PAINT: Left palm rightward, fingers pointing outward, and right fingers as a paint brush to stroke left palm.	104
	PAINT
	PAINT~STICKY	GLUE: Right "H" hand used as a brush against left palm, left palm rightward, and fingers pointing outward, and then palms pressed together and drawn apart as if sticking together.	65
	GLUE
	PAPER	PAPER: Right "P" hand prone, index pointing outward, shaken.	105
	PAPER
	PASS	PASS: "Accompany" but one hand remains still whilst the other passes it. (Pass examination).	105
	PASS
	PATIENT	PATIENCE: Thumb of right "A" hand pressed to the lips so that the head moves backward slightly. (Endure) (Suffer) (Bear).	105
	PATIENCE
	PAY-ATTENTION	ATTEND: Both hands at side of face, palm towards palm and fingers pointing upward, then brought down and frontwards to fingers pointing outward. (Apply).	13
	ATTEND
	PEACH	PEACH: Both supine "&" hands opposed to each other as if holding a peach and bending down to the sides to break the peach into two parts.	105
	PEACH
	PEAR	PEAR: Left "&" fingers pointing up towards the right and right index tip placed against the end of the left tips as if it were a stem.	105
	PEAR
	PEEL	PEEL: Right hand as if holding a knife and peeling the left closed hand.	106
	PEEL
	PENCIL	PENCIL: Right joined index and thumb tip placed to the lips as if moistening the pencil and then writing on the left palm.	106
	PENCIL
	PEOPLE	PEOPLE: Vertical "P" hands, right palm leftward and left palm rightward, moved alternately up-in-down-out and up.	106
	PEOPLE
	PERSEVERE	PERSEVERE: With right index point to heart, and then push both fists forward as if to push way through a crowd. (The second part of the sign is sufficient). ("Continue" also denotes "Persevere").	106
	PERSEVERE
	PHOTOGRAPH	PHOTO: Right vertical "C" hand, palm leftward, at the side of the face, then removed and placed against the left vertical palm, left palm rightward, and right palm outward.	107
	PHOTO
	PHOTOGRAPH~MOVIE	MOVIES: Right "C" hand resting the index on bridge of the nose, and then both vertical hands, palms inward and fingers spread, shaken back and forth sidewise for jerky motion of the pictures; or right "C" index and thumb edge placed against vertical left palm and moved up and down. (The second part of the first sign is often used before the eyes to note "Obscure").	95
	MOVIES
	PIANO	PIANO: Bent fingers of both prone hands as if playing the piano.	107
	PIANO
	PIE	PIE: Right edgewise hand placed on the left palm as if cutting the pie, right fingers pointing in one direction and then in another to show the shape of a piece of pie.	107
	PIE
	PIG	PIG: Back of right prone hand under the chin, fingers pointing leftward, and hand wobbled to indicate the wallowing of the animal in the mire. (Immodest) (Impure) (Nasty) (Immoral).	108
	PIG
	PIN	PIN: As if sticking a pin in the dress.	108
	PIN
	PLACE	PLACE: Little finger tips of both "Y" hands describe a horizontal circle or square. (Sometimes the inverted indices are used).	108
	PLACE
	PLANT	PLANT: Right "&" hand drops imaginary seeds along an imaginary line.	108
	PLANT
	PLAY	PLAY: Horizontal "Y" hands at sides in front, palm towards palm, are shaken up and down. (Recreation).	108
	PLAY
	PLEAD	BESEECH: Fingers of raised hands interlaced, palm to palm, and brought down to body. (Supplication).	19
	BESEECH
	PLEASANT	COOL: Both hands, palms downward, pointing to face from sides and moved up and down as if fanning the face. (Pleasant) (Take a walk).	36
	COOL
	PLOW	PLOW: Hands at sides as if holding handles of plow.	109
	PLOW
	pn:AMERICA	UNITED STATES: Fingers of both hands interlocked or dovetailed, palms inward, moved right-up-left-down, or moved left-up-right-down.	141
	UNITED STATES
	pn:CANADA	CANADA: Right "A" hand grasps lapel of coat.	26
	CANADA
	pn:CHICAGO	CHICAGO: Right vertical "C" shaken, palm outward.	30
	CHICAGO
	pn:CHINA	CHINAMAN: Both indices push up the corners of eyes to show slanted eyes of Oriental.	30
	CHINAMAN
	pn:ENGLAND	ENGLISH: Palm of right hand over and surrounding back of left hand, left pointing rightward and palm down, right fingers grasp fleshy part of little finger edge and gives the left hand a shake.	53
	ENGLISH
	pn:EUROPE	EUROPE: Right vertical "E" palm inward, circled before the face.	54
	EUROPE
	pn:FRANCE	FRENCH: Right "F" prone shaken over toward the right.	62
	FRENCH
	pn:GREECE	GRECIAN: Right vertical index, palm leftward, placed its length alongside the nose and drawn down to indicate straight Grecian nose.	69
	GRECIAN
	pn:HOLLAND	DUTCH: Thumb nail of right vertical "Y" palm leftward, placed on bridge of nose and lowered below chest. (This sign remaining at mouth indicates "Pipe").	49
	DUTCH
	pn:IRELAND	IRISH: Right "V" tips stuck onto the back of the left closed prone hand as if into a potato. (Potato).	80
	IRISH
	pn:ITALY	ITALIAN: Little finger tip of right "I" hand traces a cross on the forehead, palm inward and vertical.	81
	ITALIAN
	pn:JESUS	JESUS: Right middle tip of open hand against the palm of left hand then left middle tip of open hand against right palm, at same time bowing the head, right palm leftward and left palm rightward. (Christ).	81
	JESUS
	pn:MARY	MARY: Right "M" finger tips, pointing inward, oscillate as they trace halo from left shoulder over forehead to right shoulder. (Blessed Virgin).	90
	MARY
	pn:NEW-ORLEANS	NEW ORLEANS: Right "O" slid along left palm, left palm rightward and pointing outward.	98
	NEW ORLEANS
	pn:NEW-YORK	NEW YORK: Right "Y" slid along left supine palm.	98
	NEW YORK
	pn:ROME	ROMAN: Right "N" tips at the top of the nose, and moved to the tip, as if over a large Roman nose. (Latin) (Right vertical and leftward "L" with thumb tip moved as above is also used to denote "Latin") (Rome).	117
	ROMAN
	pn:RUSSIA	RUSSIAN: Hands palm down resting on the hips.	119
	RUSSIAN
	pn:SCOTLAND	SCOTCH: Palms inward, open fingers crossed, hands drawn apart down to sides; or, tips of right prone spread fingers along left sleeve and then across to indicate the plaid.	121
	SCOTCH
	pn:SPAIN	SPAIN: Indices linked under the chin.	128
	SPAIN
	pn:WASHINGTON	WASHINGTON: Right vertical "W" drawn downwards from the head, back of the ear, in a wavy line.	144
	WASHINGTON
	POLICEMAN	POLICEMAN: Right "C" hand, palm leftward, placed at left shoulder.	109
	POLICEMAN
	POOR	POOR: Right fingers and thumb plucking at the bottom of left sleeve, left hand pointing towards right shoulder.	109
	POOR
	POSTPONE	DELAY: Thumb and index tips joined fingers pointing outward, right palm leftward and left palm rightward, both hands moved forward in little jerks to denote putting off. (Put off) (Postpone) (Procrastinate).	43
	DELAY
	POTATOES	POTATO: Right inverted "V" hand stuck against the back of left closed prone hand as if into a potato. (Irish).	109
	POTATO
	PRAISE	PRAISE: Left supine palm elevated, fingers pointing outward, and fingers of prone left hand patted up and down on the left palm. (Applause) (Approbation) (Congratulate) (Commend).	110
	PRAISE
	PRAY	AMEN: Hands joined palm to palm, fingers pointing upward and outward. (Pray) (Devout) (Piety) (Pious).	8
	AMEN
	PREACH	PREACH: Right vertical "F" at the side, and moved forward and down and back again as if making a gesture, palm outward but becoming prone as it moves forward. (Sermon).	110
	PREACH
	PRESIDENT	PRESIDENT: Both vertical "C" hands, at temples, palms outward, hands moved out to sides and hands closing as they move. (Vice-President: "President" "Second").	110
	PRESIDENT
	PRIEST	PRIEST: Hands palm to palm but indices and thumb tips of each hand joined, hands moved apart to sides and back agan as the priest does at the Oremus before the Pater Noster, in the Mass. ("Father" or "Reverend").	110
	PRIEST
	PRIEST(Jewish)	CHRISTIAN-BROTHER: Thumb and index trace white cloth at either side of neck.	31
	CHRISTIAN-BROTHER
	PRINCIPLE	PRINCIPLE: Left palm vertical, righward; and right vertical "P" hand, palm outward, placed against the left palm.	111
	PRINCIPLE
	PRINT	PRINT: Right thumb and index as if picking the type from the font and placing them in the left palm as into the composing stick.	111
	PRINT
	PROBLEM	HARD TIMES: Bent knuckles of right inverted "V" hand resting on bent knuckles of left vertical "V" hand, and then reversed so that right is vertical and left inverted.	71
	HARD TIMES
	PROCESSION	PARADE: Both "V" hands vertical to the sides, tandem, and moved forward to represent walking in step. (Four abreast: Both hands vertical and tandem, four fingers of each hand pointing upward, hands moved forward to represent walking in step). (Single file: Open vertical hands held so that all vertical fingers are in straight line, and follow one another as hands are moved).	104
	PARADE
	PROGRESS-UP	PROGRESS: Both bent hands horizontal, palm towards palm, moved forward; or, the same hands vertical, moved upward. (Advance) (Higher up).	111
	PROGRESS
	PROPHET	PROPHESY: "Look" and right "V" fingers are pushed out under the prone left palm which is held on a level with the forehead.	112
	PROPHESY
	PROUD	PRIDE: Tip of the thumb of the right prone "A" hand drawn up a swelled chest.	110
	PRIDE
	PROVE	PROOF: Left palm supine, pointing out to the right, and the back of the fingers of the supine right tapped into right palm at heel.	111
	PROOF
	PULSE	PULSE: Right finger tips feeling the pulse of the left hand.	112
	PULSE
	PUNISH	PUNISH: Left hand as if grasping the culprit by the collar, and right hand strikes the culprit with the right index used as a rod.	112
	PUNISH
	PURE	PURE: Prone "P" hand moved out along the palm of the left supine. (Purity) (Chastity).	112
	PURE
	PURPLE	PURPLE: Right prone "P" hand, index pointing outward, moved down over to the right, to become palm leftward.	112
	PURPLE
	PUSH	PUSH: Place flat of hands against imaginary object and push along or to one side.	112
	PUSH
	PUT	PUT: "&" hands pick up something and make a motion to place it. (Place).	113
	PUT
	QUAKER	QUAKER: Fingers of supine hands interlaced and thumbs revolving around each other.	113
	QUAKER
	QUICK	QUICK: Right thumb snapped off the index as in the shooting of a marble. (Fast) (Speedy) (Rapid).	113
	QUICK
	QUIET	CALM: Both palms vertical, palm towards palm, on a level with the chin, then lowered gently until hands become prone. (Peace) (Not hurt).	26
	CALM
	QUIT	QUIT: Right inverted "V" tips lifted up out of left horizontal "O" hand, left palm rightward. (Depart).	113
	QUIT
	RABBIT	RABBIT: Both "H" hands, palms inward crossed at the wrists so that the fingers are pointing back over the shoulders.	113
	RABBIT
	RAT	RAT: Right vertical "R" hand, palm outward, with middle and index tips scratching at end of nose.	114
	RAT
	READ	READ: Right "V" fingers of prone hand pointing at left vertical palm as if reading a page.	114
	READ
	REASON	REASON: Right vertical "R" tips, palm inward, moved around on forehead.	115
	REASON
	RED	RED: Right index tip, palm inward, touches lips. (Pink: Index tip of "P" hand down across lips).	115
	RED
	RED~BLOOD	BLOOD: Right index tip to lips and then fingers pointing leftward oscillate as hand, palm inward, moves down, to indicate the flowing of blood.	21
	BLOOD
	RED~EMBARRASSED	BLUSH: Right index tip to lips to indicate "red" and then tips of "&" hand placed on cheek and opened against the face to show the spreading of red on the face. (Bashful) (Embarassed) (Confused).	22
	BLUSH
	REFUSE	REFUSE: Right fist at right side drawn quickly back to shoulder as elbow rises. (Decline) (Disobey) (Won't).	115
	REFUSE
	RELATED	JOIN: Right thumb and index joined between left thumb and index. (Connect) (Member: "Join" "Er") (Communion i.e. of Saints) (Move this sign towards the owner of anything in reference to an object denote that it "belongs" to him.) (Disconnect: "Join" and pull fingers apart.) (Part from).	81
	JOIN
	RELIGION	RELIGION: Right "R" prone, laid on heart, then raised to right, vertical, palm outward.	115
	RELIGION
	RESIST	RESIST: Right fist held out to right as guard. (Suspicion).	116
	RESIST
	RESIST	SUSPICION: Right fist held out to the right as a guard. (Resist).	133
	SUSPICION
	RESPONSIBILITY	RESPONSIBLE: Right hand tips and left hand tips of prone hands, on right shoulder and bearing it down. (Rely) (Attribute) (Bear).	116
	RESPONSIBLE
	RETREAT	RETREAT: Tips of right "R" hand against forehead and then against chin, hand vertical and palm inward.	116
	RETREAT
	REVENGE	REVENGE: Joined thumb and index of both hands striking each other forcibly. (Retaliate) ("Goody" or glad of another's accident or "Serves him right").	116
	REVENGE
	RICH	RICH: Back of right finger tips on the left supine palm to indicate "Money" and right prone or supine hand elevated from left to indicate heap of money. (Precious: "Rich" then right supine is placed under left supine to lift it up against the heart.)	117
	RICH
	ROBBER~AGENT	ROBBER: Indices and middle fingers placed along upper lip, palms inward, right fingers pointing leftward and left pointing rightward, then both hands drawn to the sides.	117
	ROBBER
	ROCK	HARD: Both hands closed, back of right hand struck onto back of left prone. (Scarcely) (Difficult) (Reverses) (Obstacle) (Stone).	71
	HARD
	ROCK~cl-d:55(mountain)	MOUNTAIN: "Hard" and both hands as if placed on the mountain and moved down the sides. (Move the hands upawrd to meet and the mountain peak will be indicated.)	94
	MOUNTAIN
	ROOT	ROOT: "IN" but right hand pushed down and then spreading out like roots. (To grow into the ground).	117
	ROOT
	ROSARY	ROSARY: Both hands as if holding the rosary between the joined index and thumb tips.	118
	ROSARY
	ROUGH(texture)	ROUGH (not smooth): Right prone hand moved out and over and along the back of left prone as if passing over a rough uneven surface.	118
	ROUGH (not smooth)
	RUDE	RUDE: Both prone indices pointing outward, and right index struck ahead against the left index repeatedly, base of right index striking against base of left index. (Impolite) (Rough).	118
	RUDE
	RUN-FAST	RUN: Left hand pointing outward, palm rightward, right inverted hand, palm leftward, brushes the tips of fingers, against the left palm as right moved outward.	118
	RUN
	SAD	SAD: Palms of one or both open hands towards face as if holding the weeper's towel, head bent towards hands. (Mourn) (Dejected) (Gloomy).	119
	SAD
	SAINT	SAINT: Right prone "S" hand moved out along the left supine palm.	119
	SAINT
	SALT	SALT: Right index and middle tips to the lips, palms inward, and then struck onto the back of the left index and middle, both hands prone.	119
	SALT
	SANDWICH	SANDWICH: Both hands palm to palm, twisted around so that the mouth can attempt to bite finger tips.	119
	SANDWICH
	SATURDAY	SATURDAY: Right vertical "S" hand, palm outward and circled left-up-right-down-left.	120
	SATURDAY
	SAVE	SAVE: Left closed supine hand, and right "V" fingers, supine, placed under the left and lifting the left hand up against left shoulder. (Salvation).	120
	SAVE
	SAY	SPEAK: Right index tip under lips, prone and pointing leftward, and moved as if rolling words from mouth. (Talk) (Tell) (Stay) (Verbal) (Speech) (Publish: "Speak" and both supine hands spreading to sides as if giving out) (Announce) (Make known) (Discourse).	128
	SPEAK
	SAY~BLOSSOM	CREATOR: Right index tip pointing leftward, and whirling as if rolling words from the mouth and then both vertical "&" hands together before chest and fingers open as hands are sprung upwards.	38
	CREATOR
	SAY~FINGERSPELLING	SPELL: "Speak" and prone right fingers oscillating as hand moves from mouth.	128
	SPELL
	SAY~TALK	TALK: "Speak" or, both vertical indices, palm towards palm, moved back and forth to indicate the nodding of the heads.	134
	TALK
	SAY~VOW	PROMISE: Right index tip pointing leftward, moved under the lips as if rolling the words from the mouth, then vertical right hand as in the taking of an oath.	111
	PROMISE
	SAY~VOW~APPOINTMENT	ENGAGEMENT: Right index pointing leftward under lips as if rolling words from mouth, then right hand raised as if taking oath, then closed right hand moves in circle horizontally and prone above prone closed left hand and rests crossed on left wrist which it pushes down a trifle. (The second part as in picture "3" & "4" is often used alone).	52
	ENGAGEMENT
	SCHOOL	SCHOOL: Right prone slapped on left supine to call the children to class. (College: "School" and right prone raised and circled horizontally to indicate higher school.)	120
	SCHOOL
	SCISSORS	SCISSORS: Right index and middle used as scissors to cut off tips of left hand which is prone. (Used also to denote "Cut out"). ("Scissors" operated on left arm denotes "Sheep" or "Wool").	120
	SCISSORS
	SCISSORS	CUT OUT: Right index and middle used as scissors to cut off tips of left prone hand. (Scissors).	40
	CUT OUT
	SCOLD	SCOLD: Right vertical index, palm leftward, shaken warningly. (Warn) (Reprove) (Woe).	121
	SCOLD
	SEE	SEE: Right vertical "V" tips, palms inward, to the cheek below the eye, and then moved outward. (Sight).	121
	SEE
	SEEK	CURIOUS: Vertical "C" of right hand as if holding a magnifying glass before the eyes as the head turns from right to left as if searching. The right hand also moves in circular motion, before the eyes. (Look for) (Seek) (Investigate).	40
	CURIOUS
	SEEM	APPEAR: Right vertical palm at the side of the head, palm outward and turned to palm inward. (Apparent) (Seem) (Appearance) (Look like) (Resemble).	10
	APPEAR
	SELF(emphatic)	EGOTISM: Back of right thumb of vertical "A" hand struck several times against prominent chest. (Self) (Ambition).	51
	EGOTISM
	SELF(emphatic)	SAUCY: Both "A" hands, thumbs up and palms inward, up and down in front of shoulders, head saucily erect.	120
	SAUCY
	SELF(reflexive)	SELF: Right "A" hand, thumb upward, palm leftward, strike back of thumb against chest, for first person. (The same hand is thrust forward towards person or persons indicated, for second person and third person). (Demonstrative or possessive pronouns may precede this sign).	121
	SELF
	SELL	SELL: Both "&" hands fingers pointing down as if holding up something for inspection. (Store).	122
	SELL
	SEND	SEND: Right finger tips of prone hand tap back of left prone hand, and then right hand pushed outward for "Go."	122
	SEND
	SEPARATE	SEPARATE: Both hands back to back, fingers pointing outward, right palm rightward and left palm leftward, separate to the sides as if pushing some to one side and some to the other. (Draw apart).	122
	SEPARATE
	SEW	SEW: Right hand as if holding the needle and sewing.	122
	SEW
	SHALLOW	SHALLOW: Prone right hand moved in horizontal circle about an inch above the supine left hand, or, "Little" "Deep."	122
	SHALLOW
	SHAME	ASHAMED: Back of right fingers against the right cheek, and fingers pointing downward, move the fingers upward a little by turning the hand to palm inward. (Shame) (Bashful) (Immodest) (Immoral) (Impure) (Be ashamed or Shame on You: "Ashamed" but as hand turns on cheek it is thrown out and down to supine toward the person accused).	12
	ASHAMED
	SHARP(edge)	SHARP: Left palm rightward, fingers pointing outward, and right fingers downward, palm leftward, used as if to whet lower edge of left palm. (Shrewd) (Cunning).	122
	SHARP
	SHAVE	RAZOR: Right vertical "Y" hand, palm leftward, used as a razor. (Shave).	114
	RAZOR
	SHIP	SHIP: Right thumb, index and middle pointing upward, palm leftward, other fingers closed, hand pushed forward as if over the waves.	123
	SHIP
	SHOEMAKER	SHOEMAKING: Both indices pushed along side each other oppositely, like the two needles, bent and drawn to the sides as if pulling the threads.	123
	SHOEMAKING
	SHOOT-GUN	GUN: As if holding a gun to shoot. (Hunt: "Gun" made in various directions.)	69
	GUN
	SHOW	SHOW: Right index tip stuck against the heel of left vertical outward palm, and both hands moved forward. (Example) (Sign) ("Show off," or "Solemnize": right "V" fingers vertical and palm outward, before the same left hand, and both moved from left to right dancingly.)	123
	SHOW
	SHUT	CLOSE: Both vertical hands, palms outward, move together from the sides. (Shut).	32
	CLOSE
	SICK	SICK: Middle tip of open hand on the forehead and middle tip of left open hand on the pit of stomach.	123
	SICK
	SIGN	DACTYLOLOGY (or SIGNS): Right vertical index, palm leftward, left vertical index, palm rightward, right hand moves left-down-right-up, and left hand alternates with right, moving right-down-left-up. (To sign or talk with the hands).	40
	DACTYLOLOGY, SIGNS
	SILLY	FOOL: Right vertical "Y" palm leftward, moved in circles before the forehead from right to left. (Same hand thrown across forehead without circles indicates "Silly," "Absurd," "Trifling," "Simple").	61
	FOOL
	SIN	SIN: Both indices, palm inward, pointing toward the center from the sides and moved towards center-upward-sidewards-centerward-upward; or "Law" "Break." (Trespass) (Offense).	123
	SIN
	SING	SONG: Left arm extended, palm rightward; and right palm inward, and pointing towards left arm, is swung to and fro to beat time. (Music) (Poem).	127
	SONG
	SISTER-IN-LAW	SISTER-IN-LAW: Right thumb tip of "A" hand at lower jaw and "Same" and "Law."	124
	SISTER-IN-LAW
	SIT	SIT: Horizontal "I" hands, palm towards palm, and little fingers pointing outward to make bottom of chair; or, both hands prone, right middle and index resting across left middle and index, right tips of middle and index hanging down; or, right prone hand crossed on left prone hand and pushing it downward. (Chair: "Sit" and sometimes the legs are indicated as in "Table").	125
	SIT
	SKATE	SKATE: Bent indices of supine hands, hands pointing outward, to represent the skates, and both hands moved backward and forward alternately.	124
	SKATE
	SKY	SKY: Right "B" to signify "Blue" moved around to indicate the dome of the sky.	124
	SKY
	SLEEP	SLEEP: Open fingers of right vertical hand, palm inward, before the eyes, hand moved downward, becomong "&" hand, pointing toward mouth and head bowed slightly (Sleepy) (Right index tip on end of nose and head bowing denotes "Tedious").	125
	SLEEP
	SLOW	SLOW: Left prone hand extended and right prone hand placed on back of the left hand and drawn slowly back towards the left wrist.	125
	SLOW
	SLY	SLY: Both prone hands pointing outward and right slipped quickly under left; or, right prone index along side of prone left hand, and the right index slipped in sidewise under the left. (Slip away) (Under hand) (On the sly).	125
	SLY
	SMALL	NARROW: Both hands edgewise, palm towards palm, brought near each other from the sides. (Wide: Same as "Narrow" but hands moved apart.)	96
	NARROW
	SMALLPOX	SMALLPOX: Right bent index tip digging into the cheek.	126
	SMALLPOX
	SMART	BRIGHT MENTALLY or SMART: Middle tip of open hand on forehead and flipped quickly out to palm outward.	24
	BRIGHT MENTALLY, SMART
	SMELL	SMELL: Right supine palm moved slightly upward several times before the nose as if testing perfume. (Fragrant: "Sweet" "Smell").	126
	SMELL
	SNAKE	SNAKE: Elevated left prone hand, and right index passed leftward under the left hand in large loops.	126
	SNAKE
	SO-AS	AS: Prone indices at a distance from each other and pointing outward, made to meet along the indices' edge. (Same) (Like) (Similar) (Also) (Same as).	12
	AS
	SOAP	SOAP: Palms crossed and rubbing each other as if making later from the soap.	126
	SOAP
	SODA	SODA WATER: Left "O" hand horizontal, palm rightward and right inverted "V" tips placed in the left "O" and then the prone right hand struck onto the left "O." (Pop).	127
	SODA WATER
	SODALITY	SODALITY: Tips of bent fingers, palm inward passed down sides of chest to indicate ribbon and the right thumb, and index tip joined and placed against the lower chest to indicate the medal.	126
	SODALITY
	SOFT	SOFT: Both "&" hands, fingers pointing upward to the center opened and closed.	127
	SOFT
	SOME	DIVIDE: Right edgewise palm placed across left supine palm as if dividing it. (Hand placed once across left palm means "Half" or "Medium").	46
	DIVIDE
	SOMETIMES	SOME-TIME: Left hand supine, fingers pointing outward, and right index tip drawn back off heel of left palm several times. (The slower, larger and fewer the motions of the right index tip denotes the more seldom.) (Seldom) (This sign is made with the numerals to denote "How often"). (This sign made once indicates "Once" if any other number is added it denotes that number of times.)	127
	SOME-TIME
	SON	SON: Right "A" thumb tip at temple and then right supine hand laid in the crook of left arm as a child.	127
	SON
	SOUR	BITTER: Press right index tip into corner of mouth with corresponding expression. (No taste for) (Sour).	20
	BITTER
	SOUTH	SOUTH: Right vertical "S" hand thrown over to the south.	128
	SOUTH
	SOW	SOW: Right hand as if sowing seed in the field.	128
	SOW
	SPECIAL	EXCEPT: Left vertical index, palm inward, grasped by the right index and thumb and lifted upwards slightly. (Exception).	55
	EXCEPT
	SPEND	SPEND: "Money" and right hand extended as if giving out. (Spend life: "Live") (Spend time: "Continue").	129
	SPEND
	SPIDER	SPIDER: Both prone hands crossed at wrists, little fingers linked, fingers hanging down and moving to imitate legs of spider.	129
	SPIDER
	SPIRIT	SOUL: Right prone palm crosswise above left supine palm, indices and thumbs closing, but joining only after the hands are sufficiently apart to prevent them from linking. (Ghost) (Spirit).	128
	SOUL
	SPOIL	PET: Right prone palm stroking back of left hand towards the wrist as if stroking the back of a bird. (Favor) (Favorite) (Dear) (Tame).	107
	PET
	SPOIL	DEAR: Right prone palm stroking back of left hand towards the wrist as if stroking back of a bird. (Pet) (Favor) (Favorite) (Tame).	42
	DEAR
	SQUIRREL	SQUIRREL: Bent fingers of vertical "V" hands palms outward, bending at either side of the nose.	129
	SQUIRREL
	STAND	STAND: Right inverted "V" fingers standing on left supine palm. (Stand up).	129
	STAND
	STARS	STAR: Elevated vertical indices striking each other at the tips; or, the tip of one pushed up against and past the side of the other alternately.	129
	STAR
	STAY	STAY: Both "A" hands horizontal, palms inward, and right thumb holds down left thumb nail.	130
	STAY
	STEAL	STEAL: Left arm pointing towards right shoulder, and bent fingers of left "V" hand, palm inward, are used as a hook to take something from under the left elbow.	130
	STEAL
	STEP-FATHER	STEP-FATHER: Right "L" vertical, thumb tip against temple, and the index moved back and forth.	130
	STEP-FATHER
	STEP-MOTHER	STEP-MOTHER: Same as above (STEP-FATHER) but thumb tip on lower jaw instead of on temple.	130
	STEP-MOTHER
	STICKY	STICKY: Both palms pressed together and then drawn apart as if sticking together.	130
	STICKY
	STILL	YET or STILL: Right prone "Y" at side pushed forward.	151
	YET, STILL
	STOCKING	STOCKING: Left hand prone, fingers pointing outward, and right prone hand, placed across the back of left and slid up toward elbow.	131
	STOCKING
	STORY	EXPLAIN: Indicate with thumbs and indices the pulling apart of shreds other fingers open. (Example) (Story) (Tale) (Conversation) (Tell about) (Language) ("Description": The same sign, but larger motions, and the hands go in all directions, alternately).	55
	EXPLAIN
	STRICT	STRICT: Right index prone, pushed leftward slowly under the left palm, whose fingers point out-upward.	131
	STRICT
	STRIKE	STRIKE: Right fist struck into left palm.	131
	STRIKE
	STRING	THREAD: Left "I" hand, palm inward, little finger pointing rightward, and right index and thumb tips as if pulling the thread from the spool. (String) (Show the size of "String" for "Rope").	137
	THREAD
	STRONG	STRONG: Both partially closed hands horizontal, palm towards palm, lifted up-rightward and down with emphasis closed.	131
	STRONG
	STUDY	STUDY: Left palm rightward, fingers pointing up and out, and right fingers of prone hand, pointing at left hand and oscillating as right is moved towards and from left palm.	131
	STUDY
	STUPID	STUPID: Knuckles of closed right hand, vertical palm inward, struck against the side of forehead. (Dunce) (Dull).	131
	STUPID
	SUCCEED	SUCCEED: Both prone indices pointing outward, thrown upward to vertical indices with palms outward. (Accomplish) (Win out).	132
	SUCCEED
	SUFFER-PAIN	SUFFER: Both horizontal hands closed tightly and circled slowly and with tension around each other in vertical circles up-out-in-down-up, hands several inches apart. (Agony).	132
	SUFFER
	SUMMER	PERSPIRE: Draw right bent index, palm downward, across the forehead an dthen shake to the side as if dripping. (Sweat). (The first part of this sign is used to denote "Hot weather" or "Summer"). ("Perspire" or "Sweat" would indicate "very hot weather").	107
	PERSPIRE
	SUMMONS~COME-ON	CALL (to summon): Right finger tips tap back of left prone hand and then right index, palm upward, beckons to come. (Attract attention of).	26
	CALL
	SUMMONS~INVITE	INVITE: Right finger tips tapped against the back of left hand and add sign for "welcome," by raising right palm vertical and leftward, and moving it out and down and in as if encouraging people to walk in, i.e., right palm as if reaching out and placed on the back of the person ushered in.	80
	INVITE
	SUNDAY	SUNDAY: Both vertical hands, palms outward.	132
	SUNDAY
	SUPERIOR	ER (to form comparative degree): Slightly elevated "A" hand, thumb upward.	54
	ER
	SUPERIOR	EST (to form superlative): "A" hand, thumb upward, elevated higher than for comparative. (These last two signs are added to the adjective according to the degree desired.)	54
	EST
	SUPERIOR	CHIEF: Right vertical "A" hand, thumb upward, elevated at side. (High) (Prominent) (Most of all).	30
	CHIEF
	SUPPORT	SUPPORT: Left closed horizontal hand, palm rightward, and right vertical closed hand, struck up against the lower side of the left hand. (Uphold).	132
	SUPPORT
	SURPRISE	ASTONISH: Indices and thumbs joined near temples and then suddenly opened and raised. (Surprise).	13
	ASTONISH
	SURRENDER	GIVE UP: Both prone "A" hands before body, thrown upward towards shoulders to open vertical hands, palms outward. (Surrender) (Discouraged) (Lose hope).	65
	GIVE UP
	SWEET	SWEET: Right index and middle tips drawn down on the lips. (Candy) (Sugar).	133
	SWEET
	SWEETHEART	MAKE LOVE: Both closed hands, palms inward, thumbs upward, the thumbs bow continually to each other. (The hands close together would indicate imprudent courtship) (Beau) (Sweetheart).	88
	MAKE LOVE
	SWIM	SWIM: Hands moved as if swimming on chest.	133
	SWIM
	SWORD	SWORD: Pull sword from the scabbard hanging at the belt.	133
	SWORD
	TALL	TALL: Right vertical index, palm leftward, pushed up along front of left vertical hand, left palm outward. (The slower and larger the sign, the greater the height indicated.)	134
	TALL
	TASTE	TASTE: Right middle tip of open hand placed on tip of tongue.	134
	TASTE
	TBD	"Your" "Self."	158
	YOURSELF
	TBD	“Danger” “Happen.”	155
	ACCIDENT
	TBD	“Attend” “Pray.”	155
	ADORE
	TBD	"Jesus" "Approach" "Time."	155
	ADVENT
	TBD	"All" "Strong."	155
	ALMIGHTY
	TBD	"Mass" "Table."	155
	ALTAR
	TBD	"If" which is spelled, or, "And" or "But," according to this sense.	155
	ALTHOUGH
	TBD	"Proud" "Succeed."	155
	AMBITION
	TBD	"Any" "One."	155
	ANY ONE
	TBD	"12" "men" or "12" "Men" "Sent."	155
	APOSTLES
	TBD	"Take" "Responsibility."	155
	ASSUME
	TBD	"Money" "Greedy."	155
	AVARICIOUS
	TBD	"Male" "Alone" or "Male" "Not" "Married."	155
	BACHELOR
	TBD	"Fine" "Eat" or "Fine" "Eat" "Table."	155
	BANQUET
	TBD	"Horse" "House."	155
	BARN
	TBD	"And."	155
	BESIDE
	TBD	"Beak" "Fly."	155
	BIRD
	TBD	"Speak" "Bad" "Against" "God" or "Curse" made toward heaven.	155
	BLASPHEME
	TBD	"Give" "Me" "Keep."	155
	BORROW
	TBD	"Morning" "Eat."	155
	BREAKFAST
	TBD	(to make it) "Bread" and as if kneading dough.	155
	BREAD
	TBD	"Tree" and "low" or "little."	155
	BUSH
	TBD	Both "V" hands used as hands in "City."	155
	CAMP
	TBD	"Govern" "City."	155
	CAPITAL
	TBD	"Wagon" and indicate top.	155
	CARRIAGE
	TBD	(Indian) "Chief" "Indian."	155
	CHIEF
	TBD	Spell or "Jesus" "Birthday" (Merry Christmas - Right vertical "M" changed to vertical "C" as hand cicles left up-right-down palm outward.)	155
	CHRISTMAS
	TBD	"Jesus" "Follwer."	155
	CHRISTIAN
	TBD	"Like" "Priest."	155
	CLERGY
	TBD	As if climbing rope hand over hand.	155
	CLIMB
	TBD	"Class" "People."	155
	CLUB
	TBD	"Black" and "Lump" formed by bent hands palm towards palm.	156
	COAL
	TBD	"10" "Laws" or "10" "C."	156
	COMMANDMENTS
	TBD	"Confession" and indicate box with edgewise hands.	156
	CONFESSIONAL
	TBD	Rub right "A" hand, palm inward, around the region of the heart. (Sorry) (Repentant).	156
	CONTRITION
	TBD	"1" "2" "3."	156
	COUNT
	TBD	Natural sign according to the object covered.	156
	COVER
	TBD	"Wish" "Evil" "To" "Other" (Also see "Curse" in first part.)	156
	CURSE
	TBD	Sign the color of the curtian and move the hands as if moving the curtain.	156
	CURTAIN
	TBD	"Hope" "Lost."	156
	DESPAIR
	TBD	"Book" and right vertical "D" hand.	156
	DICTIONARY
	TBD	"Noon" "Eat."	156
	DINNER
	TBD	"Think" "Different."	156
	DISAGREE
	TBD	"God" "Like."	156
	DIVINE
	TBD	"Joke" "Baby" or right index laid crook of the left arm as if it were a baby.	156
	DOLL
	TBD	"Dress" "Sew" "Er."	156
	DRESSMAKER
	TBD	Spell or horizontal prone "E" hands turned to horizontal supine.	156
	EASTER
	TBD	"Go" "Into."	156
	ENTER
	TBD	"Give" with the right and "Take" with the left.	156
	EXCHANGE
	TBD	"Victory" "Added" or "Victory" "Extra."	156
	EXCEL
	TBD	(drink) "Drink" "like" "Pig."	156
	EXCESS
	TBD	"All" "Lost."	156
	FAIL
	TBD	"Half" "Good."	156
	FAIR
	TBD	"Home" "Class."	156
	FAMILY
	TBD	Right "&" hand, palm down, stuck into the partially closed fingers of the left supine hand, left thumb and index indicating toe of shoe.	156
	FEET
	TBD	"Red" "Fire."	156
	FLAME
	TBD	"White" "Fine."	156
	FLOUR
	TBD	"Patient" "Suffering."	156
	FORTITUDE
	TBD	"Confession" and prone hand elevated to indicate the "Growing up."	156
	GENERAL CONFESSION
	TBD	"Calm" "Heart."	156
	GENTLE
	TBD	"With" "Glory."	156
	GLORIOUS
	TBD	"Father" "Responsible."	156
	GODFATHER
	TBD	"Mother" "Responsible."	156
	GODMOTHER
	TBD	"Green" "Growing."	156
	GRASS
	TBD	"Black" "White" "Mix."	156
	GRAY
	TBD	"Demon" "Fire" or point downwards, or spell.	156
	HELL
	TBD	"False" "Believer."	156
	HERETIC
	TBD	"Idle" "Day."	156
	HOLIDAY
	TBD	"Holy" "Day" "Of" "Must", or "Day" "Like" "Sunday."	156
	HOLY-DAY OF OBLIGATION
	TBD	"Holy" "Ghost"	156
	HOLY GHOST
	TBD	"Become" "Priest" or the annointing of the hands as in the conferring of the Order.	156
	HOLY ORDER
	TBD	"Bee" "Syrup."	156
	HONEY
	TBD	"Like" "People" or "Man."	156
	HUMAN
	TBD	"Sweet" "White" "Cold" or "Sweet" "Cold."	156
	ICE CREAM
	TBD	"Spell."	156
	IF
	TBD	"False" "Statues."	156
	IDOLS
	TBD	"Same" "Time."	156
	IMMEDIATELY
	TBD	"Mercy" and right vertical hand simply follows the left vertical hand to one side, palms out from body.	157
	INCLINATION or DISPOSITION
	TBD	"Not" "Believer."	157
	INFIDEL
	TBD	"Month" "Gain."	157
	INTEREST
	TBD	Spell.	157
	IT
	TBD	"Balance" "Day."	157
	JUDGMENT
	TBD	Swing rope with closed hands and "Jump" repeated several times quickly on the left supine hand.	157
	JUMP ROPE
	TBD	"Tree" and trace shape of leaf in the air with index tips.	157
	LEAF
	TBD	"Give" "You" "Keep."	157
	LEND
	TBD	"Shut" "Key."	157
	LOCKED
	TBD	"Silent" "Alone."	157
	LONESOME
	TBD	"Bad" "Wish" or "Shame" "Wish."	157
	LUST
	TBD	"Polite" with both hands moved out-up-down to sides, fingers oscillating.	157
	MAGNIFICENT
	TBD	"Female" "Alone" or "Female" "Not" "Married."	157
	MAID
	TBD	"Word" "Carry."	157
	MESSAGE
	TBD	"Week" "Preach" or right "M" placed with a flourish on to the heart.	157
	MISSION
	TBD	"Wonder" "Work."	157
	MIRACLE
	TBD	"More" "Less."	157
	MORE or LESS
	TBD	"Great" "Sin."	157
	MORTAL SIN
	TBD	"Dirty" "Water" "Walk" as if hands were lifted with difficulty from the mud.	157
	MUDDY
	TBD	"Yellow" "Butter."	157
	MUSTARD
	TBD	"Truth" "Hide."	157
	MYSTERY
	TBD	"Nail" "Sew."	157
	NEEDLE
	TBD	"Noble" "Man."	157
	NOBLEMAN
	TBD	"Water" "Wave" "Far."	157
	OCEAN
	TBD	"Father" "Mother" "Bereft."	157
	ORPHAN
	TBD	"Night" "Dance" or "Night" "Banquet."	157
	PARTY
	TBD	"Rule" "Priest."	157
	PASTOR
	TBD	"Confession" "Prayer" or "Patient" "Prayer."	157
	PENANCE
	TBD	"Black" or "Red" and right hand shakes pepper from the shaker.	157
	PEPPER
	TBD	Spell.	157
	POPE
	TBD	"God" "Looking" fingers of "Look"pointing downwards from above.	157
	PRESENCE OF GOD
	TBD	(in public) - "People" "Looking" "looking" signed with both hands pointing towards self.	157
	PUBLIC
	TBD	(in wages) - "Money" "Extra."	157
	RAISE
	TBD	"Classed" "Finished."	157
	READY
	TBD	"Appear" "Same."	157
	RESEMBLE
	TBD	(draw lines) - Left prone hand pointing rightward and right joined thumb and index as if holding a pencil use little finger edge of left hand as a ruler.	157
	RULE
	TBD	"Grace" "Show" or "Grace" lowered to the head.	157
	SACRAMENT
	TBD	"Saint", and right "I" hand traces a "J" on left supine palm, with tip of little finger.	157
	SAINT JOSEPH
	TBD	"Holy" "People."	157
	SAINTS
	TBD	"Make" "Holy."	157
	SANCTIFY
	TBD	(in Confession) - "Penance" "Please" "God."	157
	SATISFACTION
	TBD	"Feel" "Quick," or. Middle finger tip of open right hand is placed on the heart, palm inward, and flipped away to palm outward.	157
	SENSITIVE
	TBD	"Sleep" and right "A" hand placed on left "A" hand, thumbs pointing leftward.	158
	SLEEP SOUNDLY
	TBD	Right thumb tip traces half sole on the left supine palm.	158
	SLIPPER
	TBD	"Good" and right hand passed out-down-in-up and into left supine palm, back of right against left palm.	158
	SPLENDID
	TBD	"Green" "Growing."	158
	SPRING or GRASS
	TBD	"Water" "Grow" and as right hand comes up through left hand, the right fingers oscillate as they go over out and down the flowing of the water over the brim of the spring.	158
	SPRING
	TBD	"White" and hands pressed together as in "Cheese."	158
	STARCH
	TBD	"Boat" and both "B" hands make the revolving side wheels or the sterm wheel; or "Boat" and "Smoke"	158
	STEAMER
	TBD	"Blow" "Destroy."	158
	STORM
	TBD	Both "X" hands, palm down, stuck together from the sides so that the indices and thumbs collide.	158
	ON THE STRIKE
	TBD	"Know" "New."	158
	STRANGE
	TBD	"Collide" but first one hand is pushed to one side and then the other hand is pushed oppositely, to represent the struggle.	158
	STRUGGLE
	TBD	"Fine" "Spreading" with expression.	158
	STYLISH
	TBD	"Ruler."	158
	SUPERIOR
	TBD	"Night" "Eat."	158
	SUPPER
	TBD	"feel" "With."	158
	SYMPATHY
	TBD	"Sit" moved back and forth as if seat of swing in motion.	158
	SWING
	TBD	"Sew" "Er."	158
	TAILOR
	TBD	"Entertainment" "House."	158
	THEATRE
	TBD	"Same" "Time" or "Next" or "After" according to the meaning.	158
	THEN
	TBD	"Now" "Day" or "To" "Day."	158
	TO-DAY
	TBD	"Feint at throwing."	158
	THROW
	TBD	Both "V" hands used as hands in "House."	158
	TENT
	TBD	Tip of bent right middle finger of open prone hand touches back of left prone hand.	158
	TOUCH
	TBD	"Car" "Smoke."	158
	TRAIN
	TBD	"Not" "Grateful."	158
	UNGRATEFUL
	TBD	"If" "Not."	158
	UNLESS
	TBD	"Without" "Happen."	158
	VAINLY
	TBD	"Small sin."	158
	VENIAL SIN
	TBD	"Look" with both hands moved up and down and around as if th behold the entire scene.	158
	VIEW or VISION
	TBD	"Can" "See" (INVISIBLE - "Can't" "See").	158
	VISIBLE
	TBD	"Careless" "Lose."	158
	WASTE
	TBD	"Water" "Soft."	158
	WET
	TBD	"If" or "Or."	158
	WHETHER
	TBD	"Holy" "Ghost" "Sunday."	158
	WHITSUNDAY
	TBD	"Angel" made with one hand.	158
	WING
	TBD	"Thread" "Hard." (BARBED WIRE - "Wire" and tips of little fingers of both "I" hands struck up and down across each other to denote the barbs.)	158
	WIRE
	TEA	TEA: Left horizontal "O" hand, palm rightward, indicates cup, and the right index and thumb stir a spoon in the cup.	134
	TEA
	TEACH	TEACH: Both "&" hand tips to the forehead at sides as if to take something out, turned and pushed frontwards as if to put that something into the heads of others.	134
	TEACH
	TELEGRAPH	TELEGRAPH: Left index pointing rightward, palm inward, right prone bent index tapped on the base of left index and then goes out along the left index to show the wire and rapidity.	135
	TELEGRAPH
	TELEPHONE	TELEPHONE: Closed hand to lips and then to ear.	135
	TELEPHONE
	TEMPT	TEMPT: Left arm pointing towards the right shoulder, and the right bent index tapping the left elbow with vigor. (Temptation).	135
	TEMPT
	THAN	THAN: Left palm rightward, fingers pointing outward, right prone hand fingers pointing outward brought down passed left so that the right index brushes along the left palm.	135
	THAN
	THERE	THAT: Right index points to something distant.	135
	THAT
	THERE	THERE: Point to a distance with right index of "To."	136
	THERE
	THIN	LEAN: Right thumb and index, pressing into cheeks respectively, drawn down to show hollow cheeks. (Thin) (Light: i.e. not heavy).	85
	LEAN
	THING	THING: Right "&" hand supine at left side, fingers pointing leftward, hand moved to right, as if placing several things. (Anything: "Any" and "Thing").	136
	THING
	THINK	THINK: Right index tip, palm inward, applied to midddle of forehead. (Consider). (Meditation: The index tip of above sign moved around on the forehead.)	136
	THINK
	THINK~DECIDE	RESOLVE: Right index tip to forehead, palm inward, and then "Balance" without the up and down movement. (Decide) (Sentence) (Condemn) (Determine) (Render judgement). (Make up one's mind).	116
	RESOLVE
	THINK~DEEP	THINK DEEPLY: "Think" and then right inverted index stuck down through fingers of left prone hand. (Science) (Deep Wisdom).	136
	THINK DEEPLY
	THINK~HOLD	ORIGINAL (In thought): Right index tip to the forehead and then hand closed before the forehead. (Invent).	103
	ORIGINAL
	THINK~HOPE	HOPE: Right index tip to forehead for "Think" then both bent hands tandem to one side, palms opposite directions, fingers bending as if beckoning. (Expect).	74
	HOPE
	THINK~SAME	AGREE: "Think" and "Same" signed together in succession. Right index tip to forehead for "Think" and prone indices horizontal and side by side for "Same."	7
	AGREE
	THINK~SAME	BECOMING (suitable): Indices extended upward near the shoulders and then brought down to horizontal, toward object spoken of, indices remaining parallel throughout -- idea is "agree."	17
	BECOMING
	THINK~STAY	REMEMBER: Right index tip to forehead for "Think" then both "A" hands horizontal, palms inward, and right thumb holds down left thumb. (Memory) (Memorize).	115
	REMEMBER
	THROUGH	THROUGH: Left palm supine, fingers pointing outward; right hand edgewise, fingers pointing outward, pushed along through middle and ring finger. (By).	137
	THROUGH
	THURSDAY	THURSDAY: Right vertical "T" hand palm outward, circled left-up-right-down, and changed into a right vertical "H" as it is circled. (Sometimes the "H" hand alone is used.)	137
	THURSDAY
	TICKET	TICKET: Left palm supine, fingers pointing outward, right hand, palm inward, pinching the fleshy edge of the left hand between bent index and middle, other right fingers closed and thumb pressing on the index.	137
	TICKET
	TIME	TIME: Right tip of index of prone hand bent and resting on back of left prone closed hand.	138
	TIME
	TIME-PERIOD	WEEK: Right index laid prone on left supine palm and lifted up out to the right. (If this hand is lifted up to become "V" hand it denotes two weeks, etc.) (Weekly: "Week" repeated). (Next week: "Next" "Week" or "Future" "Week"). (Last week: "Past" "Week" or "Last" "Week").	145
	WEEK
	TIMEPIECE	WATCH: Take watch from pocket and hold it to the ear.	144
	WATCH
	TIRED	TIRED: Tips of both open hands resting against the body, palms inward hands inverted; tips remaining stationary and hands allowed to drop until they are closed. (Weary).	138
	TIRED
	TO	TO: Left index pointing out to the right, and the right index tip touches it.	138
	TO
	TO-BE(inf)	BE ("Be" and "To be"): Bent right horizontal index pointing leftward and moved leftward a few inches.	16
	BE
	TOMORROW	TO-MORROW: Thumb of right "A" hand pointing over right shoulder near lower jaw, palm downward, thumb turned upward and forward in an effort to point forward. (In a few days: "To-morrow" and "Few").	138
	TO-MORROW
	TOWARD	TOWARDS: Same as "To" but right index tip is pushed towards the left index tip.	138
	TOWARDS
	TRAIN	CAR: Prone index and middle of left hand pointing outward, and prone right index and middle extended across the left index and middle and moved out the length of fingers of left. (Tracks: "Car" and indicate the rails).	27
	CAR
	TRAVEL	TRAVEL: Right index of prone hand, pointing downward and twirled as hand moves out from one side to the other. (Journey).	139
	TRAVEL
	TREE	TREE: Right arm pointing upward and hand shaken, left supine under right elbow.	139
	TREE
	TRINITY	TRINITY: Right thumb and index and middle, vertical, palm inward, grasped by the left hand, which closes to "O" as the right is drawn through it down and up to the right side in vertical index.	139
	TRINITY
	TROUBLE	TROUBLE: Both open hands brought down from the sides above the head to below the face, alternately, palms facing line of downward motion. (Excitement) (Worry) (Matter) (Annoyance).	139
	TROUBLE
	TRUE	TRUE: Right vertical index, palm leftward, moved straight out from the lips. (Truth) (Indeed).	140
	TRUE
	TRUE	IS: Right vertical index agains the lips, palm inward, moved straight outward from the lips. (This is the finite part of the verb "to be" the person number and tense are known from added signs or from context.)	81
	IS
	TRY	TRY: Both horizontal "T" hands, thumbs pointing outwards, palm towards palm, and hands urged forward. (Endeavor) (Urge).	140
	TRY
	TUESDAY	TUESDAY: Right vertical "T" hand, palm outward, circle left-up-right-down-left.	140
	TUESDAY
	TURKEY	TURKEY: Tips of thumb and index of right prone "F" hand placed at the nose, then right "G" hand pointing downward placed on the breast, right palm rightward.	140
	TURKEY
	TURTLE	TURTLE: Left palm placed on right horizontal "A" hand, right hand pushed leftward out from under the left, right thumb wriggling to represent head of turtle as it comes to surface.	140
	TURTLE
	TYPEWRITER	TYPEWRITER: Hands as if working the machine.	140
	TYPEWRITER
	UGLY	UGLY: Both indices before the face, right pointing leftward, and left pointing rightward; both hands pulled to sides and indices bent as they cross the face. (Sometimes only one hand is used). (Homely).	141
	UGLY
	UMBRELLA	UMBRELLA: Both hands as if raising an umbrella.	141
	UMBRELLA
	UNDER	UNDER: Right "A" hand, thumb upward, moved around under left prone palm. (Below).	141
	UNDER
	UNDERSTAND	UNDERSTAND: Right bent index tip, palm inward, against middle forehead, and index becoming straight vertical as hand moves out and up from forehead.	141
	UNDERSTAND
	UNFAIR	NOTHING: Right index and thumb tip joined at the mouth, palm leftward, left hand horizontal, palm rightward and thumb and index joined, other fingers of both hands open. Right hand descends past left and right rises; as hands pass all fingers become extended. (No good) (Worthless) (None) (Unjust) (Unfair).	100
	NOTHING
	UNTIL	UNTIL or TILL: Left index pointing out to the right, palm rightward; right index pointing out is brought up over and down onto left index, tip to tip.	141
	UNTIL, TILL
	UP-TILL-NOW	SINCE: Horizontal indices of prone hands, opposed before the left shoulder moved back-up-out-down-out.	124
	SINCE
	UPON	UPON: Prone fingers of right hand brought up over and down onto left closed prone hand. (Off: the opposite of "Upon").	142
	UPON
	VAIN	VAIN: Fingers of both "V" hands, palm towards face and fingers pointing towards sides of face, moved up and down. (Vanity).	142
	VAIN
	VALLEY	VALLEY: Both hands supine, finger tips touching to form valley and both hands moved forward to the sides, as if the backs of the hands were resting on the sides of the hills which form the valley.	142
	VALLEY
	VARIOUS	WHERE: Both supine palms moved out to either side; or, both vertical-outward indices, palm outward, shaken as they move apart to the sides.	146
	WHERE
	VARIOUS	DIFFERENT: "But" with indices oscillating as they are drawn apart. (Diverse) (Various).	46
	DIFFERENT
	VEIL	VEIL: Both "V" hands, palms towards sides of face and fingers pointing to sides of forehead, drawn down to shoulders.	142
	VEIL
	VERY	VERY: Both "V" hands, tips of fingers touch and fingers pointing outward, separated to the sides.	142
	VERY
	VINEGAR	VINEGAR: Index tip of right "V" hand against corner of mouth, with expression.	143
	VINEGAR
	VIRGIN	VIRGIN: Right "V" fingers, palm inward, pointing over left shoulder and moved up over forehead down to pointing over right shoulder.	143
	VIRGIN
	VISIT	VISIT: Both "V" hands, palms inward, fingers pointing up and out, circled around each other up-out-down-in-up.	143
	VISIT
	VOICE	VOICE: Right "V" fingers placed against the throat.	143
	VOICE
	VOTE	VOTE: With right thumb and index drop an imaginary ballot into the left "O" hand, left palm rightward.	143
	VOTE
	WAIT	WAIT: Both bent hands tandem to one side, palms facing each other, but one hand nearer the body, fingers bending as if beckoning.	144
	WAIT
	WAKE-UP	AWAKE: Thumb and index tip closed at corner of eye, open eye and separate thumb and index at same time.	13
	AWAKE
	WALK	WALK: Prone hands pointing outward, moved up and down alternately as if walking with them.	144
	WALK
	WANT	DESIRE: Both supine bent hands before the body as if to receive something and drawn to the body. (Covet) (Want) (Wish) (Object) (End) (Will).	44
	DESIRE
	WAR	BATTLE: Fingers of both hands pointing toward one another, palms inward, moved rightward and leftward as if struggling with one another. (War).	15
	BATTLE
	WARN	ADVISE: Right fingers, palm down, tapped on the back of left forearm, which points forward to the left. (Admonish) (Encourage) (Counsel) (Warn).	6
	ADVISE
	WASH	WASH: Both "A" hands as if rubbing clothes in water. (Wash hands: natural sign) (Bathe: "Wash" and "Body").	144
	WASH
	WATER	WATER: Right vertical "W" palm leftward, with index tip at the corner of mouth.	144
	WATER
	WATER~BAPTIZE	BAPTIST: Both "A" hands horizontal, thumbs upward, turned over to the side and plunged tandem wise down into the water and up again -- sometimes the first half of the above sign (BAPTISM) is prefixed to this sign.	15
	BAPTIST
	WATER~RAIN	RAIN: Right index tip of "W" hand at corner of mouth for "water" then spread prone hands lowered whilst fingers oscillate. ("White" instead of "Water" in this sign would denote "Snow").	114
	RAIN
	WAY	ROAD: Both hands balm towards palm, fingers pointing down, and hands moved forward as if the finger tips were following the sides of the road. (Path) (Street) (River: "W" at corner of mouth for "Water" and "Road").	117
	ROAD
	WEAK	WEAK: Right inverted "V" fingers standing on left supine palm and bending as if weak in the knees. (These right bending fingers placed against side of head indicate "Feeble-minded").	145
	WEAK
	WEDNESDAY	WEDNESDAY: Right vertical "W" palm outward, moved left-up-right-down-left.	145
	WEDNESDAY
	WEIGH	POUND: Both hands prone, right index resting on left index and pushing it downward.	109
	POUND
	WEIGH-SCALE	BALANCE: Thumb and index of both hands joined, fingers pointing outward, and palm towards palm, hands moved up and down alternately as if they were scale pans. (Sentence) (Judge) (Weigh).	14
	BALANCE
	WELL	WELL: Palms applied to chest and "Can" or "Strong." (Healthy) ("Well" with questioning expression indicates the question, "How are you").	145
	WELL
	WEST	WEST: Right vertical "W" hand, palm outward thrown over to the west.	146
	WEST
	WHAT	WHAT: Left open supine hand, fingers spread and pointing outward and right index tip drawn down across the left fingers; or, right vertical index shaken near the ear as if to ascertain what is in the tip of the finger; or, both supine palms in front, fingers pointing out, questioning expression. (Which).	146
	WHAT
	WHEN	WHEN: Left vertical index at side, palm rightward, right index pointing at left index is moved in a circle and pushed against left index tip; or both indices pointing tandem to one side, raised up-back and down; or both prone indices elevated and pointing outward, turned so that right palm is rightward and left palm leftward, similar to "Happen."	146
	WHEN
	WHISKEY	WHISKEY: Right index and little finger of closed hand, extended, palm leftward, and right hand placed on the back of left closed prone hand.	147
	WHISKEY
	WHISPER	WHISPER: Vertical palm held at the mouth as if to cover the act of speaking or to help the whispering to be understood. (Speak privately).	147
	WHISPER
	WHISTLE	WHISTLE: Lips pursed to whistle, and right vertical index moved in a wavy line up out from ear.	147
	WHISTLE
	WHITE	WHITE: Open palm laid on chest, drawn outward, changing to "&" fingers pointing inward.	147
	WHITE
	WHITE~cl:L:(strike-lt-index)	CHALK: Open palm on chest drawn outward closing tips together to denote "White" and then right index and thumb tips as if measuring the length of left extended index.	29
	CHALK
	WHO	WHO: Right index tip, palm inward, moved around pursed lips, and pointing inward. (Which) (Whom) (Whose: "Who" and vertical right palm pushed to one side or towards the possessor).	147
	WHO
	WHY	WHY: Right vertical hand tips, palm inward, against forehead, hand moved from forehead and changed quickly to "Y" hand. (Because).	147
	WHY
	WILD	WILD: Vertical hands, palms towards cheeks, and both hands pushed upwards whilst violently shaken.	148
	WILD
	WIND-BLOW	BLOW or WIND: Both hands raised loosely in front, palms downward, and swung right and left to indicate billows of air.	21
	BLOW, WIND
	WINDOW	WINDOW: Both hands, palms inward, fingers pointing in opposite directions, placed one above the other so that the right little finger rests lengthwise on the left index. (Separate these hands up and down for "open the window" and bring them together for "close the window.")	148
	WINDOW
	WINE	WINE: Index tip of right vertical "W" moved around on cheek, palm leftward.	148
	WINE
	WINK	WINK: Index and thumb tip joined at the corner of the eye, hand vertical and palm outward; tips opened and closed again.	148
	WINK
	WIPE~AWAY	DESTROY: Right vertical leftward open palm some distance in front of body. Left vertical open rightward palm nearer to body. Right hand moves in as left moves out, both return to first position, but as they pass the second time they close as if to tear something apart. (Spoil).	45
	DESTROY
	WISE	WISE: Right index of prone hand bent and pointing down into the forehead. (Wisdom) (Intellectual) (Intelligence) (Genius).	148
	WISE
	WITH	WITH: Both "A" hands horizontal, thumbs upward, close together. (Together) (Beside).	149
	WITH
	WITHOUT	WITHOUT: "With" and fingers opened to point outward.	149
	WITHOUT
	WOLF	WOLF: Open "&" fingers around the nose, fingers pointing to face, hand drawn from face and changed to closed "&" hand.	149
	WOLF
	WONDERFUL	ADMIRE: Lift up both hands at side of face, palms outward, fingers pointing upward, at same time bring head and shoulders backward. (Wonder) (Astonishment) (O! Oh).	6
	ADMIRE
	WOOD	WOOD: Right edgewise hand used as a saw over the outer edge of the left prone hand, left pointing rightward. (Saw).	149
	WOOD
	WORD	WORD: Thumb and index tip of right hand measuring the end joint of left prone index, left index pointing outward.	149
	WORD
	WORK	WORK: Wrist of right struck several times on the back of left closed prone hand, right "S" vertical and palm leftward.	150
	WORK
	WORLD	WORLD: Right "W" placed on the left "W" hand, fingers pointing outward, right palm leftward and left palm rightward, right "W" lifted and passed out-down-in-up onto left hand again. (Sometimes the left "S" is used instead of left "W").	150
	WORLD
	WORM	WORM: Left hand vertical, palm rightward-out; right prone index wriggles as it is pushed leftward across left palm.	150
	WORM
	WORSE	WORSE: Left palm rightward, fingers pointing outward; right "A" hand, thumb upward, brought down past left palm. (Worst: Same sign, but the right hand is made to go lower).	150
	WORSE
	WORTH	MERITS: Joined thumb and index tips of both hands at either side palm toward palm, elevated as they are brought from the sides to meet in the center. (Reward) (Deserve) (Worthy) (Deserts).	91
	MERITS
	WRITE	WRITE: Right thumb and index tips joined and writing on left supine palm.	150
	WRITE
	WRONG	MISTAKE: Right vertical "Y" hand, palm inward, with knuckles of fingers against chin. (Wrong) (Error). (Sacrilegious: as in "Mistake" "Confession").	92
	MISTAKE
	YARD	YARD: Both hands join index and thumb tips, left hand is retained at the nose, whilst the right is extended out to the right as if measuring.	151
	YARD
	YEAR	YEAR: Both closed hands, right on the left, left palm rightward, and right palm leftward; right hand lifted and passed out-down-in-up onto the left hand again. (Yearly: "Year" repeated).	151
	YEAR
	YELL	CRY OUT, YELL: Right thumb and index, palm inward and vertical as if drawing a stream of air from the mouth by repeated motions. (Loud).	39
	CRY OUT, YELL
	YELLOW	YELLOW: Right "Y" horizontal, palm leftward, shaken at side.	151
	YELLOW
	YES	YES: Right vertical "Y" palm outward, dropped frontward to prone; or, prone "Y" hand tapped into left supine palm. (That's it) (Same).	151
	YES
	YESTERDAY	YESTERDAY: Right vertical "Y" palm outward, thrown backwards over right shoulder. (A few days ago: "Yesterday" and "Few").	151
	YESTERDAY
	YOUNG	YOUNG: Both bent hands, palms inward, with tips of fingers touching body at sides of chest, and brushed upwards several times briskly. (Youth).	152
	YOUNG

Source: Lambert 1865 Number of entries found: 372
Entry ID	Reference Gloss Author’s Gloss	Description	Page
	1, 2, 3 PERSONS		Plate II
	1, 2, 3 PERSONNES
	202		Plate XIV
	202
	A LOT		Plate XIII
	BEAUCOUP
	ADMIRE		Plate II
	ADMIRER
	ADORE		Plate II
	ADORER
	ADVANTAGE, GAIN, PROFIT		Plate XIV
	AVANTAGE, GAIN, PROFIT
	AFTER		Plate XV
	APRÈS
	AFTER THE SIGN FOR DAY (HALF-DAY) ; AFTER THE SIGN FOR NIGHT, MIDNIGHT (HALF-NIGHT)		Plate XIII
	APRÉS LE SIGNE JOUR, MIDI (JOUR MOITIÉ); APRÉS LE SIGNE NUIT, MINUIT (NUIT MOITIÉ)
	AFTER-YESTERDAY; THE DAY AFTER TOMORROW; NEXT WEEK		Plate XIII
	AVANT-HIER, APRÉS-DEMAIN, LA SEMAINE PASSÉE, LA SEMAINE PROCHAINE
	AGAINST		Plate XV
	CONTRE
	ALL AROUND		Plate XV
	TOUT AUTOUR
	ALL, EVERYTHING, WHOLE	All (P. VI, 9.) Place the two hands together as in protect at the height of the eyes, separate them, and with a circular movement bring them back together below, as in to receive with two hands...N/A	Plate V
	TOUS, TOUT, ENTIER
	ALWAYS		Plate XIII
	TOUJOURS
	AMONG		Plate XV
	PARMI
	AN HOUR		Plate XIII
	UNE HEURE
	AND, AGAIN, MORE		Plate XV
	ET, ENCORE, DE PLUS
	ANGEL		Plate II
	ANGES
	ANGER		Plate VI
	COLÈRE
	ANOINT		Plate III
	EXTRÈME-ONCTION
	APPLIED, DILIGENT		Plate VII
	APPLIQUÉ, ASSIDU
	APPLY, STUDY		Plate VIII
	S'APPLIQUER, ÉTUDIER
	APPROACH, NEAR, CLOSE		Plate XV
	APPROCHER, PRÈS, PROCHE
	APRIL		Plate XII
	AVRIL
	ARISE, STEAM		Plate X
	SURGIR, VAPEUR
	AS FAR AS		Plate XV
	JUSQU'A
	AT GIVEN POINT		Plate XIV
	À POINT DONNÉ
	AT HOME, HOUSE, RESIDENCE		Plate XV
	CHEZ, MAISON, DEMEURE
	AUGUST		Plate XII
	AOÛT
	AUNT		Plate VI
	TANTE
	AUTUMN		Plate XII
	AUTOMNE
	BAD, WICKED	Bad (P. VII, 12), abruptly cross both hands in front of the chest, with a similar expression. One generally uses this sign in both physical and moral senses: however it is often indicated by the object or action that it qualifies: smell bad: to stink, - it is hard to walk: to slip, etc.	Plate VII
	MAUVAIS, MÉCHANT
	BAPTISM		Plate III
	BAPTÊME
	BE MISTAKEN		Plate XIV
	SE TROMPER
	BEAUTIFUL, MAGNIFICENT		Plate IX
	BEAU, MAGNIFIQUE
	BEFORE		Plate XV
	AVANT
	BEGGAR, ALMS		Plate IV
	MENDIANT, AUMÔNE
	BEHIND		Plate XV
	DERRIÈRE
	BELIEVE		Plate VIII
	CROIRE
	BELOW		Plate XIV
	SOUS
	BELOW, AT THE BOTTOM		Plate XV
	EN BAS, AU FOND
	BENCH		Plate XI
	BANC
	BETWEEN		Plate XV
	ENTRE
	BIG		Plate IX
	GRAND
	BIG, FAT		Plate IX
	GROS, GRAS
	BLACK	Black (P. IX, 20, A.) (C.S.), indicate it by passing the index along the eyebrow, be it black or blond - see Negro, - black humor: sadness alot, - black crime: crime very-big, with an expression of horror. Red (P. IX, 20, B.), bring the index to the lower lip. Yellow (P. IX, 20, D.), is indicated by the manual alphabet J. Or an object of the same color. Green (P. IX, 20, F.), manual alphabet V with a slight oscillation, - green wood: wood dry, no, - green fruit: fruit bitter, - green peas: see Peas, - vigorous old-age: old this, strong, or health good, - sharp response: say, with a resolute expression, - the horses are out to pasture: horses grass graze, verdigris: poison.	Plate IX
	NOIR
	BLESS		Plate III
	BENIR
	BLUE		Plate IX
	BLEU
	BOAT		Plate X
	BATEAU
	BODY AND INDIVIDUAL		Plate X
	CORPS ET INDIVIDU
	BOOK		Plate XI
	LIVRE
	BRANDY		Plate X
	EAU-DE-VIE
	BRAVE		Plate VI
	COURAGEUX
	BREAD		Plate X
	PAIN
	BREASTFEEDING, SUCKING		Plate IV
	ALLAITER, TÊTER
	BRIBE		Plate XIV
	CHOSE VENDUE
	BRING		Plate XIV
	ENTRER
	BRING CLOSER		Plate X
	RAPPROCHER
	BURY		Plate III
	ENTERRER, ENSELVELIR
	CALM		Plate VII
	CALME
	CAREFUL		Plate VII
	PRUDENT (PENSÉE DIRIGEANTE)
	CARELESS		Plate VII
	IMPRUDENT (PENSÉE À LA DÉRIVE)
	CHALK		Plate XI
	CRAYON DE CRAIE
	CHANGE (PHYSICALLY)		Plate XIV
	CHANGER (AU PHYSIQUE)
	CHEESE		Plate X
	FROMAGE
	CLEMENT, FORGIVE		Plate VI
	CLÉMENT, PARDONNER
	CLIMB, LADDER		Plate X
	MONTER, ÉCHELLE
	CLOSE FRIEND		Plate VI
	AMI, UNI, LIÉ
	CLOSE HERE, OR ELSEWHERE		Plate XV
	ICI PRÈS, OU AILLEURS
	CLOUDS		Plate XII
	NUAGES
	COFFEE		Plate X
	CAFÉ
	COLD		Plate IX
	FROID
	COLLECT, PICK UP		Plate XIV
	RECUEILLIR, RAMASSER
	COME (FOLLOW THE DIRECTIONS)		Plate X
	VENIR (SUIV. LES DIRECTIONS)
	COMPASS		Plate XI
	COMPAS
	COMPOSE		Plate V
	COMPOSER
	CONFESSION, PENITENCE		Plate III
	PÉNITENCE, CONFESSION
	CONFIRMATION		Plate III
	CONFIRMATION
	CONVERSE		Plate VIII
	CONVERSER
	CORPORAL		Plate IV
	CARPORAL (SOLDAT, ROUGE GATON); SERGENT (BLANC OU ORGALON)
	COUSIN		Plate VI
	COUSIN
	COWARD		Plate VI
	LÂCHE
	CRAZY, INSANE		Plate VII
	FOU, INSENSÉ
	CROSS		Plate III
	CROIX
	CRUCIFY		Plate III
	CRUCIFIER
	CURRENCY, MONEY		Plate XIV
	MONNAIE, ARGENT
	DAY		Plate XIII
	LE JOUR
	DAY		Plate XIII
	UN JOUR
	DEAF MUTE	Deaf (P. IX, 1.), place the index finger on the ear, - deaf to prayers, to admonitions: Hard heart, or hard head, - to play deaf: deaf liar, or an expression of: I don't want to hear about it, - deaf to noise: noise, with a similar expression., - black lantern: lantern, and then raise the left hand to the level of the face, to express: to see and not be seen.	Plate IX
	SOURD-MUET
	DECEIVE		Plate XIV
	TROMPER
	DECEMBER		Plate XII
	DÉCEMBRE
	DELICIOUS		Plate X
	DÉLICIEUX
	DELIVER		Plate VIII
	EMMENOTTER ET DÉLIVRER
	DESIGN, UNDERSTAND		Plate VIII
	CONCEVOIR, COMPRENDRE
	DESK, OPEN		Plate XI
	BUREAU, OUVRIR
	DESPITE		Plate XV
	MALGRÉ
	DIFFERENT, ON THE CONTRARY		Plate XV
	DIFFÉRENT, AU CONTRAIRE
	DISCRETE		Plate VI
	DISCRET
	DISHTOWEL		Plate XI
	TORCHON
	DISOBEDIENT, REVOLT		Plate VI
	DÉSOBÉISSANT, RÉVOLTE
	DISOBEY		Plate II
	DESOBEIR
	DISTRACTED, LIGHT		Plate VII
	DISTRAIT, LÉGER
	DIVERSE SHAPED		Plate IX
	FORMES DIVERSES
	DO, ACT		Plate VIII
	FAIRE, AGIR
	DOCTOR (MASTER OF HEALTH)		Plate X
	MÉDECIN (MAÍTRE DE LA SANTÉ)
	DRINK		Plate X
	BOIRE
	EACH, EACH ONE	Each, See each, -each man: man each, each day: day each.	Plate V
	CHAQUE, CHACUN
	EAT		Plate X
	MANGER
	EDUCATED, LEARNED, UNDERSTAND		Plate VII
	INSTRUIT, SAVANT, COMPRENDRE
	EGG		Plate X
	OEUFS
	ELEVATION		Plate III
	ELÉVATION
	ELSEWHERE		Plate XV
	AILLEURS
	EMPEROR		Plate IV
	EMPEREUR
	EMULATE		Plate V
	ÉMULATION
	ENOUGH		Plate XIII
	ASSEZ
	EUCHARISTIC, COMMUNION		Plate III
	EUCHARISTIE, COMMUNION
	EVENING		Plate XIII
	LE SOIR
	EXACT, PUNCTUAL		Plate XIV
	EXACT, PONCTUEL
	EXPLAIN, FOR EXAMPLE: LESSON, etc.		Plate VIII
	EXPLIQUER, PAR EXEMPLE: LECON, etc.
	FADE AWAY, REDUCE TO NOTHING, DISAPPEAR		Plate IX
	S'ÉVANONIR, SE RÉDUIRE À RIEN, DISPARAÎTRE
	FAKE, LIAR		Plate VII
	FAUX, MENTEUR
	FAST		Plate III
	JEÛNER
	FEBRUARY		Plate XII
	FÉVRIER
	FINE		Plate IX
	FIN
	FINISH		Plate XIII
	FINI, FIN
	FINISHED		Plate XV
	FINI
	FIRST; SECOND		Plate V
	PREMIER; DEUXIÈME
	FOND OF GOOD FOOD		Plate VII
	GOURMAND
	FOR		Plate XV
	PENDANT
	FOR, AIM (THOUGHT DIRECTED TOWARDS)		Plate XV
	POUR, BUT (PENSÉE DIRIGÉE VERS)
	FORGET		Plate XI
	OUBLIER
	FORK		Plate X
	FOURCHETTE
	FRANC (CURRENCY)		Plate XIV
	FRANC
	FRANK, SINCERE, OPEN, CONFIDENT, etc.		Plate VII
	FRANC, SINCÈRE, OUVERT, CONFIANT, etc.
	FRIEND		Plate VI
	AMI
	GENERAL		Plate IV
	GÉNÉRAL
	GENTLE		Plate VI
	DOUX
	GENTLEMAN		Plate IV
	MONSIEUR
	GIVE BIRTH		Plate IV
	ENGENDRER
	GO		Plate X
	ALLER
	GO BY HORSE, OR HORSE		Plate X
	ALLER À CHEVAL, OU CHEVAL
	GOD		Plate II
	DIEU
	GOLD, GILDING		Plate XIV
	OR, DORURE
	GREEN, PURPLE		Plate IX
	VERT, VIOLET
	HABIT, USUALLY, ORDINARILY		Plate XIII
	HABITUDE, HABITUELLEMENT, ORDINAIREMENT
	HALF HOUR, QUARTER OF THE HOUR, MINUTE		Plate XIII
	DEMI-HEURE, QUART D'HEURE, MINUTE
	HARD		Plate IX
	DUR
	HAVE		Plate XI
	AVOIR
	HAVE PITY; COMPASSION		Plate III
	AVOIT PITIÉ, COMPASSION
	HE		Plate V
	LUI
	HE, THEY		Plate V
	IL, ILS
	HEAR		Plate XI
	ENTENDRE
	HERE, THERE		Plate XV
	ICI, LÀ
	HERE, THERE, TO THIS ONE, TO THAT ONE		Plate V
	ICI, LÀ, À CELUI-CI, À CELUI-LÀ
	HIGH		Plate XV
	EN HAUT
	HOLY SPIRIT		Plate II
	SAINT ESPIRIT
	HOLY VIRGIN		Plate II
	SAINTE VIERGE
	HOPE		Plate XI
	ESPÉRER
	HOT		Plate IX
	CHAUD
	HUMBLE, MODEST		Plate VII
	HUMBLE, MODESTE
	HYPOCRITICAL		Plate VI
	HYPOCRITE
	IGNORANT, STUPID, IMBECILE		Plate VII
	IGNORANT, BÊTE, IMBÉCILE
	IMPLORE WITH INSISTENCE		Plate II
	IMPLORER AVEC INSTANCE
	IN FRONT OF		Plate XV
	DEVANT
	IN FUTURE, IN THE FUTURE		Plate XIII
	A L'AVENIR, AU FUTUR
	IN THE CENTER, CENTRAL, IN THE MIDDLE		Plate XV
	AU CENTRE, CENTRAL, AU MILIEU
	IN THE PAST		Plate XIII
	AUTREFOIS, AU PASSÉ
	IN TURN, ALTERNATELY		Plate XV
	TOUR À TOUR, A TOUR DE RÔLE
	INDISCREET, CURIOUS		Plate VI
	INDISCRET, CURIEUX
	INSIDE OR OUTSIDE		Plate XV
	DEDANS OU DEHORS
	JANUARY		Plate XII
	JANVIER
	JEALOUS, ENVIOUS		Plate VII
	JALOUX, ENVIEUX
	JESUS CHRIST		Plate II
	JESUS CHRIST
	JULY		Plate XII
	JUILLET
	JUNE		Plate XII
	JUIN
	JUST BALANCE, JUSTICE, JUDGE		Plate XIV
	BALANCE JUSTE, JUSTICE, JUGER
	JUST, ACCORDING TO, FAIR, RULE		Plate XV
	JUSTE, SELON, ÉQUITABLE; RÈGLE
	KING		Plate IV
	ROI
	KNIFE		Plate X
	COUTEAU
	LAW		Plate VIII
	LOI
	LAZY		Plate VI
	PARESSEUX
	LEAN, DRY		Plate IX
	MAIGRE, SEC
	LESS THAN		Plate V
	MOINS QUE
	LETTER, STAMP		Plate XI
	LETTRE, CACHETER
	LIGHTEN, BURST		Plate VIII
	ÉCLAIRER, ÉCLATER
	LITTLE BY LITTLE		Plate VIII
	PEU À PEU
	LIVE THROUGH (ERA), GO THROUGH (TIMES), EXPERIENVE (LOVE)		Plate III
	VIVRE
	LONG TIME		Plate XIII
	LONG TEMPS
	LONG, SHORT, WIDE, NARROW		Plate IX
	LONG, COURT, LARGE, ÉTROIT
	LOOK FOR		Plate XI
	CHERCHER
	LOSE		Plate XIV
	PERDRE
	LOVE		Plate II
	AIMER
	LOW		Plate XV
	AU BAS
	MAN		Plate IV
	HOMME
	MARCH		Plate XII
	MARS
	MARRIAGE		Plate III
	MARIAGE
	MASS		Plate III
	MESSE
	MASTER		Plate IV
	MAÎTRE
	MAY		Plate XII
	MAI
	ME, TO ME (INDICATIVE)		Plate V
	MOI, À MOI (INDICATIF)
	MEAT		Plate X
	VIANDE
	METAL, IRON		Plate XIV
	MÉTAL, FER
	MILK		Plate X
	LAIT
	MONK		Plate IV
	RELIGIEUX
	MONTH		Plate XIII
	UN MOIS
	MOON		Plate XII
	LUNE
	MORE THAN		Plate V
	PLUS QUE
	MORNING		Plate XIII
	LE MATIN
	MOST, FIRST, ABOVE ALL, PRINCIPALLY, etc.		Plate V
	LE PLUS, EN PREMIER, SURTOUT, PRINCIPALEMENT, etc.
	MOVE AWAY, SEPARATE		Plate XV
	ÉLOIGNER, SÉPARER
	MOVE TO		Plate IX
	RAPPROCHÉ
	MY, TO ME (POSSESSIVE)		Plate V
	MON, À MOI (POSSESSIF)
	MYSELF		Plate V
	MOI-MÈME, MOI SEUL
	NAPKIN		Plate X
	SERVIETTE
	NEVER		Plate XIII
	JAMAIS
	NEW, NEW		Plate IX
	NOUVEAU, NEUF
	NIGHT		Plate XIII
	LA NUIT
	NO		Plate XV
	NON
	NOT AT ALL		Plate V
	PAS DU TOUT
	NOT YET		Plate XIII
	PAS ENCORE
	NOT, WITHOUT		Plate V
	PAS, SANS
	NOTEBOOK		Plate XI
	CAHIER
	NOTHING, NOBODY, NONE	None vs. Nobody, or Null, or Nothing at all.	Plate V
	RIEN, PERSONNE, AUCUN
	NOTICE		Plate XI
	APERCEVOIR
	NOVEMBER		Plate XII
	NOVEMBRE
	NOW, AT PRESENT, BE		Plate XIII
	MAINTENANT, À PRÉSENT, ÊTRE
	NUN		Plate IV
	RELIGIEUSE
	OBEDIENT		Plate VI
	OBÉISSANT
	OBEY; SUBMIT		Plate II
	OBEIR; SE SOUMETTERE; CEDER
	OCTOBER		Plate XII
	OCTOBRE
	OFFER TO BUY, SELL		Plate XIV
	OFFRIR À ACHETER, VENDRE
	OLD		Plate IV
	VIEUX
	OMELETTE		Plate X
	OMELETTE
	ON TOP		Plate XV
	DESSUS
	ONCE AGAIN		Plate XV
	DE NOUVEAU
	ONCE, TWICE, etc.		Plate XV
	UNE FOIS, DEUX FOIS, etc.
	ONE		Plate XIV
	UN
	ONE HUNDRED		Plate XIV
	CENT
	ONE THOUSAND		Plate XIV
	MILLE
	ORDER OF A MONK		Plate III
	ORDRE (TONSURE)
	ORDER, APPEAR, CREATE		Plate VIII
	ORDONNER, SURGIR, CRÉER
	ORDER, YOU MUST (IMPERATIVE), HAVE TO		Plate VIII
	ORDONNER, IL FAUT, DEVOIR
	PAPER		Plate XI
	PAPIER
	PARENT (BLOOD, KIN)		Plate VI
	PARENT (SANG, PROCHE)
	PATH		Plate XIV
	CHEMIN
	PENDULUM		Plate XI
	PENDULE
	PERHAPS, DOUBT		Plate XIII
	PEUT-ÊTRE, DOUTE
	PERSERVER		Plate XI
	PERSÉVÉRER
	PICK, CHOOSE		Plate XIV
	CUEILLIR, CHOISIR
	PIOUS		Plate VI
	PIEUX
	POOR, RAGGED, TORN		Plate IV
	PAUVRE, DÉGUENILLÉ, DÉCHIRÉ
	POPE		Plate IV
	PAPE
	POSSESS, BELONG		Plate XI
	POSSÉDER, APPARTENIR
	PRAYER; BEG		Plate II
	PRIER; SUPPLIER
	PRETTY, NICE		Plate IX
	JOLI, GENTIL
	PREVENT, ADVISE, ANNOUNCE, WARN		Plate VIII
	PRÉVENIR, CONSEILLER, ANNOUNCER, AVERTIR
	PRIEST		Plate IV
	PRÊTRE
	PRISON		Plate VIII
	PRISON
	PROTECT		Plate III
	PROTÈGER
	PULSE HEALTH		Plate X
	POULS, SANTÉ
	PUNISH		Plate VIII
	PUNIR
	QUARRELSOME		Plate VI
	QUERELLEUR
	QUICKLY, HASTEN, URGE		Plate XIV
	VITE, HÁTER, PRESSER
	READ		Plate XI
	LIRE
	RECEIVE AND (WITH TURNING THE HAND) CHANGE, BECOME, CONVERT (TO MORAL)		Plate XIV
	RECEVOIR ET (EN TOURNANT LA MAIN) CHANGER, DEVENIR, SE CONVERTIR (AU MORAL)
	RED		Plate IX
	ROUGE
	REFLECT, MEDITATE		Plate VIII
	RÉFLÉCHIR, MÉDITER
	REGRET OFFENDING GOD; REPENT; PAIN; REGRET		Plate II
	CONTRITION; SE REPENTIR; DOULEUR; REGRET
	REGULATE		Plate XI
	RÉGLER
	REINS, GOVERN, DIRECT		Plate X
	RENNES, GOUVERNER, DIRIGER
	REMAIN IN PLACE, FIXED, FIRM		Plate XIV
	DEMEURER EN PLACE, FIXE, FERME
	ROW		Plate X
	RAMER
	RUN		Plate X
	COURIR
	RUN, OR SIT		Plate XI
	COURIR, OU S'ASSEOIR
	SALAD		Plate X
	SALADE
	SALT		Plate X
	SEL
	SAME		Plate XV
	PAREIL
	SCHOOL-MASTER, PROFESSOR		Plate X
	MAÎTRE, PROFESSEUR
	SCREW		Plate XI
	VIS
	SEASON (FOOD) OR DRESSING (SALAD)		Plate X
	ASSAISONNER
	SECOND		Plate XIV
	DEUXIÈME
	SEE		Plate XI
	VOIR
	SENSIBLE (CALM THINKING)		Plate VII
	SENSÉ (PENSÉE CALME, PESÉE)
	SEPTEMBER		Plate XII
	SEPTEMBRE
	SERVANT		Plate IV
	SERVITEUR
	SEVERAL		Plate V
	PLUSIEURS
	SHOUT		Plate VIII
	CRIER
	SILENCE, SHH, SILENT		Plate VII
	SILENCE, CHUT, SILENCIEUX
	SILVER, SILVERNESS		Plate XIV
	ARGENT, ARGENTURE
	SING THE PRAISES OF		Plate III
	ENCESNSER
	SKY, CELESTIAL VAULT		Plate II
	CIEL, VOUTE CELESTE
	SLATE		Plate XI
	ARDOISE
	SLEEP		Plate X
	DORMIR
	SMALL		Plate IX
	PETIT
	SOBER		Plate VII
	SOBRE
	SOFT		Plate IX
	MOU
	SOLDIER		Plate IV
	SOLDAT
	SOME MONEY		Plate XIV
	ARGENT DÛ
	SON, CHILD		Plate IV
	FILS, ENFANT
	SOON (LITTLE IN THE FUTURE)		Plate XIII
	BIENTÔT (PETIT FUTUR)
	SOUL		Plate II
	AME
	SPIRIT		Plate II
	ESPRIT
	SPLIT, SEPARATE		Plate X
	ÉCARTER, SÉPARER
	SPOON OR SOUP		Plate X
	CUILLER, OU POTAGE
	SPRING		Plate XII
	PRINTEMPS
	SQUARE, ROUND		Plate IX
	CARRÉ, ROND
	STAMP WITH A SEAL, STAMP		Plate XI
	CELLER, TIMBRE
	STAR		Plate XII
	ÉTOILE
	START, FROM		Plate XV
	COMMENCER, DEPUIS
	STEAL		Plate XIV
	VOLER
	STINGY, MONOPOLIZE		Plate XIV
	AVARE, ACCAPARER
	STRAIGHT		Plate IX
	DROIT
	STREET		Plate X
	RUE
	STRONG		Plate IX
	FORT
	STUDIOUS, STUDY, LEARN		Plate VI
	STUDIEUX, ÉTUDIER, APPRENDRE
	SUDDENLY		Plate XIII
	TOUT À COUP
	SUMMER		Plate XII
	ÉTÉ
	SUN		Plate XII
	COTEIL
	TAKE AND LOCK UP		Plate VIII
	FERMER
	TAKE OUT		Plate XIV
	SORTIR
	TALKATIVE		Plate VII
	BAVARD
	TEACH, INSTRUCT		Plate VIII
	ENSEIGNER, INSTRUIRE
	TEAR		Plate IX
	DÉCHIRÉ
	TEMPT DEVIL		Plate III
	TENTER DIABLE
	THANK; RECOGNITION		Plate II
	REMERCIER; RECONNAISSANCE
	THEIRS, TO THEM		Plate V
	LEUR, À EUX
	THEY		Plate V
	EUX
	THICK		Plate IX
	ÉPAIS
	THIN		Plate IX
	MINCE
	THINK		Plate VIII
	PENSER
	THIS, THAT		Plate V
	CECI, CELA
	THUNDER		Plate XII
	TONNERRE
	TO THIS ONE, TO THAT ONE		Plate V
	À CELUI-CI, À CELUI-LÀ
	TOMORROW		Plate XIII
	DEMAIN
	TRAVEL		Plate X
	VOYAGER
	TRULY, TRUE, AFFIRM		Plate XV
	VÉRITABLEMENT, VRAI, AFFIRMER
	TWISTED		Plate IX
	TORDU
	TWO		Plate XIV
	DEUX
	UNDERNEATH		Plate XV
	DESSOUS
	UNITED IN ONE		Plate II
	UNIES EN UN SEUL
	VAIN, PRIDE		Plate VII
	VANITEUX, ORGUEILLEUX
	VENERATE		Plate II
	VENERER
	VINDICTIVE, GET REVENGE (receive a body and return it)		Plate VI
	VINDICATIF, SE VENGER (recevoir un corp et le rendre)
	VINEGAR OR PEPPERY		Plate X
	VINAIGRE, OU POIVRE
	WAIT		Plate XIV
	ATTENDRE
	WAIT PATIENTLY, RESIGNATION		Plate III
	PATIENTER, RÉSIGNATION
	WANT		Plate VIII
	VOULOIR
	WANT		Plate XI
	DÉSIRER
	WATCH		Plate XI
	GUETTER
	WATER		Plate X
	EAU
	WAVY		Plate IX
	ONDULEUX
	WE		Plate V
	NOUS
	WEAK		Plate IX
	FAIBLE
	WELL, GOOD		Plate VII
	BON, BIEN
	WHEN		Plate XIII
	QUAND
	WHITE		Plate IX
	BLANC
	WILD, IDIOT, RUDE		Plate VII
	SAUVAGE, IDIOT, GROSSIER
	WIN		Plate XIV
	GAGNER
	WINE		Plate X
	VIN
	WINTER		Plate XII
	HIVER
	WISE, GOOD, CALM, PEACEFUL		Plate VI
	SAGE, BON, CALME, PAISIBLE
	WITH, UNITE		Plate XV
	AVEC, UNIR
	WOMAN	Woman (P. IV, 2.), with the thumb, indicate on the cheek, and going under the chin, the ribbon of the bonnet. - One can also indicate it by lightly accentuating the breast, - midwife: woman others give-birth help, chambermaid: woman, lady do-hair, or dress, - housekeeper: woman laundry, dishes, etc. take-care-of, - old woman (the missus): woman old.	Plate IV
	FEMME
	WRITE, AND INKWELL		Plate XI
	ÉCRIRE, ET ENCRIER
	YEAR		Plate XIII
	UN AN
	YELLOW		Plate IX
	JAUNE
	YES		Plate XV
	OUI
	YESTERDAY		Plate XIII
	HIER
	YOU		Plate V
	VOUS
	YOU, TO YOU		Plate V
	TOI, À TOI
	YOUNG	Young (P. IV, 6.) (C.S.), run the manual alphabet J on each hand, from the hips to the chest - (N.S), old? No, with a youthful look.	Plate IV
	JEUNE
	YOUR, TO YOU		Plate V
	TON, À TOI
	ZERO		Plate XIV
	ZÉRO

Source: Long 1918 Number of entries found: 1159
Entry ID	Reference Gloss Author’s Gloss	Description	Page
	1P-IX	ME: Point the forefinger at centre of one's own breast. (Touch self with forefinger.)	17
	ME
	1P-IX-PL	WE, US: Point forefinger at self, then point out, bring round in circle as in "You," and back to self. II,16.	17
	WE, US
	1P-POSS	MY and MINE: Press open hand, palm against breast to indicate possession.	17
	MY, MINE
	1P-SELF	MYSELF: With the hand in position of making "A" strike the thumb against center of breast and repeat several times.	17
	MYSELF
	2P-IX	YOU, THOU: Point forefinger at person addressed.	17
	YOU, THOU
	2P-IX-PL	YOU (plural): Point forefinger and draw around in semicircle from right to left or vice versa.	17
	YOU (plural)
	2P-POSS	YOUR and YOURS: Push open palm toward the person or persons addressed. This sign is also used to denote possession, the hand being pushed toward the possessor.	17
	YOUR, YOURS
	3P-POSS	HIS, HER, HERS, THEIRS: Make sign for pronoun and then add possessive sign, i.e., push open palm toward imaginary person.	17
	HIS, HER, HERS, THEIRS
	ABANDON	ABANDON (throw aside): Same position of hands (SURRENDER), but throw them at the side as if casting something away.	59
	ABANDON
	ABOUT	ABOUT: Hold the left "&" hand out, pointing to the right, and around it circle the forefinger of the right "G" hand, pointing to the left. XXI,380. Note: ABOUT, in the sense of "almost" or "nearly" is signed like these words, as the signs always stand for the idea and not the word itself.	108
	ABOUT
	ABSTINENCE	ABSTINENCE: The upward pointing thumb of the right "A" hand is drawn over the mouth from left to right. XXIX,427.	119
	ABSTINENCE
	ACCEPT	ACCEPT: Hold out hands as if ready to receive something; then close hands while drawing them back toward you and turn ends almost against body. VIII,172.	49
	ACCEPT
	ACCOMPANY	ACCOMPANY: Make the sign for "with" and move it forward indicating motion forward. To express the idea of wandering around with move the hands forward in a sort of zigzag manner.	62
	ACCOMPANY
	ACROSS	ACROSS, OVER: Holding the left "B" hand out, palm down and pointing toward the right, pass the right "B" hand edgewise across the back of the left. XXI,379.	109
	ACROSS, OVER
	ADD	ADD: Hold the left "&" hand pointing up and rather low; upon its end place the end of the right "&" hand pointing down; move both hands upward, lifting the right hand and striking it against the left several times as they rise. XXII,403.	115
	ADD
	ADD	ADD, INCREASE: Place the "&" hands, one on other, fingers meeting; let the right hand rise and fall against the left, lifting both up meanwhile.	56
	ADD, INCREASE
	ADD	BESIDE (more): Hold the left "&" hand in front pointing toward the right; bring the end of the right "&" hand to meet the end of the left, lifting it from a position in front toward the right side and then to meet the left.	106
	BESIDE (more)
	ADMIT	CONFESS: Place ends of open hands at breast pointing downward, palms in; draw up palms and turn them outward, as if turning the hands wrong side out. VII,152.	42
	CONFESS
	ADORE	ADORE: The open palms from both sides of the head are brought in an attitude of prayer, while the head bows reverently. XXIX,428.	119
	ADORE
	ADVISE	ADVISE, ADVICE, etc.: Place end of right "&" hand on back of left open hand held up in front of you; lift it away as if taking up something with thumb and fingers, and move toward imaginary person and open the hand as if throwing what it might contain toward the person. VII,146.	41
	ADVISE, ADVICE
	AFRAID	SCARE, FRIGHTEN, etc.: Bring the "V" hands out to the front and side with ends of fingers and thumb held together; throw the hands toward the front of the body, and open them suddenly so the palms will strike flat and the ends of the hands come about together, and with wide-open eyes exhibit frightened look. V,86.	30
	SCARE, FRIGHTEN
	AFTER	AFTER (2): Hold the left "B" hand palm down but with outer edge turned slightly down half way; across the back of it pass the right "B" hand so the edge strikes first the top edge of the left hand and then points suddenly down.	81
	AFTER (2)
	AFTER	AFTER (in time): See preceding pages.	106
	AFTER (time)
	AFTERNOON	AFTERNOON: Indicate by passing the arm in the sign for "day" across that part of the arc between noon and evening. Note: To indicate very early in the morning let the right hand point more down than straight out, according to the earliness of the hour. And in late at night likewise let the right hand point more down than usual.	80
	AFTERNOON
	AGAIN	AGAIN: Holding out the bent right hand with palm partly up give it a slight twist, turning the palm toward the left, and strike the end against the open palm of the left hand. XIV,284.	83
	AGAIN
	AGAINST	AGAINST: Strike the palm of the left hand with the end of the right "B" hand, holding the left hand so the right is thrown straight outward toward the left. XXI,378.	108
	AGAINST
	AGENT	ER: Bring the open hands, palms near the body and fingers pointing forward but inclined toward each other at an angle of 45 degrees, up to the breast; with the palms against the body, press them downward, indicating thus the individual. XI,218.	64
	"ER"
	AGGRESSIVE	WILFUL: Strike the breast upward with the thumb of the right "A" hand several times; or rub upward with the same hand against the breast, giving the body a slight forward movement as if pressing against the restraint of the right hand.	77
	WILFUL
	AGREE	AGREE: Place end of right "G" hand against center of forehead; bring finger down in front pointing out, and bring the other forefinger up alongside parallel to it but not touching. VII,148.	42
	AGREE
	ALL	ALL: Bring the hands out easily, and after touching them at the forefingers, bring them around in a circle as if to include the whole. Commonly the left hand is at rest, held at a slight angle, and the right hand alone describes the cricle coming to rest in the palm of the left hand. II,28.	20
	ALL
	ALL-NIGHT	NIGHT: Place the hands and arms in position as if about to sign for "day" but move the hand down and describe a semi-circle below the arm from right to left, thus representing the course of the sun during the period of time from set of sun to its rising.	79
	NIGHT
	ALLOW	MAY, indicating permission: Hold both open hands out in front straight from the sides, pointing downward; with a forward motion throw the hands out till they point forward. I,6.	14
	MAY (permission)
	ALONE	ALONE: Move the "G" hand, with the back outward, and the finger pointing upward, straight out from the front and while doing so give it a zig-zag motion from side to side.	74
	ALONE
	ALRIGHT	RIGHT: Hold out the open left hand, palm up; diagonally across the palm push the right open hand with edge touching the palm. The sign may be made straight across. XIII,254.	75
	RIGHT
	ALWAYS	ALWAYS, FOREVER: With arm and elbow at side, hold out the right "G" hand pointing outward; move the hand along out, describing a circle with the end of the forefinger. XIV,282.	82
	ALWAYS, FOREVER
	AMONG	AMONG: Hold the left bent "5" hand in front with the fingers pointing upward; with the forefinger of the right "G" hand pointing down move it in and out among the fingers of the left.	106
	AMONG
	AND	No description provided.	13
	AND
	ANGEL	FLY (also wings): Place ends of open hands on shoulders, move out and make motion of wings in flight.	48
	FLY (also wings)
	ANGEL~PRAY	ANGELUS: Angel, prayer.	119
	ANGELUS
	ANGRY	ANGRY: With the fingers bent, talon-like, throw hand against the waist, partly at one side; give a tearing, upward motion against the body. Sometimes both hands are used.	26
	ANGRY
	ANIMAL	ANIMAL: Lock the ends of the fingers, or place them end to end (not necessarily touching) and place hands, palm to breast; move the hands outward and back following motion of chest in breathing. XVII,323.	92
	ANIMAL
	ANNOUNCE	ANNOUNCE, MAKE KNOWN: Place the forefingers of "G" hands held horizontally under the lip, ends toward each other; throw hands out, letting them separate so the ends of the fingers describe semi-circles outward. To indicate something is PUBLISHED and announced in a newspaper, press hands palm upon palm, horizontally to indicate motion of printing, and then proceed as above. VII,150.	42
	ANNOUNCE, MAKE KNOWN
	ANSWER	ANSWER, REPLY, MAKE RESPONSE: Place forefinger of left "G" hand perpendicularly in front of you and end of forefinger of right "G" hand on lips; keeping them parallel, or in same relative position one higher than the other, throw them toward an imaginary colloquist, keeping the arms at rest, or only slightly moved from elbow.	40
	ANSWER, REPLY, MAKE RESPOND
	ANXIOUS	ANXIOUS: The half open left "bent" hand is held breast high and the palm scraped by the fingers of the right. Or express the idea by a combination of other signs, like "feel a strong desire."	32
	ANXIOUS
	ANY	ANY: Place "A" hand over toward left side and draw it quickly over to the right side, the while giving it an ague-like shaking motion. II,21.	18
	ANY
	ANY~ONE	SOME ONE: Same as for "any one."	19
	SOME ONE
	ANY~ONE~NOTHING	NONE: Make sign for "any one" then "nothing" (lift "O" to mouth without touching, then quickly throw it off; in the meantime open the hand and throw out the fingers.)	19
	NONE
	ANY~THING	ANYTHING: Usually made the same as "any." Or, (2) Make sign for "any" and add "thing."	18
	ANYTHING
	APPEAR	RISE, APPEAR (come up unexpectedly): Holding the left open hand out in front, bring the right "G" hand under it and thrust the forefinger up between the middle and third fingers of the left hand rather suddenly.	59
	RISE, APPEAR
	APPLE	APPLE: Place the right "S" hand at the corner of the mouth, so that the middle joint of the forefinger touches it, and give the hand a twisting motion several times. XVI,318.	89
	APPLE
	APPOINTMENT	ENGAGEMENT (in sense of a promise binding one, contract): Bring the left "S" hand out with back of hand up; bring the right "A" hand out toward it, and, describing a small circle with the right hand, bring the right wrist down on the top of the left wrist and rest as if the hands had become tied together. When it is wished to indicate a betrothal, with the thumb and forefinger of the right hand grasp imaginary ring on left ring finger, then make sign for engagement. Sometimes the sign for "promise" precedes the sign for engagement.	31
	ENGAGEMENT
	APPRECIATE	PLEASE, PLEASURE, etc.: Rub the palm of the right hand over the heart with circular motion. IV,48.	24
	PLEASE, PLEASURE
	APPROACH	APPROACH, MOTION TOWARD: Place the partly bent left hand in front rather toward the left side, forefinger edge up; place the bent right hand same position, pointing the other way, behind it but several inches back toward right side, and gradually let it approach the one in front. IX,199.	55
	APPROACH, MOTION TOWARD
	ARITHMETIC	ARITHMETIC: Hold the "V" hands pointing upward, the palms toward self; throw the right hand toward the left and the left toward the right so they meet and cross, the back of the right "V" passing against the palm of the left "V." Repeat the motion several times. This sign may also be used to mean to FIGURE or CALCULATE anything or ESTIMATE.	114
	ARITHMETIC
	ARMY	SOLDIER: Hold the "A" hands at one side one above the other as in holding a gun, soldier-like, against the side.	66
	SOLDIER
	ARMY	ARMY: Sign for soldier and then for "class," i.e., bring the "C" hands out and draw them toward each other to a central point.	66
	ARMY
	AROUND	AROUND: Hold the left "&" hand pointing upward and circle it several times with the forefinger of the right "G" hand pointing down.	106
	AROUND
	ARRANGE	ORDERLY, READY: Extend the open hands, pointing outward, and parallel to each other, over toward the left side; lift them both together from the wrists, move toward the right a little, and let them come down again; repeat the motion until the hands have been moved over to the right side.	72
	ORDERLY, READY
	ARRANGE	ARRANGE, PUT IN ORDER: Bring the open hands out toward the front side, palms toward each other, several inches apart, and ends pointing out; keeping them in same relative position move them along in front of you to the other side, giving them a slight up and down motion. IX,185.	51
	ARRANGE, PUT IN ORDER
	ARRANGE~END	READY: Same as above (ARRANGE); then sign for "finished."	51
	READY
	ARRIVE	ARRIVE, REACH: Begin motion as above (APPROACH) and next let the hands go forward and one fall into the palm of the other, and then hold the hands forward, palms up.	55
	ARRIVE, REACH
	ASCEND	ASCEND: Make the natural motion of lifting the right hand upward, bringing the ends of the fingers pointing upward at the conclusion.	63
	ASCEND
	ASH-WEDNESDAY	ASH WEDNESDAY: Draw a cross on the forehead with the closed tips of the "9" hand. XXIX,429.	119
	ASH WEDNESDAY
	ASK	ASK, PREFER A REQUEST: Place hands together in front, palms together and ends pointing outward; draw hands toward self and partly down, giving hands a more perpendicular position. VII,142.	41
	ASK, PREFER A REQUEST
	ASK-QUESTION	QUESTION, TO ASK A QUESTION, TO "QUIZ," etc.: With forefinger of "G" hand, palm side down, move toward imaginary person and crook and uncrook it (imitating the motion of a worm), repeating the motion several times. VII,143.	41
	QUESTION, ASK QUESTION, QUIZ
	AT	AT: Strike the back of the left "B" hand, pointing upward, with the right "B" hand. XXI,381.	106
	AT
	AUNT	AUNT: Place letter "A" opposite jaw as when making sign for "woman" but not touching; then same motion as in "uncle."	22
	AUNT
	AUTOMOBILE	AUTOMOBILE: Make motion of steering an auto. There are variations of this sign according to locality. Some make simply the sign for "machine" that is, with the fingers of the hands locked together in a position of the cogs of a wheel, they are given several half turns together up and down.	63
	AUTOMOBILE
	AUTUMN	FALL: Hold the left "S" hand up near the left shoulder, doubling the arm; downward against the lower end of the forearm near the elbow pass the right open hand, palm downward, so the forefinger of the right hand brushes against the arm. XV,298.	85
	FALL (weather)
	AVARICIOUS~MONEY	AVARICIOUS: Scrape the left palm with hand held out with the fingers of the right, adding the sign for money--an "itching palm."	32
	AVARICIOUS
	AVOID	EVADE, GET AROUND, AVOID: Holding the left "A" hand in front, thumb up, place the right "A" hand in similar position, behind it and nearer self; throw the right hand to one side and then the other, giving it a twisting motion from the wrist.	44
	EVADE, GET AROUND, AVOID
	AWFUL	AWFUL: Hold the "O" hands one against either temple; throw both hands simultaneously forward from the head, not quite arm's length, opening the fingers the while, so they assume position of "5" at the end of the sign. The sign may be made with one hand only.	73
	AWFUL
	AWFUL~HAPPEN	DANGEROUS: Make sign for "fearful" and follow with "happen," i.e., bring hands to position of "G" and quickly drop and twist them inward until they come to rest, backs up, parallel and pointing outward.	73
	DANGEROUS
	BABY	BABY: Indicate with arms the act of holding or swinging a baby in the arms.	22
	BABY
	BAD	BAD: Same position of the hand as in "good;" in bringing the hand away draw it slightly toward the right, turn it palm down and throw the hand downward. XII,229.	67
	BAD
	BANANA~YELLOW	BANANA: Make motion of peeling the forefinger of the left "G" hand as if it were a banana, then sign "yellow," (give the right "Y" hand a twisting shake several times).	90
	BANANA
	BAPTISM	BAPTISM: The "W" hand is tilted over the head as if pouring water.	119
	BAPTISM
	BASKET	BASKET: Placing the right "G" hand under the wrist of the left, carry it in a semi-circle to the elbow.	112
	BASKET
	BEANS	BEANS: Pass the right closed "O" hand along the length of the forefinger of the left "G" hand, with a pecking motion. Note: This sign is used indiscriminately for RICE, OATMEAL, and all kinds of GRAIN.	88
	BEANS
	BEANS~gs:hull	PEAS: Make sign as above (BEANS); then, grasping the left forefinger near the knuckle with the thumb and forefinger of the right hand, pass the thumb down its length as in motion of hulling the peas.	88
	PEAS
	BEANS~MASH	FLOUR: Make sign for "grain" (see BEANS), then rub palms of the hands together. XVI,314.	88
	FLOUR
	BEAR	BEAR: Cross the arms so the right hand will be near the left elbow and the left hand near the right elbow, as in hugging; draw the arms apart so the fingers of the hands will scratch along the arms as they come apart. XVII,336.	94
	BEAR
	BEARD	BEARD: Draw the hand, (fingers on one side and thumb on the other) down the sides of the face.	63
	BEARD
	BEAUTIFUL	PRETTY, BEAUTIFUL: Place the right "5" hand before the face, while the hand describes a small circle, close the fingers and thumb until the hand has assumed the "&" position, when finishing the circle. The fingers move in a larger circle than the wrist, which is kept nearly stationary. XIII,261.	76
	PRETTY, BEAUTIFUL
	BECAUSE	BECAUSE: Place the end of the forefinger of the right "L" hand at the forehead, above the right eye; draw the hand away to the side, assuming the position of "A," and then raise the hand on a level with the top of the head. The hand is sometimes given a peculiar twisting motion. XXII,394.	110
	BECAUSE
	BECOME	BECOME: Hold open hands out, one a few inches above the other, palms toward each other; turn both hands at the same time so as to reverse their positions. VIII,177.	50
	BECOME
	BEE	BEE: Place the end of the forefinger of the right "G" hand against the right cheek; then remove and brush the open hand, edge against cheek, outward.	95
	BEE
	BEER	BEER, DRINKER, DRUNKARD (Including intoxicating drink): Throw the right "Y" hand against the mouth, end of thumb striking the mouth. The same sign repeated indicates one is addicted to drink. By adding "-er," the sign becomes "drunkard." XVI,322.	91
	BEER, DRINKER, DRUNKARD, LIQUOR
	BEFORE	BEFORE: Same position as in "after," but with the hands reversed so that the right hand is on the inside, and draw the right hand toward self. Or, (2) Hold the left open hand pointing upward and back of hand toward self; right hand in position as above and draw toward self. XIV,277.	81
	BEFORE
	BEFORE	BEFORE (in time): See preceding pages.	106
	BEFORE (time)
	BEG	BEG, ASK ALMS: Hold out the right hand as a beggar does and draw it toward self several times, bending the fingers toward you at the same time. Repeat several times.	62
	BEG, ASK ALMS
	BEGIN	BEGIN, COMMENCE, etc.: Extend left "H" hand palm slightly toward you; with a twisting or boring motion force forefinger of right "G" hand through the "H" between the two fingers. VII,139.	39
	BEGIN, COMMENCE
	BEHIND	AFTER (in place): Same as "BEHIND;" see below.	106
	AFTER (place)
	BEHIND	BEHIND: Place the "A" hands in front, one on right side and the other on the left, thumbs pointing upward; bring the right hand toward self around behind the left, the latter remaining stationary. To signify behind in accomplishment, draw hand back indicating one is far back. XXI,382.	106
	BEHIND
	BELIEVE	BELIEVE: Place the end of the forefinger on the forehead as in "think" (some place it on the lips); then, bringing the left hand up halfway to meet it, bring the hand from the forehead and clasp both in front of you, palms together. VI,106.	34
	BELIEVE
	BELOW	BELOW: Hold the right open hand under the left, palms both down; move the right around in a circle.	106
	BELOW
	BENEDICTION	BENEDICTION (of the Blessed Sacrament): With both hands closed as if holding the "Monstrance," trace the form of a cross. XXIX,431.	119
	BENEDICTION
	BESIDE	BESIDE: Hold the "A" hands in front, one beside the other, thumbs pointing upward.	106
	BESIDE
	BETTER	Comparison is indicated by following the sign for the adjective by the sign indicating the degree, without any pause. For the comparative ("-er"), draw the "A" hand out toward the right side in front, raising it with a slight jerking motion to the height of the shoulder. For example, in making the sign for "better" the end of the open hand is placed against the mouth and the sign for "good" is made, but before quite finishing it the "A" hand is brought up the side as indicated so that there is no stop made, the whole movement appearing as one sign.	67
	ER, COMPARATIVE
	BETWEEN	BETWEEN: Hold the left "C" hand in front, the opening up, and between the thumb and forefinger place the right "B" hand held edgewise; let the right hand move from side to side between the thumb and forefinger, striking first one and then the other. XXI,384.	107
	BETWEEN
	BEYOND	BEYOND: Place the open hands in front, palms toward self and together, so the palms of the fingers of the right are against the backs of the left fingers; lifting the right hand a little, carry it out some distance toward the front and drop it to original level.	85
	BEYOND
	BIG	WIDE: Place the open hands near together, palms toward each other, and then draw the hands apart.	72
	WIDE
	BIRD~cl-d-trace:C(from-chin-to-breast)	PIGEON: Make bill (DUCK); then bring right "B" hand up, thumb side against the chin, and lower it in a half circle to the breast, indicating the protruding breast of the pigeon.	93
	PIGEON
	BIRD~cl:VonB(scratch-ground)	CHICKEN, specifically A HEN: Make bill as above (BIRD); then with the fingers of the bent "V" hand make scratching motion in the palm of the open left hand. Or, (2) Make bill as above (BIRD) and then with the forefinger of the right "G" hand slash across the right side of the neck.	92
	CHICKEN, HEN
	BIRD~FLY	BIRD: With the knuckle of the forefinger of the "G" han against the mouth and the finger pointing outward, bring the ends of the forefinger and thumb together to represent the bill, then work the bent arms as wings. XVII,329.	92
	BIRD
	BIRD~gs:neck	QUAIL: Make bill (DUCK); then "bore" the forefinger of the right "G" hand in the side of the neck, or bring the closed "G" hand up and draw it behind the ear.	93
	QUAIL
	BIRD~RED	ROBIN: Make bill (DUCK); then "red" (draw forefinger across lower lip) and then indicate breast.	93
	ROBIN
	BIRD~ROOSTER	COCK: Make bill; then place the right "3" hand (thumb and two fingers) with the thumb against the forehead to represent the cock's comb. XVII,330.	93
	COCK
	BISHOP	BISHOP: The third finger is carried to the lips as if kissing the ring. XXIX,432.	119
	BISHOP
	BLACK	BLACK: Draw the forefinger of the right "G" hand across the right eyebrow from left to right.	77
	BLACK
	BLACKSMITH~AGENT	BLACKSMITH: Pound the forefinger of the left "G" hand with the right "S" (little finger end); add "-er."	65
	BLACKSMITH
	BLACK~cl:C(shake-pepper)	PEPPER: Draw the forefinger of the right "G" hand from left to right across the right eyebrow; bring the hand out to the right and let it assume the position of the open "O" hand, then throw it toward the imaginary plate as you would a salt shaker.	87
	PEPPER
	BLACK~CLOUD	CLOUDS: Draw the forefinger across the eyebrow as above; then hold the "5" hands out in front elevated and encircle one with the other while they are moved about in front of the face.	97
	CLOUDS
	BLAME	BLAME: Place the "A" hand upon the back of the extended left thumb end up. To express the idea of ACCUSE, while making the sign extend both hands toward the person who is blamed. To ACKNOWLEDGE ONESELF to BLAME, bring the sign toward you, placing the hands almost against the breast. INNOCENCE is expressed by making the sign for "blame" and "not;" or, as usual, opening the hands and dropping them away from the position of the sign. VI,131.	37
	BLAME
	BLESS	BLESS: Hold the "A" hands elevated in front, thumb to thumb, but not touching; gradually open the hands to "5," drawing them to the sides and downward a little. VII,157.	44
	BLESS
	BLESS~CANDLE~DAY	CANDLEMAS: Blessed, candle, day.	119
	CANDLEMAS
	BLESS~NEAT	ABSOLUTION (Sacramental): Blessed, forgiveness.	119
	ABSOLUTION (Sacramental)
	BLUE	BLUE: Holding the "B" hand up in front give it a trembling or shaking motion while drawing it toward the right side.	77
	BLUE
	BONE	BONE (or anything hard like porcelain, etc.): Strike the front teeth with the end of the forefinger of the right hand.	110
	BONE
	BONE~cl-d:BB(outline-dish-from-tips-to-heel)	DISH: Sign for "bone," then with the ends of the hands together draw them toward self in a curve, bringing the heels together and thus indicating the round shape of a dish.	111
	DISH
	BOOK	BOOK: Open and shut the hands held together as the backs of a book.	42
	BOOK
	BORN	TO BEAR, BRING FORTH, BE BORN: Place the open hands near the body, one palm against back of the other, palms toward self and slightly upward; push the hands outward. To indicate bearing fruit, push right "5" hand up through left, closed over it, and let it then drop on the left hand.	56
	TO BEAR, BRING FORTH, BE BORN
	BOTH	BOTH: With the left hand, grasp the right "V" hand at the back of the fingers and draw the "V" down and out, as you close the left hand upon them.	19
	BOTH
	BRAVE	BRAVE, COURAGEOUS: Place the "A" hands on either side of the breast so that they are just below the shoulder; in placing them there first leave the hand somewhat open and as you reach up make a grasping motion against the body; move the hands straight out from the shoulder nearly the length of the arms; move the upper part of the body forward the least bit. XII,245.	71
	BRAVE, COURAGEOUS
	BREAD	BREAD: Hold in front the left bent hand, thumb pointing outward; across the back of the fingers, draw back and forth the edge of the little finger of the right "B" hand. XVI,303.	87
	BREAD
	BREAD~gs:knead~AGENT	BAKER: Would be literally "bread maker;" make sign for bread by holding bent left hand in front; with the right "B" hand used as knife, make act of cutting across backs of fingers; then imitate action of kneading, and add "-er."	64
	BAKER
	BREATHE	BREATHE: Place hands on chest, move them out and back against body, imitating action of lungs in breathing.	53
	BREATHE
	BRIGHT	BRIGHT, GLISTENING (as to condition): Hold the "5" hand out till the ends of the fingers come nearly together; draw the hands upward and outward toward the side, giving the fingers a rapid motion like that made when playing a piano. The idea is that the fingers represent scintillating beams of light. Or, (2) Using one hand ("5"), draw it upward from left to right, describing a semi-circle, and give it a waving or twisting motion all the while. XII,244.	71
	BRIGHT, GLISTENING
	BRIGHT	LIGHT: Hold the "&" hands out in front and somewhat elevated, pointing out and touching at the ends; push the hands out and to the side, opening the hands to "5." XXII,407.	96
	LIGHT (bright)
	BRING	CARRY, BEAR FROM ONE PLACE TO ANOTHER: Reach open hands, palms up, back beyond the right side, the right hand farther out than the left; imagine something having been put in the hands and carry it to the front of the body and beyond to the left side.	45
	CARRY, BEAR
	BRING	BRING, CONVEY TOWARD ONESELF: Reach out open hands, palms up, as if to receive something; then draw them back toward you.	45
	BRING, CONVEY
	BROTHER(religious)	BROTHER (religious): Trace a falling collar on the breast with the separated thumb and index finger of the right hand. XXIX,433.	119
	BROTHER (religious)
	BROTHER-IN-LAW	BROTHER-IN-LAW: "Brother" and "law."	22
	BROTHER-IN-LAW
	BROWN	BROWN: Holding the right "B" hand in front, move it to the right side while working the fingers. Or, (2) Give the shaking motion with the "R" hand, at the same time keeping fingers open.	77
	BROWN
	BUILD	BUILD: Build up the hands by placing the palm of one on back of other, like laying bricks, repeating the motion with each hand alternately several times, raising them during the action.	65
	BUILD
	BUILD~ESTABLISH	FOUNDATION: Make the sign for building upward and then place the right "A" hand as above (ESTABLISH).	62
	FOUNDATION
	BULL	BULL: Specifically BULL, and by inference the male of all animals: Indicated by rubbing the "A" hand in a circle on the forehead, the fingers against the head. Or use the "bent" hand with finger ends against the forehead, the same way.	95
	BULL
	BUSH	BUSH: Hold both open hands, palm toward palm, pointing upward, in front; rub one up against the other and reverse, a few times, or "little tree."	99
	BUSH
	BUT	BUT (as a conjunction): Cross the ends of the forefingers of the "G" hands pointing outward, and draw them apart, toward the sides.	107
	BUT
	BUTTER	BUTTER: Holding the open left hand with the end pointing upward, brush the end of the "H" hand downward against the palm of the left. XVI,304.	87
	BUTTER
	BUTTERFLY	BUTTERFLY: Lock the thumbs with the hands crossed, backs down, (the hands being on opposite sides); or, place together the ends of the thumbs of open hands, palms down, and work the hands as the wings of a butterfly. XVII,338.	94
	BUTTERFLY
	BUTTON	BUTTON: Push the end of the right thumb up through or between the first two fingers of the left hand with a twist and continue twisting the thumb.	63
	BUTTON
	BUY	BUY: With the right hand as if holding money between the thumb and fingers place it, back down, in the palm of the left and then reach the right hand out as if offering the money to some one. VIII,174.	49
	BUY
	BY	BY: Hold the "A" hands in front, side by side, the right a little higher than the left; bend both hands toward the left, twisting them from the wrists, so the thumbs point over toward the left. XXI,386.	107
	BY
	CABBAGE	CABBAGE: Strike the sides of the head with the wrists of the "A" hands, one on either side. XVI,321.	91
	CABBAGE
	CAKE~SWEET	CAKE: Place the right "5" hand against the palm of the open left, so the ends of the fingers form almost a circle; lift the hand away a little, at the same time drawing the ends of the fingers closer together but not touching. Precede or follow this with the sign for "sweet," i.e., draw the end of the right "H" hand downward across the mouth.	88
	CAKE
	CAKE~WARM	BISCUIT: Same as for cake except make the sign for "warm" or "hot" instead of for "sweet," as follows: Hold the right hand over the mouth and draw away quickly as if the hand were warm or hot.	89
	BISCUIT
	CAMEL	CAMEL: Place the "C" hand, palm up, in front of the neck, then draw it out, tracing in the air the shape of the camel's neck.	93
	CAMEL
	CAMP	CAMP: Make the sign for "tent" several times to indicate a number of camps.	63
	CAMP
	CAN	CAN: Hold the "S" hands out in front, elbows against sides, and let the hands drop a little way with a jerk. I,3.	14
	CAN, POSSIBILITY
	CANT	CAN'T: Holding the left "G" hand out in front, strike the end of it with the forefinger of the right "G" hand, as if cutting it off, and letting the right hand continue down. I,4.	14
	CAN'T
	CANT	CAN'T: Extend forefinger of left "G" hand and strike it crosswise with a downward stroke of the forefinger of right "G" hand, carrying the right hand beyond as if cutting off left. I,4. Or, "can" and "not."	38
	CAN'T
	CAPTAIN	CAPTAIN, or OFFICER in general: Place the hand upon the shoulder, thus indicating the shoulder straps or epaulets.	66
	CAPTAIN, OFFICER
	CAREFUL	CAREFUL (exercising watchfulness): Place the "V" hands one resting across the other, the left pointing outward and the right pointing toward the left; slowly raise and lower both hands, keeping them in same position.	73
	CAREFUL
	CARELESS	CARELESS, HEEDLESS: Hold the "V" hand in front of the forehead, pointing up; move back and forth from right to left and left to right several times.	73
	CARELESS, HEEDLESS
	CARPENTER~AGENT	CARPENTER, CABINET-MAKER: Make motion of planing a board; add "-er."	64
	CARPENTER, CABINET-MAKER
	CAT	CAT: Place the closed "O" hands on the lip, one on either side of the mouth, and with thumbs and forefingers pull imaginary "whiskers." XVII,326.	92
	CAT
	CATCH	CATCH: Same as for "get" but make the motion more quickly. To catch a ball, represent motion of catching.	45
	CATCH
	CATHOLIC	CATHOLIC: Make the sign of the cross upon the forehead with the right "N" hand.	101
	CATHOLIC
	CATHOLIC~TRUTH~BOOK	CATECHISM: Catholic, truth, book.	120
	CATECHISM
	CAT~cl-d-trace:L:(stripe-on-chest)	TIGER: Make sign for "cat" and then with the forefinger and thumb held an inch apart indicate the stripes by rubbing against the body.	93
	TIGER
	CAUSE	CAUSE, EFFECT, PRODUCE: Hold the "A" hands up toward the right shoulder, thumbs pointing outward; carry the hands diagonally across in front of you and open fingers to make a motion of emptying the hands. IX,201.	56
	CAUSE, EFFECT, PRODUCE
	CELEBRATE	VICTORY, TRIUMPH, etc.: Raise the "A" hand and swing it in a circle above the head (at the side) as in waving a small flag.	28
	VICTORY, TRIUMPH
	CENTER	CENTER: Describing a circle with the right open hand above the palm of the left open hand, drop it into the center of the palm.	86
	CENTER
	CHANGE	CHANGE: Hold the "A" hands out opposite one another, thumb side up, several inches apart, with a kind of twisting motion; change the position of the hands so the left will come over toward the right and the right under toward the left. VIII,180.	50
	CHANGE
	CHARACTER	CHARACTER: Place the right "C" hand against the heart and draw it out a little; or, make the sign for "spirit" and then with the two "A" hands indicate the outlines of the human form.	43
	CHARACTER
	CHEERFUL	CHEERFUL (as to countenance): Place ends of forefingers at corners of the mouth and draw out to rpresent the mouth broadening in smiles, then bring the hands away with the fingers moving from the knuckles in a rapid up-and-down motion to indicate the "beams of joy" radiating from the face, and look as cheerful as you can.	24
	CHEERFUL
	CHEESE	CHEESE: Place the fleshy parts of the hands, palm to palm, the right hand pointing to the left and the left to the right, so the fingers extend beyond the palms; with a twisting motion rub the palms against each other. XVI,309.	87
	CHEESE
	CHOOSE	CHOOSE, SELECT: Hold up left "V" hand and with right thumb and forefinger make a motion of picking off first one, then the other finger. To indicate that the choice is made, indicate by the decisive motion that one of the fingers has been selected.	40
	CHOOSE, SELECT
	CHURCH	CHURCH: The "C" hand rests on the back of the closed left hand, i.e., built on a rock. XXIX,433 1/2	120
	CHURCH
	CHURCH	CHURCH, CHAPEL: Place the right "C" hand on the back of the left "S" hand, thumb next the back. XIX,357. Or, (2) Place ends of the "B" hands together to indicate room of house, then make sign for SUNDAY, i.e., raise hands at front of shoulders pointing upward, with the palms outward (literally, "Sunday house").	102
	CHURCH, CHAPEL
	CHURCH~LAW	PRECEPTS (of the Church): Church, laws.	122
	PRECEPTS
	CITY	TOWN, CITY: Repeat the sign for "house" a number of times, moving the hands here and there or from side to side.	110
	TOWN, CITY
	cl-d-trace:11(wagon-wheels)	WAGON: Place the "G" hands well out, fingers pointing toward each other; describe circumference of front wheels with the ends of the fingers; bring hands back and repeat for hind wheels.	47
	WAGON
	cl-d-trace:X(profile)~SHAPE~PRAY	IDOL: Draw the "C" or, better, the bent forefinger of the right "G" hand down across the face for picture; with the "I" hands outline in the air a supposed image, and put hands in attitude of prayer.	101
	IDOL
	cl-i:XxXx(coach-ride)	DRIVE: Hold imaginary lines and imitate driving.	45
	DRIVE
	cl-trace:11(cart-wheels)~cl-d:BB(carriage-top)	CARRIAGE: Same as for wagon, then bring the hands, now bent, up above the height of the head and move forward to represent the carriage top.	47
	CARRIAGE
	cl:11(4-chair-legs)~gs:sit	CHAIR: Point the forefingers of the "G" hands down, holding the hands apart the distance of the legs; carry the hands back and represent the hind legs and then sign "sit."	111
	CHAIR
	cl:11(4-table-legs)~cl-d:BB(table-top)	TABLE: Same (CHAIR), but finish by drawing the hands, palms down, apart to represent the top of a table.	111
	TABLE
	cl:11(pass-by)	PASS, MEET AND PASS BY: Make same sign as in foregoing (MEET), but instead of striking the fingers together let them continue beyond each other.	47
	PASS, MEET AND PASS BY
	cl:55(light-shining)~cl:55(shake,shining)	BRIGHT and CLEAR: Hold the "5" hands together, end to end in front; draw them apart, lifting them upward and out toward the side, while the fingers are worked up and down as in playing a piano.	96
	BRIGHT, CLEAR
	cl:B(small-height)	SHORT (in stature): Hold the right hand bent hand out at one side indicating the height of the person described (real or imaginary); lower and raise the hand two or three times.	71
	SHORT (stature)
	cl:LEGS(fail)	FAIL: (3) Throw the back of the right "V" hand against the upturned palm of the left hand and slide it along the length of the hand outward.	48
	FAIL (3)
	cl:LEGS(fall-on-face)	FAIL, TO FAIL IN AN ATTEMPT, TO HAVE ONE'S "PINS TAKEN FROM UNDER HIM": (2) Stand the "V" on the palm; suddenly throw out the ends, and let the "V" fall on the palm so the thumb strikes it. VIII,170.	48
	FAIL, TO FAIL IN AN ATTEMPT (2)
	cl:LEGSonB(ride-horse)	RIDE: Place the right forefinger and middle finger of one hand astride the left "B" hand held edgewise; lift the hands and let them fall, imitating motion of horse.	47
	RIDE
	CLASS	For "class," bring the "C" hands out and draw them toward each other to a central point.	66
	CLASS
	CLEAR	CLEAR, PLAIN: Bring the "&" hands in front, pointing out, so that the thumbs and forefingers touch at a common point; move the hands outward and apart while the fingers are separated, bringing the hands to position of "5." XII,238.	68
	CLEAR, PLAIN
	CLIMB	CLIMB: Imitate climbing with the hands, lifting one above the other on imaginary tree.	45
	CLIMB
	COFFEE	COFFEE: Placing the "S" hands one on top of another, make a grinding motion as if turning a coffee mill. XVI,310.	88
	COFFEE
	COLD	COLD: Draw elbows up at side with fists against the body and shake the arms and fists. V,91.	31
	COLD
	COLD	WINTER: Hold the "S" hands out to the front from the sides and shake the whole of the forearms and hands together as in "cold."	85
	WINTER
	COLLECT	EARN: Holding the left open hand out, palm up, place the right "C" hand upon it and scrape it across the palm toward self. X,217.	61
	EARN
	COLLECT~gs:pocket-money	SAVE: Hold hands somewhat close to self, repeat the motion above, then while turning palm of left hand toward self and making a pocket with it and the body, thrust the right "&" hand into it.	61
	SAVE
	COLLEGE	COLLEGE: Place the open right hand against the open left one held palm up, then lift it up a few inches and, holding it flatwise, describe a circle above the left hand held quietly where it is.	40
	COLLEGE
	COLLIDE	COLLIDE, "RUN UP AGAINST IT": Hold the hands in front on opposite sides, the thumbs and middle fingers bent at the joint and held toward each other; bring the hands quickly together so that the fingers come violently together.	54
	COLLIDE, "RUN UP AGAINST IT"
	COLOR	COLOR: Placing the end of the right "B" hand in the center of the left palm, give it a twisting motion as near as possible like an artist mixing colors on his palette.	77
	COLOR
	COME-HERE	COME: Make motion as if motioning for someone to come to you, using both hands. Or, draw both "G" hands from side toward self, fingers pointing toward each other.	53
	COME
	COMMAND	COMMAND: Holding up the left open hand, pointing upward, throw the forefinger of right "G" hand against it crosswise so the finger will point outward, and throw out forefinger forward as in sign for "tell." X,209.	58
	COMMAND
	COMPARE	COMPARE: Holding the open hands outward and lifted at an angle of 45 degrees, breast high, palms opposite, bring them inward and up before you side by side as if looking at and comparing the palms.	62
	COMPARE
	CONCEIVE	CONCEIVED: Received, life.	120
	CONCEIVED
	CONDENSE	CONDENSE, MAKE BRIEF: Hold the "C" hands out and bring them together so the right comes just above the top of the left and when they touch (the little finger of the right along the forefinger of the left), close the hands to "S."	60
	CONDENSE, MAKE BRIEF
	CONFESSION	CONFESSION (Sacramental): Same as "Penance" (Sacrament).	120
	CONFESSION (Sacramental)
	CONFESSION	PENANCE (Sacrament): The fingers of both right hands crossed are held to the right ear as if forming a screen. XXX,454.	122
	PENANCE (sacrament)
	CONFIRMATION~gs:pat-cheek	CONFIRMATION: A cross is traced on the forehead with the thumb of the open right hand, followed by a slight blow with the right palm on the right cheek. XXIX,434.	120
	CONFIRMATION
	CONSCIENCE	CONSCIENCE: Holding the right "G" hand just above the right side of the head, end of finger pointing toward the right temple, let the hand drop toward the head but not touching it. Repeat several times. XXII,408.	112
	CONSCIENCE
	CONTEMPT	CONTEMPT, SCORN, etc.: Rest the crook of the forefinger against one side of the mouth, and the thumb against other (somewhat like "C" pressed against mouth), then bring down and represent action of shooting marble from end of finger.	27
	CONTEMPT, SCORN
	CONTEST	CONTEST, RIVALRY, RACE: Hold the "A" hands out in front, thumbs up, and side by side; push the right hand outward to front and at the same time draw the left back; then the left foward and right back; and so on, repeating the motion several times. X,211.	58
	CONTEST, RIVALRY, RACE
	CONTINUE	CONTINUE: Same position as in "stay," but let the motion be outward instead of downward, thus showing the idea of continuity.	53
	CONTINUE
	CONTRIBUTE	CONTRIBUTE: Drop into an imaginary receptacle an imaginary coin, first with one hand and then with the other.	51
	CONTRIBUTE
	CONTROL~OVER-ALL	RULE, EXERCISE AUTHORITY OVER: Hold the hands forward as if holding lines; pull first one then the other; bring the left open hand, palm down, toward the right and against the breast and at the same time extend the right open hand, palm down, straight out and around toward the left, describing a semi-circle in front of the body from right to left, as in latter part of the sign for "president."	66
	RULE, EXERCISE AUTHORITY OVER
	CONTROL~OVER-ALL	RULE, CONTROL, GOVERN, EXERCISE AUTHORITY OVER: Place left "A" hand in front of you in grasping attitude, with back up and thumb pointing toward the body; reach out right "A" hand from side, open it and extend out and around in semicircle toward left, palm down. IX, 188.	52
	RULE, CONTROL, GOVERN, AUTHORITY
	COOK	COOK: Place right hand on palm of left and turn it as if it were a pancake. "Cook" (one who cooks), add "-er."	64
	COOK
	COPY	COPY: Holding the left open hand as a slate or paper, reach out the right "5" hand, close the ends of the fingers and thumb as if taking something from imaginary page, and then withdraw hand and place it on left palm.	49
	COPY
	CORN	CORN: Make motion of shelling the left forefinger with the right hand. "Roasting ears" may be indicated by making the motion of eating corn off the right forefinger as a "cob." XVI,312.	88
	CORN
	CORRECT	CORRECT, EXACT: Holding the left "G" hand pointing out, the "G" up, strike it on the top with the right "G" hand held in a similar position.	74
	CORRECT, EXACT
	COUNTRY~AGENT	FARMER: Sign for "farm," i.e., bring the left arm up against the breast, "A" hand near left shoulder. Rub the arm near the elbow with the right open hand in a circular motion. Add "-er." XI,223.	65
	FARMER
	COUSIN	COUSIN (male): Letter "C" same position as for "aunt" and give same motion.	22
	COUSIN (male)
	COUSIN	COUSIN (female): Letter "C" same position as for "aunt" and give same motion.	22
	COUSIN (female)
	COW	COW: Make "horns" on the sides of the head with the "Y" hands. XVII,325.	92
	COW
	CRACKER	CRACKER: Throw the right "S" hand against the left elbow, holding the left "S" hand up near the right shoulder. XVI,316.	89
	CRACKER
	CREAM	CREAM: Making a "spoon" of the right "C" hand, make motion of "skimming" across the back or palm of the left open hand.	87
	CREAM
	CRUCIFY	CRUCIFY: The touching of the left palm with the right index finger is followed by a hammering blow on the left palm with the right "S" hand. Repeat the same for the other hand and extend both arms. XXIX,436.	120
	CRUCIFY
	CRUEL	CRUEL, RUDE, etc: Bring both "G" hands out in front, forefingers extended, throw the end of the one against the other lengthwise, alternately pushing and drawing them the length of the fingers, repeating several times. The degree of cruelty may be indicated by the emphasis put on the movement. IV,64.	26
	CRUEL, RUDE
	CRY	CRY: Place the ends of the forefingers on the face below the eyes and rub down as if tracing tears.	54
	CRY
	CURSE	SWEAR, CURSE: Bring the palm of the "5" hand up to the mouth, closing it to "S;" draw it away and bring it down with some force. XIX,360.	101
	SWEAR, CURSE
	CUT	CUT: With the right "H" hand as a pair of scissors imitate the action of cutting, using the end of the left hand to represent what is cut. Or with the right "H" hand representing the blade of a knife make a motion downward with it as if cutting off something.	62
	CUT
	DAILY	DAILY, EVERY DAY: Place the "A" hand against the cheek as in "to-morrow;" push it straight forward a little beyond the cheek; repeat the motion several times. Or, (2) Make sign for "every" and "day." XIV,278.	81
	DAILY, EVERY DAY
	DARK	DARK: Draw the forefinger of the right "G" hand across the right eyebrow from left to right; then bringing the open hands, palm to self, up in front, pass the right before the face toward the left and the left similarly toward the right so they pass each other in front of the face. The first part of the sign, drawing finger over eyebrow, is usually omitted. XVIII,346.	97
	DARK
	DAY	DAY: Hold the right "G" hand out, pointing away from the body toward the right side, the arm held straight from the elbow; place the open left hand against the arm near the elbow and holding it there turn the right arm with the elbow as a pivot toward the left and describe a semi-circle with the right hand. When the right hand comes to rest it should be near the left arm pointing to the elbow. Sometimes the sign is made the other way, by placing the right hand near the left elbow, as in the last position, first and moving it from left to right. XIV,270. Note: Any part of the day may be indicated by stopping the hand in the sign when it points at the position of the sun at the designated time, as the hand is supposed to represent the course of the sun.	79
	DAY
	DAY~NOW	TODAY: First sign "day" and then follow with "now."	80
	TODAY
	DEAF	DEAF-MUTE: Place the end of the forefinger of the right "G" hand at the right ear and then carry it around and place it against the mouth. XXII,401.	112
	DEAF-MUTE
	DEBATE	ARGUE, DEBATE: Repeat preceding motion (DISCUSS) first with one hand, then the other, to indicate that there are two parties to the discussion.	42
	ARGUE, DEBATE
	DECORATE	ORNAMENT, ADORN, etc.: Place closed hands together so the ends of the fingers all meet; separate and put them together again, giving both hands a twisting motion, and raising them at the same time; repeat several times.	53
	ORNAMENT, ADORN
	DECREASE	DECREASE, GRADUALLY GROW SMALLER: Hold the open hands out, one down and the other quite a distance above it, palms facing; gradually draw the hands toward each other, giving them a bellows-like motion. IX,195.	54
	DECREASE, GROW SMALLER
	DEEP	DEEP: With the "G" finger pointing down push the hand downward. The sign is sometimes made by pushing the finger down between the middle and third finger of the left hand held out, back up.	72
	DEEP
	DEER	DEER: Make "horns" of the "5" hands, one on either side of the head, and then extend the hands outward to indicate the size of the horns. XVII,335.	94
	DEER
	DEFEAT-1P	BEAT, DEFEAT, WIN OVER: Hold out left "A" hand, thumb pointing up; holding the other hand in similar position somewhat back, bring it forward against the other and push them both over, indicating the one had overcome the other. X,208.	57
	BEAT, DEFEAT, WIN OVER
	DEMOCRAT	DEMOCRAT: Shake the right "D" hand.	111
	DEMOCRAT
	DENY	DENY: Hold ends of thumbs of "A" hands up almost touching the mouth, and then draw them down and outward with emphasis. VII,153.	42
	DENY
	DEPEND	DEPEND: Suspend the right "G" hand by the forefinger upon the edge of the left open hand, palm held toward self.	61
	DEPEND
	DESCRIBE	DESCRIBE: (2) With thumb and forefinger of both hands making "O" (other fingers extended) bring them together; move one hand out horizontally, bring it back and repeat the motion with the other hand and repeat the motion several times. VI,124.	36
	EXPLAIN, TELL ABOUT, DESCRIBE
	DESPISE	DISLIKE: Extend the hands up partly at one side, with middle finger held back by the thumb, the other fingers extended and pointing outward; suddenly shoot off the middle finger as in shooting a marble or the game of crokinole. This sign is more for "despise." "Dislike" is also made by sign for "like" followed by "not." IV,46.	24
	DISLIKE
	DET-IX	THIS: Simply point to an imaginary object near you. For "THESE" point to several imaginary objects.	20
	THIS, THESE
	DET-IX~ANY	WHATEVER, WHOEVER, etc.: Make sign for desired pronoun, then add sign for "any."	18
	WHATEVER, WHOEVER
	DETERIORATE	DETERIORATION, DECLINE, A FALLING OFF, etc.: Make similar motion to above (IMPROVE), but begin at about the elbow, arm inclined down, and move hand in opposite direction (down).	46
	DETERIORATION, DECLINE, FALLING OFF
	DEVIATE	DEFLECT, GO OFF THE TRACK, DEVIATE: Hold the forefingers together parallel, pointing outward, then suddenly turn one away and push it out from the other.	55
	DEFLECT, OFF TRACK, DEVIATE
	DEVIL	DEVIL: Place the ends of the thumbs of the "3" hands at side of the head, the forefingers and middle fingers pointing outward; bend and unbend the fingers, indicating the supposed horns of his satanic majesty. XIX,359	100
	DEVIL
	DEVIL~DOWN	HELL: Eternal, fire.	121
	HELL
	DEVIL~DOWN	HELL: Sign "devil," then with the right "G" hand pointing down let the hand descend as far as it can.	101
	HELL
	DIE	DIE: Hold out the open right hand in front from the side, palm down; give the hand an outward turn, bringing the palm up. IX, 193.	53
	DIE
	DIE	DEAD: Is indicated by "die" and "finished."	53
	DEAD
	DIFFERENT	DIFFERENT: Cross the ends of the "G" hands pointing outward; draw the fingers and hands apart toward the sides.	73
	DIFFERENT
	DIRTY	DIRTY, NASTY: Place the back of the "4" hand under the chin and wiggle or wave the fingers. XIII,260.	76
	DIRTY, NASTY
	DISBELIEVE	DOUBT, to express INCREDULITY: Bring the "V" hand up in front of the face with the fore and middle fingers bent toward the end of the nose and held as if about to straddle it; bend and unbend the fingers several times. VI,107.	34
	DOUBT, INCREDULITY
	DISCONNECT	DISCONNECT, PART FROM: With hands in position as at close of above sign (CONNECT WITH), drop the hands apart.	59
	DISCONNECT, PART FROM
	DISCUSS	DISCUSS: Throw the forefinger of right "G" hand on palm of open left (as one often emphasizes his points) and repeat several times.	42
	DISCUSS
	DISOBEY	DISOBEY (defiance to authority): With elbow at side bend up the arm with the fist on a level with the shoulder; bring the elbow out and give a twist to the fist, slightly turning the head to indicate defiance. IV,71.	28
	DISOBEY
	DISSATISFIED	DISSATISFIED, DISCONTENTED, etc.: Place the palm against the breast and then shake the body with a twisting motion several times, or make sign "satisfied" and "not."	29
	DISSATISFIED, DISCONTENTED
	DISTRIBUTE	DISTRIBUTE: Bring the closed hands with ends quietly touching each other before the body; throw them outward so each describes a semi-circle in opposite directions, opening the hands, palms up. (pg 62) SCATTER: Draw the "&" hands up against the breas, end to end, then throw them both outward toward the side, opening the hands to "5".	51
	DISTRIBUTE
	DO	DO: Hold the bent hands out in front from the sides, fingers pointing downward; move the hands first to one side and then to the other, giving them a slight downward pressure as they start toward the side. The fingers may be slightly separated as in the bent "5" hands, as in playing the keys of a piano. I,10.	15
	DO
	DO	ACTION, ACTIVE: Place the bent hands with fingers pointing down, in front out from the sides; draw them apart toward the sides and again bring them near; repeat the motion rather rapidly.	73
	ACTION, ACTIVE
	DO	ACT, CONDUCT, DEED: Place bent hands in front from the side, fingers bent and pointing down; move them apart and then toward each other quite actively and give them a shaking motion. Some move hands in same direction all the time from side to side. This is more particularly mere conduct, while the former indicates activity.	57
	ACT, CONDUCT, DEED
	DOCTOR	DOCTOR: Place the forefinger of "D" right hand on the pulse of the left hand and add "-er."	65
	DOCTOR
	DOG	DOG: Pat the knee and snap the fingers as in calling a dog.	92
	DOG
	DOLLAR	BILLS: Draw the left hand edgewise between the thumb and fingers of the right hand. This sign also signifies "Dollars." XXII,397.	110
	BILLS
	DONKEY	MULE, DONKEY: Same (HORSE), but use the whole hand instead of the "H" hand, to indicate size of ears.	92
	MULE, DONKEY
	DONT-CARE	DON'T CARE: Place tips of "and" hand on forehead, bring away to one side and throw down with a jerk, opening the hands. V,92. Or, (2) Place the end of the forefinger on the end of the nose; bring it away partly to one side and thrown down toward the ground. Note: This is a rather objectionable slang sign but much used to designate lack of interest in, announcement that one will have nothing to do with, and to say that one does not want anything to do with.	31
	DON'T CARE
	DONT-KNOW	DON'T KNOW: Touch the forehead as in "know," then throw it outward, turning the hand with a twist of the wrist meanwhile. VI,111.	34
	DON'T KNOW
	DONT-WANT	NOT TO WANT, DON'T WANT: Hold hands in similar position (WISH, WANT), but instead of drawing back turn the hands upside down as if dropping out whatever might be in them. IV,77.	29
	NOT WANT, DON'T WANT
	DOOR	DOOR: Place the open hands edge to edge, pointing upward; swing the right hand away from the left and bring it back again.	112
	DOOR
	DOUBT	To express a WAVERING or a DOUBT as to decision: Cross one forefinger over the other and make a see-saw motion with it, like a scale beam. Or, (2) Hold the "A" hands just out from and below the shoulders, with elbows raised and pointing outward; let the hands rise and fall alternately as if they were scale pans. VI,109.	34
	WAVERING, DOUBT
	DOUGHNUT	DOUGHNUT: Bite "R" between the teeth.	89
	DOUGHNUT
	DRAMA	To signify a play at the theater or acting, hold "A" hands in front, perpendicular; move up and down alternately. The open hand may also be used instead of the "A" hand.	49
	PLAY, THEATER, ACTING
	DRAW~AGENT	ARTIST: Sign for "draw;" using the hand as a rest and the little finger as a brush, make motion of drawing, then add "-er." Or, (2) Using both little fingers as brushes, holding them opposite, make motion (in the air) of drawing, adding "-er."	65
	ARTIST
	DREAM	DREAM: Place the end of the forefinger upon the forehead as in "think," then draw it away and upward, giving the forefinger a wiggling motion (bending and straightening alternately, rapidly). The sign for "sleep" may be prefixed. VI,102.	33
	DREAM
	DRINK	DRINK: Make motion of lifting a cup to the mouth, and tilting it as in act of drinking. To drink, in sense of habitual use of intoxicating liquor, throw the end of the thumb of the "Y" hand up against the mouth and repeat several times. The hand thus represents the bottle.	46
	DRINK
	DRUNK	To drink, in sense of habitual use of intoxicating liquor, throw the end of the thumb of the "Y" hand up against the mouth and repeat several times. The hand thus represents the bottle.	46
	DRUNK
	DRUNK	DRUNK: Toss the end of the thumb of the "Y" hand against the mouth as if carrying a bottle to the mouth to drink; then move the right arm, pointing upward from the elbow, forward in a staggering way.	78
	DRUNK
	DRY	DRY: Draw the crooked forefinger of the right "G" hand from left to right across the mouth. XIII,263.	77
	DRY
	DUCK	DUCK: Make bill with two fingers instead of one, indicating wider bill. XVII,331.	93
	DUCK
	DUCK~gs:crook-neck	GOOSE: Make bill as in "duck;" then stretch out the forearm in a crooked motion to represent the neck of the goose.	93
	GOOSE
	DULL(edge)	DULL (as to edge): Holding the left open hand in front, palm toward self, strike the bottom edge with the top edge of the right "B" hand brought up from below.	70
	DULL (edge)
	DURING	DURING, WHILE: Hold the "G" hand straight out in front from the sides but back almost to the sides; push both hands straight out, one on either side. XIV,292.	84
	DURING, WHILE
	DUTY	DUTY: Hold the left "S" hand with back up and strike right "D" upon it two or three times.	37
	DUTY
	E(trace-circles-on-forehead)~CONSCIENCE	EXAMINATION (of Conscience): With the right "E" hand facing you, trace small circles on your forehead and follow with the sign for "Conscience." XXIX,440.	120
	EXAMINATION (of Conscience)
	EACH	EVERY: Place left "A" hand in front of you, the end of the thumb pointing out; with right "A" hand and a striking motion bring backs of the fingers of right hand down or against the back of the thumb of the left; repeat this motion with thumbs pointing first at one and then another imaginary person in a short semi-circle. (Some might add sign for "all.") II,23.	19
	EVERY
	EACH~ONE	EACH: Same as "every" but add "1."	19
	EACH
	EARRING~YELLOW	GOLD: Pinch the lobe of the right ear with the thumb and forefinger, then bring the "Y" hand out to the front and give it a shaking motion several times.	99
	GOLD
	EARTH	THE EARTH, or THE GLOBE: Hold the left "S" hand as if it were grasping an axis held between the thumb and middle finger of the right hand; move both hands as if the left were turning or swinging on this imaginary axis. This sign is also used to mean "GEOGRAPHY." XVIII,344.	96
	EARTH, GLOBE, GEOGRAPHY
	EARTH~THUNDER	EARTHQUAKE: Sign "earth" and finish with hands as in "thunder."	97
	EARTHQUAKE
	EAST	EAST: Indicated by moving "E" hand eastward.	55
	EAST
	EASTER	EASTER: Both "E" hands are held downwards and then by a twist of the wrist they are turned upwards and raised. XXIX,439.	120
	EASTER
	EASY	EASY: Hold out the left bent hand, fingers pointing toward the right and slightly up; with the open right hand brush lightly against the back of the fingers, carrying the right hand upward and beyond the ends of the fingers. XII,240.	69
	EASY
	EAT	FOOD, EAT: Throw the "&" hand lightly against mouth and repeat several times.	46
	FOOD, EAT
	EAT~DIFFERENT	FOOD: Make sign for "eat" and add "different," or "things."	87
	FOOD
	EAT~MORNING	BREAKFAST: Sign "eat" (raise the right "&" hand to the mouth) and "morning."	85
	BREAKFAST
	EAT~NIGHT	SUPPER: Sign "eat" as above (BREAKFAST), then "evening."	85
	SUPPER
	EAT~NOON	DINNER: Sign "eat" as above (BREAKFAST), then "evening."	85
	DINNER
	EFFECT	INFLUENCE, BY EXAMPLE: Hold "A" (left) in front, thumb up; place end of "&" hand on end of thumb, then push it out and away, diverging the fingers at the same time. IX,203.	56
	INFLUENCE, BY EXAMPLE
	EGG	EGG: Cross the fingers of the "H" hands in front of you; drop them and let the hands fall apart. It is better to strike the top fingers against the bottom as if cracking the shell.	91
	EGG
	ELECTRICITY	ELECTRICITY: The sign for this word is not uniform. One sign used by most is to bend the forefingers and strike the bent ends of the middle joints together.	99
	ELECTRICITY
	ELEPHANT	ELEPHANT: Extend the whole arm from the front of the face, pushing the hand first up near the face and then outward and down to represent the trunk.	93
	ELEPHANT
	EMBARRASSED	EMBARRASSED, BASHFUL, CONFUSED, etc.: Draw forefinger down over the lower lip to indicate color (red), then placing the hands one at the side of either cheek but away from them, push them upward in a shaky motion till the ends are on a level with the top of the head, indicating confusion.	30
	EMBARRASSED, BASHFUL, CONFUSED
	EMPEROR	EMPEROR: Same (KING) with right "E" hand. Note: In the case of all persons exercising power of authority, it is more correct to add "rule."	66
	EMPEROR
	END	HAVE, FINISHED, auxiliary of the complete tenses: Hold the left "B" hand in front, palm to self and end pointing toward the right; upon its upper edge place the right "B" hand, pointing out, and the little finger edge resting on the forefinger near the knuckle; scrape along the edge of the left hand with the right, and when the end of the left hand is reached, let the right drop down directly with a "chopping off" motion. The usual way is to give only the right hand a downward "cut" across the end of the left. Note: The colloquial and by far the most common method of rendering the sign for "finished" is to hold the right open or "5" hand out in front from the side and give it a flip toward the right, with a twist of the wrist so the palm is turned down. In indicating the complete tenses first sign "have" as for "possess," then give the sign for the verb, and last the sign for "have" or "finish" as above. I,9.	15
	HAVE, FINISHED
	END	COMPLETE, FINISH, BRING AN END TO ANYTHING: Place right "B" hand with lower edge at right angles across the top edge of left "B" near the wrist; push it along the edge of the hand till it reaches the end, then "chop" it off. I,9.	57
	COMPLETE, FINISH, BRING AN END TO ANYTHING
	ENOUGH	ENOUGH: Hold out the left "S" hand and across the top pass the palm of the open right hand, making the motion outward. XII,234.	68
	ENOUGH
	ENTER	INTO: Holding the left open hand out in front, palm down and pointing toward the right, push the right "B" hand, palm down, from toward self down and under the left.	107
	INTO
	ENTHUSIASTIC	EARNEST, ZEALOUS, INDUSTRIOUS (giving the idea of enthusiasm manifested toward object at hand): Rub the open hands together in an enthusiastic way, a slow or rapid manner indicating the degree of earnestness. V,85.	30
	EARNEST, ZEALOUS, INDUSTRIOUS
	ENVY	JEALOUS, ENVY, etc.: Bite the end of the forefinger. To express specifically the idea of envy as different from jealousy make sign for jealous, look toward imaginary object and make sign for want; i.e., reach out hands as if ready to receive something, fingers in grasping position upward, and draw toward self. V,94.	32
	JEALOUS, ENVY (2)
	EPHPHETA	EPHPHETA: A St. Andrew's Cross is traced with the outward right "E" hand in space before the body, as on a banner. XXIX,437.	120
	EPHPHETA
	EPISCOPAL	EPISCOPAL: Bending the left arm against the body so the hand comes up near the right shoulder, place the forefinger of the right "G" hand against the outside of the wrist, then swing it down and around and strike it against the elbow, thus indicating the sleeves of the surplice. XIX,362.	101
	EPISCOPAL
	ESTABLISH	FOUND, ESTABLISH: Holding out the left hand, palm down, carefully lift the right "A" hand and set it upon the back of the left as if placing something there firmly.	62
	FOUND, ESTABLISH
	ETERNITY	ETERNITY: The outward right "E" hand traces successive verticle circles.	120
	ETERNITY
	EUCHARIST	EUCHARIST: With the thumb and right index finger of the "9" hand trace a cross before the lips. XXIX,442.	121
	EUCHARIST
	EUCHARIST~gs:IX-at-heart	COMMUNION (Holy): Make the sign for "Eucharist" and then with the right index finger touch the breast over the heart.	120
	COMMUNION (holy)
	EUCHARIST~LIVE	TABERNACLE: Eucharist dwelling.	123
	TABERNACLE
	EXAMINATION	EXAMINATION is sometimes expressed by making sign with both hands and all the fingers extended, and hands thrown forward as if "charging."	41
	EXAMINATION
	EXCEED	EXCESSIVE, EXCEED, ABOVE THE ORDINARY: Placing the left bent hand in front, palm down, rest the bent right hand upon the backs of the fingers, and then carry it up more or less according as the excess is great or small. XIII,266.	78
	EXCESSIVE, EXCEED, ABOVE THE ORDINARY
	EXCEED	ABOVE (2): In sense of “MORE THAN:” Place the end of the right bent hand, palm down, on the end of the open left hand, the right several inches above the left, drawing it first a little toward you and then directly above its original position. Note that you indicate an excess.	109
	ABOVE (2)
	EXCHANGE	TRADE, SUBSTITUTE, EXCHANGE FOR: Place the "A" hands in front, one directly behind the other, thumbs pointing up, one hand down and under the other, then up on the other side, at the same time changing the other hand in the opposite direction so that the hands change relative positions. IX,204.	56
	TRADE, SUBSTITUTE, EXCHANGE
	EXCITED	EXCITED: Bring both middle fingers against the body at the front, one on either side, and draw first one then the other upward against the body and repeat, moving the hands alternately, assuming a nervous manner.	29
	EXCITED
	EXPAND	EXPAND: Holding the bent "5" hands near together and palm to palm draw them apart toward the side in a way to indicate increasing size.	60
	EXPAND
	EXPENSIVE	EXPENSIVE, DEAR: Lay the back of the right "&" hand in palm of left, for "money;" draw it away to the right and then drop it with a kind of jerk.	76
	EXPENSIVE, DEAR
	EXTREME-UNCTION	EXTREME UNCTION: With the thumb of the right "A" hand trace a cross on the eyelids. XXIX,441.	120
	EXTREME UNCTION
	FADE-AWAY	MELT, FADE, DIE OUT, DISSOLVE, etc.: Hold up both "5" hands, fingers pointing up, palms toward you; let the hands drop gradually, drawing the ends of the fingers to position of "&." IX,191.	53
	MELT, FADE, DIE OUT, DISSOLVE
	FAIL	FAIL, TO HAVE ONE'S WORK FAIL: Hold open hands upon a level with the chin one above the other; let them fall, rolling over each other in the descent. XIII,169.	48
	FAIL, TO HAVE ONE'S WORK FAIL (1)
	FAIR	JUST, FAIR: From a position toward each side, bring the extended "O" hands together so the thumbs and fingers touch.	75
	JUST, FAIR
	FALL	FALL: Place hands as above (STAND), then let the hand fall over.	48
	FALL
	FALSE	FALSE, A LIE: Move the forefinger of the right "G" hand, held lengthwise, across the mouth from right to left with finger pointing toward the left. XII,247.	72
	FALSE, A LIE (1)
	FALSE	FALSE, A LIE (2): Move the tip of the finger held perpendicularly across the same way. This indicates a less heinous falsehood, a “fib,” or softens the accusation, and is ised in preference to “lie” when speaking of imitations or false material.	73
	FALSE, A LIE (2)
	FALSE~FRIEND	HYPOCRITE: False, friend.	121
	HYPOCRITE
	FALSE~TRUST	HERESY: False, faith.	121
	HERESY
	FANCIFUL	IMAGINE: (2) Place the forefinger against the forehead as in "think" and then lift the whole hand upward with the same motion two or three times. VI,101.	33
	IMAGINE (2)
	FANCY	POLITE, COURTEOUS: Strike the breast with the thumb of the "5" hand, all the fingers pointing upward; repeat the motion several times. XII,252.	74
	POLITE, COURTEOUS
	FANCY	FINE: With the "5" hand held somewhat farther out, bring back and strike the breast once as above (POLITE, COURTEOUS), but more forcibly; or, as in "nice," pass palm of right hand over left palm outward. XIII,253.	74
	FINE
	FAR	FAR: Pointing the "G" finger outward, move the hand slowly out the full length of the arm. Or, (2) Place the "A" hands in juxtaposition so the middle joints touch and the thumbs point toward each other, the left hand resting close to the breast and the other a little in front; draw the right hand away slowly outward the full length of the arm.	72
	FAR
	FASCINATE	FASCINATE: Bring the hand up before the face, with fingers extended except the thumb and forefinger which are brought together as if about to grasp something; bring them nearly together and then draw out slowly from the face (giving the idea of drawing the attention out), giving the face an intent or concentrated look.	27
	FASCINATE
	FAST(religious)	FAST: Draw the thumb of the right "F" hand along the lips from left to right. XXIX,443.	121
	FAST
	FAT	FAT: Hold the "5" hands, with fingers slightly bent in, one on either side of the face, and as you puff out the cheeks draw the hands away toward the sides.	69
	FAT
	FATHER	There is also a common sign for "father" made by merely placing hand as indicated and then opening the fingers, keeping the thumb at forehead. In the case of mother, the thumb is left at the end of the jaw near the chin and the fingers are opened.	21
	FATHER (2)
	FATHER-IN-LAW	FATHER-IN-LAW: Sign for "father" and then "law." "Law" is signed as follows: Hold left hand in front of you perpendicularly, fingers together, extended parallel, pointing; throw the forefinger of the right "G" hand against the palm of the left. III,40.	22
	FATHER-IN-LAW
	FATHER~gs:hold-baby	FATHER: With fingers closed and thumb extended, place thumb at the right side of the forehead and at right angles to it; with a slightly twisting motion, bring hand away, opening fingers and turning palm upward; at the same time, bring the left hand up similarly and place parallel to the right as if lifting up a babe. III,34.	21
	FATHER (1)
	FEAR	COWARDLY, AFRAID, TIMID: Hold up the "5" hands, with palms out, as if to ward off some danger; bring the hands back toward the body with a downward motion and draw the body back as if shrinking from imaginary danger.	71
	COWARDLY, AFRAID, TIMID
	FEAR	FEAR: Throw the hands up as if warding off impending danger, and shrink back. V,87.	30
	FEAR
	FEEBLEMINDED	FEEBLEMINDED: Place the ends of the two fingers of the "V" hand or fingers of the "5" hand against the forehead; push the hands so the fingers bend and unbend several times.	34
	FEEBLEMINDED
	FEEL	FEEL: Place end of the middle finger, with others extended and held away, against the heart and draw it up a little way. IV,52.	25
	FEEL
	FEEL~3P-POSS	INCLINE, DISPOSED TO: Touch the heart with the bent finger of the right "5" hand (as in "feel"), then extend the left open hand toward the left and bring the right open hand just back of it also pointing toward the left; carry both hands toward the left, thus indicating the inclination of one's feelings.	43
	INCLINE, DISPOSED TO
	FEEL~CONTENTED	CONTENTED (in sense of relief from anxiety): Middle finger drawn upward across the heart (feel); then bring both hands up, palms down, edge of forefingers against breast, ends touching; draw the hands down while still held against the breast, as if pressing the disturbed feeling down. V,81.	29
	CONTENTED
	FEEL~PITY	PITY (feel sorry for): Draw the middle finger upward against the heart (feel), and then bring the open hand out extended toward the imaginary object of pity, making a kind of stroking or circular motion with the hand, as if giving comfort. V,84.	30
	PITY
	FEEL~SATISFIED	SATISFIED: With a slightly upward motion draw the middle finger across the heart (feel) and then raise the hand till it strikes the back under the chin. V,80.	29
	SATISFIED
	FEEL~WITH	SYMPATHY: Make sign for "feel," then by a contraction of the sign for agree, bring the hands together as in "with."	32
	SYMPATHY
	FEMALE	FEMALE: Lift the "A" hand to the side of the jaw just behind the ear, so that the thumb touches the jaw; draw the hand down so that the end of the thumb passes along the under edge of the jaw bone until it reaches the chin. III,32.	21
	FEMALE
	FEMALE~3P-IX	SHE: Sign for "female" and extend hand as in "he."	17
	SHE
	FEMALE~BABY	DAUGHTER: Sign for "female;" then same as in "son."	22
	DAUGHTER
	FEMALE~cl-d:B(height)	WOMAN: The sign for "female" likewise is sufficient for "woman," but the height is also indicated.	21
	WOMAN
	FEMALE~cl-d:B(small height)	GIRL: Sign for "female;" then indicate size.	21
	GIRL
	FEMALE~CLOTHES~MAKE~AGENT	DRESSMAKER: Sign first for "female;" then rub the hands lightly downward against the body several times, indicating its covering, for "dress;" then add sign for "maker."	65
	DRESSMAKER
	FEMALE~FANCY	LADY: Sign for "female" and finish as in "gentleman."	21
	LADY
	FEMALE~gs:hold-baby	MOTHER: Starting wtih the sign for "woman" bring hands in same way as for "father." III,35.	21
	MOTHER (1)
	FEMALE~gs:hold-baby-higher	GRANDMOTHER: Sign for "woman;" then bring hands in position as for "grandfather."	22
	GRANDMOTHER
	FEMALE~MARRY	WIFE: Sign for "female;" then "marry."	22
	WIFE
	FEMALE~OLD~ONE	OLD MAID: Female sign and then as for "bachelor." OLD: Signed by placing the right "C" hand against the chin, closing it to "S" and drawing it down like pulling a beard.	23
	OLD MAID
	FEMALE~SAME	SISTER: Sign for "woman;" then same as "brother." III,38.	22
	SISTER
	FENCE	FENCE: Lock the ends of the "5" hands and place at the side, then draw apart.	111
	FENCE
	FENCE~GROW	FIELD or GARDEN: Place the ends of the "5" hands together so that the ends lock like the ends of a rail fence; draw the hands apart toward the sides and bring each around toward the body, indicating a fenced piece of ground, and then sign for "grow" (push the "&" hand up through the left "O" hand and then spread the fingers out to "5.")	99
	FIELD, GARDEN
	FEW-DAYS-FUTURE	IN A FEW DAYS: Place the "A" hand against the cheek as in "to-morrow;" give the hand a similar motion as in "to-morrow" but more slowly; gradually bring the fingers out one by one as in "few." Or, (2) Sign for "few," "days," and "after." XIV,275.	80
	IN A FEW DAYS
	FEW~DAYS~PAST	A FEW DAYS AGO: Place "A" hand with the end of the thumb against corner of the mouth; holding the thumb still there, draw the hand back and gradually open out the fingers one by one until the hand assumes the position of "5." Or, (2) Sign "few," "days," and "ago."	81
	A FEW DAYS AGO
	FIGHT	FIGHT: Throw the fists against opposite sides of the face at the same time.	26
	FIGHT
	FIGHT	FIGHT: Knock the fists against the sides of the face, or before the face.	58
	FIGHT
	FIND	FIND: Reach out "5" hand; draw ends of forefinger and thumb together as if picking up something, and raise hand.	50
	FIND
	FIND-FAULT	FIND FAULT: Draw the forefinger and thumb of the right hand out of left "O" as if picking flaws out of one's character.	37
	FIND FAULT
	FINISH	The colloquial and by far the most common method of rendering the sign for "finished" is to hold the right open or "5" hand out in front from the side and give it a flip toward the right, with a twist of the wrist so the palm is turned down. In indicating the complete tenses first sign "have" as for "possess," then give the sign for the verb, and last the sign for "have" or "finish" as above (HAVE, FINISH).	15
	HAVE, FINISHED (colloquial)
	FIRE	FIRE: Holding the bent hands, fingers pointing upward, move first one hand and then the other upward, wiggle the fingers, this representing the flames. IX,194	112
	FIRE
	FIRE	BURN, FIRE, indicating FLAMES: Holding out the bent hands, backs down, raise them alternately, working the fingers to represent the motion of the rising and falling flames. IX, 194.	54
	BURN, FIRE, FLAMES
	FIRED	DISCHARGE, EXPEL, REMOVE FROM EMPLOYMENT: Hold up the forefinger of left "G" hand and with the forefinger of other hand knock it down. Or, hold up left hand similarly and knock down. The former sign carries a suggestion of malice or vindictiveness. IX,200.	55
	DISCHARGE, EXPEL, REMOVE FROM EMPLOYMENT
	FIRST	FIRST: Hold the thumb of the "A" hand up perpendicular and strike it with the forefinger of the right "G" hand. XIV,285.	83
	FIRST
	FISH	FISH: Extend the right open hand, pointing out, thumb edge up; place the end of the left open hand against the wrist of the right, and work the right hand like the tail of a fish.	88
	FISH
	FISH	FISH: Extend the right "B" hand in front straight out from the waist, or a little above it; then place the end of the left open hand at right angles against the wrist of the right, and then wiggle the right hand from the wrist as if it were the tail of a fish. XVII,342.	95
	FISH
	FISHING	FISH: Sign for the animal "fish," place the end of the left open hand against the right forearm with the right hand extended outward, move the right hand from side to side like the tail of a fish in swimming; then make motion as if lifting a fish-pole in the hands.	60
	FISH
	FLAG	FLAG: Hold the right forearm pointing up, supported on the left hand, and bending the hand from the wrist, wave it.	112
	FLAG
	FLASHLIGHT	LIGHT (that which throws beams): Place the right "&" hand upon the thumb of the left "A" hand, then extend the right hand outward, opening the fingers to "5," and then spreading the hand out and around.	97
	LIGHT (that which throws beams)
	FLIRT	FLIRT: Extend out both "5" hands, palms down, and ends of thumbs meeting; wiggle the fingers with motion as in playing a piano.	24
	FLIRT
	FLOWER	FLOWER: Hold the "S" or the end of the "&" hand directly under the nose as if holding a bunch of flowers there to smell. Some make this sign first under one nostril and then the other. Some place the end of the "&" hand under the nose and then open out the fingers to nearly "5" hand. XVIII,350.	98
	FLOWER
	FLOWER~GROW	BLOSSOM: Sign for "flower;" then bring the "&" hands together, ends pointing upward, and open them out to "5" hands, thus indicating the opening of the flower.	98
	BLOSSOM
	FOLLOW	CHASE, FOLLOW: Place the "A" left hand out in front, and the right "A" hand directly behind it, thumbs pointed up; move both forward tandem fashion. It is usual to give the following hand a peculiar twisting motion from the wrist to indicate, probably, that it is the one pursuing. To indicate a chase more or less hard and long drawn out, indicate by emphatic motion or repeating the sign and twisting both hands. VIII,181.	50
	CHASE, FOLLOW
	FOLLOW~AGENT~fs:OF~pn:JESUS	DISCIPLES: Followers of Jesus.	120
	DISCIPLES
	FOOD~GIVE	FEED (act of feeding): Make sign for "eat" and then make motion of giving food.	46
	FEED
	FOOL	FOOL, HOAX: Place the crooked forefinger of the right "G" hand on the nose and give it a pull downward, bringing the head down a little. VII,156.	43
	FOOL, HOAX
	FOR	FOR: Place the end of the forefinger of the right "G" hand at the right side of the forehead; with a twisting motion to the hand bring it down and, pointing the forefinger straight out, push it forward some distance. XXI,387.	107
	FOR
	FORENOON	FORENOON: Indicate by passing the arm in the sign for "day" across that part of the arc between morning and noon.	80
	FORENOON
	FORGET	FORGET: Draw the end of the hand across the forehead, turning the fingers in toward the palm as you draw it from the forehead. VI,115.	35
	FORGET
	FORGIVE	EXCUSE, FORGIVE: Place the end of the right extended hand in palm of left extended hand and move it along the length of the hand and beyond. In asking forgiveness or one's pardon the end of the right hand is rubbed back and forth in the same motion, in palm of the left. VI,129.	37
	EXCUSE, FORGIVE
	FORK	FORK: Make a fork with the right "V" hand and "stab" it against the left palm.	111
	FORK
	FOX	FOX: Grasp the end of the nose with the "F" hand and work the rest of the fingers.	94
	FOX
	FOX~SAME	SLY: Same as for "shrewd." Or, (2) Make sign for "fox," i.e., grasp end of nose with the "F" hand and wave the other fingers of the hand; then follow with sign for "same" in sense of "like," i.e., bring the "G" hands together with the forefingers extended parallel. Or, (3) A slang sign often used to make the sign for "ghost" in a peculiar manner and very quickly, as follows: Make the shape of "U" with the thumbs and forefingers, extending the other fingers; place the right hand above the other, fingers pointing toward self; with a quick motion draw the right hand upward and the left hand down, and while doing so close the ends of the forefingers and thumbs. This sign is used to indicate that something is done "on the sly."	70
	SLY
	FREE	FREE, SAFE, SAVE, RELIEF, etc. (idea of freedom from some bondage): With "S" hands crossed at the wrists as if bound, with an apparent effort break the imaginary bonds and free the hands, throwing them apart. IV,69.	28
	FREE, SAVE, SAFE, RELIEF
	FREE~AGENT	SAVIOUR: Cross the "A" hands at the wrists as if the hands were bound, and then bring the hands apart to indicate "freedom" and add the sign for "-er" to indicate the person.	101
	SAVIOUR
	FRIDAY	FRIDAY: Describe a small circle with the "F" hand.	84
	FRIDAY
	FRIEND	FRIEND, FRIENDSHIP, etc.: Clasp the forefingers, one above the other, then bring them apart and clasp them again, but in the opposite direction, the hands changing their relative positions. IV,61.	26
	FRIEND, FRIENDSHIP
	FROG~cl:LEGS(hop)	FROG: Place the right "V" hand against the throat; then with the "V" hands held one beyond the other and both pointing toward the left, bend and unbend the two fingers of each hand, representing the motion of a frog's legs in swimming.	94
	FROG
	FROM	FROM: Crook the forefinger of the right "G" hand, and place its middle joint thus crooked against the side of the forefinger of the left "G" hand, pointing upward (K of the double alphabet), and draw it away toward self. XXI,388.	107
	FROM
	FROM-THEN-ON	AFTER: Place the left "B" or open hand in front, palm toward self and the right open hand in same position with palm of fingers against the back of the left-hand fingers; hold the left hand still and push the right hand out and away from it. XIV,276.	81
	AFTER (1)
	FROM~HEAVEN	SUPERNATURAL: From heaven.	123
	SUPERNATURAL
	FRUIT	FRUIT: Sign as in "grow" (push the right "&" hand upward through the left "O" hand); when through, quickly make left "&" hand and grasp it over the back with the fingers of the right and draw them down and off the entire length of the left hand.	90
	FRUIT
	fs:C-S-S-R	REDEMPTORIST: Sign C. SS. R.	122
	REDEMPTORIST
	fs:S-J	JESUITS: Sign S.J.	121
	JESUITS
	FULL	FULL: Hold out the left "O" hand and pass the palm of the open right hand over it, making the motion from right to left. XII,235.	68
	FULL
	FUNNY	FUNNY, HUMOROUS: Rub the ends of the fingers of the "N" hand downward along the end of the nose, holding the palm side down.	73
	FUNNY, HUMOROUS
	FUNNY	FUNNY, HUMOROUS, etc.: Rub the nose downward with the ends of the fore and middle fingers two or three times and look funny. IV,67.	27
	FUNNY, HUMOROUS
	FUTURE	WILL and SHALL, indicating future: Hold the right open hand pointing straight out and elevated to a level with the shoulder, and push it straight forward the length of the arm. I,11.	15
	WILL, SHALL
	FUTURE	The FUTURE is indicated by "will" (see above). In making the sign for any verb the tense is rarely given unless essential to make it specific. Usually tense is understood by inference. I,15.	16
	FUTURE
	GATHER	MEETING, ASSEMBLY, GATHERING: Hold out the slightly bent "5" hands, well in front at the sides; draw the hands together, closing them so the ends of the fingers and thumbs all meet together in front of you.	49
	MEETING, ASSEMBLY, GATHERING
	GERMANY	GERMANY: Cross the hands in front, diagonally, so the wrist of the right "5" hand rests upon the wrist of the left and work the fingers of both hands. XX,368.	104
	GERMANY
	GET	GET, OBTAIN: Reach out left "S" hand and then make a grab upon the top of it with the right.	45
	GET, OBTAIN
	GET	RECEIVE, GET (by the speaker): Make similar motion (OBTAIN) but at the same time draw hands toward you. VIII,159.	45
	RECEIVE, GET (by the speaker)
	GET-UP	RISE, GET UP (from a fall or from a lying posture): Lay "V" back down, in palm of hand, and lift it to a standing position.	48
	RISE, GET UP
	GIVE	GIVE: Bring out hand, make motion as of taking up something, and give to imaginary person.	45
	GIVE
	GIVE-1P~KEEP	BORROW: Make sign for "Give to me to keep."	54
	BORROW
	GIVE-2P~KEEP	LEND: "Give you, keep."	54
	LEND
	GLORY	GLORY: Make similar sign as for "praise," then draw the right hand away and upward from the left, the while working the fingers (of the right only) up and down as if they were throwing off scintillating beams of light.	38
	GLORY
	GO	GO, LEAVE PRESENT PLACE, DEPART: Make motion with finger or hand away from the body. Also, hold left open hand in front, palm toward breast; rest right hand on back of left hand, remove, and motion outward. The latter is more correctly for "send."	45
	GO, LEAVE, DEPART
	GOAT	GOAT: Place the back of the right "V" hand against the chin so the knuckles touch the end of the chin; quickly raise the right hand now and strike the backs of the fingers in the bent "V" against the forehead, then straighten out the fingers, bringing them upward and outward and throwing the hand away from the forehead.	92
	GOAT
	GOD	GOD: Elevating the right "G" hand, point it outward, then draw it backward and downward toward self; the end then points up toward heaven. Some use whole open hand. XIX,353.	100
	GOD
	GONE	DISAPPEAR: Place the right "5" hand with the fingers brought slightly together pointing up so the back rests in "C" of the other hand, let the hand slip down through the "C" and as it does so close it till when the right hand is gone the left hand will be making "O." IX,190.	53
	DISAPPEAR
	GONE	EMPTY, GONE, OUT OF, denoting ABSENCE: Place the right "5" hand in the left "C" hand, the "C" over the back of the right which is pointed up; drop the right hand down out of the left and let the latter close over it to "O."	78
	EMPTY, GONE, OUT OF, ABSENCE
	GONE	OUT: Place the right "5" hand, pointing upward, in the left "C;" let it drop down and out of the left, the latter closing over it to "O" hand.	108
	OUT
	GOOD	GOOD: Place the end of the palm against the mouth; then bring it down against the open left hand so that the back of the right hand rests in the palm of the left. In common use the latter part of the sign is omitted and the hand is simply thrown forward from the mouth. XII,228.	67
	GOOD
	GOOD ENOUGH	GOOD ENOUGH, GOODY: Holding the closed "O" hands perpendicular, strike the "O's" together several times with some vindictiveness. XIII,256.	75
	GOOD ENOUGH, GOODY
	GOOD~gs:oh-well	FAIR (in the sense of good to a moderate degree): First make the sign for good, then bring the open hands out toward the side from a position in front, as follows: let the hands come up edgewise and gradually turn them with palms up and give a slight shrug of the shoulder. Or, make sign for "medium."	75
	FAIR (moderate)
	GOOD~SUPERIOR	Comparison is indicated by following the sign for the adjective by the sign indicating the degree, without any pause. For the superlative ("-est") make the same motion but carry the hand higher to a level just above the head.	67
	EST, SUPERLATIVE
	GOSSIP	TO TELL ON ONE, TELLTALE, GOSSIP, etc.: Making a bill with the thumb and forefinger bring it up wtih knuckle of forefinger against the mouth, slightly at one side; push it away outward, opening and closing the thumb and finger to imitate the movement of the lips in talking.	35
	TELL ON ONE, TELLTALE, GOSSIP
	GOVERNMENT	GOVERNOR: The end of the forefinger of "G" hand is placed against the temple; withdraw it, describe a small circle in the air, and place end again on temple; next pass right hand over left, etc., as in "president." XI,226.	66
	GOVERNOR
	GRACE	GRACE: The gathered finger tips of the right hand are lowered over the head and then spread, without, however, touching the head. XXIX,444.	121
	GRACE
	GRACE(>touches-head)	SACRAMENT: Same sign as for "Grace," but the lowered hand touches the head. XXX,460.	122
	SACRAMENT
	GRADUATE~LEAVE-FROM	GRADUATE: Hold left open hand out, palm up, and circle it with the fist and bring fist on palm (indicating paper with seal) and add sign for "retire."	52
	GRADUATE
	GRAPE	GRAPE: Against the back of the left "&" hand strike the ends of the fingers of the right bent "G" hand; repeat the motion several times, each time a little farther down on the left hand till the fingers of the right have passed the knuckles of the left. XVI,319.	90
	GRAPE
	GRAPE~VINE	GRAPEVINE: Make "grape" sign; then "vine."	99
	GRAPEVINE
	GRASS	HAY: Push the right "4" hand upward in front of or against the mouth.	112
	HAY
	GRAVY	GRAVY: Grasp the fleshy part of the palm near the little finger of the left hand with the forefinger and thumb of the right hand and draw them away from the hand, letting them close while they drop away. XVI,306. Or, (2) Make a "spoon" with the right "C" hand and give a slight twist as if dipping and emptying the spoon.	87
	GRAVY (1)
	GRAY	GRAY: With the "5" hands held in front, palms to self, throw them in and out in opposite directions so the fingers of one hand strike the fingers of the other as the hands pass, as it were, through each other. Or make "black" and "white," then "mix."	77
	GRAY
	GREEN	GREEN: Similar motion (BLUE) with the right "G" hand.	77
	GREEN
	GROW	GROW: Hold the right "&" hand with finger ends up; bring the left hand and close around it so the ends of the fingers will be just below the "O;" push right hand up through the "O" as if plant was coming above the ground, and spread out the fingers, making "5" hand as they come up through. IX,189.	52
	GROW
	GROW~GREEN(shaking-around-horiz-area)	GRASS: Push the right "&" hand up through the left "O" hand; then carry it out in position of "G" and pass it over an imaginary surface, giving it a shaking motion to indicate the green surface.	98
	GRASS
	gs:dig~BURY	BURY: Make motion of digging, one hand as a spade; then bring the top edges of the hands together, with them forming the mound on the grave.	53
	BURY
	gs:fangs~WOLF	WOLF: Push the forefingers of the "G" hands (one on either side of the mouth) upward from the chin, indicating the wolf's fangs; then bring the bent "5" hand in front of the face, drawing it outward from the nose to indicate that shape of the wolf's nose.	93
	WOLF
	gs:gravy	GRAVY (2): Make a "spoon" with the right "C" hand and give it a slight twist as if dipping and emptying the spoon.	87
	GRAVY (2)
	gs:lemon	LEMON (2): Hold the "S" hand against the mouth as if it held a lemon and contract it as if squeezing a lemon.	90
	LEMON (2)
	gs:no-no	DON'T: Hold up the extended right hand, palm outward; with arm quiet give hand a vibrating motion from side to side several times.	39
	DON'T
	gs:sit	SIT: Extend open hands, palms down; push downward.	52
	SIT (1)
	gs:what	WHERE: Extend the open hands, palm up, from the side out to the front and give them a side to side shake with a look of inquiry on the face. XV,301.	86
	WHERE
	GUESS	SUSPECT, SUSPICION, SPY, etc.: Place end of forefinger of "V" hand held perpendicularly under and against the front teeth; without moving the arms throw the ends of the fingers outward, letting the forefinger slip away from the teeth. VII,141. Or,	40
	SUSPECT, SUSPICION, SPY (1)
	GUM	GUM: Crook the forefinger of the right "G" hand and place the crook of the joint at the corner of the mouth and pull it down and repeat the motion several times, the mouth making a chewing motion also.	91
	GUM
	HABIT	"HAVE TO," indicating OBLIGATION: Place both "S" hands with wrists one above the other as if bound; press them both downward together. VI,130.	37
	HAVE TO, OBLIGATION
	HAPPEN	HAPPEN: Bring the "G" hands in front held parallel and pointing out with "G" up; turn the hands with a quick motion so that the forefingers twist inward, bringing the backs of the hands up. The same sign also signifies "accident." IX,183.	51
	HAPPEN
	HAPPY	HAPPY, DELIGHTED, JOY, etc.: Throw palm of the right hand against the heart several times with a patting motion. IV,49.	24
	HAPPY, DELIGHTED, JOY
	HARM	INJURE, HARM: Hold out the left "A" hand and across the thumb strike the right "A" hand outward so the backs of the fingers and knuckles rub against the thumb rather forcibly. A slight injury may be indicated by making the motion easier and repeating it once or twice. X,215.	60
	INJURE, HARM
	HARVEST	HARVEST: Reach out left hand and grasp imaginary stalks of grain and with the forefinger of right crooked like a sickle make motion of cutting stalks.	52
	HARVEST
	HATE	HATE: Hold the open hands out toward left side, ends pointing up; push hands away and avert face as if pushing off some unpleasant object. IV,44.	24
	HATE
	HAVE	HAVE, TO POSSESS: Cross the open hands in front, palms to self and then draw them up against the breast. I,8.	15
	HAVE, POSSESS
	HAY~HOUSE	BARN: Sign "hay house," or "horse house."	112
	BARN
	HEAR	HEAR (idea of sound): Place finger at ear as if listening.	25
	HEAR
	HEAR~SING	MUSIC: Raise right forefinger to ear; move both hands, palm down, out toward one side, with vibrating motion; wave right open hand back and forth before palm of left hand.	43
	MUSIC
	HEAVEN	HEAVEN: Both "B" hands touch at the ends in front and somewhat elevated on a level with the head; draw them apart toward the sides; bring the left hand back, twisting it so as to leave the palm outward and pass right open hand under left, turning it upward, and raise it until it shows above the left hand.	100
	HEAVEN
	HEAVY	HEAVY: Holding the open hands in front, palms up, lift them with an apparent effort as if they held a load.	78
	HEAVY
	HELP	HELP, AID, BENEFIT, GIVE ASSISTANCE: Place the right open hand under the left "A" hand and lift it up.	52
	HELP, AID, BENEFIT, GIVE ASSISTANCE
	HELP~GRACE	GRACE (Actual): Helping grace.	121
	GRACE (actual)
	HERE	HERE: Bring open hands, palms up, near the body, end to end but not touching, and let each describe a small circle in opposite directions outward, coming toward each other again nearer the body.	86
	HERE
	HESITATE	HESITATE: Hold "G" hand with forefinger pointing upward; move forward, stop suddenly, and repeat motion in a halting manner. Some make sign as in "doubt."	50
	HESITATE
	HIDE	HIDE: Place the thumb of the right "A" hand against the mouth, then bring it down and place it under the left bent hand held in front, palm down; the left hand rests on the right at the end of the sign.	61
	HIDE
	HIDE~TRUTH	MYSTERY: Hidden, truth.	122
	MYSTERY
	HIMSELF	HIMSELF, HERSELF, THEMSELVES, etc.: Make sign for pronoun and then add sign for self.	17
	HIMSELF, HERSELF, THEMSELVES
	HISTORY	HISTORY: Begin making the sign for "happen" over the right shoulder and continue making it while the hands are brought down from the shoulder to the front of the body. The sign for "HAPPEN" is made as follows: Place the "G" hands parallel in front, thumb up, and twist both at the same time inward, bringing the thumb down. In carrying the hands up to the shoulder to make the sign they will not be exactly in this position, as they will point back and gradually be brought down and into the position as described.	43
	HISTORY
	HOLY-ORDERS	HOLY ORDERS: The thumb of the right "A" hand is run along the thumb and forefinger of the open left hand and back again so as to finish at the thumb point. Do the same for the other hand. XXIX,445.	121
	HOLY ORDERS
	HOME	HOME: Place the end of the right "&" hand at the mouth as in "eat;" then carry it to the right side of the cheek. III,42.	23
	HOME
	HONOR	HONOR: Point "H" toward imaginary person; draw hand back toward you, lifting the end so that it describes a small curve. VII,149.	42
	HONOR
	HOOK	SUSPEND, HANG: Crook the forefinger of the right "G" hand and make motion of hanging it on an imaginary nail.	61
	SUSPEND, HANG
	HOPE	HOPE, EXPECT (something looked foward to with desire): Place end of right forefinger on center of forehead; extend left hand out and up at an angle of about 45 degrees, palm up; now bring right hand away from the forehead and place it palm down just above the bend of the elbow; bend the right hand down and at the same time the left up and repeat several times with a kind of beckoning motion. Or move the fingers of both hands in same position as above with a shaking motion like playing the keys of a piano. IV,74.	28
	HOPE, EXPECT
	HORSE	HORSE: Place the "H" hands against the head, one on either side, pointing upward; work them backward and forward a few times, indicating the ears. XVII,324.	92
	HORSE
	HORSE~cl-d-trace:L:(stripe-on-body)	ZEBRA: Make sign for "horse;" then with thumb and forefinger as in "tiger" represent stripes against the sides of the body.	93
	ZEBRA
	HOT	HOT: Bring the hand up to the mouth with fingers crooked as if ready to take something from it; suddenly draw it away and turn it over as if dropping something from it in haste. Excessive summer heat is indicated by same sign as for warm (drawing forefinger across forehead) made with a good deal of emphasis.	31
	HOT
	HOUR	HOUR: Upon the palm of the left open hand held straight out, representing the dial of a clock, place the right "G" hand with the forefinger pointing upward, representing the hand of the clock; with the right forefinger now circle the face of the palm as a hand would circle the face of a clock. XIV,281. Note: Using the forefinger of the "G" hand almost any part of the hour may be indicated. Thus, fifteen minutes after any hour is indicated by pointing the forefinger at the position of the hand at 3 on the palm; half after, by pointing the finger at 6, and so on.	82
	HOUR
	HOUSE	HOUSE: Place the ends of the open hands together in the shape of a roof. XXII,399.	110
	HOUSE
	HOUSEFLY	FLY: Make motion with the right hand on left arm as of reaching out and catching a fly off the table or in the air.	95
	FLY
	HUMBLE	HUMBLE: Bring the "B" hand up to the mouth, placing it perpendicularly edgewise against the lips; draw the hand down along the center of the breast and outward toward the side, bending the head in humility.	31
	HUMBLE
	HUNGRY	HUNGRY: Bring up hand with fingers and thumb slightly bent, the ends against the breast; draw downward, the ends of fingers and thumbs against breast, to indicate a gnawing sensation. This sign is used to indicate strong desire for anything when followed by sign for "want." V,95.	32
	HUNGRY
	HURRY	HURRY: Push "H" hand rapidly forward, giving the "H" an up-and-down motion all the time.	55
	HURRY
	HUSH	BE STILL, KEEP QUIET, etc.: Place forefinger against lips. The idea is made emphatic by throwing the finger violently against the lips, and may then be interpreted as "SHUT UP."	35
	BE STILL, KEEP QUIET
	HUSH~BURDEN	ENDURE, SUFFER (bear or carry a burden): Press the forefinger against the lips; then move hands up the shoulder as if holding the end of something resting thereon; bring the shoulders and hands forward a little simultaneously as if carrying a burden. Some place the thumb in position of letter "A" against the lips instead of the forefinger. V,83.	29
	ENDURE, SUFFER
	HUSH~HUSH	PATIENT: Place the end of the right "G" hand on the lips, press and at the same time bow the head as if in resignation; repeat latter motion once or twice.	32
	PATIENT
	HUSH~QUIET	QUIET, CALM, STILL, NOISELESS: Place the forefinger on the lips; bring the other extended hand up in front of you, and then bring the hand away from the mouth, extended, until it is just over the other; then move both away in opposite directions toward the sides, palms down. VI,119.	35
	QUIET, CALM, STILL, NOISELESS
	HYPOCRITE	HUMBUG, IMPOSTER: Place the bent hands one against the back of the other in front, palms toward self, and bend both hands together downward, bending from the knuckle joints. XXII,400.	111
	HUMBUG, IMPOSTER
	I	I: Place "I" hand, thumb against breast and little finger pointing up.	17
	I
	ICE	ICE, FREEZE: Hold the "5" hands out, palms down; drop the hands downward a few inches rather forcibly, at the same time quickly bending the finger ends and stopping them rigidly bent as the hands are brought to a stop. XVIII,349.	97
	ICE, FREEZE
	IDEA	IDEA: Place the end of the little finger of the right "I" hand against the middle of the forehead; draw it away and give it the least of a circular jerk upward. VI,99.	33
	IDEA
	IDLE	IDLE: Place the thumbs of the "L" hands at the arm pit, and wave the fingers.	71
	IDLE
	IDLE~DAY	HOLIDAY: Sign "idle" and "day."	85
	HOLIDAY
	IGNORANT	IGNORANT: Tap the middle of the forehead with the backs of the two fingers of the right "V" hand.	34
	IGNORANT
	IMAGINE	IMAGINE: Make a sign as in "Idea," but when finger is drawn away, lift it upward in a continuous circular motion. VI, 100.	33
	IMAGINE (1)
	IMMACULATE-CONCEPTION	IMMACULATE CONCEPTION: With the right index finger trace a circle around the crown of the head and then drop the arms at full length, palms outward. XXIX,446.	121
	IMMACULATE CONCEPTION
	IMPORTANT	IMPORTANT: Place the right "I" hand upon the back of the left "A" hand and elevate the latter, carrying the right hand with it. XIII,265. Or, (2) Hold the left "A" hand out at the front from the side, thumb extended, and pointing toward the left almost over the shoulder; place the right "A" hand in same position, somewhat lower and diagonally under the left about the center of the waist; elevate both at the same time toward the left.	78
	IMPORTANT
	IMPROVE	IMPROVE, GRADUAL PROGRESS UPWARD: Hold out left "B" hand, forefinger edge up; place the little-finger edge of "B" right hand crosswise near end of left forefinger; raise it and drop it again on left hand a little farther up, and continue motion the length of the hand, and beyond, thus measuring off spaces of advancement. VIII,162.	46
	IMPROVE, PROGRESS UPWARD
	IN	IN: Place the right "&" hand downward into the left "O" hand.	107
	IN
	IN-FRONT-OF	BEFORE (in place): Hold the open hands, pointing upward, in front, one on right side, one on left, palm toward palm, and 5 or 6 inches apart; turn both hands at the same time, carrying the left to the front and the right toward self, still keeping them palm to palm.	106
	BEFORE (place)
	INCH	INCH: Extend, then bend the thumb of the left "A" hand and enclose the space between its end and middle joint between the forefinger and thumb of the right hand.	84
	INCH
	INDEFINITE	ANY ONE: Same as for "any," then add sign for "male" or "female." II,17. Or, (2) Hold forefinger pointing up, back of hand down, fingers and thumb closed over palm, move hand from side to side.	19
	ANY ONE
	INDIAN	INDIAN: Place the end of the thumb and forefinger of the closed "O" hand on the end of the nose and then carry it around and place it similarly against the ear. XX,376.	105
	INDIAN
	INFERIOR	LOW, BASE: Let the "A" hand drop in stages, holding it out in front from the side. XII,250.	74
	LOW, BASE
	INFERIOR	SINK (to fall from a high to a low estate): Reverse the motion above (RISE).	59
	SINK
	INFORM	INFORM: Place right hand as in "know," then carry it away as if carrying away information, at some time bring up left hand in similar position directly following or parallel with right. VI,117.	35
	INFORM
	INSECT	INSECT: Place the thumbs of the open hands, end to end, palm down and fingers pointing outward, and, bending the ends of the fingers, work them like the legs of an insect.	95
	INSECT
	INSULT	ACCUSE (to "call," as when we "throw it at" one that one is so and so): Pointing the "G" hand out, push it toward imaginary person with a "digging" or thrusting motion.	59
	ACCUSE
	INTERFERE	INTERRUPT, INTERFERE WITH, COME BETWEEN: Bring left "C" hand up with the opening of "C" toward self; throw the right open hand edgewise between the thumb and forefinger, repeating several times.	40
	INTERRUPT, INTERFERE WITH, COME BETWEEN
	INTRODUCE	INTRODUCE: Extend one open hand out (palm up) toward the front side and the other hand toward the other side and then bring the hands toward each other. (Each hand represents a person introduced.) The idea of a simple introduction may be expressed by using simply one hand.	51
	INTRODUCE
	INVENT	INVENT: With the "G" forefinger pointing upward, place the end against the middle of the forehead just above the nose so the finger almost rests the length of the nose; push the finger upward till the length of it has crossed the forehead.	33
	INVENT
	INVENT~ADD~ADD	EXAGGERATE: Push the forefinger of the right "G" hand upward across the forehead, straight up from the nose, the length of the finger; then bring down the "&" hand and let the end strike against the end of the left "&" hand pointing up; give both hands a turn, reversing their position, and drawing them apart now strike the right (which is now pointing up) with the left (which now points down).	44
	EXAGGERATE
	IRELAND	IRELAND: With the right "V" hand at rest just above the back of the left "S" hand, describe a circle around it with the "V" and then bring the end of the "V" down on the back of the left. XX,367.	103
	IRELAND
	IRON	METAL: Strike the back of the fingers of the left "4" hand with the bottom of the right "S" hand, striking it across the fingers from the forefinger to the little finger.	99
	METAL
	IRON	IRON: Strike the forefinger of the left "G" hand with the bottom of the right "S" hand. XVIII,352.	99
	IRON
	IT	IT: The "I" hand is moved toward an imaginary object with a twisting motion of the wrist.	17
	IT
	JAIL	JAIL: Cross the fingers of the right "4" hand across those of the left.	110
	JAIL
	JEALOUS	JEALOUS: Bite the end of the forefinger. V,93.	32
	JEALOUS (1)
	JEW	JEW: Placing the fingers of the bent "5" hand on the chin, draw them down and off, letting the hand assume the "&" position as it leaves the chin. XX,377.	105
	JEW
	JUMP	JUMP: Stand "V" in the palm; draw hand back a little, bending the fingers as the legs are bent when about to spring; throw the hand forward, bringing the fingers out straight. Observe that the fingers of "V" imitate the motion of the legs in jumping and the hand the body.	48
	JUMP
	KEEP	KEEP, TAKE CARE, BE CAREFUL WITH: Hold left "V" hand with ends of fingers pointing outward, forefinger up. With right hand in similar position place it on the other so that the little-finger edge of the right hand rests on forefinger edge of left and all four fingers extend out one above the other (or crosswise); raise the right hand a little and throw it down again; repeat several times. To indicate great care, move the hands together slowly up and down, or giving them a circular motion; throwing the hands together in this position warningly at one is to indicate the idea one had better look out. VIII,178.	50
	KEEP, TAKE CARE OF, BE CAREFUL
	KEY	KEY: Twist the crooked forefinger of the right "G" hand in the center of the left palm.	111
	KEY
	KILL	KILL: Holding the left open hand out, pointing upward, and palm toward the right, thrust the right "G" hand outward, so the side of the forefinger strikes against the palm as the finger passes it and continues across the palm; give the forefinger a twisting motion. Note that the motion is one of stabbing. Some follow with the sign for "die," turning the open hand, palm up, off toward the side. X,216.	60
	KILL
	KIND	KIND, GENTLENESS, etc.: Place both extended hands in front of you, palms toward you, one hand beyond the other a few inches; move hands one around the other in a circle like cars in a Ferris wheel. IV,63.	26
	KIND, GENTLENESS
	KING~CONTROL~OVER-ALL	KING: Place the right "K" hand just below the left shoulder, then carry it down to the opposite side of the body near the waist; add "rule over;" to this sign add "country" and we have "kingdom." XI,227. Note: In the case of all persons exercising power of authority, it is more correct to add "rule."	66
	KING
	KNEEL~PLEAD~SERVE	WORSHIP: Sign "kneel" (place the bent fingers of the right "V" hand in the palm of the left hand, the fingers thus representing the bent knees); then place hands in attitude of prayer or supplication and then sign "serve" (with the open hands in front, palms up, move them to one side and then to the other).	102
	WORSHIP
	KNIFE	KNIFE: Whittle against the left forefinger with the right "H" hand.	111
	KNIFE
	KNOW	KNOW, INTELLIGENCE: Tap the forehead with the end of the hand. VI,110.	34
	KNOW, INTELLIGENCE
	KNOW~NEW	STRANGE: Sign 'know' and 'new' together.	78
	STRANGE
	KNOW~STAY	REMEMBER: Touch forehead with open right hand, bring hand down and form "A" with both hands (thumbs extended slightly further out) and then place end of right thumb upon the top end of the other as if holding it down. VI, 116.	35
	REMEMBER
	LAND	LAND: Rub the ends of the thumb over the ends of the fingers, using both hands. Sometimes the sign for "farm" or "country" is added (rub the open right hand on the under side of the left forearm). XVIII,345.	96
	LAND
	LARGE	LARGE: Hold the "L" hands palm to palm and draw them apart. XV,296.	84
	LARGE
	LARGE~LAW~BREAK	SIN (Mortal): Large, sin.	123
	SIN (mortal)
	LAST	LAST: Extend the little finger of the left "A" hand and with a downward motion strike it with the forefinger of the right "G" hand. XIV,286.	83
	LAST
	LATIN	LATIN: Draw the thumb point of the right "L" hand from the forehead to the tip of the nose. XXIX,447.	121
	LATIN
	LAW	LAW: Hold up open left hand, fingers up, pointing the thumb toward you; lift up the forefinger of right "G" hand and throw it against the palm of the left near the end of the fingers; strike the palm this way several times but each time striking it lower down. For "lawyer" add sign above described for "-er." XI,219.	64
	LAW
	LAW~BREAK	Law, broken.	123
	SIN
	LAW~FORGIVE	DISPENSATION: Law, excuse.	120
	DISPENSATION
	LAY	LIE, RECLINE: Lay the back of the right "V" hand in the palm of the open left. Sometimes the right hand is also drawn a little toward self.	61
	LIE, RECLINE
	LAZY	LAZY: Throw the right "L" hand against the left shoulder.	71
	LAZY
	LEAD	LEAD: Grasp end of open left "B" hand, held forward, end pointing out, with the thumb and fingers of the right, and pull forward as in act of leading.	47
	LEAD
	LEARN	LEARN: Place the open palm of the left hand as if it were a book or printed page in front of self; with the other hand grasp imaginary knowledge from it with the fingers closing against the thumb and raise it to the forehead. VI,105.	34
	LEARN
	LEAVE-FROM	LEAVE, RETIRE, WITHDRAW ONESELF: Extend open hands, palms down, out toward the left side, one farther toward the left than the other, somewhat "tandem;" draw them back toward the right side of the body and a little up, bending the fingers down from the knuckles. VIII,158.	45
	LEAVE, RETIRE, WITHDRAW oneself
	LEAVE-THERE	LEAVE, LIE, LET ALONE, NEGLECT: Hold the open hands out toward the left side, palms toward each other, left hand extended farther than the other; push the hands both forward toward the side (or front), and stop with a jerk.	45
	LEAVE, LIE, LET ALONE, NEGLECT
	LECTURE	LECTURE, ORATOR: Hold up the open hand to the side and front, as a speaker does in making a gesture; bring it down diagonally a little toward the other side and repeat motion several times. "Lecturer," add "-er."	64
	LECTURE, ORATOR
	LENT	LENT: The thumb of the right "L" hand is drawn along the lower lip from left to right. XXX,448.	121
	LENT
	LESSON	LIST: With the open left hand as a paper or pad strike it with the end of the open right hand, first at the top and repeatedly farther down each time, representing a number of things put down or inventoried.	111
	LIST
	LETTER	LETTER: Close right hand and extend thumb; wet the palm end of thumb on tongue and then throw it against the open left hand as if sticking on the stamp. (With end of thumb representing a stamp, wet on tongue and stick it on open left hand as on a letter). VII, 135.	39
	LETTER
	LIGHT-WEIGHT	LIGHT: Same motion (HEAVY), but quick and easy as if the load were light.	78
	LIGHT
	LIGHTNING	LIGHTNING: Hold the forefinger of the right "G" hand high, pointing upward, and then bring it down quickly zig-zag through the air.	97
	LIGHTNING
	LIKE	ADMIRE: Same as "like" but make more slowly and deliberately and add sign of honor.	42
	ADMIRE
	LIKE	LIKE: With the rest of th fingers closed, bring the thumb and forefinger up nearly touching the breast, then draw them away, bringing thumb and finger together as if the heart was being drawn out toward the object. The sign for "please" is also used to mean "like." IV,45.	24
	LIKE
	LION	LION: Place the bent "5" hand above the forehead, palm side down, and draw it above and over the head toward the back, shaking the hand at the same time. XVII,332.	93
	LION
	LION~cl:5:(spots-on-body)	LEOPARD: Make sign for "cat" and then strike the side with the ends of the fingers of the bent "5" hand to indicate the leopard's spots.	93
	LEOPARD
	LITTLE-BIT	LITTLE: In the closed "O" hand rub the end of the thumb against the end of the forefinger. XV,294.	84
	LITTLE
	LIVE	LIVE: Place both "5" hands against the body at waist one toward either side, thumbs up; draw hands upward, remaining against the body. IX,192.	53
	LIVE
	LONELY~ALONE	LONESOME, LONELY: Draw the forefinger of the "G" hand, held perpendicular, its length downward, across the mouth; then follow with the sign for "alone."	74
	LONESOME, LONELY
	LONG	LONG: Placing the forefinger on the right "G" hand lengthwise near the wrist of the extended left arm, draw it up the full length of the arm to the shoulder. XII,232.	68
	LONG
	LONG-DIVISION	DIVIDE: (Long division) With the forefingers of the "G" hands trace in the air the two right angles placed at either side of the dividend. XXII,405.	115
	DIVIDE (1)
	LOOK-AT	LOOK: Same as "see," by instead of moving hand as above turn the "V" and point ends of fingers outward. IV,54.	25
	LOOK
	LOOK-AT	LOOK, OBSERVE: Hands in same position as for "see;" bring the hand away, turning the fingers so that the ends point toward the object. IV,54.	38
	LOOK, OBSERVE
	LORD~OVER-ALL	LORD: Place the right "L" hand up near the left shoulder and carry it diagonally down to the other side of the body near the waist; then finish with the sign for "rule," i.e., move the right open hand, extended at arm's length in front from the side, over the left, bringing the left hand up against the body. XIX,354.	100
	LORD
	LOSE	LOSE: Place finger nails of bent hands together, back to back, so the ends of the fingers point upward; swing the hands down and separate till the fingers come straight. VIII,179.	50
	LOSE
	LOVE	CHARITY: Same as "Love."	120
	CHARITY
	LOVE	LOVE: Press both hands over the heart, flat, one upon the other. IV,43.	24
	LOVE
	LOVE~FALL	FALL IN LOVE: With right hand in position of "V" but fingers pointed down, throw the two fingers against the palm of the left hand brought out to receive them, palm up, and then slide them along the length of the hand. The heart is sometimes touched with the middle finger first.	24
	FALL IN LOVE
	MACHINE	MACHINE: Lock the fingers of the bent "C" hands in imitation of the cogs of corresponding wheels and rock them together several times in imitation of wheels turning together. XXII,409.	112
	MACHINE
	MAD	CROSS: Place the hand, pointing upward before the face, palm to it; bend the fingers toward face like the talons of an eagle, repeating motion several times, and add meaning by expression of the face. IV,57.	26
	CROSS
	MAGNIFICENT	MAGNIFICENT: Place the "5" hands pointing outward with thumbs against the body just above the waist-line and one hand on either side; draw the hands up almost to the level of the shoulders and then let them fall away; while the hands are moving upward give the fingers a vibrating motion. The sign may be made with one hand only.	74
	MAGNIFICENT
	MAKE	MAKE: Hammer the top of one fist with the other two or three times, giving both hands a twisting motion. IX,184.	51
	MAKE
	MAKE~ARRANGE~END	PREPARE, GET READY: Express by making sign for "make" and "ready;" or "arrange" and "before."	51
	PREPARE, GET READY
	MAKE~CONTENTED	ATONEMENT: Penance-offer, or the signs for "Make" and "Satisfaction." XXIX,430.	119
	ATONEMENT
	MAKE~NEAT	SANCTIFYING: Making, holy.	123
	SANCTIFYING
	MALE	MALE: Raise the hand to the forehead as if about to grasp the rim of the hat; go through the grasping motion as the hand reaches the forehead and is placed against it instead of out where the rim of the hat would be. The grasping motion is usually repeated several times with the hand held against the forehead. III,31.	21
	MALE
	MALE~3P-IX	HE: Make forehead sign for "male;" then extend "G" hand toward an imaginary person.	17
	HE
	MALE~BORN	SON: Sign for "male;" then rest the hand on the left forearm or wrist, palms of both hands up. III,36.	22
	SON
	MALE~cl-d:B(height)	MAN: The sign for "male" is usually sufficient, but to be exact the hand is then brought out indicating a man's height.	21
	MAN
	MALE~cl-d:B(small-height)	BOY: Sign for "male;" then indicate size.	21
	BOY
	MALE~FANCY	GENTLEMAN: Sign for "male;" then bring the "5" hand down and with the ends of the fingers pointing up and the hands at right angles with the body, strike the thumb against the breast. III, 33.	21
	GENTLEMAN
	MALE~FEMALE~3P-IX-PL	THEY: Make sign for "male" and "female;" then, as before, in "he" and "she." Or, (2) Sometimes the sign is made by indicating "male" and "female," then making the sign for "both."	17
	THEY
	MALE~gs:hold-baby-higher	GRANDFATHER: Sign for "father;" then with a slight twisting motion, raise both hands the second time and a little higher as if to represent a generation up. III,39.	22
	GRANDFATHER
	MALE~MARRY	HUSBAND: Sign for "male;" then "marry."	22
	HUSBAND
	MALE~OLD~ONE	BACHELOR: Signed by making sign for "male" and then "old, one," the "one" being moved straight out a little way. Note: The idea of celibacy is indicated by "no marriage" or "old one."	22
	BACHELOR
	MALE~OVER-ALL	SUPERINTENDENT, FOREMAN (the person exercising control): Make sign for male, then follow with last part of sign as above (RULE), bringing the left hand in and the right out and over. If the person exercising authority is a female, the sign for "female" is made instead of that for "male."	66
	SUPERINTENDENT, FOREMAN
	MALE~SAME	BROTHER: Sign for "man;" then bring both hands together in front of you, the forefingers extended parallel, pointing outward, with the rest of the fingers closed. III, 37.	22
	BROTHER
	MANY	MANY: Double the fists in front of you, backs down; throw the fingers out and apart quickly. Repeat this motion two or three times.	20
	MANY
	MARCH	MARCH: Place the "4" hands with fingers pointing down, one before the other; move the fingers forward, bending them in unison from the knuckles and moving the hands but slightly forward. The idea is the fingers represent legs keeping time together.	55
	MARCH
	MARRY	MARRY: Clasp the palms of the hands together. III,41.	22
	MARRY
	MASS	MASS: Right and left "F" hands meet, and are then elevated, as at the Consecration. XXX,451.	121
	MASS
	MASS~cl:11(4 table-legs)~cl-d:BB(table-top)	ALTAR (for Mass): Mass, table.	119
	ALTAR (for Mass)
	MAYBE	MAY, MAYBE, PERHAPS, indicating probability: Hold out both open hands out in front straight from the sides, palms up; balance the hands up and down alternately several times like the balances of a pair of scales. I,5.	14
	MAY, MAYBE, PERHAPS
	MEAN	MEAN: Place the "A" hands together in front of you, the middle joints of each hand touching; now raise the right hand slightly; bring it down quickly against the left so the joints strike those of the left hand, something after the manner of striking flint. For shameful meanness rub hand against the side of cheek first, as in "shame." IV,65.	27
	MEAN
	MEASURE	MEASURE: Make sign for "foot" and move it along separating and touching the thumb ends. Hold the thumbs in the direction the measuring is supposed to be done.	84
	MEASURE
	MEASURE-FEET	FOOT: Extend the thumbs of the "A" hands and then hold them together horizontally, thumb end to thumb end, and hold up one finger for "1."	84
	FOOT
	MEAT	MEAT: Grasp the fleshy part of the left hand between the thumb and forefinger, by the thumb and forefinger of the right hand. XVI,305.	87
	MEAT
	MEDIUM	MEDIUM, MIDWAY: Hold the left open hand out in front with the palm toward self; place the right "B" hand pointing out so the lower edge of the right is directly across the top edge of the left, between the thumb and fingers.	76
	MEDIUM, MIDWAY
	MEET	MEET: Hold forefingers of both "G" hands opposite each other, pointing upward; bring them together as if they were two persons running together. VIII,166.	47
	MEET
	MELON(~GREEN)	WATERMELON: "Thump" the back of the left "S" hand. Some add "green" (give a twisting shake to the right "G" hand).	90
	WATERMELON
	MELON~cl-d:L:(trace-ridge-on-melon)	MUSKMELON: "Thump" as above (WATERMELON); then along the back of the left open hand draw the thumb and forefinger, an inch apart, to indicate the ridges along the side of the muskmelon.	91
	MUSKMELON
	MELON~YELLOW	PUMPKIN: "Thump" as above (WATERMELON) and add "yellow."	91
	PUMPKIN
	MEMORIZE	MEMORIZE: Place forefinger on forehead as in "think;" draw it away an inch or so and make grasping motion with hand, palm before face. Or, instead of touching forehead with finger, place open "C" hand before forehead and end as above. VI,114.	35
	MEMORIZE
	METAL~FLEXIBLE	TIN: Strike under the chin with the back of the right "S" hand; then grasp the end of the open left hand with the fingers of the right and give a motion as if shaking or bending tin--the left hand representing the tin.	99
	TIN
	METHODIST	METHODIST: Bend the fingers of the right "V" hand and place them in the left palm like "kneel."	101
	METHODIST
	MILE	MILE: Hold out the right bent hand in front from the side and drop it; then lift it a little, move it forward and bring it down again.	84
	MILE
	MILK	MILK: With the "S" hands make motion of milking.	87
	MILK
	MIND	MIND: Tap the head with the finger.	34
	MIND
	MINGLE	ONE ANOTHER: Hold the left 'A' hand, thumb pointing up, and the right 'A' hand, thumb pointing down; rotate the thumbs around each other. II, 30.	20
	ONE ANOTHER
	MISSION~GOD	MISSION: Right "M" hand pressed over the heart is followed by the sign for "God." XXX,452.	122
	MISSION
	MIX	MIXED: Place the bent "5" hands one above the other so the fingers point toward each other; with a circular stirring motion move the right hand around from right to left and the left from left to right; continue the motion until the hands have described two or three circles.	72
	MIXED
	MIX	MIX, MINGLE IN CONFUSED MASS, CONFUSION: Bend the fingers of "5" hands into claws, and hold them, one above the other, fingers toward each other, and turn them in a circular motion, but in opposite directions, mixing the fingers. IX,206.	57
	MIX, MINGLE IN CONFUSED MASS, CONFUSION
	MOCK	RIDICULE, MAKE FUN OF, etc.: Extend the little and forefinger of each hand; hold the left hand in front toward the side; bring the end of the forefinger of the other hand up to the corner of the mouth and draw it back a little way as if following the mouth in a smile; bring the hand away and down, somewhat "tandem" to the other, then throw the hands, with the forefingers and little fingers pointing, toward the imaginary object or person; repeat the last part of the sign several times. VI,132.	37
	RIDICULE, MAKE FUN OF
	MOLASSES	MOLASSES: Draw the forefinger of the right "G" hand across the width of the mouth from left to right (knuckle to end).	91
	MOLASSES
	MOMENT	MINUTE, A MOMENT, etc.: Place the forefinger of right "G" hand as in "hour" and move it the least bit to the right, indicating the space of the clock passed by the minute-hand in one minute. This sign may often be interpreted as "in a moment." For "a moment ago" move the forefinger backward in same space.	82
	MINUTE, A MOMENT
	MONDAY	MONDAY: Describe a small circle with the "M" hand.	84
	MONDAY
	MONEY	MONEY: Strike the left open palm with the back of the right "&" hand several times. XXII,396.	110
	MONEY
	MONEY~DECREASE	CHEAP: Begin sign same as above (EXPENSIVE); lift the right hand away and while doing so turn it so its palm faces down toward the left as in "small," thus indicating a small amount of money.	76
	CHEAP
	MONEY~KEEP~AGENT	TREASURER: Sign "money keeper."	65
	TREASURER
	MONKEY	MONKEY: Strike the hands against the front of the body, near the side, so the ends of the fingers scratch upward, turning them inward as the hands rise against the body; repeat the scratching motion and at the same time put the end of the tongue between the lower front teeth and the lip, pushing it outward to indicate the shape of the monkey's chin. XVII,337.	94
	MONKEY
	MONTH	MONTH: Hold out the left "G" hand, forefinger pointing upward; beginning at the upper end of the left forefinger, draw the end of the forefinger of the right "G" hand down its entire length. "Next month" is indicated by following the sign by the sign for "future" and last month is indicated by following the sign by that for "ago." XIV,279.	81
	MONTH
	MONTHLY	MONTHLY: Indicated by repeating the sign for "month" two or three times.	82
	MONTHLY
	MOON~cl:O>5(shining)	MOON: Hold the right "C" hand over the side of the right eye and looking up at the sky lift the hand, still in position of "C," upward toward an imaginary moon, and end as in "sun."	96
	MOON
	MORE	MORE: Hold the left hand with thumb and fingers gathered together at a point and the ends pointing upward; from the side lift the right hand, thumb and fingers gathered as in the left, and place it upon the left hand so that the ends of the fingers meet, those of one hand pointing up and those of the other down. II,26. Or, (2) Hold out open left hand, palm toward right; against the palm throw the right "&" hand two or three times. Or, (3) Make the sign for "many" and raise the right "A" hand higher than the left.	20
	MORE
	MORE~SUPERIOR	MOST: Make the sign for "many" or "more;" then the indication of the superlative with right "A" raised high above. II,27.	20
	MOST
	MORNING	MORNING: Extend the right arm as in day, but with the open hand palm up; place the edge of the left open hand upon the forearm near the elbow. Or, (2)Instead of placing the left hand so far back place it on the wrist. XIV,271.	79
	MORNING
	MOTHER	There is also a common sign for "father" made by merely placing hand as indicated and then opening the fingers, keeping the thumb at forehead. In the case of mother, the thumb is left at the end of the jaw near the chin and the fingers are opened.	21
	MOTHER (2)
	MOTHER-IN-LAW	MOTHER-IN-LAW: "Mother" and "law."	22
	MOTHER-IN-LAW
	MOUSE	MOUSE: Rub the end of the forefinger of the right "G" hand in the same way as above in "rat," or use both forefingers.	95
	MOUSE
	MOW	MOW: Place right "5" hand on left and imitate motion of sickle in mowing.	53
	MOW
	MUCH	MUCH: Hold the "5" hands so their palms are toward each other, and draw them apart. It is usual to draw the left hand a little downward toward the left while the right hand is drawn upward toward the right. The extent to which they are drawn apart indicates the quantity. XV,293.	84
	MUCH
	MULTIPLY	MULTIPLY: Made the same as for "arithmetic," but the motion made but once instead of being repeated several times. XXII,402.	115
	MULTIPLY
	NAME	NAME: Extend "H" or "G" hands, throwing the right hand fingers crosswise against the left, lifting them and letting fall several times. To indicate the action of naming any one, or to express that he is called so and so, place the fingers crosswise as described, then keeping them in that position, raise both hands and extend toward object or person named.	41
	NAME
	NATION	NATION: Place the end of the fingers of the right "N" hand upon the back of the left "S" hand, withdraw them, describe a circle above the hand and let the fingers again rest on the left hand. XX,363.	103
	NATION
	NEAR	NEAR: Hold the left bent hand, palm toward self, slightly toward either side, toward the right side and draw the right open hand toward it so its palm approaches the back of the left hand. XIV,287.	83
	NEAR
	NEAT	SMOOTH: (3) Draw the right open palm, turned down, across the left open palm turned up.	70
	SMOOTH (3)
	NEAT	NICE, CLEAN, PURE: Place the right open hand upon the open left, crosswise and palm to palm, and letting the right hand rest near the ball of the thumb; pass the right hand along the length of the left. When made in connection with "ghost" or sacred subjects this sign means "Holy." XIII,259.	76
	NICE, CLEAN, PURE
	NEAT~CITY	JERUSALEM: Holy, city.	121
	JERUSALEM
	NEAT~CROSS~WAY	STATIONS: Holy, cross, way.	123
	STATIONS
	NEAT~MAKE~GRACE	GRACE (sanctifying): Holy-making grace.	121
	GRACE (sanctifying)
	NEAT~WRITE~AGENT	EVANGELIST (Writer of the Gospels): Holy, writer.	120
	EVANGELIST
	NEED	SHOULD, OUGHT, indicating duty: Press the crooked forefinger of the right "G" hand against the lips and then move toward side and downward as in "must." Or, (2) Indicate by the signs "better" and "must." Better is signed as follows: Place the end of the right open hand pointing toward the left, palm against the mouth; draw away toward the side, assuming the position of "A" and lifting it to a level with the head.	15
	SHOULD, OUGHT
	NEED	MUST, NEED, HAVE TO: Crook the finger of the right "G" hand, pointing it downward, and press the hand down some distance with more or less force. Sometimes the motion is repeated several times. I, 7.	15
	MUST, NEED, HAVE TO
	NEED	MUST, indicating NECESSITY and NEED: Crook the forefinger of the "G" hand, then turn it so the end points down; push the hand downward; the downward motion is often repeated several times.	37
	MUST, NECESSITY, NEED
	NEEDLE	NEEDLE: Place the end of the thumb of the right hand at the knuckle of the left and the ends of the forefingers together so that the thumb and forefinger of the right hand forms an arch along the edge of the left forefinger. Draw the right thumb and forefinger along the edge of the left until they come together.	63
	NEEDLE
	NEGATIVE~THEN~OR	NEITHER: Same as for "either," but prefix or follow with sign for "not," i.e., passing open right palm across open left hand, both turned downward, or raise "A" hand to chin and throw downward.	19
	NEITHER
	NEGRO	NEGRO: Place the fingers of the "N" hand upon the end of the nose, and rock it from side to side with a twisting motion. XX,372.	105
	NEGRO
	NEPHEW	NEPHEW: Letter "N" in front of forehead and same motion (UNCLE).	22
	NEPHEW
	NEVER	NEVER: Hold out the right "B" hand to the front straight from the side, and with the hand describe a complete circle from left to right, not moving the elbow out of its position; when the hand returns to its starting point draw it slightly to the right; then throw it out at the right side. Some use the "G" instead of the "B" hand. XIV,283.	82
	NEVER
	NEW	NEWS: Bring the extended hands out in front of you, pointing toward each other, and then brush the back of the right straight across (lengthwise) the palm of the left, and repeat once or twice. VI,125.	36
	NEWS
	NEW~NEAT~BOOK	NEW TESTAMENT: New Holy Book.	119
	NEW TESTAMENT
	NEXT	NEXT (nearest): Holding the left bent hand out in front, palm toward self, and the right open hand between it and the body, throw the right hand over the left and bring its palm quickly against the back of the left. XIV,288.	83
	NEXT (nearest)
	NEXT-ONE	NEXT (after the first): Hold out the left "L" hand with the forefinger of the right "G" hand pointed just over and across it; giving the wrist a twist bring the right forefinger around the end of the left forefinger and up against its underside. XIV,289.	83
	NEXT (after the first)
	NIECE	NIECE: Letter "N" at side of right jaw and same motion (AUNT).	22
	NIECE
	NIGHT	EVENING, NIGHT: Rest the wrist with the bent right hand upon the edge of the left "B" hand and turn the hand downward. XIV,272.	80
	EVENING, NIGHT
	NO-MATTER	INDIFFERENCE (all the same to me): Place bent left hand in front, fingers pointed up; brush the ends of fingers of left hand with the right open hand, first one way with palm and then back with back of hand, and repeat several times. IV,68. (2) Or, with right "Y" hand, fingers on under side and fingers pointing outward, give it a slight jerk and down (as in "the same"); then repeat the action but throw the hand over toward the left, indicating it is "the same" both ways.	27
	INDIFFERENCE
	NOBLE	NOBLE: Strike the heart with the right "N" hand, palm against the body. It is usual to give something of a flourish to the hand as it is brought up to the position against the heart.	74
	NOBLE
	NOON	NOON: With the left hand against the right arm as in "day" hold the right "B" hand pointing directly overhead or pointed slightly out, indicating the position of the sun at noon.	80
	NOON
	NORTH	NORTH: Indicated by moving "N" hand toward the north.	55
	NORTH
	NORTH	NORTH, SOUTH, EAST and WEST: are Indicated by moving "N" hand toward the north for north, the “E” hand eastward for east, and so on for the other directions.	55
	NORTH, SOUTH, EAST, WEST
	NOT	NOT: Raise "A" hand to chin and throw downward.	19
	NOT
	NOT-YET	NOT YET: Same as "now" or "late," depending on use.	85
	NOT YET
	NOT-YET	LATE: Hold the right open hand pointing down from the elbow extending out at the side, and swing it back and forward from the wrist. XV,300.	85
	LATE
	NOT~JEW	GENTILE: Not, Jew.	121
	GENTILE
	NOW	For the PRESENT, same as "now," i.e., Hold the open or bent hands, in front, from the sides, palms up, and drop them both at the same time with a slight jerking motion. In making the sign for any verb the tense is rarely given unless essential to make it specific. Usually tense is understood by inference. I,13.	16
	PRESENT, NOW
	NOW	NOW, PRESENT: Place the open hands pointing outward, palms up, in front, about the waist line; drop them a little rather quickly.	80
	NOW, PRESENT
	NUN	NUN: With open hands trace a veil from head to shoulder. XXX,453.	122
	NUN
	NURSE	NURSE: Same (DOCTOR), but use "N" instead of "D."	65
	NURSE
	NUT	RUBBER: Strike the upper teeth from below with the end of the thumb of the right "A" hand, carrying the hand outward.	111
	RUBBER
	NUT~gs:crack-open	PEANUT: Sign for "nut;" then with the thumb and forefinger of the right hand grasp the end of the forefinger of the left "G" hand and give a twisting motion as in breaking the end of a peanut.	89
	PEANUT
	NUT~ROCK	NUT: Bite the end of the right thumb of "A" hand, nail down, and strike the top of the left "S" hand with the right "S."	89
	NUT
	OBEY	OBEY (idea of submission to authority): Hold "A" hands in front, backs down; let both hands drop, opening them the while; some carry the hands up toward right shoulder and drop from there. IV,70.	28
	OBEY
	OBSCURE	OBSCURE (hard to understand or make out): Place the "5" hands palm to palm; rub or pass the right back and forth across the left several times. By making this sign in a way to express action will indicate "camouflage."	68
	OBSCURE
	OF	OF: Hold the right "B" hand out forward from the side, pointing outward, and held edgewise; drawing the elbow slightly back, turn the hand palm down with a twisting motion; then continue to twist it until the palm is toward the right and as it assumes this position push the hand slightly toward the right and front. This sign indicates the idea of possession to some extent. Or, (2) Hold the right "G" hand out straight from the side, pointing outward; give it a turning, twisting motion toward the inside, so the back of the hand is turned up; the forefinger describes a peculiar arch over from left to right. Or, (3) Hold out the right "O" hand straight from the side and somewhat elevated; twisting it with a downward motion outward bring it into the position of "F."	107
	OF
	OFF	OFF: Having placed the right open hand upon the back of the left, throw, or let it fall off.	108
	OFF
	OFFER	OFFER: Hold out the hands toward imaginary person as in act of offering something.	48
	OFFER
	OFFER	PROPOSE, OFFER: With extended hands close to you in front, lift them out and forward as in the act of offering something to some one.	37
	PROPOSE, OFFER
	OFTEN	OFTEN: Repeat the sign for "again" several times.	83
	OFTEN
	OLD	OLD: Place the "S" hand against the end of the chin and with a shaking or trembling motion pull it downward, as if pulling an imaginary beard. XII,230.	67
	OLD
	OLD~NEAT~BOOK	OLD TESTAMENT: Old Holy Book.	119
	OLD TESTAMENT
	ON	ON: Lay the right open hand upon the back of the left.	108
	ON
	ONCE	ONCE: Dip the end of the forefinger of the right "G" hand against the palm of the left open hand, bringing it away quickly.	83
	ONCE
	ONE-WEEK-FUTURE	NEXT WEEK, or IN A WEEK: Same sign for week, but when the hand is raised to make "one" it is thrown forward to indicate it is in the future. Any number of weeks in the future may be indicated by making any number on the fingers and throwing the hand forward.	81
	NEXT WEEK, IN A WEEK
	ONE-WEEK-PAST	LAST WEEK, A WEEK AGO: Make sign for "week" and then throw hand back over shoulder, palm back.	81
	LAST WEEK, A WEEK AGO
	ONION	ONION: Rub the right fist at the corner of the right eye. XVI,313.	88
	ONION
	OPEN	OPEN: With hands in position closed as above (SHUT, CLOSE), draw them apart. Note: To open or close a window, place the hands, the left pointing toward the right, and the right toward the left, then strike the little finger edge of the right hand against the forefinger of the left, for "shut". For "open" or "raise", place the hands together as above and then raise the right away from it.	60
	OPEN
	OPPOSITE	ENEMY: Draw the hands up, the right close to the body, forefinger extended and pointing away from you, and the other hand with forefinger in similar position but opposite and pointing toward the right finger; then draw both hands away, holding them momentarily in a menacing attitude. IV,62.	26
	ENEMY
	ORANGE	ORANGE: Holding the left "S" hand in front, place the end of the thumb of the right "Y" hand against the back of the left hand, and draw it across, downward, the width of the hand. Some add "yellow." Others add "sweet." XVI,320.	90
	ORANGE
	ORANGE~SOUR	LEMON: Same as above (ORANGE), then add "sour." Or,	90
	LEMON (1)
	ORDER	ORDER (to give a command): Hold the end of the forefinger of the right "G" hand at the mouth, under the lower lip, give it a slight twist outward as in "speak," then elevate toward the right side, carrying the hand as far out as the shoulder, and as high as the head, then turn the hand so the palm is out and throw the hand forward and down. The hand stops before it goes clear down and the forefinger bends forward.	58
	ORDER
	OTHER	OTHER: Position of hand as in "A," thumb well up; with a motion including the whole forearm, describe a semicircle in the air with the end of the thumb. For the plural, repeat two or three times, or add sign for "many." II,25.	20
	OTHER
	OTHER~ONE	ANOTHER: Make in same way (OTHER), but "1" is sometimes added.	20
	ANOTHER
	OUT	OUT OF (away from): Placing the right "5" hand in the left "C," pointing it downward, lift it upward and out toward the front, and close the left hand under it to "O." For OUT OF in the sense of "gone" see that word.	108
	OUT OF
	OVER-ALL	ABOVE: Touch the back of the open left hand, pointing outward, toward the right with the end of the open right, lift the latter away, and holding it still flatwise, let it describe a circle in the air. And, (2) In the sense of "more than:" Place the end of the right bent hand, palm down, on the end of the open left hand, the right several inches above the left, drawing it first a little toward you and then directly above its original position. Note that you indicate an excess.	109
	ABOVE (1)
	OVERCOME-OBSTACLE	STRUGGLE, indicating TRYING TO OVERCOME OBSTACLES: Position of hands as they come together as above (COLLIDE); then rub them across one way and then the other in effort to push each beyond the other.	54
	STRUGGLE, OVERCOME OBSTACLE
	OWE	OWE, TO INDICATE SOMETHING IS DUE ANOTHER: Place the end of forefinger of right "G" hand in palm of the left held upward; in this position move both hands forward toward imaginary person. To indicate the debt is due to oneself, with hands in similar position draw them toward you. VIII,176.	49
	OWE, DUE
	OWE	TAX: Strike the end of the forefinger of the right "G" hand in the upward turned palm of the open left several times.	61
	TAX
	OWE~CHARGE	FINE, CHARGE: Place the end of the forefinger of the right "G" hand against the open left hand, palm up; draw the right hand away, crook the finger, and strike the end of the joint downward against the palm of the open left hand, now turned toward self, allowing the right hand to pass down past the left.	61
	FINE, CHARGE
	OWN~2P-POSS	BELONG TO: Link the two "O" hands and add sign of possession, or "your."	32
	BELONG TO
	OYSTERS	OYSTERS: Hold the hands palm to palm; draw the right hand away and up; then with a motion like cutting with a hatchet throw the right hand downward against and beyond the left so that the palms rub as the hands pass. XVI,317.	89
	OYSTERS
	PAIN	PAIN: Place hands in front of you with only forefingers extended and pointing toward each other several inches apart, then throw them at each other without touching the ends together; pain in any part of the body is indicated by placing the hands over that part of the body and making the motion; for instance, in headache the fingers are thrown at each other across the forehead.	25
	PAIN
	PASS	PASS AN EXAMINATION, GO BY, etc.: Hold left "A" hand out and right "A" hand a little behind it, thumbs up; push the right hand lightly against end beyond the left in a way that the thumbs pass parallel. VIII,167.	47
	PASS AN EXAMINATION, GO BY
	PAST	The PAST is indicated by throwing the right open hand back over the right shoulder, palm backward. In making the sign for any verb the tense is rarely given unless essential to make it specific. Usually tense is understood by inference. I, 14.	16
	PAST
	PAST	AGO: Throw the right hand back over the right shoulder with the palm backward, same as past.	81
	AGO
	PATIENT~SUFFER-PAIN	FORTITUDE: Patient, suffering, or the sign for "Brave."	121
	FORTITUDE
	PAY-ATTENTION	ATTEND, GIVE ATTENTION TO: Place the hands at either side of the head like blinders on a bridle; move the hands forward to indicate that the sight is to be confined within those limits.	51
	ATTEND, GIVE ATTENTION TO
	PEACE~QUIET	PEACE: Clasp hands (shake hands with yourself), then turn them over and repeat in opposite direction; then bring hands away from each other, palms down, as if stroking something on either side in opposite directions. V,82.	29
	PEACE
	PEACH	PEACH: Bring the hands, one from either side, to the mouth, making "&" with both of them. Or, (2) With the "&" hands together in front make motion of tearing a peach apart.	89
	PEACH
	PEAR	PEAR: Grasp the left "&" hand in the fingers of the right and lightly draw the right hand off the left so it assumes the position of "&" when clear of the left; then make a "stem" on the left hand by placing the forefinger of the right "G" hand against the end of the left "&" hand, which is not moved during the sign.	90
	PEAR
	PERFECT	PERFECT: Hold the left "P" hand pointing up; strike tip of the middle finger with the tip of the middle finger of right "P" hand. It is like throwing the "P's" together.	74
	PERFECT
	PERSEVERE	PERSEVERE, PERSIST, CONTINUE IN ACTION: Draw the "B" hands up from the sides, palms down, and let the forefinger strike together, side by side, with ends of the hands pointing outward; separate and strike together again while the hands continue to be moved outward. Note: The same idea could be expressed by signing for "suffer" or "bear" and "continue," but the latter would indicate more a mental action.	58
	PERSEVERE, PERSIST, CONTINUE IN ACTION
	PHOTOGRAPH	PICTURE: Draw "C" or crooked forefinger downward against the face, and then for PHOTOGRAPH, the same, holding open left hand up, place "C" against palm, or just touch the bridge of the nose with "C" hand and place on palm as before. VII,155.	43
	PICTURE
	PICK-FROM	PICK: Merely represent action of picking something off an imaginary bush.	50
	PICK
	PICK-FROM	SELECT, PICK OUT: Reach out the right hand over left open hand and with the thumb and forefinger pick out an imaginary object.	50
	SELECT, PICK OUT
	PICK-FROM	APPOINT: Reach out the hand toward the side and pick out an imaginary person with the thumb and forefinger and lift him over to a position in front of you.	52
	APPOINT
	PIE	PIE: Place the bent right hand down against the left palm so the fingers point toward the left; lift the right hand, turn it so the fingers point straight out and let the hand drop on the palm again and the two lines thus made will indicate the size and shape of a slice of pie. XVI,315.	89
	PIE
	PIG	HOG, PIG: Place the back of the open right hand under the chin with fingers pointing halfway between the left and the front and shake the end of the hand up and down. XVII,328.	92
	HOG, PIG
	PINK	PINK: Draw the "P" hand downward across the mouth or just the lower lip.	77
	PINK
	PLACE	PLACE: With the ends of the little fingers of the "I" hands meeting (thumbs at top) end to end, draw each away at the side and describe a half circle, bringing them to meet again nearer the body.	85
	PLACE
	PLANT	PLANT: Drop imaginary seeds from hand as it is moved along. Usually make sign for "seed" first, by closing the right forefinger and thumb; strike ends several times along the extended left forefinger.	52
	PLANT
	PLAY	PLAY, RECREATION, etc.: Hold "Y" hands out in front so the "horns" of the "Y" on one hand point toward those on the other; shake both hands up and down from the wrists repeatedly, moving the forearm but slightly.	49
	PLAY, RECREATION
	PLAY~MEETING	PLAY, RECREATION, etc.: Hold "Y" hands out in front so the "horns" of the "Y" on one hand point toward those on the other; shake both hands up and down from the wrists repeatedly, moving the forearm but slightly. The same sign when followed by sign for "meeting" is used to signify a party.	49
	PARTY
	PLEAD	SUPPLICATION: Clasp fingers of right hand over "A" left; extend upward toward heaven and draw earnestly toward you. The same idea is expressed by clasping the hands, fingers locked, and making same motion.	41
	SUPPLICATION
	PLEASANT	PLEASANT: Holding the open hands just above the shoulders, palms toward back, wave them backward over the shoulders. XXII,410 (add). Note: This sign is used also to indicate "taking a walk" though it should be followed by the sign for "walk."	78
	PLEASANT
	PLENTY	PLENTY: Repeat the sign for "enough" several times successively and to make it more emphatic add "much."	68
	PLENTY
	pn:ABBE-DE-L'EPEE	ABBE DE L'EPEE: "Priest," followed by the sign for "Sword."	119
	ABBE DE L'EPEE
	pn:ABRAHAM	ABRAHAM: Holding the left arm against the breast, the hand near the right shoulder, strike the outside of the forearm near the elbow with the right "A" hand.	101
	ABRAHAM
	pn:ADAM	ADAM: The thumb point of the closed right hand is thrown up and touched to the right side of the forehead.	119
	ADAM
	pn:AFRICA	AFRICA: Place the end of the forefinger of the right "G" hand upon the end of the nose, withdraw and describe a circle above it and bring to rest again as at first.	104
	AFRICA
	pn:AMERICA	AMERICA, signifying THE UNION: With palms toward self, lock the ends of the fingers of the "5" hands so they are crossed, one above the other (like rails on a fence), and drawing the hands toward the left, swing them around the front in a semi-circle to the right side. XX,364. Or, (2) With the right "A" hand, thumb up, describe a circle on the back of the left hand.	103
	AMERICA, THE UNION
	pn:CALIFORNIA	CALIFORNIA: This state is sometimes indicated by the sign for "gold," i.e., pinch the lobe of the right ear and bring the "Y" hand out and give it a twisting, shaking motion. Or, leaving the ear, have the "Y" hand, after making a twisting motion, strike the palm of the left hand.	105
	CALIFORNIA
	pn:CANADA	CANADA: Grasp the coat lapel (or an imaginary lapel) with the right hand and give it a little shake.	105
	CANADA
	pn:CHICAGO	CHICAGO: Give the "C" hand a shaking motion, or circle through the air with it.	105
	CHICAGO
	pn:CHINA	ASIA, CHINA: Place the ends of the forefingers of the "G" hands, one at the corner of either eye, and push upward a little, giving the eyes an almond shape. Or simply place the end of the forefinger on the temple and twist it once or twice. XX,373.	105
	ASIA, CHINA
	pn:DENMARK	DENMARK: Describe a circle with the "D" hand in front of the forehead.	104
	DENMARK
	pn:EGYPT	EGYPT: Place the end of the open right hand on the end of the nose; withdraw it, describe circle above the nose, and bring the end of the hand at rest on the nose as at first.	104
	EGYPT
	pn:EMG	DR. E. M. GALLAUDET: Place the right "M" hand against the left side of the chest near the shoulder, the ends of the fingers touching the body; draw the hand to the right side of the chest to a similar position. XXII,412.	112
	DR. E.M. GALLAUDET
	pn:ENGLAND	ENGLAND: Reach the right hand across the back of the left open hand and grasp the fleshy part of the hand (so the right palm rests on the back of the left hand) and draw it toward self. XX,365.	103
	ENGLAND
	pn:EUROPE	EUROPE: Describe a circle before the face with the right "E" hand.	105
	EUROPE
	pn:FRANCE	FRANCE: Holding out the "F" hand well toward the left, draw it across in front of self from left to right, giving the hand a twist meanwhile so the hand is changed from a position of thumb on top to palm down.	104
	FRANCE
	pn:GALLAUDET	REV. T. H. GALLAUDET: Place the "G" hand at the right eye, the forefinger above and the thumb immediately below; draw the hand away toward the right and as the hand leaves the head bring the ends of the forefinger and thumb together. XXII,411.	112
	REV. T.H. GALLAUDET
	pn:GREECE	GREECE: Place the forefinger of the "G" hand upon the nose, pointing upward, letting the knuckle rest between the eyes, and then draw the finger down the length of nose. Note that this indicates the straight nose of the Greek. XX,371.	104
	GREECE
	pn:HOLLAND	HOLLAND: Place the thumb of the "Y" hand pointing outward, against the mouth, and draw it downward a distance and then out, representing the long stem and bowl of a pipe.	104
	HOLLAND
	pn:ITALY	ITALY: With the little finger of the "I" hand trace a cross upon the center of the forehead.	104
	ITALY
	pn:JESUS	CHRIST: With the "5" hands in front, pointing outward, palm toward palm, bend the middle finger of the right hand toward the left, and strike the center of the left palm with it; withdraw it and repeat the motion with the left hand against the right. Note that the fingers thus striking the center of the palm indicate the nails driven in our Saviour's hands. XIX,355.	100
	CHRIST
	pn:JESUS~'S~STORY	GOSPEL: Jesus', story.	121
	GOSPEL
	pn:JESUS~APPROACH~TIME	ADVENT: Jesus, approaching, time.	119
	ADVENT
	pn:JESUS~BOOK	BIBLE: Holy Book.	119
	BIBLE
	pn:JESUS~BOOK	BIBLE: Sign for "Christ;" then "book," placing the hands palm to palm for the backs of a book and opening them.	101
	BIBLE
	pn:JESUS~BORN~CITY	BETHLEHEM: Jesus, birth, city.	119
	BETHLEHEM
	pn:JESUS~BORN~DAY	CHRISTMAS: Jesus, birth, day.	120
	CHRISTMAS
	pn:JESUS~cl:11(cross)	CRUCIFIX: "Jesus" and a cross made before you by crossing the index fingers. XXIX,435.	120
	CRUCIFIX
	pn:JESUS~FRIEND	CHRISTIAN: Sign for "Christ;" then "friend," "follower," or "believer."	102
	CHRISTIAN
	pn:MARY	MARY: With right "M" hand trace a vertical circle before the forehead. XXX,449.	121
	MARY
	pn:MOSES	MOSES: Place the thumb and forefinger against the sides of the head (one on either side near the temple); change to the position of the closed "O" hand as you draw them away from the head.	101
	MOSES
	pn:NEW-ENGLAND	NEW ENGLAND: Pass the "E" hand across the length of the palm of the open left hand from the finger end to the palm.	105
	NEW ENGLAND
	pn:NEW-YORK	NEW YORK: Pass the "Y" hand across the length of the left palm from the heel to the finger ends. XX,374.	105
	NEW YORK
	pn:NORTH-AMERICA	NORTH AMERICA: Make "N" then "A," giving the hands a shaking or circular motion.	105
	NORTH AMERICA
	pn:NORWAY	NORWAY: Describe a motion with the "N" hand in front of the forehead.	104
	NORWAY
	pn:ROME	ROME: Place the ends of the fingers of the "N" hand against the center of the forehead; lift it away and bring it down, placing it upon the end of the nose. Note that the ends of the fingers trace the outline of the prominent nose. XX,370.	104
	ROME
	pn:ROME~GOVERNMENT	PILATE: Roman governor.	122
	PILATE
	pn:RUSSIA	RUSSIA: Place the "C" hands against the opposite sides of the waist.	104
	RUSSIA
	pn:SAINT-JOHN	SAINT JOHN: The same as the preceding (SAINT JOSEPH), except that the "J" is traced on the back of the left hand.	123
	SAINT JOHN
	pn:SAINT-JOSEPH	SAINT JOSEPH: The sign for "Saint" is followed by the little finger of the right hand tracing a "J" on the palm of the left hand. XXX,462.	122
	SAINT JOSEPH
	pn:SCOTLAND	SCOTLAND: Bring the "5" hands up in front, palms toward self, the palm of the right hand resting against the back of the left in such a way that the fingers of both hands cross at an angle representing an "X;" let the hands drop away toward the sides. Note that the fingers when thus held represent the plaid. XX,366. (2) Place back of the extended right hand across the left arm; draw it across and then turning the hand over repeat, representing plaids on arm.	103
	SCOTLAND
	pn:SOUTH-AMERICA	SOUTH AMERICA: Same (NORTH AMERICA) with "S" and "A."	105
	SOUTH AMERICA
	pn:SPAIN	SPAIN: Lock the forefingers of the "G" hands under the chin. XX,369.	104
	SPAIN
	pn:SWEDEN	SWEDEN: Describe a circle with the "S" hand in front of the forehead.	104
	SWEDEN
	pn:SWITZERLAND	SWITZERLAND: Place the end of the right "B" hand against the forehead; withdraw it, twist the hand around so the palm is out and strike the side of the head with the back of the hand.	104
	SWITZERLAND
	pn:TURKEY	TURKEY: Place the closed "C" hand a little above the forehead, thus representing the crescent.	104
	TURKEY (the nation)
	pn:UNITED-STATES	THE UNITED STATES: Holding the "U" hand out give it a circular motion and then follow with "S" in a similar motion.	103
	THE UNITED STATES
	pn:WASHINGTON	WASHINGTON (both the man and the city): Place the end of the right "W" hand on the right shoulder; bring it out and give it a circular motion up and down. When the city is meant, sign "Washington," then "city." XX,375.	105
	WASHINGTON (man and city)
	POLICEMAN	POLICEMAN: Place the right "C" hand to the left side in position of policeman's star.	110
	POLICEMAN
	POOR	POOR: Holding the left arm over against the body in front, grasp the under part of the sleeve with the right hand and pull it down once or twice. XII,241.	69
	POOR
	POPE	POPE: The finger tips of both hands are joined over the head in three successive heights, indicating the triple crown. XXX,455.	122
	POPE
	POSTPONE	POSTPONE, PUT OFF, PROCRASTINATE, etc.: Hold out extended "O" hand in front from side; lift slightly, push forward and bring down; repeat the motion several times. This sign may be made with both hands at the same time. VII,138.	39
	POSTPONE, PUT OFF, PROCRASTINATE
	POTATOES	POTATOES: Making a "fork" of the right fore and middle finger of the right hand, stick it against the left "S" hand. Some hold the left hand in position of "&." XVI,307.	87
	POTATOES
	PRAISE	PRAISE, COMMEND, CONGRATULATE, EXPRESS APPROBATION, etc.: Extend left open hand out in front, palm up; and clap it with the open right. The sign for "good" sometimes precedes the sign.	38
	PRAISE, COMMEND, CONGRATULATE, APPROBATION
	PRAY	PRAY: Position of hands same as in preceding (ASK, PREFER A REQUEST), but pointed upward in usual attitude of prayer; draw toward self twice or thrice.	41
	PRAY
	PRAY~FRIEND	ADVOCATE: Prayer, friend.	119
	ADVOCATE
	PREACH	PREACH: Hold up the right "F" hand above the shoulder slightly forward and out; in this position throw the hand out and down, toward an imaginary audience. For "preacher" add "-er." XI,220.	64
	PREACH
	PRESBYTERIAN	PRESBYTERIAN: Place the ends of the fingers of the right "V" hand in the palm of the left, or strike the palm with the right "P" hand.	101
	PRESBYTERIAN
	PRESIDENT	PRESIDENT: Reach the "C" hands up at either side of the head and grasp imaginary horns, carrying both "S" hands out simultaneously; then sign "rule over" thus: bring left hand down, thumb toward breast; open the right hand and reach it out and pass it over the left arm in a semi-circle from right to left. XI,225.	65
	PRESIDENT
	PRESIDENT~SECOND	VICE-PRESIDENT: Make sign for "president" and then "second"--holding right "V" hand partly upward and twisting the hand half around.	66
	VICE-PRESIDENT
	PREVENT	INTERCEPT, PREVENT, CHECK MOTION OR ADVANCE: Hold the open hand up, palm toward self, or turn the back toward the direction from whence the motion is supposed to proceed, and then moving it toward self strike and stop it with the lower edge of the right open hand.	55
	INTERCEPT, PREVENT, CHECK MOTION OR ADVANCE
	PRIEST	PRIEST: Both "F" hands are brought together as at the "Oremus." (The closed thumb and index fingers of the "F" hand denote consecrated hands and "F" is also the initial of "Father.") XXX,456.	122
	PRIEST
	PRIEST	PRIEST: Place the ends of the forefingers of the "G" hands, one at either side near the shoulder; draw them down held against the body until they reach just above the waist-line, then draw them toward the center till they meet. XIX,358. Or, (2) Placing the "4" hand against the breast, palm to self and fingers pointing up, draw down nearly to waist; place hand again at breast, but fingers pointing toward the left, then draw across breast to the right.	100
	PRIEST
	PRIEST~CONTROL	RECTOR: After the sign for priest follow with the sign for "Rule."	122
	RECTOR
	PRINCIPLE	PRINCIPLE: Throw the right "P" hand against the upheld palm of the open left hand. XXII,406.	112
	PRINCIPLE
	PRINT~AGENT	PRINTER: Make motion of printer in putting type into a stick; add "-er." XI,221.	64
	PRINTER
	PROBLEM	DIFFICULTY, OBSTACLE: Crook the two "H" hands and bring the bent joints together as in a collision, rather forcibly.	78
	DIFFICULTY, OBSTACLE
	PROCESSION	PROCESSION, etc.: Hold the "V" hands front, ends up, one behind the other; push them forward, keeping them tandem, and repeat the motion several times.	55
	PROCESSION
	PROGRESS	PROGRESS, MOTION FORWARD: Place bent hands in front of you, the fingers pointing toward each other; move the hands forward with a steady motion. To express the idea that the progress is made in successive stages, lift the hands and move forward a space, and repeat. VIII,161.	46
	PROGRESS, MOTION FORWARD
	PROGRESS-UP	ADVANCED, HIGHER UP: Place bent hands in front, palms down, fingers pointing toward each other; raise the hands; if the progress upward is by stages, indicate by lifting the hands a small space at a time. VIII,163.	46
	ADVANCED, HIGHER UP
	PROGRESS-UP	HIGH (2): Using the bent hand, pointing the fingers out, raise the hand, and as the length of the arm is reached, extend the hand.	72
	HIGH (2)
	PROMISE	PROMISE: Place forefinger of right "G" hand perpendicularly against mouth; bring hand down and strike it (open) against palm of left. Or, (2) In nature of an oath: Place forefinger of "G" hand held perpendicularly against lips and then bring hand up as in taking an oath. VII,145.	41
	PROMISE
	PROPHET	PROPHET: Place the ends of the fingers of the "V" hand on the face astride the nose and under the eyes (for "see"); then holding the left "B" hand in front, palm toward self, push the "V" through the left hand between the middle and third fingers which are parted to let the hand pass; finally end with open hands down against the body to indicate the person. Some pass the fingers under the left hand instead of between the fingers.	102
	PROPHET
	PROPORTION	PROPORTION: Same as in "as" but use the "P" hands.	110
	PROPORTION
	PROTECT	DEFEND, PROTECT: Hold the "S" hands out in front so the left shall be near the body with the thumb inside and the elbow elevated to the same level as the hand, the right in similar position but just beyond it on the outside; as soon as the hands are brought into position they are given a slight resisting motion outward. Sometimes the sign is completed by changing the right hand to open, and with palm out both hands, the right on outside, moved from left to right as if warding off danger. X,213.	59
	DEFEND, PROTECT
	PROTESTANT	PROTESTANT: The first and second fingers of the right hand are thrown against the verticle palm of the left hand.	122
	PROTESTANT
	PROTESTANT~PREACH~AGENT	MINISTER: Protestant-preacher.	121
	MINISTER
	PROUD	PRIDE: With fingers closed and thumb extended bring end of thumb against the front of body about the waist line and with chest thrown out proudly draw the thumb up to the center of the breast. IV,72.	28
	PRIDE
	PUNISH	PENANCE (in general): Imitate scourging the left elbow.	122
	PENANCE (in general)
	PUNISH	PUNISH: Holding the left hand out as if holding imaginary culprit, bring the right "G" hand down as if using a switch on him. (pg 122) PENANCE(in general): Imitate scourging the left elbow.	53
	PUNISH
	PUNISH~FORGIVE	INDULGENCE: Punishment, forgiven, or with the "P" hand as used for "Purgatory" make a rotary rubbing-out motion on the left palm.	121
	INDULGENCE
	PURGATORY	PURGATORY: With the right "P" hand trace a small circle on the upturned palm of the left and then rest the second finger of the "P" hand in the center of the left palm. XXX,457.	122
	PURGATORY
	PURPLE	PURPLE: Similar motion (BLUE) with right "P" hand.	77
	PURPLE
	PURPOSE	INTEND, MEAN, PURPOSE: Touch forehead with forefinger; then bring hand down and place the ends of the fingers of the "V" hand against palm of extended left; lift "U" hand off and twist it around, bringing the ends back to the palm but with positions reversed; the left hand may be slightly twisted around in an opposite way. VI, 128.	37
	INTEND, MEANS, PURPOSE
	PUSH	PUSH: Hold the open hands up, palms out, and give an imaginary object a push.	47
	PUSH
	PUT	MOVE, MOTION FROM ONE PLACE TO ANOTHER: Reach hands out toward one side, pick up imaginary object with thumb and fingers, and lift it over to the other side.	49
	MOVE, MOTION
	PUT-DOWN	SIGN (to sign a document): Make sign for write, then slap the end of the open right hand down in one corner of the palm of the other in the place where the name is usually signed.	54
	SIGN (to sign a document)
	QUAKER	QUAKER: Clasp the hands together, then rotate the thumbs, one around the other.	101
	QUAKER
	QUARREL	QUARREL: Hold the "G" hands out in front of you, forefingers pointed one toward the other; throw fingers at each other, and repeat several times, or let ends of fingers drop, and draw up again, imitating motion of roosters fighting. IV,58.	26
	QUARREL
	QUEEN~CONTROL~OVER-ALL	QUEEN: Same (KING) with right "Q" hand. Note: In the case of all persons exercising power of authority, it is more correct to add "rule."	66
	QUEEN
	QUICK	FAST, QUICK, RAPID: Make the motion as in shooting a marble except that you hold the end of the thumb directly on the end of the forefinger. XII,248. Or, (2) Extend the left open hand pointing edgewise outward; with a quick motion bring the right hand up alongside and, pushing it straight out, strike the hands palm to palm, pushing the right hand on out beyond the end of the left and drawing the left well back.	74
	FAST, QUICK, RAPID
	QUICK	FAST, QUICK, indicating RAPIDITY OF MOTION: Place the thumb and forefinger as if ready to shoot off a marble; hold up the left "B" hand pointing upward; making motion of shooting a marble and pass the hand while doing so quickly against and across the palm of the other; sometimes merely the marble-shooting motion is made in the air.	55
	FAST, QUICK, RAPIDITY OF MOTION
	RABBIT	RABBIT: Cross the "H" hands so the right rests upon the left; the right points toward the left and the left toward the right; work the fingers forward and back, each in the same direction. XVII,334.	94
	RABBIT
	RAT	RAT: Rub the "R" hand upward across the side of the nose, or use both "R" hands in the same way. XVII,340.	95
	RAT
	READ	READ: Hold up the open left hand as the page of a book; point right "V" finger at the top and then move hand down as if following the page with the eyes.	39
	READ
	REASON	REASON: Place the right "R" hand against the center of the forehead and give it a twisting turn without moving it from its position.	43
	REASON
	RED	RED: Draw the end of the forefinger of the "G" hand downward across the lower lip, two or three times.	77
	RED
	RED~BERRY	STRAWBERRY: Make sign for "red" (draw forefinger across lip); grasp the thumb of the left "A" hand from the back with the right hand so that the fingers of the right clasp those of the left and the end of the right thumb nail rests against the back of the knuckle of the left thumb, thus indicating the size of the berry.	90
	STRAWBERRY
	RED~BISHOP	CARDINAL: Red, bishop.	120
	CARDINAL
	RED~CHERRY	CURRANT: Sign "red" same as above (STRAWBERRY); then grasp the little finger of the left "I" hand as above (STRAWBERRY), only rest thumb against palm side of little finger.	90
	CURRANT
	RED~cl-d:L:\B(circumference-in-palm)	TOMATOES: Make sign for "red" (i.e., draw the forefinger of the right "G" hand downward against the lower lip); place the end of the right thumb in center of the left palm and with this as a pivot make a circle on the palm with end of the forefinger. Or, Draw the end of the right thumb around the outside of the left "S" hand as in slicing.	88
$RED~cl-d:L:\B(circumference-in-palm)$	TOMATOES
	RED~EMBARRASSED	BLUSH: Draw the end of the forefinger down across the lower lip to indicate the red color; bring the hand with thumb closed against ends of fingers up to the side of the cheek, then holding it easily against the cheek suddenly throw out the thumb and fingers to indicate diffusion of color. V,88.	30
	BLUSH
	RED~RADISH	RADISH: Make sign for "red" (see "tomatoes") and then draw the left forefinger between the thumb and forefinger of the right hand to indicate its shape.	88
	RADISH
	REFUSE	WON'T: Holding the right "S" hand out in front from the side, jerk the hand back, doubling the elbow. I,12.	16
	WON'T
	REFUSE	REFUSE: Hold the "S" hand out with elbow at side; jerk the whole arm back with a sudden motion.	37
	REFUSE
	RELATED	COMMUNION (of Saints): Same as "Union."	120
	COMMUNION (of Saints)
	RELATED	CONNECT WITH, JOIN TO: Holding the bent "5" hands out, draw them together joining the thumbs and forefingers like the link of a chain.	59
	CONNECT WITH, JOIN TO
	RELIGION	RELIGION: Place the right "R" hand against the heart, then raise heavenward.	43
	RELIGION
	RELIGION	RELIGION: The "R" hand is moved from the heart heavenward.	122
	RELIGION
	REMOVE	SUBTRACT: Holding the open left hand with palm toward self, strike the ends of the fingers of the right bent hand against its palm and drop the right hand down away from the left, as if taking something away from it. XXII,404.	115
	SUBTRACT
	REMOVE	SUBTRACT, TAKE AWAY FROM, also denoting ABSENCE or DEFICIENCY: Hold open left hand with palm toward self; throw the ends of the fingers of the other hand with a scratching motion downward against the palm of the left, drawing it down and away from the hand as if taking off something.	56
	SUBTRACT, TAKE AWAY, ABSENCE, DEFICIENCY
	REPUBLICAN	REPUBLICAN: Shake the right "R" hand.	111
	REPUBLICAN
	REQUIRE	DEMAND, REQUIRE OF SOME ONE: Same motion as last sign (OWE), but hold the hand well out and throw the end of the finger somewhat forcibly on palm, drawing the hand back quickly. Some add motion of forefinger, pointed down and drawn forcibly toward self.	49
	DEMAND, REQUIRE OF SOMEONE
	RESIST	To express DISTRUST or SUSPICION of one's intentions: Place the fist well out at the side, partly in front, with the elbow bent outward; throw the fist toward imaginary person, repeating the motion several times. VI,108.	34
	DISTRUST, SUSPICION
	RESPECT	RESPECT: Motion similar to above (HONOR) but use letter "R."	42
	RESPECT
	RESPONSIBILITY	RESPONSIBLE: Place both hands, one above the other, on the right shoulder, indicating that something rests thereon. XIII,267.	78
	RESPONSIBLE
	REST	REST: Fold the arms across the breast.	61
	REST
	REST~PLACE	LIMBO: Resting place.	121
	LIMBO
	RETREAT	RETREAT (Spiritual): The "R" hand is placed on the forehead and on the lips. XXX,458.	122
	RETREAT (spiritual)
	REVENGE	REVENGE, RETALIATE, PAY ONE BACK: With thumb and forefingers in pinching position, throw them together so the fingers (closed) strike at the same time the thumbs and forefingers touch. IX,207. Or, 2) More specifically RETALIATION, or TO MAKE RETURN: Hold the "O" hands one behind the other, the fingers of the "O" up; change their relative positions by drawing one down, under and up beyond the other. The sign is frequently made in the air by right hand alone, merely throwing it down with a jerk.	57
	REVENGE, RETALIATE, PAY ONE BACK
	REVIVE	REVIVE, BRING UP SOMETHING FROM THE PAST: Reach the hands back over the right shoulder and grasp imaginary object and drag it forward.	61
	REVIVE, BRING UP
	RICH	RICH: Place the "&" hand, back down, in the palm of the open left hand, as in the sign for "money;" (XXII,396) lift and let fall again once or twice and then draw it up, opening the hand and separating the fingers somewhat, indicating "much money," as if letting money fall from right into left hand.	69
	RICH
	RISE	RISE (from a low to a high estate or condition): Hold the right "A" hand out rather low, thumb up, and gradually elevate it, giving it a shaking motion from the wrist without giving the arm any motion from side to side. X,214.	59
	RISE
	ROBBER	ROBBER: Draw the "N" hands (fingers) across the upper lip, centre to side (one on either side) and add "-er."	66
	ROBBER
	ROCK	HARD: Strike the back of the left fist with the back of the right. Or, (2) Strike the back of the left fist with the fingers of the "H" hand bent almost double, striking the middle joint of the middle finger on the back of the fist. Note: The latter sign is often used in the sense of a "hard case," or a "hardened sinner," when made once and with considerable force. By touching the heart with the middle finger of the right open hand and then making the sign for "hard" is indicated one without feeling, "hard hearted."	68
	HARD
	ROCK~cl-d:55(hill)	HILL: The sign is similar (MOUNTAIN) but the hands are not lifted so high.	98
	HILL
	ROCK~cl-d:55(mountain)	MOUNTAIN: Strike the back of the left "S" hand with the back of the right "S" hand; then extend the open hands, palms down, toward the left, tilt them and lift them upward, following the side of an imaginary mountain; turn to cross the top and then bring the hands down on the other side of the "mountain," thus having traced its shape with the hands. Note that the left hand proceeds first and the right follows it.	97
	MOUNTAIN
	ROCK~cl-d:55(mountain~cl-trace:11(up-to-peak)	PEAK: Make "mountain," and finish with raising the "G" hands up from the sides and closing at a point.	98
	PEAK
	ROOM	ROOM: Represent the four sides of a room, first by placing the hands on opposite sides, and then opposite in front; in the first the hands are palm to palm and in the last the palm of the right, being farthest out, is toward the back of the left.	111
	ROOM
	ROPE	ROPE: Grasp the little finger as above (THREAD) but with the fingers of the right "R" hand and continue the right hand as "R" in bringing it away.	63
	ROPE
	ROSARY	ROSARY: Both hands having the thumbs and indices closed, meet and are then drawn apart horizontally while the thumbs and indices opening and closing imitate the counting of the beads. XXX,459.	122
	ROSARY
	ROUGH(texture)	ROUGH (as to its surface): Holding hands at right angles, pass the end of the right hand across the back of the left, giving it a waving motion as if it were passing over a rough surface.	69
	ROUGH (texture)
	RUDE	ROUGH (in sense of rude in manner): Pass the ends of the fingers of "5" hand, bent, lengthwise across the open palm of the left hand, making the motion outward from the wrist to the end of the hand.	69
	ROUGH (rude)
	RUN-AWAY	RUN AWAY, SLIP AWAY, LEAVE CLANDESTINELY: Hold out the open left hand, palm down; push the right "G" hand under it quickly as if following the motion of one getting away under cover. Or, (2) Hold open left hand as above, but pointing upward at an angle of 45 degrees; throw the right hand across the palm, as before but pointing upward.	47
	RUN AWAY, SLIP AWAY
	RUN-FAST	RUN: Hold the open left hand pointing out (edgewise); hold the open right hand back of it, pointing down; throw the right hand forward rather quickly so that the palm brushes across the palm of the left. VIII,168.	48
	RUN
	SAD	SAD, SADNESS, DEJECTED, GLOOMY, etc.: Hold the hands in front of the face, fingers extended and apart, pointing up; bring the hand down a little way with a jerk and bend the head slightly over as the hand falls, indicating a dejected attitude. IV,51.	25
	SAD, SADNESS, DEJECTED, GLOOMY
	SAINT	SAINT: The palm of the right hand sliding over the upturned palm of the left hand finishes in an "S" hand. XXX,461.	122
	SAINT
	SALT	SALT: Place the end of the right "H" hand against the lips; bring it away and down with a twist turning the palm side down and strike the end against the back end of the left "H" hand. XVI,308.	87
	SALT
	SAME	LIKE: Same as for "same," see preceding pages.	108
	LIKE
	SAME~THAT	SUCH: Make sign for "same" (with forefinger of each hand extended straight out, bring them together in front of you, parallel); then sign for "that" as demonstrative pronoun.	19
	SUCH
	SATURDAY	SATURDAY: Describe a small circle with the "S" hand.	84
	SATURDAY
	SAY	TALK, VERBAL, SPEECH, etc.: Place forefinger of "G" hand under lower lip; horizontally draw it away, giving it a rapid circular motion in the air. VI,120.	35
	TALK, VERBAL, SPEECH (1)
	SAY~CRITICIZE	CORRECT, FIND FAULT: Touch the tip of the forefinger of "G" hand on tip of tongue and then proceed to scratch or cross out an imaginary something on the palm of the left extended hand.	37
	CORRECT, FIND FAULT
	SAY~CRITICIZE	CRITICISE: With the forefinger of the right "G" hand mark a cross on the left open palm.	37
	CRITICISE
	SAY~VOW~TO~GOD	VOW: Promise to God.	123
	VOW
	SCAPULAR	SCAPULAR: The index fingers draw an imaginary string from the shoulders meeting at the breast. XXX,463.	123
	SCAPULAR
	SCATTER	SCATTER: Draw the "&" hands up against the breast, end to end, then throw them both outward toward the side, opening the hands to "5."	62
	SCATTER
	SCHOOL	SCHOOL: Clap the hands together several times as a teacher would in calling the attention of his pupils.	40
	SCHOOL
	SCISSORS	SCISSORS: Open and close the two fingers of the right "H" hand imitating the action of scissors blades.	62
	SCISSORS
	SCOLD	SCOLD: Hold the forefinger of the right "G" hand up warningly and, resting the right forearm near the elbow on the left hand, shake it at the imaginary culprit.	43
	SCOLD
	SCOLD	SCOLD, REPROVE: Hold up the right "G" hand and shake the finger at; the left hand is sometimes held down at the elbow or against forearm of the right while shaking is in progress.	58
	SCOLD, REPROVE
	SECOND	SECOND: Place the forefinger of "G" hand on the left palm as above (MINUTE) where the second hand is on the dial of a watch and move it forward the space of a second.	82
	SECOND
	SECRET	SECRET, DON'T TELL, etc.: Place nail of thumb of "A" hand against mouth.	35
	SECRET, DON'T TELL
	SECRETARY~AGENT	SECRETARY: Reach up the right hand as if to take an imaginary pen from behind the ear; bring it down and make motion of writing; add "-er." XI,224.	65
	SECRETARY
	SEE	SEE (idea of vision): With hand as in "V" bring the fingers (forefinger and middle) up astraddle the nose with the ends on the face just below the eyes; move the hand outward, the ends of the fingers representing direction of the sight. IV,53.	25
	SEE
	SEE	SEE, SIGHT: Straddle the nose with "V" hand held parallel to it, placing the ends of fingers under the eye; push the hand away so the ends of the fingers will follow a straight line from the eyes. IV,53.	38
	SEE, SIGHT
	SEEK	CURIOUS: Move the "C" hand with opening toward the left, in front of the face, describing a circle from right to left.	73
	CURIOUS
	SEEK	SEEK, LOOK FOR: Move "C" in front before the breast or face, describing a circle from left to right. IX, 196.	54
	SEEK, LOOK FOR
	SEEK	SEEK, INVESTIGATE: Move the right "C" hand in front of the face in a circle from right to left, keeping the "C" side toward the face; keep the motion continuous for a little while.	61
	SEEK, INVESTIGATE
	SEEM	APPEAR, SEEM, LOOK LIKE: Bring the open right hand up in front toward one side with the thumb edge toward self; turn the hand so as to present the palm toward self and fix the eyes upon it. VII,134.	38
	APPEAR, SEEM, LOOK LIKE
	SEEM~SAME	RESEMBLE, LOOK ALIKE: Make sign for "appear" and then bring forefingers of "G" hands down together, striking their sides one against the other as in "same."	39
	RESEMBLE, LOOK LIKE
	SELF(emphatic)	SELF (emphatic): The position and movement of the hand is similar to that in "him," "her," etc., but is made in an emphatic way or with great force.	17
	SELF (emphatic)
	SELF(emphatic)	AMBITIOUS (anxious to put oneself forward): Place the back of the thumb of "A" hand against breast, and with a more or less strong motion bring the hand up and outward, giving the body a sympathetic motion to indicate pushing oneself forward. Note: The same sign with a wilful expression of countenance and movement of the head is sometimes made to indicate wilfulness. The hand is held more firmly against the breast indicating "self."	31
	AMBITIOUS
	SELF(reflexive)	SELF (reflexive): The "A" hand is held with points of the fingers against the speaker.	17
	SELF (reflexive)
	SELL	SELL: With thumbs and fingers together, as if holding something, lift the hands up in front so the ends will bend from the wrists and point down; without moving the arms give the hands a shaking motion outward. VIII,175.	49
	SELL
	SELL~AGENT	MERCHANT: "Seller." Indicate the kind of merchant by sign for what he sells and add "seller." Thus, grocery-man is literally "sugar seller" or "seller of sugar, food, etc."	65
	MERCHANT
	SEND	SEND: Place end of right open hand on back of left and then throw it off, motioning outward, with "G" hand. VIII,160.	46
	SEND
	SENSITIVE	FEEL HURT: Strike the heart with the end of the middle finger of the right "5" hand bent in toward the palm. Sometimes the hand is withdrawn and "flipped" downward.	32
	FEEL HURT
	SENTENCE	LANGUAGE, SENTENCE, etc.: Lock the thumbs and forefingers of both hands together like the link of a chain; draw them apart, giving both hands a chain-like shaking motion, in opposite directions. VI,122.	36
	LANGUAGE, SENTENCE
	SENTENCE	SENTENCE: Make same sign as in language but when the hands are brought apart lift them up as if to indicate the beginning with the left hand and the ending with the right.	36
	SENTENCE
	SEPARATE	SEPARATE, DRAW APART: Place the bent "B" hands with backs of the fingers together and draw apart toward the sides.	60
	SEPARATE, DRAW APART
	SERVE	WAIT ON, SERVE, etc.: Hold out open hands, palms up, as if holding a tray; move hands from side to side simultaneously, first in one direction, then the other.	51
	WAIT ON, SERVE
	SEVERAL	FEW, SEVERAL: Extend, or straighten the fingers of the right "A" hand one at a time, beginning with the forefinger.	20
	FEW, SEVERAL
	SEW	SEW: Imitate the action of sewing in natural signs.	63
	SEW
	SEW~AGENT	TAILOR: Make motion of sewing and add "-er."	65
	TAILOR
	SHALLOW	SHALLOW: Hold out the left open hand, palm up, and above it hold the right open hand, palm down; push the hands toward each other, draw them back, and repeat the motion several times. Or, sign "deep, little."	72
	SHALLOW
	SHAME	SHAME: Place the backs of the fingers of one hand against the cheek; bend head slightly against them; draw the fingers up against the cheek, and straighten them with a motion of throwing the hand off toward the person shamed. To indicate self shame, place hands in same position, but draw the fingers against the cheek with a twisting motion, and do not let it leave the cheek, but draw the head back a little as if indicating a shamed feeling. To express "shame on you," the hand is thrown toward the person in an emphatic way while the eyes condemn. V,89.	30
	SHAME
	SHAPE	STATUE: Trace with the thumbs of the "A" hands the outlines of a figure.	123
	STATUE
	SHARP(edge)	SHARP (a sharp edge): Holding the open left hand out, pass the end of the middle finger of the right "5" hand (slightly bent further in than the other fingers) along the lower edge as if feeling its keenness, then draw away the hand quickly, giving it a twist so that the finger comes to point downward.	70
	SHARP (edge)
	SHAVE	SHAVE, RAZOR: With the right "Y" hand representing the razor and the thumb the blade, draw it down one side of the face as in the act of shaving.	63
	SHAVE, RAZOR
	SHEEP	SHEEP: Using the right "V" hand as shears, lay the fingers, back down, on the upper side of the left forearm and work the "V" as shears, moving the fingers up the arm toward the elbow. XVII, 327.	92
	SHEEP
	SHIP	SHIP: The thumb and two fingers are held up representing the masts of a ship; then move the hand so as to point fingers forward and give hand motion of a ship rising and falling with the waves. VIII,165.	47
	SHIP
	SHOCKED	DUMBFOUNDED, CONFUSED, AT A LOSS: Hold the "5" hands out pointing down, and then lower them a little with a jerk, bringing the body and hands somewhat rigid.	44
	DUMBFOUNDED, CONFUSED, AT A LOSS
	SHOEMAKER	SHOEMAKER: Push the ends of the forefingers of "G" hands toward each other as if they were awls forced through a piece of leather; bend the ends of the fingers and draw them away from each other as if they were drawing back the thread. XI,222. Or, (2) Make sign for "shoe," thus: Push right "&" hand into the partly closed left hand, and sign for "maker."	64
	SHOEMAKER
	SHOOT-GUN	HUNT: Make motion as if holding a gun in the hand and pulling the trigger, repeating the motion and moving the imaginary gun from side to side.	60
	HUNT
	SHORT	SHORT: Holding the "G" hands in front and elbows resting against the sides, bring the forefingers toward each other. XII,233.	68
	SHORT (1)
	SHORT-DIVISION	DIVIDE (2): For short division, beginning with the end of the thumb of the left "L" hand trace the length of the thumb and forefinger with the end of the forefinger of the right "G" hand, thus indicating the right angle placed under the dividend.	115
	DIVIDE (2)
	SHOW	SHOW: Raise the left extended hand palm out (as if to swear); bring end of forefinger of "G" right hand up and place it against the center of the palm of the raised hand, then push both forward or around as if exhibiting to some one. VI,126.	36
	SHOW
	SHREWD	SHARP, SHREWD: Using the right open hand as a whetstone, make motion of whetting against the edge of the open left hand. XII,242.	70
	SHARP, SHREWD
	SHUT	SHUT, CLOSE: Strike the open hands together, forefinger to forefinger, their entire length.	60
	SHUT, CLOSE
	SICK	SICK: Place the end of the right middle finger (with others extended and held away) on the centre of the forehead and that of the left hand at the pit of the stomach, and bend over slightly, as if in some distress. IV,55.	25
	SICK
	SIGN	SIGN, TO MAKE SIGNS: Place the "G" hands in front, one higher than the other, pointing them upward at an angle of 45 degrees; move the upper hand from front to back and the lower from back to front, bringing each then to original position; the motion of both hands is similar to a braiding motion.	54
	SIGN, MAKE SIGNS
	SILLY	FOOLISH, SILLY: Bring the "Y" hand up with the thumb toward the forehead and the little finger pointing out; in that position move it across back and forth from right to left and vice versa in front of the forehead several times. VI,113. Note: This sign, made by throwing the hand rather emphatically once across, is used indiscriminately in the sense of ABSURD, TRIFLING, and to indicate that something receives one's disapproval.	34
	FOOLISH, SILLY
	SIN	TRESPASS: Same as for "Sin;" or make the sign for “Offend,” i.e., the indices of both hands are made to collide in an upward motion at the height of the breast. XXX,465.	123
	TRESPASS
	SING	SONG, POEM: Hold open left hand out, palm toward you; with open right hand pointing toward and at right angles to it, wave it back and forth several times. VII,154.	43
	SONG, POEM
	SISTER-IN-LAW	SISTER-IN-LAW: "Sister" and "law."	22
	SISTER-IN-LAW
	SIT	SIT: (2) Place the right "U" hand over the edge of the left extended hand, bending the fingers as a bird's claws when it is perched.	52
	SIT (2)
	SKY	SKY, THE HEAVENS: Hold the "B" hands up in front, their ends pointing out and touching; draw them apart toward the side and down, so they describe the arc of the sky.	96
	SKY, HEAVENS
	SLEEP	SLEEP: Draw the right "5" hand down across the length of the face, touching the palm against it.	62
	SLEEP
	SLOW	SLOW: Draw the right hand slowly down the back of the left, held out and turned slightly upward. XII,249.	74
	SLOW
	SMALL	NARROW: Place the open hands as above (WIDE), but farther apart, and then draw toward each other.	72
	NARROW
	SMALL	SMALL: Hold the open hands out palm toward palm and press them toward each other, repeating several times. XV,295.	84
	SMALL
	SMALL~LAW~BREAK	SIN (Venial): Small, sin.	123
	SIN (venial)
	SMART	SHARP, BRIGHT, INTELLECTUALLY BRILLIANT: With the middle finger of the right "5" hand bent in, place the end against the center of the forehead, then throw it off with a twist, so that when the hand comes to rest the fingers point outward. The motion is similar to that in first sign for "sharp edge," but the sign is made from the forehead instead of the edge of the hand. XII,243.	70
	SHARP, BRIGHT, INTELLECTUALLY BRILLIANT
	SMELL	SMELL: Move the palm up before tip of nose, as if presenting something to be smelled.	25
	SMELL
	SMOOTH	SMOOTH: Hold the "&" hands out and rub the end of the thumb against the ends of the fingers, drawing the hands a little away from each other. This sign also indicates "of fine quality." Or, 2) First draw the right "G" forefinger across the length of the back of the left hand (held at right angles) and then follow with the sign as above.	70
	SMOOTH (2)
	SMOOTH(texture)	SMOOTH: Hold the "&" hands out and rub the end of the thumb against the ends of the fingers, drawing the hands a little away from each other. This sign also indicates "of fine quality,", Or, (2) First draw the right "G" forefinger across the length of the back of the left hand (held at right angles) and then follow with the sign as above. Or, (3) Draw the right open palm, turned down, across the left open palm turned up.	70
	SMOOTH (1)
	SNAKE	SNAKE: Holding the right "V" hand down at the side, fingers pointing forward, extend the hand along in a zig-zag way to indicate the motion of the snake crawling. Or, indicate the same motion with the right "3" hand, with the thumb pointing up. Or, (2) With the right elbow resting in palm of left hand, make a coil sign with the right "G" hand forward.	94
	SNAKE
	SNOB	TO CUT OR IGNORE ONE: Holding the hand perpendicularly and at right angles to the face, rub the forefinger, edge upward, against the end of the nose, indicating a "stiff neck."	27
	TO CUT, IGNORE
	SNUB	SNUB (or turn up one's nose at): Grasp end of nose with thumb and forefinger, and turn up end of nose, bringing hand away from nose in the act.	27
	SNUB
	SO-AS	AS: With the forefingers of the "G" hands extending outward, place the hands over toward the right, parallel, and then carry them over to the left side where they assume a similar position.	110
	AS
	SOAP	SOAP: Draw the end of the right open hand downward against the palm of the open left.	111
	SOAP
	SODALITY	SODALITY: Same as "society," or trace with the right thumb and index apart, a badge downward over the heart.	123
	SODALITY
	SOFT	SOFT: Hold out both "5" hands with the fingers and thumb bent slightly toward each other; bring both hands to position of "&," as if pressing something soft in your hand.	68
	SOFT
	SOME	SOME: Draw the right open hand toward you across the end of the left open hand, hold palm up, describing a curved mark on the palm with the little finger edge.	19
	SOME
	SOMETIMES	SOMETIMES: Repeat the sign for "once" several times. The sign made slowly or rapidly indicates whether it is frequent or seldom.	83
	SOMETIMES
	SOME~THING	SOMETHING: Sign for "some" and "thing."	19
	SOMETHING
	SOON	SHORT(2): Place the finger of the right "H" hand edgewise upon the fingers of the left "H" hand, near the latter's knuckles; move the right fingers toward the end of the left.	68
	SHORT (2)
	SOON	TIME (a short period of): Place the right “H” hand, pointing outward, across the left “B” hand held in front pointing toward the right; with a scraping motion move it back and forth along the top of the forefinger og the left hand.	79
	TIME (a short of period)
	SORRY	CONTRITION: Same as "sorrow."	120
	CONTRITION
	SORRY	SORRY, SORROW, etc.: With the hand in position of "A" rub it in a circular motion over the heart, with appropriate expression. IV,50.	25
	SORRY, SORROW
	SOUL~LAZY	SLOTH: Soul, laziness.	123
	SLOTH
	SOUP	SOUP: Making a bowl with the left hand and a spoon with the right, make a motion of dipping the soup from the left hand to the mouth with the right.	89
	SOUP
	SOUR	SOUR: Throw the end of the forefinger toward or against the mouth, giving the expression of the face as if tasting something sour. IV,60.	26
	SOUR
	SOUR~cl-d-trace:11(split-pickle)	PICKLE: Make sign for "sour" (carry the forefinger of the right "G" hand to the mouth and make a slight puckering thereof); then down the length of the forefinger of the left "G" hand draw the end of the right forefinger as if to split it.	89
	PICKLE
	SOUR~PUSH	BITTER: Made same way as for sour, then turn hand away and push palm out as if pushing away bitter medicine.	26
	BITTER
	SOUTH	SOUTH: Indicated by moving "S" hand toward the south.	55
	SOUTH
	SOW	SOW: Merely imitate the motion of sowing.	52
	SOW
	SPECIAL	EXCEPT, BUT: Holding the left "G" hand in front with the forefinger pointing upward, grasp it with the thumb and forefinger of the right "G" hand, lifting it a little. XXI,385.	107
	EXCEPT, BUT
	SPEND	SPEND: Lay the back of the right "&" hand in the open left; push the right out across the left into position of "5."	61
	SPEND
	SPIDER	SPIDER: Cross the hands, fingers pointing outward, and clasp the little fingers; work the fingers like the legs of a spider, extending the hands forward the while. XVII,341.	95
	SPIDER
	SPIRIT	SPIRIT, or GHOST: Place the slightly bent left hand, palm toward self, on a level with the breast, and the right hand, same position, on a level with the waist-line; lift the right hand and lower the left (the right on the outside and left inside), at the same time let both hands assume "&" position; the right hand stops when it reaches the height of the face and left reaches the waist-line. XIX,356.	102
	SPIRIT, GHOST
	SPIRIT~NEAT	HOLY GHOST: Sign "Ghost" and follow with "Holy." Or make "Holy" and "Ghost."	102
	HOLY GHOST
	SPOIL	TAME (same as Pet): Rub the back of the left "B" hand with the palm of the right several times, similar to the stroking of a cat. Note: The verbs are signed the same way, and the noun "pet" same as above.	77
	TAME, PET
	SPOON	SPOON: Imitate the use of a spoon with the right "H" hand.	111
	SPOON
	SQUIRREL	SQUIRREL: Bend the fingers of the "V" hands and place them up before the mouth, so that the fingers of one hand point toward those of the other; throw the ends of the opposite fingers together several times. XVII,333.	94
	SQUIRREL
	STAND	STAND: Stand "V" in palm. (Here the fingers represent the legs.)	48
	STAND
	STARS	STAR: Hold the "G" hands up in front, pointing the forefingers upward toward the stars; bring the right back a little and then strike the left forefinger with the right, carrying it along the length of the finger; do the same with the other hand and repeat this motion several times.	96
	STARS
	STAY	STAY: Bring both "A" hands in front and place ends of thumbs together, one above the other, and give downward pressure of hands together.	52
	STAY
	STEAL	STEAL: Hold out left hand pointing out edge down; reach right hand (or left "A" hand) under wrist, grasp imaginary object and draw it back. IX,187.	52
	STEAL
	STILL	YET, STILL: Place the right "Y" hand at the side and carry it out straight forward from the side. This also conveys the idea of continuity. XV,302.	86
	YET, STILL
	STOP	STOP: Strike the upward turned palm of the left open hand with the lower edge of the right open hand. IX,198.	54
	STOP
	STORY	EXPLAIN, TELL ABOUT: With forefingers and thumbs of both hands extended, bring their ends all together so that the ends lap over a little; draw them apart and repeat the motion two or three times. Note: This sign is used to mean the telling of anything, asking for an explanation, and even in asking for a story; sometimes for simply a story. VI,123. Or, (2) DESCRIBE: With thumb and forefinger of both hands making "O" (other fingers extended) bring them together; move one hand out horizontally, bring it back and repeat the motion with the other hand and repeat the motion several times. VI,124.	36
	EXPLAIN, TELL ABOUT
	STRIKE	STRIKE: Merely strike the palm of one hand with the fist of the other. Or, (2) To indicate the striking of a clock tap the forefinger against palm, imitating motion of striker.	55
	STRIKE
	STRONG	STRONG: Hold out the "S" hands to the front from the side; moving them slightly to one side, describe a small arc or circle, making a show of using considerable force. The motion is something like slinging a sledge hammer. XII,236. The sign for "strong" is somewhat similar to that for "can;" in the latter no circular motion is given to the hands but they are brought straight down.	68
	STRONG
	STRONG	POWER, STRENGTH: Hold out the fists in front from the sides, elbows at sides;lift the fists toward the right, and throw them over the left with a circular or swinging motion and bring them down;keep them in the same relative position as to distance and direction of motion all the time.	56
	POWER, STRENGTH
	STRONG	CAN, indicating ABILITY, POWER: Extend "S" hands forward from the sides, thumb ends up with elbows against sides; bring both hands down with a jerking motion. The sign for "strong" is very similar. The difference lies in the way the hands are moved. For "strength" they are moved somewhat sidewise with a slight circular motion. (pg 56) POWER,STRENGTH: Hold out the fists in front from the sides, elbows at sides;lift the fists toward the right, and throw them over the left with a circular or swinging motion and bring them down;keep them in the same relative position as to distance and direction of motion all the time.	38
	CAN, ABILITY, POWER
	STRUGGLE	CONTEST (between opponents, more or less bitter): Hold the "G" hands in front, palms toward self, end to end, a foot apart; move both together toward left side, then toward the right side, keeping their relative positions. Repeat motion several times. X,210.	58
	CONTEST
	STUDY	STUDY: Hold open left hand as the page of a book; point all fingers of right hand at it; push fingers toward and draw away several times the while they are worked with a vibrating motion. VII,137.	39
	STUDY
	STUPID	DULL, STUPID: Strike the forehead with the fingers of the right "A" hand at the middle joints. Or, (2) Strike the end of the left open hand, in front, palm toward self, with the fingers of the right "A" hand. Or, (3) Hold the left "B" hand in front, palm down; place the right "C" hand so the thumb is directly under knuckle of the forefinger of the left and the "C" measures the imaginary thickness of the skull; move the hand along to the end of the forefinger, keeping it still in the same position.	70
	DULL, STUPID
	STUPID	DUNCE: Knock the joints of the fingers of right "A" hand against the forehead.	39
	DUNCE
	STYLISH	STYLISH, FASHIONABLE: Place the "&" hands side by side, pointing outward and touching; carry first the right forward toward side, assuming "5" position, and then draw it back; do the same with the left hand and repeat the motion several times.	78
	STYLISH, FASHIONABLE
	SUCCEED	SUCCEED: Place the forefingers of the "G" hand in front of you, one above the other and pointed in opposite directions; raise the hands, revolving the fingers around each other. VIII, 171.	48
	SUCCEED
	SUFFER~PAIN	DIFFICULT(hard to perform): Place the "S" hands one above the other; then circle one around the other, moving both at the same time, the motion being outward and down (not from side to side). Make a show of some effort in moving the hands. XII,239.	69
	DIFFICULT
	SUGAR	SUGAR: Draw the end of the open right hand downward across the mouth.	89
	SUGAR
	SUMMER	SUMMER: Draw the crooked forefinger of the "G" hand across the forehead. XV,297.	85
	SUMMER
	SUMMER~GROW	SPRING: Draw the crooked forefinger of the right "G" hand across the forehead, then sign for "grow," i.e., push the right "&" hand up through the left "O" hand.	85
	SPRING
	SUMMONS~COME-HERE	CALL, ATTRACT THE ATTENTION OF: Hold open left hand out in front, palm down and back slightly toward self; strike the back with the open right hand and then beckon toward self. VII,144.	41
	CALL, ATTRACT THE ATTENTION OF
	SUMMONS~INVITE	INVITE: First touching the left forearm or back of left hand with right palm, the hand is extended out toward an imaginary person, palm up, and then drawn toward you.	51
	INVITE
	SUNDAY	SUNDAY: Raise the open hands, one on either side, to the level with the shoulders, palms outward.	85
	SUNDAY
	SUNRISE	SUNRISE: Hold out the left open hand, palm down, to represent the horizon; pass the right "O" hand from under the left and bring it up above the left close to the outer edge and thus represent the sun peeping up.	80
	SUNRISE
	SUNSET	SUNSET: Hold left hand as above (SUNRISE) but place the right "O" hand just above the edge of the left and drop it below.	80
	SUNSET
	SUN~cl:O>5(shining)	SUN: Holding the forefinger of the right "G" hand pointing up toward the sky, describe a circle in the air with it; then bring hand to position of "&" turned and pointing down; then bring the hand downward, while the fingers are opened to "5," thus representing the beams of light from the sun; in this motion raise the hand back with a vibrating motion.	96
	SUN
	SUPERIOR	HIGH, PROMINENT: Holding the "A" hand out in front from the side, slowly lift it to a height above the head. XII,251.	74
	HIGH, PROMINENT
	SUPERIOR~BISHOP	ARCHBISHOP: Right "A" hand is raised to about the level of the forehead. Follow with the sign for "Bishop." (Chief-bishop.)	119
	ARCHBISHOP
	SUPERIOR~FEMALE	EVE: The thumb point of the right "A" hand is thrown upwards and touches the right cheek, indicating the first woman. XXIX,438.	120
	EVE
	SUPPORT	SUPPORT, UPHOLD: Similar motion (HELP) but use the right fist; place it under the left forearm and lift as in position of a pillar.	52
	SUPPORT, UPHOLD
	SURPRISE	SURPRISE: Close the thumb and forefinger of each hand, the rest of the fingers also closed; place them directly in front of the eyes (one at either eye); suddenly open thumbs and forefingers, representing motion of opening the eyes suddenly and show look of surprise. V,79.	29
	SURPRISE
	SURRENDER	GIVE UP, LOSE HOPE, DISCOURAGED: Hold the "A" hands in front, thumb toward thumb; lift the hands slowly, open them to position of "5" and simultaneously with the action draw the head and shoulders back somewhat. X,212.	59
	GIVE UP, LOSE HOPE, DISCOURAGED
	SURRENDER	SURRENDER: Hold hands same as above, but drop them and open to "5."	59
	SURRENDER
	SURVEYOR~AGENT	SURVEYOR: Hold the hands as if they were adjusting a surveyor's instrument in front of you; make motion of sighting and measuring along; add "-er."	65
	SURVEYOR
	SUSPECT	SUSPECT, SUSPICION, SPY, etc.: (2) Hold the crooked forefinger of "G" right hand against the forehead and make a scratching motion of the finger against the forehead, drawing the finger away from the head slightly; repeat several times.	40
	SUSPECT, SUSPICION, SPY (2)
	SWEET	SWEET (including size, form, etc., as well as taste): Draw the ends of the fore and middle fingers, held together downward, across the center of the mouth. Used in connection with "smell" this means fragrant, etc. IV,59.	26
	SWEET
	SWEETHEART	MAKE LOVE TO: Hold the closed hands, the middle joints of the fingers of one against those of the other, thumbs up, in position of "A" except that they are raised above the forefingers and bent from the middle joint; wiggle both thumbs up and down. This sign is also used to indicate the individual object of one's affections, followed by sex sign. IV,47.	24
	MAKE LOVE TO
	SWIM	SWIM: Represent action.	48
	SWIM
	TAKE	TAKE: Reach out the hand, grasp imaginary object and draw it toward you.	49
	TAKE
	TAKE-UP	ASSUME (to take hold of a project or business): Reaching out both hands at the same time, make a grasping motion as if taking up something and lift the hands somewhat. At first the hands are open and they assume the "S" position as they are lifted. Add motion of lifting the burden upon the shoulders to indicate taking the responsibility.	59
	ASSUME (take up)
	TALK	TALK, VERBAL, SPEECH, etc.: (2) In the sense of CONVERSATION: Hold out both "G" hands in front, forefingers pointing upward; move both hands to one side and then to the other alternately several times or give same motion toward the front from self. VI,121.	36
	TALK, VERBAL, SPEECH (2)
	TALL	TALL: Hold the open left hand pointing up; against the palm place the right "G" hand, end of finger pointing up; push the right hand upward the length of the left hand and beyond.	71
	TALL
	TASTE	TASTE: Place the finger on the tip of the tongue as in act of tasting.	25
	TASTE
	TBD	HIGH: Pointing upward the forefinger of “G” hand, raise the hand to some hieght. Or,	72
	HIGH (1)
	TBD	FEARFUL: Place the "F" hands, one against either cheek, near the jaw; move them slowly to the temples and finish as above in "awful."	73
	FEARFUL
	TBD	SEVERAL, FEW: Gradually extend the fingers of the right “A” hand, one at a time, beginning with with the forefinger.	77
	SEVERAL, FEW
	TBD	INFLUENCE, CAUSE, EFFECT BY FORCE or PERSUASION: Place the "A" hands out a little, thumbs pointing upward, one well in front and the other behind but off at one side; turn the hands so that the thumbs finally point outward, moving both hands simultaneously. IX,202.	56
	INFLUENCE, CAUSE, EFFECT BY FORCE OR PERSUASION
	TBD	TUESDAY, WEDNESDAY, FRIDAY, and SATURDAY: are all made with the same motion of the hand as above (i.e., describing a small circle) using the “T,” “W,” “F,” and “S” hands respectively.	84
	TUESDAY, WEDNESDAY, FRIDAY, SATURDAY
	TEA	TEA: Trace the rim of the left "O" hand with the ends of the thumb and forefinger where they join in the extended "O" hand. XVI,311.	88
	TEA
	TEACH	TEACH: Hold up "&" hands, one on either side of the head opposite the temples; push them outward, opening them; repeat the action several times. "Teacher," add "-er."	64
	TEACH
	TEACH	TEACH: Raise each of the hands to the corresponding side of the head on a level with the eyes; close ends of fingers against thumb (as in "&"); push the hands straight out from the head, and open the thumb and fingers, as if you had grasped something from the head and thrown it out toward some one else. VI,127.	36
	TEACH
	TEASE	TEASE, PERSECUTE: Push fingers of right "A" hand over (lengthwise) the top of thumb in left "A" hand.	54
	TEASE, PERSECUTE
	TEDIOUS	TEDIOUS: Place the end of the forefinger on the tip of the nose and press it down, bending the head forward slightly as if in obedience to the pressure of the finger.	27
	TEDIOUS
	TELEGRAPH	TELEGRAM, TELEGRAPH: Along the edge of the forefinger of "G" hand held in front of you, imitate, with a crooked right forefinger, the action of a sender in a telegraph instrument and "shoot" along. VII,151.	42
	TELEGRAM, TELEGRAPH
	TELEPHONE	TELEPHONE: Raise "O" hand to the ear and then move to the mouth; or, with the other hand, hold imaginary mouthpiece at the mouth and make motion of ringing with right.	42
	TELEPHONE
	TELL	TELL: Place the forefinger of "G" hand under the lower lip, horizontally, then throw it out as if the finger were carrying words out of the mouth.	35
	TELL
	TEMPT	TEMPTATION, TEMPT: Holding the left forearm toward, but not quite against, the body, just above the waist, tap the forearm well over near the elbow with the end of the finger of the right "G" hand. To emphasize the verb form after the sign above hold out the right hand and motion with the finger as if calling some one to come.	62
	TEMPTATION, TEMPT
	TENT	TENT: Illustrate the shape of a tent with the two "V" hands with ends of fingers together as the apex. With an outward and downward motion represent an extension of the sides of the tent.	63
	TENT
	THAN	THAN: Bring the right hand from the sign of the adjective and degree quickly downward, palm down, past the left open hand, held vertically edgewise, pointing outward.	67
	THAN
	THANKYOU	GOODBYE: Place fingers of open hand on the lips and throw out hand as if throwing a kiss. The same sign is used indiscriminately to greet one, thank one, and bid farewell; the circumstances indicate the meaning. V,96.	32
	GOODBYE
	THAT	THAT (demonstrative pronoun): Make "Y" with the right hand, and holding left hand out, palm up, throw the "Y" upon it; the sign may be without throwing "Y" upon the left hand but holding the "Y" of either hand out a little way, give a slight jerking or throwing motion to the hand at the wrist, toward imaginary object, moving the arm the least bit. II,20. Note: This is a very useful sign and is used to designate the identical person or thing spoken of, previously referred to; and it may be interpreted to mean "just so," "that's it," "the same," and takes the place of an habitual expression used as an interposition by one listening, to encourage the speaker, or denote interest in what is being said.	18
	THAT (demonstrative pronoun)
	THAT	THAT: Point to a distant imaginary object, and for “THOSE” point to several. (See “THAT,” demonstrative, above.)	20
	THAT, THOSE
	THAT-ONE	THAT (as a relative), WHICH: Place left hand in position of making "L" in front of you, pointing toward the right; place end of right forefinger on end of left, and then turn it up and back to touch the thumb, thus indicating the fact that it refers to an antecedent. II,19.	18
	THAT (relative pronoun), WHICH
	THEN	THEN: Strike the end of the forefinger of the left "L" hand with the end of the forefinger of the right "G" hand. XIV,290. Or, (2) Holding the left "L" hand pointing toward the right strike the thumb with the forefinger of the right "G" hand; quickly close the left forefinger and drop the right hand down just outside of the left so the palm side of the right fingers barely touches the knuckles or middle joints of the left hand; then extend left forefinger again and strike it with the forefinger of the right "G" hand.	83
	THEN
	THEN~OR	EITHER: Close left hand, except thumb and forefinger which are extended and pointed upward, or inclined slightly toward self; touch first the thumb and then the forefinger with the forefinger of the right hand; bring both "A" hands away opposite each other, lowering and raising them alternately like a see-saw, to indicate " one or the other." II,24.	19
	EITHER
	THERE	THERE: Point to a distance.	86
	THERE
	THIN	POOR, LEAN: Place the thumb on one side of the face and the forefinger on the other; draw them downward and draw in the sides of the cheeks. Or, press ends of open hands against cheeks, downward and outward indicating hollowness of cheeks.	69
	POOR, LEAN
	THING	THING: Hold open hand in front of you as if holding something between thumb and fingers; hand pointed toward the left; drop the hand slightly, repeating the motion as the hand is drawn back toward the right side. II,22 (add).	19
	THING
	THING	THINGS: Placing the right "&" hand over toward the left, palm up, draw it toward the right, dropping the hand continuously.	110
	THINGS
	THINKING	THINK: Place the end of the "G" forefinger upon the center of the forehead and move it a little with a circular motion. VI,97.	33
	THINK
	THINK~CRAZY	CRAZY: Place the forefinger of one hand on the forehead as in "think," then bring it away, at the same time bringing the other forefinger up so the two will point toward each other, up and down, and whirl them in opposite directions indicating the "wheels in the head." VI,112.	34
	CRAZY
	THINK~GOAL	ASPIRE, AIM TOWARD SECURING AN OBJECT: Place the end of the forefinger of the right hand at the side of the forehead just above the eye, and hold the left "G" hand out, forefinger pointing upward; bring the right forefinger away from the forehead and carry it to and strike the end of the left forefinger with its end. This also indicates purpose.	61
	ASPIRE, AIM TOWARD
	THINK~HABIT	HABIT, "Mental slavery": Forefinger at forehead as in "think," then bring "S" hands down, wrists one above the other, expressing the idea of the mind or will being bound. VII,140.	39
	HABIT
	THINK~OPPOSITE	DIFFER, DISAGREE: Place the end of the right "G" hand at center of forehead as in "think," then bring the right hand down and the left "G" hand up and out toward the left, bringing the two sharply to a stop with ends of fingers directly opposite, that is, pointing toward each other--at "dagger's points."	32
	DIFFER, DISAGREE
	THINK~TRUST	FAITH, CONFIDENCE, TRUST: Place the end of the right "G" finger at center of forehead (or on lips) as in "believe," then lifting left open hand outward and upward, hang the right hand on it by the end of the fingers. Or, (2) Instead of bringing the hands together as described, raise both slightly toward the left, upward, with the left higher than the right, and make motion of firmly grasping something held toward you.	32
	FAITH, CONFIDENCE, TRUST
	THINK~WEIGH-SCALE	JUDGE, WEIGH A THING, CONSIDER, etc.: Place end of finger in center of forehead as in "think," then with hands assuming "F" position, balance them on either side as if they were the two sides of a pair of scales. VII,136.	39
	JUDGE, WEIGH A THING, CONSIDER
	THREAD	THREAD, STRING: Grasp the end of the little finger of the horizontal "I" hand with the thumb and forefinger of the right hand and then draw it away as if drawing thread from a spool.	63
	THREAD, STRING
	THROUGH	THROUGH: Push the right "B" hand edgewise outward between the middle and third fingers of the left, which are open and closed over against the forefinger and little finger respectively, pointing upward. XXI,389.	108
	THROUGH
	THROUGH~WAY	TEMPERANCE: The vertical open right hand is passed through the middle fingers of the left, palm towards you, followed by the sign for path, indicating the middle way. XXX,464.	123
	TEMPERANCE
	THROW	THROW: Make feint of throwing.	48
	THROW
	THUNDER	THUNDER: Place the right forefinger to the ear, bring the "S" hands out to the front from the sides; jerk the right hand toward self and throw the left out toward the side, and then reverse the movement of the hands, repeating the motion several times.	97
	THUNDER
	THURSDAY	THURSDAY: The "T" hand is quickly changed to the "H" and the same motion (MONDAY) is made. Some make the "H" only.	85
	THURSDAY
	TILL	TILL (2): Move the bent forefinger of the right "G" hand, palm down, forward a short distance and then drop it.	108
	TILL (2)
	TIME	TIME: Crook the forefinger of right "G" hand and with the tip end tap the back of the left "S" hand. XIV,268. Or, (2) Upon the palm of the left open hand held edgewise pointing outward, describe a circle with the right "T" hand.	79
	TIME
	TIME-PERIOD	PERIOD OF TIME: Hold out the open left hand palm up and pointing outward; pass the right "G" hand along the length of the left palm. XIV,269.	79
	PERIOD OF TIME
	TIMEPIECE	WATCH: Make motion of drawing a watch from the pocket and carrying it to the ear.	111
	WATCH
	TIRED	TIRED, WEARY, etc.: With the hands extended downward, place the ends against the waist in front about six inches apart; bend the hands down, the ends still against you, until the hands are doubled over and then let them drop down in a listless sort of way and stoop the shoulders slightly, giving the idea of weariness. IV,66.	27
	TIRED, WEARY
	TO	TO: Same motion (TILL), but move the right forefinger straight to the left with an upward motion.	108
	TO
	TO-BE(aux)	TO BE, auxiliary of the passive voice: Press the forefinger of the right "G" hand, pointing upward, against the mouth; then bring both open hands, palm toward palm, pointing upward, to the side of the face and throw each back over the corresponding shoulders, letting the thumbs strike against and come to rest on the shoulders.	14
	TO BE (auxiliary of passive)
	TO-BE(inf)	TO BE, infinitive and imperative: Hold the right "G" hand straight out in front from the side, the "G" up; crook the forefinger and move the hand toward the left side horizontally in front of the body. I,2.	14
	TO BE (infinitive, imperative)
	TOAST	TOAST: With the right "V" hand used as a fork "stab" first against the back of the left open hand, then against the palm of same.	89
	TOAST
	TOMORROW	TO-MORROW: Place the right "A" hand against the right cheek with the thumb pointing backward; give the hand a twist outward so that the thumb, describing a semi-circle, points to the front while the hand is brought out beyond the face. XIV,273.	80
	TO-MORROW
	TOWARD	TOWARD: Same motion (TILL, TO) but not touching the left forefinger.	108
	TOWARD
	TRAIN	CARS: Hold out the left "H" hand, back up; place the right "H" flatwise on the knuckle of the middle and forefinger of left, then push the right "H" along the other as on a track; repeat the last motion, drawing the right hand back and forth several times. VIII,164.	46
	CARS
	TRAIN~cl-d-trace:L:L:(tracks)	RAILROAD TRACK: Make sign for "cars," then with hand on either side of you indicate width of a rail by opening thumb and forefinger and push the hands along at the side to represent the rails.	46
	RAILROAD-TRACK
	TRAVEL	TRAVEL: Pointing the forefinger of the "G" hand out, push it outward with a winding or slightly zig-zag motion. Or, (2) Move the "G" hand, with the forefinger pointing down, in a semi-circle, giving the finger a circular twisting motion.	46
	TRAVEL
	TREE	TREE: Let the right elbow rest in the left palm, the forearm extended straight up and the hand as in "5;" twist the hand with a shaking motion rapidly several times. XVIII,351.	99
	TREE
	TRINITY	TRINITY: Encircle the right "3" hand with the thumb and middle finger of the left, and then draw the right hand downward through the encircling fingers and exhibit the index finger of the left hand, i.e., three in one. XXX,466.	123
	TRINITY
	TROLLEY-CAR	TROLLEY CAR: With the forefinger of the left hand representing the feed wire make a sort of grooved wheel with the fore and middle fingers of the right hand bent and run them along this "feed wire." Some just run the "E" of the right "E" hand along the left forefinger.	99
	TROLLEY CAR
	TROUBLE	TROUBLE, ANNOYANCE, etc.: Raise the right arm at the side, hand above head, then bring in a semi-circle down before the face; follow this with similar movement by left hand the other way and repeat it with each arm alternately.	40
	TROUBLE, ANNOYANCE
	TRUE	TRUE, INDEED: Place the tip edge of the forefinger of "G" hand, pointing upward, against the lips and move straight forward some distance, keeping it perpendicular. XII,246.	72
	TRUE, INDEED
	TRUE~CONTINUE	TO BE, TO EXIST: Hold the forefinger of the right "G" hand pointing upward, against the mouth; move the whole hand, finger still held upright, forward straight out from the mouth; then bring the "A" hands together, the end of the right thumb resting on the nail of the left thumb, and move both hands this way forward. (Note: This is the present and acceptable way to make this sign though formerly there were other signs. These are not here given, as it seems unnecessary.) The usual way is to make simply the fist part of the sign with the forefinger, and then finish with "now" or "past" to indicate tense, and "many" to indicate plural. I,1.	14
	TO BE, EXIST
	TRY	TRY, EFFORT PUT FORTH: Hold "A" hands out in front; push them both forward with an apparent effort.	57
	TRY, EFFORT PUT FORTH
	TRY	TRY: Hands in same position as for "can" ("S" hands extended from sides) then push them forward. VII,133.	38
	TRY
	TUESDAY	TUESDAY: Describe a small circle with the "T" hand.	84
	TUESDAY
	TURKEY	TURKEY: Grasp the bridge of the nose between the thumb and forefinger of the right hand and pull away with a pinching motion; then hold the forefinger of the right "G" hand pendant from the breast.	93
	TURKEY
	TURNIP	TURNIP: Rub the nail side of the thumb of the right "A" hand in the center of the palm of the open left hand.	91
	TURNIP
	TWELVE~SEND	APOSTLES: Twelve, sent.	119
	APOSTLES
	TWICE	TWICE, THRICE, etc.: Indicated by making the sign (ONCE) twice or thrice and raising the fingers to indicate the number of times.	83
	TWICE, THRICE
	UGLY	UGLY, HOMELY: Crook the forefingers of the "G" hands and bring them up in front of the face so that the fingers are directly at the end of the nose and the fingers barely crossed (but not locked); draw the hands apart toward the sides. XIII,262. Or, (2) Place the "A" hands, or the closed "O" hands, one at either cheek, but not touching them, as in pinching or grasping something between the forefinger and thumb; push one hand up and the other down, repeating the motion several times, the hands going up and down alternately as if distorting the face.	76
	UGLY, HOMELY
	UNCLE	UNCLE: Place the letter "U" at the side of the head, near the temple, and draw it downward the least bit with a wavy motion.	22
	UNCLE
	UNDER	UNDER (if stationary): With the left open hand, palm down, in front, and right "A" hand between it and self, let the right hand pass down under the left. Or place the "A" hand under the left and describe a circle with it. XXI,383.	106
	UNDER (stationary)
	UNDER	UNDER (if in motion): Same position and movement, but carry the right hand completely under the left and let the thumb come up above its edge.	106
	UNDER (in motion)
	UNDERSTAND	UNDERSTAND: With the right "G" forefinger bent or crooked, bring the back of the nail against the center of the forehead, draw the end of the finger upward and out until it is straight, describing a parabola. VI,98.	33
	UNDERSTAND
	UNFAIR	UNJUST, UNFAIR: Hold the hands in position as in above (JUST, FAIR) when the hands are brought together; raise the right hand and bring it down forcibly so that the "O" of the right hand strikes the "O" of the left. XIII,257.	75
	UNJUST, UNFAIR
	UNTIL	TILL: Holding the forefinger of the left "G" hand in front, pointing upward, palm to self, push the forefinger of the right "G" hand outward to and touching it, but let the right hand move slowly, and describe an arch over from self to the forefinger. XXI,390. Or, (2) Move the bent forefinger of the right "G" hand, palm down, forward a short distance and then drop it.	108
	TILL (1)
	UP-TILL-NOW	SINCE: Place the forefingers of the "G" hands above the right shoulder, end to end, but not touching; giving each a turn so the ends describe circles opposite each other, bring them both forward to the front. XV,299.	85
	SINCE
	UPON	UPON: Lift the right hand to the position as above (ON).	108
	UPON
	URGE	URGE: Hold out the "A" hands, thumbs pointing out and the crook in forefinger pushing out somewhat; push the hands out and draw back quickly, repeating the motion several times.	56
	URGE
	USEFUL	USE, USEFUL: Hold the left open hand out, palm up, but hand slanting 45 degrees; place the palm of the right open hand against the lower edge of the left, so that the fingers touch the back of it; bring the right hand around and let palms touch palms, but do not move the left hand; repeat several times. IX,205.	57
	USE, USEFUL
	VAIN	VAIN: Bring both "V" hands in front of and slightly above the shoulders, one on each side; the ends of the fingers pointing a little back; bend the fingers simultaneously so that they point directly over the shoulders; then straighten, making the motions alternately. IV,73.	28
	VAIN
	VALLEY	VALLEY: Place the right open hand elevated on the right side and the left similarly on the left, the palms outward; draw both hands down to meet in front of the waist-line, the hands thus tracing the sides of two opposite hills or mountains.	98
	VALLEY
	VARIOUS	DIVERS, VARIOUS, to indicate DIFFERENT OBJECTS: Place the ends of the forefingers, one above the other, nails up, and held at an angle of 45 degrees, and rest of the fingers and thumbs closed; bring the forefingers apart, giving them a shaking motion up and down. II,29 (add).	20
	DIVERS, VARIOUS, DIFFERENT OBJECTS
	VARIOUS	VARIOUS (different, in sense of many kinds): Use the same motion (DIFFERENT) but while drawing the hands apart give the fingers a vibrating, up-and-down motion.	73
	VARIOUS
	VERY	VERY: Place the "V" hands near together, palm to palm, and draw apart toward the sides. XXII,398.	110
	VERY
	VINE	VINE: With the "G" hand moving upward in a snake-like way represent the course of a climbing vine; then spread both open hands upward and outward.	99
	VINE
	VINEGAR	VINEGAR: Strike the mouth with the forefinger side of the right "V" hand.	91
	VINEGAR
	VIRGIN~pn:MARY	MARY (Virgin): With right "V" hand trace a vertical circle before the forehead and follow with the sign for "Mary." XXX,450.	121
	MARY (virgin)
	VOLUNTEER	VOLUNTEER, APPLY (for a place), RUN FOR OFFICE, etc.: Catch the lapel of the coat (or imaginary lapel) with thumb and forefinger or fingers against palm, and lift up as if selecting and offering oneself for service.	40
	VOLUNTEER, APPLY (for a place), RUN FOR OFFICE
	VOTE	VOTE: With ends of the thumb and forefinger together, put them in "O" of other hand. ELECT is indicated by making sign for "vote" and then "appoint" to indicate the appointment was by ballot.	52
	VOTE
	WAIT	WAIT: Extend the left arm out a little way from the side, palm up; bring the right hand in the same position "tandem"-wise, so the arm rests across the body; work the fingers as in playing a piano or a stringed instrument, only have the fingers pointing up. IV,75.	28
	WAIT
	WAKE-UP	WAKE: Place the closed "O" hands at the side of the eyes (one on either side) and quickly open the thumb and forefinger thus representing the opening of the eyelids.	62
	WAKE
	WALK	WALK: Let the hands represent the feet, and with palms down, lift and move them forward alternately as if they were feet in the action of walking.	47
	WALK
	WANT	WISH, WANT (something desired): Hold the hands straight out but elbows resting against the sides; hold the palms up, fingers slightly bend like the claws of an eagle; bring the elbows back, and hold hands as if drawing something toward you. IV,76.	29
	WISH, WANT
	WAR	WAGE WAR: Hold out both "4" hands with fingers pointing toward each other, back of fingers up, push the hands to one side, the right following the left, then to the other side and vice versa.	58
	WAGE WAR
	WARM	WARM: Hold the bent hand up to the mouth as if to blow into it; with a slightly upward motion bring the hand away slowly and bring the fingers open, one by one. If reference is had to the weather or atmosphere, draw the forefinger (crooked) across the forehead. V,90.	30
	WARM
	WARN~SCOLD	WARN: Sign for "call" and then hold up finger in warning attitude.	41
	WARN
	WASH	WASH: Rub the "A" hands, fingers across fingers, as one does in rubbing clothes in the wash. If it is to wash the hands or face simply imitate these actions in natural signs.	62
	WASH
	WATER	WATER: Strike the mouth several times with the right "W" hand (the forefinger against the mouth). XVIII,347.	97
	WATER
	WATER~BAPTIZE	BAPTIZE: Make sign for "water," then make motion of sprinking water on the forehead; or (2) bring the "A" hands toward the right and make motion of immersing imaginary person. For BAPTIST make second sign for "baptize" and "-er" to indicate the person. XIX,361.	101
	BAPTIZE
	WATER~cl-d:BB(river)	RIVER: Make sign for "water;" then bring the left "4" hand out to the front from the side, palm down, fingers pointing diagonally away from the body toward the left; from making the sign "water" bring the right "4" hand down to the front in similar position and pointing in the same direction as the left, somewhat behind it; then move both hands diagonally toward the left, and as the hands move forward shake the fingers up and down unevenly to represent the flowing of the water.	98
	RIVER
	WATER~GROW	SPRING: Make sign for "water," then push the right "&" hand up though the left "O" hand and as it comes up change to "5" hand and work the fingers to represent flowing water.	98
	SPRING
	WATER~RAIN	RAIN: Sign for "water;" then bring the "5" hands elevated toward the side, fingers pointing out and palms down; drop the hands, lifting and dropping them several times in succession, the fingers thus indicating the falling drops of rain. XVIII,348.	97
	RAIN
	WATER~WET	WET: Sign for "water," i.e., place forefinger of "W" hand against lips; then bring both hands in front, and with both in position of slightly bent "5" hands close the fingers to a point with the thumb, as in the "&" hand, and repeat the opening and closing of the hand alternately several times, as if handling something wet.	76
	WET
	WAY	ROAD: Holding the open hands palm to palm and pointing forward, carry them forward as if they represented the sides of a road.	111
	ROAD
	WEAK	WEAK: Place the ends of the fingers of "V" hand in the palm of the open left hand; push the right hand against the palm so that the fingers bend and the hand falls against the palm. XII,237.	68
	WEAK
	WEAK	WEAKNESS: Place ends of "V" standing in palm of hand; bend the fingers so the hand falls toward the palm.	56
	WEAKNESS
	WEDNESDAY	WEDNESDAY: Describe a small circle with the "W" hand.	84
	WEDNESDAY
	WEEK	WEEK: Clap the hands together crosswise, raise the right forefinger to represent "one."	81
	WEEK
	WEEKLY	WEEKLY: Indicated by repeating the sign for "week" two or three times, each time throwing the forefinger forward from the hand.	82
	WEEKLY
	WEIGH	WEIGH: Hold the two "F" hands out breast high, as if balancing them and then raise and lower them alternately as if they were the balances of a pair of scales. Or, place the forefinger of the right "G" hand across that of the left "G" hand and let it bend, first on one side and then on the other as if balancing it.	62
	WEIGH (2)
	WEIGH-SCALE	WEIGH: Hold the two "F" hands out breast high, as if balancing them and then raise and lower them alternately as if they were the balances of a pair of scales.	62
	WEIGH (1)
	WEIGH-SCALE	IF, WHETHER: Bring the "F" hands up in front and balance them up and down like the pans of a pair of scales. XXII,395.	110
	IF, WHETHER
	WEIGH-SCALE~DECIDE	DECIDE, DETERMINE, RENDER JUDGMENT, MAKE UP ONE'S MIND, etc.: After balancing hands as in preceeding sign (JUDGE, WEIGH A THING, CONSIDER), bring them to an abrupt stop exactly opposite. Or touch forehead with forefingers, then bring the extended "O" hands down quickly, opposite and on the same level.	39
	DECIDE, DETERMINE, RENDER JUDGMENT, MAKE UP ONE'S MIND
	WELL	WELL: Place hands, one on each side of the breast, palms toward you; close the hands as you draw them away and move them down with a jerk. IV,56.	25
	WELL
	WEST	WEST: Indicated by moving "W" hand westward.	55
	WEST
	WHAT	WHAT: Hold left hand in front of you, with palm toward you, fingers pointing to right and held apart; place the end of the right forefinger on that of left forefinger, and then draw it down across the other fingers. Or, (2) Hold right forefinger poised at a slight angle, then shake it from side to side as in shaking a rattle. Note: The first sign is preferable; when used as an interrogative, express inquiry on the face or make a question mark in the air.	18
	WHAT
	WHEN	WHEN: Hold the forefinger of the left "G" hand pointing upward, palm side toward self; point the forefinger of the right "G" hand at its end; describe a circle with the right forefinger and then touch the end of the left forefinger with the end of the right forefinger. XIV,291.	84
	WHEN
	WHISPER	WHISPER, SPEAK PRIVATELY: Hold up the open hand, thumb edge against one side of the mouth, and incline head slightly toward one side.	40
	WHISPER, SPEAK PRIVATELY
	WHITE	WHITE: Place the palm of the open right hand against the breast; draw it away (to the front), bringing the fingers into the position of "&." XIII,264.	77
	WHITE
	WHITE~cl-d:B:B:(clasp&shake-to-jingle)	SILVER: Make "white" (place palm of right hand against breast and draw it outward, hand assuming the position of "&"); then bring the hands together, making a hollow of them; shake as if they contained something to jingle.	99
	SILVER
	WHITE~SNOW	SNOW: Make sign for "white," thus: place open hand against the breast and draw it away, closing the fingers against it, so that when it is free of the body it is in the position of "&;" then end with hands same as above in "rain," omitting "water."	97
	SNOW
	WHO	WHO: Purse the lips as in pronouncing "who," then pointing the forefinger at the mouth, a few inches away, move the end of the finger around in a circle. As interrogative, express inquiry on face or make "?" in air with forefinger. II,18.	18
	WHO
	WHO~3P-POSS	WHOSE: Sign for "who" followed by possessive sign.	18
	WHOSE
	WHO~THAT	WHOM: Same as "who" but is sometimes expressed by "who" followed by the sign for the demonstrative "that," or the sign for "him," omitting the male sign.	18
	WHOM
	WHY	WHY: Place the end of the open right hand on the head, above the right eye; bring it forward and downward, the hand as it drops assuming "Y" position. XXII,393.	110
	WHY
	WIDTH	WIDTH: Make sign first as in "wide" and then as in "narrow," indicating the idea of size.	72
	WIDTH
	WILD	WILD: Push the "5" hands up (one on either side of the head), above the head at the sides, giving them a violent shaking motion, twisting them at the elbows.	77
	WILD
	WIN	ACCOMPLISH, WIN OUT: Same position and similar motion (SUCCEED), but raise the hands quickly and give but one revolution of the fingers, and finish with sign for "get." Or, (2) Indicative of a continual "getting;" make the sign for "get," and repeat it several times while you raise the hands together.	48
	ACCOMPLISH, WIN OUT
	WIND-BLOW	WIND: Holding the hands up in front with palm toward palm, wave them first to one side and then to the other, with more or less energy according to the intensity of the wind.	98
	WIND
	WINE	WINE: Rub the right "W" hand against the cheek.	91
	WINE
	WIPE~AWAY	DESTROY: Hold out both "5" hands, one above the other in front, palms facing; bring the hands together, closing them as if grasping something, so when they come together they meet closed fingers against fingers; rub the top hand across the lower as if grinding or mashing whatever was between to atoms, bring hand back across and finally open both hands directly.	53
	DESTROY
	WISE	WISE: Crook the right "G" forefinger and lift the hand to the forehead; place the end of the finger at the top of the center and move it downward across the forehead. VI,103.	33
	WISE
	WISE~DEEP	SCIENCE, or to indicate DEEP WISDOM: Place the forefinger as in "think" or in "wise," hold the left hand out in front of you with fingers extended and loosely apart; bring the end of the right forefinger from the head and pierce it through or between the fingers of the hand, indicating that the wisdom goes down deep. VI,104.	33
	SCIENCE, DEEP WISDOM
	WITH	WITH: Hold the "A" hands side by side together, thumbs up, moving them forward together a little. XXI,391.	108
	WITH
	WITHOUT	WITHOUT: First sign "with," then let the hands drop away toward the sides, opening the while. XXI,392.	108
	WITHOUT
	WONDERFUL	WONDER, ASTONISHMENT: Throw the extended hands up in amazement. IV,78.	29
	WONDER, ASTONISHMENT
	WONDERFUL~WORK	MIRACLE: Wonder, work.	121
	MIRACLE
	WORD	WORD: Make "C" with right hand but close rest of fingers; place the ends of the thumb and forefinger of the "C" hand on the forefinger of left "G" hand, as if to measure its length.	36
	WORD
	WORK	WORK: Throw right "A" hand down against left "A" hand two or three times so that the lower side of right wrist strikes the top side of left wrist. (With both hands in position of "A" throw wrists together.) Same sign followed by "much" signifies "busy." VIII,182.	51
	WORK
	WORK~DO	BUSY: Make the sign for work, i.e., strike the top of the left wrist with the under side of the right wrist, holding the hands in position of "S," and add sign of "action."	73
	BUSY
	WORLD	WORLD: Placing the right "W" hand, fingers pointing outward, first upon the left "S" hand, encircle it with the right, starting the hand outward. XVIII,343.	96
	WORLD
	WORM	WORM: Wriggle the forefinger of the right "G" hand on left palm to represent motion of worm in crawling. XVII,339.	95
	WORM
	WORTH	WORTH: Holding the extended "O" hands out in front, somewhat down, bring them up together in front as in "just," but note that they are brought up from a lower position and gradually approach each other and not from the sides straight together as in "just." XIII,258.	75
	WORTH
	WORTH~MONEY~MUCH	VALUABLE: Sometimes expressed by the sign for "worth," but it is more correct to add sign for "money" and "much," made as follows: MONEY: Strike the palm of the open left hand with the back of the right "&" hand several times. For MUCH: From its position in the palm, draw the right hand away, letting it become "5" hand with fingers pointing toward palm of left.	75
	VALUABLE
	WORTH~NOTHING	WORTHLESS: Sign for "worth," then follow with turning the hands apart, and dropping them. Or, (2) Strike the closed "O" hands together several times, bringing the thumbs and forefingers as closed together, then draw the hands apart. Or, in the last part of the sign open the hands quickly, draw the right hand above the left, and strike the palm of the left with the back of the right and let the hands then fall apart.	75
	WORTHLESS
	WRITE	WRITE: Imitate motion of writing with right hand on left extended palm.	38
	WRITE
	WRONG	MISTAKE: Throw the middle joints of "Y" hand once or twice against chin, so that the chin is between the thumb and little finger. VII,147.	42
	MISTAKE
	WRONG-WAY	WRONG: Push the hand across as above (RIGHT) but in a zigzag way instead of in a straight line. XIII,255.	75
	WRONG
	YARD	YARD: Draw a yard along the arm, as one would in measuring cloth.	84
	YARD
	YEAR	YEAR: Place the "S" hands one above the other; with the right hand now encircle the left, passing the hand outward, and bring to rest in original position.	82
	YEAR
	YEARLY	YEARLY: Strike the top of the left "S" hand with the bottom of the right "S" hand thrown outward against it, and as it strikes extend the forefinger of the right hand and move the hand outward beyond the left; repeat two or three times.	82
	YEARLY
	YELL	CRY OUT, YELL: Place the "C" hand at the mouth as if receiving the sound; draw away the hand, continuing the motion as if drawing the sound out of the mouth.	54
	CRY OUT, YELL
	YELLOW	YELLOW: Similar motion (BLUE) with the right "Y" hand.	77
	YELLOW
	YESTERDAY	YESTERDAY: Place the "Y" hand with the end of the thumb at the corner of the mouth; throw the hand back and bring the thumb against the cheek again near the ear, or carry it a little farther back and throw it over the shoulder. XIV,274.	80
	YESTERDAY
	YOUNG	YOUNG: With the open hands in front on a level with the waist-line, palms toward self, make a brushing motion with the ends of the hands against the body, upward, carrying them on away from the body. Repeat several times. XII,231.	67
	YOUNG

Source: Michaels 1923 Number of entries found: 676
Entry ID	Reference Gloss Author’s Gloss	Description	Page
	1P-IX	ME:1. Touch the breast with the index finger and let the hand fall in front of you with the palm up.	88
	ME
	1P-IX-PL	US:1. Touch your right breast with your right index finger.2. Move the right index finger around in a circular motion from the right breast to the left breast.3. Turn the right hand over so the back of the hand will be downward to denote objective case.	129
	US
	1P-IX-PL	WE:1. Touch the right breast with the tip of your right index finger.2. Move the finger in a circular way around to the left breast.3. Relax fingers forward for plural.	134
	WE
	1P-POSS	MINE:1. Slap the palm of the hand against your breast.2. Show positive expression.	90
	MINE
	1P-POSS-PL	OUR:1. Put the palm of the right hand on your right breast.2. Move the same hand around to your left breast.	98
	OUR
	1P-POSS-PL	OURS:1. See our. Add plural.	98
	OURS
	2P-IX	YOU:1. Point the index finger toward the person or object.THY:2. Extend the fingers and push the palm upward.	140
	YOU
	2P-POSS	YOUR:1. Point the index finger toward the object, and push the palm of the hand toward it.	141
	YOUR
	2P-POSS-PL	YOURS:1. Point the index finger toward the objects, and push the palm outward two or more objects.	141
	YOURS
	3P-POSS-PL	THEIR:1. Same as they. Add push the palm of the hand toward the object or objects, showing possession.	122
	THEIR
	ABANDON	NEGLECT:1. Cluster the fingers of both hands around the thumbs.2. Hold the hands near your breast.3. Move them out in an up and down movement and relax the fingers as if dropping something. Repeat.	94
	NEGLECT
	ABOUT	ABOUT:1. Close the fingers around the thumb of the left hand.2. Move the index finger of the right hand around the left hand two or three times.	19
	ABOUT
	ACROSS	ACROSS:1. Hold your left hand with the palm turned up.2. Pass the right hand across and over the left hand.	20
	ACROSS
	ACROSS	OVER:1. Hold your left hand with the back turned up before you.2. Pass your right hand over the back of the left hand.	98
	OVER
	ADMIT	ADMIT:1. Bow the head in an affirmative manner.	21
	ADMIT
	AGAIN	AGAIN:1. Hold the left hand with the palm turned up.2. Strike in the palm of the left hand with the tips of the right hand fingers.	22
	AGAIN
	AGAINST	AGAINST:1. Hold the left hand with the palm facing you and the fingers turned up.2. Strike in the left palm with the tips of the right hand fingers.	22
	AGAINST
	AGGRESSIVE	BOAST or BRAG:1. Close the fingers partly in the palm of the right hand.2. With the sticking up thumb of the hand strike against the breast two or three times. Have a proud expression.	35
	BOAST, BRAG
	AGO	AGO:1. Throw the right or the left hand backward over your shoulder.A LITTLE WHILE AGO:1. Touch the tip of the index finger with the tip of the thumb: little.2. Throw the hand backward over the shoulder.	22
	AGO
	ALL	ALL:1. Let your index fingers and thumbs touch each other full length in front of you.2. Hold the hands up to the level of your eyes.3. Move the hands in a circular movement until the little fingers touch each other.	23
	ALL
	ALL-DAY	DAY:1. Point the hand as far out to the right as convenient.2. Move the hand upward in a semi-circle above your head and on to the left, as if following the sun.	47
	DAY
	ALL-OVER~fs:U-S	UNITED STATES:1. Move the right hand from the left shoulder in a sweeping manner to the right.2. As you make the movement make the capital letters of U.S. with the fingers.	129
	UNITED STATES
	ALLOW	MAY:1. (Denoting consent) Hold both hands before you with palms up.2. Push the hands outward and upward.	88
	MAY (denoting consent)
	ALMOST	ALMOST:1. Hold the left hand with the palm turned in before you and a little out from the breast.2. Pass the right palm upward along the back of the left hand, barely touching the left hand.	23
	ALMOST
	ALONE	LONESOME:1. Move the index finger in a round about way in front of you.2. Have a forlorn look.	86
	LONESOME
	AMONG	AMONG:1. Hold the left hand before you with the fingers parted and turned upward.2. Pass the right index finger among the left hand fingers in an entwining manner.	24
	AMONG
	AND	AND:1. Draw the right hand from your left and close the fingers around the thumbs.	24
	AND
	APPLE	APPLE:1. Rub the fist of either hand on your cheek (for color).2. Act as if biting pieces off of the fist, as in eating an apple.	24
	APPLE
	APPRECIATE	PLEASE:1. Rub the palm of the right hand in a circle on the breast two or three times.	101
	PLEASE
	ARM	ARM:1. Pass the palm of either hand from the shoulder down to the wrist of the other arm.	25
	ARM
	AROUND	AROUND:1. Hold the left fist in front of you.2. Move the index finger of the right hand around it.	25
	AROUND
	ARRIVE	ARRIVE:1. Drop the back of the right hand in the palm of the left hand.2. Quickly move both hands out forward in a bouncing manner.	25
	ARRIVE
	ASK	ASK:1. Put the finger tips of both hands together as if to prayer.2. Move the hands out before you and draw them toward you.	26
	ASK
	ASK-QUESTION	INQUIRE:1. Make the interrogation mark several times in the air.2. Look intently.	77
	INQUIRE
	AT	AT:1. Hold your left hand with the back turned to your face.2. Touch against it with the fingers of the right hand.	26
	AT
	ATTRACT	DRAW (to draw a crowd):1. Hold both hands out before you with the palms downward.2. Draw the hands toward you, meanwhile close the fingers around the thumbs.	50
	DRAW (to draw a crowd)
	AUNT	AUNT:1. Close the right hand fingers in the palm.2. Rest the thumb on the index finger.3. Move the hand up and down near the right temple.	26
	AUNT
	AUTOMOBILE	AUTOMOBILE:1. Just make motion of turning the steering wheel of an automobile.	26
	AUTOMOBILE
	AWFUL	AWFUL:1. Cluster the fingers of both hands around the thumbs.2. Put the hands to the lower part of the cheeks.3. Move the hands upward along the cheeks to the temples, meanwhile relax the fingers from the thumbs.4. Have a frowning or frightened look.	27
	AWFUL
	AWKWARD	AWKWARD:1. Make an ugly face.2. Pass the hooked index fingers up and down your cheeks one after the other.3. Shrug your shoulders.4. Walk in a limping and crooked way.	27
	AWKWARD
	BABY	BABY:1. Put your right hand on your left forearm.2. Move the forearm and hand up and down as you do a baby.	27
	BABY
	BAD	BAD:1. Put the fingers of one hand to the mouth.2. Throw the hand downward in a vehement manner in front of you and as you do so turn the palm downward.	27
	BAD
	BAD~DOWN	HELL:1. Sign bad. Point downward, unpleasant look.	72
	HELL
	BAD~SIN	CRIME:1. Make the sign for bad.2. Jab the index fingers toward each other over the heart: sin.	45
	CRIME
	BAPTIZE	BAPTIZE:1. Hold the palms facing each other in front of you.2. Move the hands downward toward the left.	28
	BAPTIZE
	BASEBALL	BALL (baseball):1. Make motion of striking with a baseball bat.	28
	BALL (baseball)
	BEAUTIFUL	GRACEFUL:1. See beautiful.	66
	GRACEFUL
	BEAUTIFUL	BEAUTIFUL:1. See pretty.	29
	BEAUTIFUL
	BEAUTIFUL	PRETTY:1. Take on a pleasant and smiling look.2. Move the palm of the right hand around your face.3. Close the fingers around the thumbs as you move the hand around the face. See beautiful.	103
	PRETTY
	BECAUSE	BECAUSE:1. Put the fingers of the right hand to the forehead.2. Move the hand up above the head.3. Close the fingers in the palm of the hand.	29
	BECAUSE
	BECAUSE	FOR:1. Put the fingers of the right hand on the forehead and move the hand upward above your head (because).	60
	FOR
	BEFORE	BEFORE (before a certain time):1. Hold the left hand with the back of the hand facing you.2. Put the back of the right hand against the back of the left hand.3. Draw the right hand toward you and move the left hand forward from you.	30
	BEFORE (time)
	BEFORE	BEHIND TIME:1. Hold your right hand near your side with the palm turned inward.2. Move the hand back and forward two or three times.	31
	BEHIND TIME
	BEG	BEG:1. Hold your left forearm in front of you with the palm of the hand turned downward.2. Put your right hand under the left forearm near the wrist.3. Move the hands in this position in a round about way.4. Meanwhile draw in and extend the fingers of the right hand.	30
	BEG
	BEHIND	BEHIND:1. Hold the left hand with the fingers closed and thumb sticking up before you.2. Suddenly put the right hand with the thumb sticking up behind the left thumb.	31
	BEHIND
	BELOW	BELOW:1. Hold the left hand before you with the palm turned down.2. Put your right hand with the thumb sticking up under the left palm.3. Move the right hand in a little circle under the palm.(Note.-If under house, table, box, chair, paper, etc. add point toward the object or make the sign for the object).	31
	BELOW
	BELOW	BENEATH:1. See below and under.	32
	BENEATH
	BETWEEN	BETWEEN:1. Hold your left hand with the thumb and index finger extended.2. Put the soft part of the right hand between the thumb and index finger of the left hand.3. Move the hand left and right without taking it off of the left hand.	33
	BETWEEN
	BIG	BIG:1. With the fingers bent in a little put the palms together.2. Move them apart in a large stretch.	34
	BIG
	BIRD	HEN:1. Put the back of the index finger and thumb to the mouth, and move the index finger up and down as a hen does its mouth when cackling.	72
	HEN
	BIRD~FLY	BIRD:1. Put the back of your hand to your mouth.2. Move the index finger up and down from the thumb as a bird does in opening its mouth.3. Spread out your arms, right to the right, left to the left.4. Flap the hands and arms as a bird does its wings.	34
	BIRD
	BITE	BITE:1. Put the side of your index finger in the mouth and bite.	34
	BITE
	BLACK	BLACK:1. Pass the tip of the index finger along the eye brow. (Eye brows are usually black).	35
	BLACK
	BLACK~EAGLE~FLY	CROW:1. Pass the index finger over the eye-brow: black.2. Pass the hooked index finger over the nose.3. Flap the arms and hands as in bird.	45
	CROW
	BLACK~HARD~WRITE	SLATE:1. Pass the point of the index finger along the eye-brow: black.2. Strike on the back of the left fist with the hooked index fingers.3. Go through motion of writing on something in front of you.	114
	SLATE
	BLACK~NEGRO~gs:skin	AFRICA:1. Draw the index finger along your eye brow: black.2. Press your middle finger against the nose: negro.3. Close the fingers of the right hand with the thumb on the index finger.4. Move the right hand in a circle over the back of the left hand.	21
	AFRICA
	BLACK~ROCK~FIRE	COAL:1. Pass the index finger of one hand along the eye-brow: black.2. Strike on the back of the other hand: hard.3. Add the sign for burn.	42
	COAL
	BLIND	BLIND:1. Put the points of the index and middle fingers over the closed eyes.	35
	BLIND
	BLUE	BLUE:1. With the thumb resting in the palm of one hand, hold the hand before you.2. Move the hand in a twisting and round about way before you.	35
	BLUE
	BOAT	BOAT:1. Make a trough by putting the little fingers and soft parts of the hands together.2. Move the trough thusly made forward in an up and down or wavy way.For ship: Stick up three fingers.For steam boats: Put the right hand to the left elbow and revolve the hand.	35
	BOAT
	BONE~IRON	IRON:1. Touch the teeth with the index finger of the right hand: hard.2. Strike in a gliding manner on the thumb and index finger of the left hand wtih the right fist.	77
	IRON
	BOOK	BOOK:1. Put your palms together.2. Open the palms as you do a book.	36
	BOOK
	BORROW	KEEP:1. Sign borrow.	79
	KEEP
	BORROW	BORROW:1. Extend the index and middle fingers of both hands.2. Put the right hand on top of the left hand.3. Move the right hand up and down two times.	36
	BORROW
	BOTH	PAIR:1. Draw the index and middle fingers of your right hand downward through the index finger and thumb of the left hand.	99
	PAIR
	BRASS	BRASS:1. Put the index finger lengthwise under your nose.2. Twist the hand around one or two times.3. Smell the finger and move it downward. Frown.	36
	BRASS
	BRASS	COPPER:1. See brass.	44
	COPPER
	BRAVE	BRAVE:1. Put both clinched fists to your breast.2. Move them out forward in a bold-defiant way.	36
	BRAVE
	BREAD	BREAD:1. Hold the left palm facing you.2. Use your right hand as a knife to cut bread.3. Draw the right hand along the back of the left hand, letting the little finger of the right hand touch the back of the left hand.	36
	BREAD
	BRING	CARRY:1. Hold both hands near your breast with the palms turned up.2. Move the hands forward a little to one side.	39
	CARRY
	BROWN	BROWN:1. Draw the index finger over your eyebrow.2. Put the palm of one hand to the shirt front.3. Draw the hand out, meanwhile close the fingers around your thumb.4. Mix the fingers of both hands in a round about way.	37
	BROWN
	BUILD	BUILD:1. Put the palm of the right hand on the back of the left hand.2. (Change): Put the palm of the left hand on the back of the right hand.3. Repeat the movements and as you do so let the hands rise upward above the head.	37
	BUILD
	BUILD~UP	TOWER:1. See build, and point upward.	125
	TOWER
	BUY	BUY:1. Strike the back of your right hand in the palm of your left hand.2. Move the right hand out forward, and let some imaginary thing fall out of the hand.3. Make motion of taking something with the right hand.	38
	BUY
	BUY~EXCHANGE~AGENT	MERCHANT:1. Pat the back of the right hand in the palm of the left hand: money.2. Move the right hand out forward and make motion of dropping something: buy.3. Let the tips of the index fingers and thumbs come together and hold the hands near the breast.4. Move the hands outward and back two times: sell.5. Put the palms to the breast and move the hands downward: for ant or er as in lawyer.	89
	MERCHANT
	CABBAGE	CABBAGE:1. Strike the sides of your head with the ball of your hands simultaneously.	38
	CABBAGE
	CAN	CAN:1. Hold the clinched fists before you.2. Move them up and down in a firm jolting manner to a stationary point near the waist.	38
	CAN
	CANDY	CANDY:1. Pass the index finger of one hand in a twisting manner from the far corner of your lips to the other corner and beyond.2. Smack your lips as if pleased with the taste.	38
	CANDY
	CARELESS	CARELESS:1. Hold the right hand with the index and middle fingers extended and parted.2. Move the hand right and left before your eyes.	39
	CARELESS
	CARPENTER~AGENT	CARPENTER:1. Imagine you hold a carpenter's jack plane in your hands.2. Push the hands to the right as you do in shaving a board.3. Put the palms to the breast and move them down simultaneously to the waist.	39
	CARPENTER
	CAT	CAT:1. With the index fingers and thumbs of both hands extended, put them to your mouth.2. Let the tips of the index fingers and thumbs touch over the middle of the lips.3. Draw the right hand to the right and the left hand to the left simultaneously.4. Stroke the back of the left hand with the right palm.	39
	CAT
	CATHOLIC	CATHOLIC:1. Make a cross in the air with the index finger in front of your forehead.	39
	CATHOLIC
	CENTER	AMIDST:1. Hold the left hand with the palm turned up in front of you.2. Move the right hand fingers in a circle above the left palm.3. Let the tips of the right fingers strike in the middle of the left palm.	24
	AMIDST
	CHALLENGE	CHALLENGE:1. Close the fingers in the hands, with the thumbs sticking up.2. Hold the thumbs near each other.3. Raise the hands a little and let them drop in a sudden thump to a stationary position a little further outward.4. Have a bold expression.	40
	CHALLENGE
	CHANGE	CHANGE:1. Imagine you hold something in both hands held out in front of you.2. Change places of the hands. Left hand going in the place of the right and vice versa. Or, you can use the index fingers and change places.	40
	CHANGE
	CHANGE	MODIFY:1. See change.	91
	MODIFY
	CITY	TOWN:1. Hold your hands in the form of a peak, i.e.: Let the finger tips of each hand touch.2. Let the peak point upward.3. Move the hands in a round-about way.4. As you make the movement around let the finger tips part and come together again several times.(The peak indicates the tops of houses.)	125
	TOWN
	cl-d-trace:1(round)~WATER~DOWN(hole)	WELL (noun):1. Make a circle downward in front of you.2. Make the sign of water, and point downward deep.	135
	WELL (noun)
	cl-d-trace:1onB(dollar)	MONEY:1. Make a circle with the index finger of the right hand in the palm of the left hand.	91
	MONEY
	cl-d-trace:55(hill-mounds)	HILL:1. Move both hands with the palms facing toward and fingers extended and held at an angle of about 45 degrees upward, then downward and upward again.	73
	HILL
	cl-d:BB(increase)	MORE:1. Hold your left turned up palm before you.2. Put the tips of the right hand fingers against the left palm.3. Move the right hand up about six inches. (For much, more the hand up higher and higher.)	92
	MORE
	cl-d:BB(increase)	MUCH:1. See more, but move the hand further up and in a more vigorous way.	92
	MUCH
	cl-d:BB(table-top)~BRIDGE	TABLE:1. See spread, add by touching under the elbow then the wrist of the left arm with the tips of the index and middle fingers of the right hand.	120
	TABLE
	cl-i:XxXx(coach-ride)	DRIVE:(To drive a horse)1. Imagine you hold reins in your hands.2. Check them up and click. (To drive away)1. Hold both hands with the palms turned outward near your waist.2. Push the hands outward as if you would do in shooing chickens away. Or,1. Hold one hand before you eith the elbow bent and palm outward.2. Push the hand outward as if pushing some one aside.	51
	DRIVE
	cl-trace:1(along-a-path)	ALONG:1. Have the index finger pointing downward.2. Move the finger forward in a zigzag manner.	23
	ALONG
	cl-trace:11(rectangle)~gs:wipe-face	TOWEL:1. Make a small oblong square in the air with your index finger.2. Go through the motion of wiping your face with a towel.	125
	TOWEL
	cl-trace:1>O>5(sunshine)	SUN:1. Look heavenward, moving your eyelids a little.2. Make a circle in the air about the size of the sun as you see it.3. Spread out the fingers of the hand, wiggle the fingers briskly and draw the hand toward you. Avert the head from the brightness.	118
	SUN
	cl:55(filter)~gs:put-on-veil	VEIL:1. Place the right hand palm lengthwise on the back of the left hand.2. Hold the hands up before your eyes.3. Draw the hands apart right hand going right and left to the left.4. Pass the hand around to the back of the head. Go through the motion of a woman putting on a veil.	130
	VEIL
	cl:55(light-shining)~cl:55(shake,shining)	SHINE:1. Hold both hands out before you with the palms downward and a little upward.2. Draw the hands toward you wiggling the fingers meanwhile.3. Avert the eyes as if getting them out of bright light.	112
	SHINE
	cl:5>8pluckB(plate)~WHITE~cl-trace:1(round)	PLATE:1. Pluck under the back of the left hand with the middle finger of the right hand.2. Sign white.3. Make a circle around the left hand with the right index finger.	101
	PLATE
	cl:5slide-overS(ball)~gs:throw-ball-up	BALL:1. Hold your left fist in front of you.2. Pass the right palm over it.3. Make motion of throwing up and catching a ball.	28
	BALL
	cl:B(small-height)	LOW:1. Move the hand up and down from the ground to the proper height.	87
	LOW
	cl:LEG(hop-on-one-foot)	HOP:1. With the index finger hooked, move the middle finger up and down in the palm of the other hand.Or hop on one foot.	74
	HOP
	cl:LEG(hop-on-one-foot)	JUMP:1. Put the tips of the index and middle fingers of the right hand on the side of the index finger of the left hand.2. Move the right hand out forward in a jumping manner, as a bird jumps from a fence to the ground.	79
	JUMP
	cl:LEGSonB(ride-horse)	RIDE (to ride a horse):1. Straddle the left index finger with the index and middle fingers of the right hand.2. Move both hands forward in an up and down gait.To ride in the cars: Sign railroad.To ride in an auto: Sign automobile.	107
	RIDE
	CLOTHES	DRESS:1. Give your coat lapel or waist front a pull or two.2. Pass the palms of your hands from shoulders down as far as convenient.	51
	DRESS
	COAT	COAT:1. Take hold of your coat lapel and give it a pull or two.2. Pass the palms of your hands one after the other along your arms from shoulder down.	43
	COAT
	COFFEE	COFFEE:1. Close the fists, both hands.2. Put the right fist on top of the left so the right hand little finger will be on the left thumb and index finger.3. Turn the right hand in a grinding and circular manner as if grinding coffee.	43
	COFFEE
	COLD	COLD:1. Hold the closed fists to your sides near the breast.2. Shiver, meanwhile shake the hands and draw them closer to you.3. Have a frowning or disagreeable expression.	43
	COLD
	COMB	COMB:1. Use the fingers as a comb's teeth and draw them downward on the head as you do a comb.	43
	COMB
	CONTEMPT	CURSE:1. Close the middle, third, and little fingers of the right hand.2. Put the thumb and index finger of the same hand to the mouth and throw the hand down vehemently as throwing some thing to the ground. Frown.	46
	CURSE
	COOK	FRY:1. Use your left hand as a frying pan.2. Put the right hand in the left palm, turn the right hand over a few times as you turn fish or meat over in a frying pan.	62
	FRY
	COUNTRY~SPREAD	COUNTRY:1. Hold the left forearm in front of you.2. Pass the right hand under it in a circular movement.3. Spread both hands in a waving way broadcast before you.	44
	COUNTRY
	COUNTRY~SPREAD	FARM:1. See country.	56
	FARM
	COUSIN	COUSIN:1. Strike the index fingers together two times.2. Show sex male or female.	45
	COUSIN
	COW	COW:1. With the index fingers and thumbs of both hands extended put the thumbs to your temples.2. Move the hands back and forward: for horns.3. Go through motion of milking a cow.	45
	COW
	COW~cl-d:B(small-height)	CALF:1. See cow; indicate height by moving the palm so high from the ground.	38
	CALF
	COW~gs:whirl-whip	OX:1. Sign cow, and instead of making the milking movement, whirl an imaginary whip over your head.	98
	OX
	CRADLE	CRADLE:1. Go through the motion of pushing an imaginary cradle backward and forward.	45
	CRADLE
	CRITICIZE	MARK:1. Draw the index finger over the place or imaginary place where the mark ought to be.	87
	MARK
	CROWD	CROWD:1. Press your closed fingers together and move them in a round about way before you. Give a close expression.	46
	CROWD
	CRUCIFY	CRUCIFY:1. Touch the middle of the left palm with the right middle finger.2. Touch the middle of the right palm with the left middle finger.3. Spread out the arms sidewardly forming the cross.	46
	CRUCIFY
	CRY	CRY:1. Put the index fingers to your eyes.2. Drag them down your cheeks as if tracing tears.3. Have a crying face.	46
	CRY
	CUT	CUT:1. Use your index finger as a knife blade and draw it over the place cut. Or,1. Use your right hand as an ax and your left forearm as a tree.2. Strike in a cutting down way against the left forearm.	47
	CUT
	DAILY	EVERY DAY:1. Have the fingers closed and thumb sticking up.2. Put the thumb against the cheek and move it out, repeat two or three times.	56
	EVERY DAY
	DANCE	BALL (to dance):1. Move the index and middle fingers of the right hand around in the palm of your left hand, wiggle the fingers as you do so.2. Go through the motion of waltzing.	28
	BALL (to dance)
	DARK	DARK:1. Pass the palms before the eyes, letting the hands eclipse in front of the eyes.2. Close the eyes.	47
	DARK
	DARK	NIGHT:1. Pass the palms of your hands close by the face.2. Let the hands eclipse before your eyes.3. Close the eyes: (see dark).	95
	NIGHT
	DAY~NOW	TO-DAY:1. Hold your upturned palms in front of you.2. Move them up and down a little.3. Point the index finger of the right hand to the right (east).4. Move the right hand with the finger still pointing in a semi-circle upward and over to your left as far as you can get it.	124
	TO-DAY
	DEER	DEER:1. Have all the fingers of both hands extended and wide apart.2. Put the thumbs to the temples.3. Move the hands backward and forward imitating the movement of a deer's horns.	47
	DEER
	DEFEAT-1P	BEAT (in a contest):1. Close the fingers of both hands in the palms.2. Let the thumbs stick up.3. Hold the left hand in front of you.4. Hold the right hand a little behind the left hand.5. Push the left hand thumb over with the right hand thumb.	29
	BEAT
	DENY	DENY:1. Put one or both thumbs to your mouth.2. Move the hands downward and outward in a vigorous manner.3. Have a frowning look.	48
	DENY
	DET-IX	AROUND (indicating place):1. Point the index finger around the corner or place.	25
	AROUND (place)
	DET-IX	THAT:1. Hold the left hand with the index finger pointing toward the object.2. Pass the right index finger along the left index finger and toward the object.	121
	THAT
	DET-IX	THIS:1. Hold your left palm turned up before you.2. Move the right index finger in a circle over the palm.3. Bring the finger to a sudden stop, pointing at the middle of the palm.	122
	THIS
	DET-IX~1P-POSS	CLAIM:1. Point the index finger toward the object if in view.2. Slap or bring the palm of the same hand against your breast. Earnest expression.	42
	CLAIM
	DET-IX~cl-i:SS(open-window)	WINDOW:1. Look or point toward a window.2. Go through the motion of hoisting a window.	137
	WINDOW
	DET-IX~GOD	GOD:1. Point the index finger, with the tips of the thumb and middle finger touching each other, heavenward.2. Extend your eyes heavenward.3. Move the hand down before your face slowly, spread out the fingers as you do so.4. Bow the head reverently.	65
	GOD
	DEVIL	DEVIL:1. Extend and part the index and middle fingers of both hands, other fingers closed.2. Hold the hands near the sides of the eyes, and draw in and extend the fingers two or three times.3. Have an evil look.	48
	DEVIL
	DIAMOND	DIAMOND:1. Hold an imaginary diamond between your index finger and thumb.2. Turn the hand this way and that.3. Look intently at the hand.4. Have a pleasant look.	49
	DIAMOND
	DIE	DIE:1. Put the palm of one hand on the breast.2. Give a heavy sigh and close the eyes.3. Extend the hand from the breast and let it drop downward slowly.	49
	DIE
	DIRTY	DIRTY:1. Put the back of either hand to your chin.2. Wiggle the fingers outward.3. Have an unpleasant look.	49
	DIRTY
	DISOBEY	DISOBEY:1. Hold the right forearm with the fist clinched before you.2. Move the forearm upward in a sudden jerk above your head.	49
	DISOBEY
	DISOBEY~MAN	ADAM:1. Hold the closed fist of the right hand in front of you.2. Move the hand in a sudden jerking way above the level of your head: Disobey or Disobedient.3. Add the sign for Man.	20
	ADAM
	DO	DO:1. Hold both hands before you with the fingers bent down.2. Move the hands right then left two or three times.3. Wiggle the fingers.	50
	DO
	DOG	DOG:1. Snap the thumb and middle finger.2. Pat on the front part of the hip.	50
	DOG
	DOLL~BABY	DOLL:1. Draw the hooked index finger from your forehead down over your nose and chin and sign baby.	50
	DOLL
	DONKEY	MULE:1. Put both hands with the fingers extended to the side of your head.2. Move the hands forward and back as a mule moves its ears.	93
	MULE
	DOOR	DOOR:1. Hold the backs of both hands before you so that the index fingers will touch each other full length.2. Move the right hand backward from the left, as opening a door.	50
	DOOR
	DOOR	OPEN:1. Place the hands together so the index fingers will touch each other full length.2. Move the hands apart. See door.	97
	OPEN
	DOOR	GATE:1. See door and fence.	63
	GATE
	DRAW	DRAW (to draw a picture):1. Use your little finger as a pencil or brush.2. Move the little finger over the palm of the right hand.	50
	DRAW (to draw a picture)
	DREAM	DREAM:1. Put the tips of the fingers of one hand to your forehead.2. Close the eyes.3. Move the hand upward, revolving or turning it as you do so.	51
	DREAM
	DROWN	DROWN:1. Sign water.2. Pass your right hand downwards between the thumb and fingers of the left hand.	51
	DROWN
	DRUNK	DRUNKARD:1. Have the thumb and little finger of the right hand extended.2. Put the thumb to your mouth.3. Go through motion of drinking.	52
	DRUNKARD
	DRY	DRY:1. Draw the hooked index finger from one corner of the mouth to the other corner.	52
	DRY
	DUTCH	HOLLAND:1. Index and middle fingers extended and thumb resting on the third finger.2. Move the hand from your cheek outward and back two or three times.	74
	HOLLAND
	DUTCH	DUTCH:1. Put the tips of the middle finger and thumb of one hand together, with the index finger extended.2. Move the hand from and back to your cheek two or three times.	52
	DUTCH
	EAGLE~FLY~pose:soar	EAGLE:1. Pass the hooked index finger across the nose: beak.2. Spread out the arms full length right and left.3. Flap the arms and hands as in bird.4. Bend in the shoulders and bow the head. Arms still flapping.5. Hold the arms stationary and turn the body in a round about way for soaring.	52
	EAGLE
	EARRING~YELLOW	GOLD:1. Catch hold of the lower end of the ear with the index finger and thumb of one hand.2. Extend the thumb and little finger of same hand other fingers resting in the palm, move the hand out forward.	65
	GOLD
	EAT	EAT:1. With the fingers of one hand clustered around the thumb.2. Put them to your mouth and go through motion of chewing and swallowing.	53
	EAT
	EAT~BED	HOME:1. Make the sign for eat.2. Lean the side of the head in the palm of the hand.3. Close the eyes as if to sleep.	74
	HOME
	EAT~NIGHT	SUPPER:1. Sign eat and move your right hand downward over your left forearm near the wrist.	119
	SUPPER
	EAT~NOON	DINNER:1. Put the elbow of your right arm in the palm of your left hand.2. Hold the right forearm perpendicular: noon.3. Point to the mouth and chew, as if eating.	49
	DINNER
	EGG	EGG:1. Use your index and middle fingers as a knife or spoon.2. Strike on an imaginary egg held between the thumb and index finger of the left hand.3. Go through the motion of pulling or breaking an egg shell and dropping the contents.	53
	EGG
	ELEPHANT	ELEPHANT:1. Pass the back of your right hand outward and downward from your nose.2. Move the hanging down hand and arm from side to side: imitating the elephant moving its trunk.3. Imitate the heavy strutting walk of an elephant, using your hands for the forefeet.	54
	ELEPHANT
	END	HAVE:1. (As an auxiliary) Hold the left hand with the palm facing you.2. Strike downwards with the right hand pass the left hand fingers.	71
	HAVE (auxiliary)
	ENTHUSIASTIC	ENCOURAGE:1. Rub the palms of your hands together toward the object or imaginary object.2. Have an earnest look.	54
	ENCOURAGE
	ENVY	JEALOUS:1. Put the index finger between your teeth.2. Make out you are biting.3. Have an evil expression.	78
	JEALOUS
	ENVY	ENVY:1. Put the index finger of either hand between your teeth and act as if biting.2. Frown or have an evil look.	55
	ENVY
	EYES	EYE:1. Put the index finger up to the eye.	56
	EYE
	FAIL	LOOSE:1. Let the hands roll one over the other downward.	86
	LOOSE
	FALSE	LIE:1. Pass the right index finger from the right corner of the mouth along the lips and beyond the left corner in a quick movement.2. Have expression of sorrow or regret.(Fib): 1. Put the right index finger held perpendicular to the right corner of your mouth, and brush or push it along your lips to and beyond the left corner of the mouth.	85
	LIE
	FALSE	FIB:1. Pass the index finger of either hand from one corner of the mouth to the other in a brushing way.	58
	FIB
	FANCY	POLITE:1. Touch your breast with the right palm move the hand out and downward, then touch the breast with the left hand and move it out and downward. Repeat the movement.	101
	POLITE
	FAR	FAR:1. Put the palm of the right hand on the back of the left hand held before you.2. Move the right hand out as far as convenient from the left hand.	56
	FAR
	FAT	FAT:1. Let your right thumb rest against your right cheek and the right index finger against the left cheek near the chin.2. Fill the cheek with breath.3. Move the right hand up the cheeks in a forced manner.4. Then touch the shoulders with their respective hands and move the hands outward and backward: stout.5. Extend your chest as you do so.	56
	FAT
	FATHER~gs:hold-baby	FATHER:1. Close both hands.2. Put the right hand to the forehead (male).3. Put the left hand a little above and outward from the head.4. Move both hand simultaneously to the left and as you do so spread out the fingers. (For grandfather, move the hands and spread out the fingers two times.)	57
	FATHER
	FEAR	AFRAID:1. Hold both hands out before you with the palms turned down.2. Draw the hands back toward you in a trembling manner.3. Draw up the shoulders a little.4. Have a frightened look.	21
	AFRAID
	FEEL	FEEL:1. Pass the index finger upward over the heart. (For emotion.) Or,Feel around with the fingers.	57
	FEEL
	FEEL~PITY	CHARITY:1. Touch over the heart with the index finger of the right hand.2. Stroke on some imaginary object in front of you. Use the same hand.Also1. Pull downward under your left coat sleeve with the right hand: poor.2. Move the right hand outward, palm up and act as if dropping something: give.	40
	CHARITY
	FEEL~PITY	COMPASSION:1. See pity.	44
	COMPASSION
	FEEL~PITY	PITY:1. Pass the middle finger of the right hand up over your heart.2. Stroke the hand outward toward the object.3. Have a kindly expression.	100
	PITY
	FEMALE	FEMALE:1. Move the tip of the thumb from near the temple, downward along your cheek to near the chin.	57
	FEMALE
	FEMALE~3P-IX~obj-case~POSS	SHE:1. Make the female sign and point the index finger toward the object.	112
	SHE
	FEMALE~3P-IX~obj-case~POSS	HER:1. Pass the thumb along the cheek from near the ear to the chin.2. Point the index finger toward the object.3. Turn the hand over for objective case. Push the hand toward her for possession.	72
	HER
	FEMALE~3P-IX~obj-case~POSS	HERS:1. See her.	72
	HERS
	FEMALE~BABY~cl-d:B(small-height)	DAUGHTER:1. Sign female and baby.2. Show height	47
	DAUGHTER
	FEMALE~cl-d:B(small-height)	GIRL:1. Pass the tip of the thumb from near the temple along the cheek to the chin: female.2. Show height, by moving the hand up from the ground or floor.	64
	GIRL
	FEMALE~FANCY	LADY:1. Draw the thumb from near the temple along the cheek to near the chin.2. Spread out the fingers of the hand.3. Touch the breast with the tip of the thumb once or twice.	80
	LADY
	FEMALE~gs:hold-baby	MOTHER:1. Make the sign for female.2. Move both hands fingers closed to the left and upward.3. Spread out the fingers as you make the movement upward.	92
	MOTHER
	FEMALE~MARRY	WIFE:1. Join the hands palm in palm. See female sign.	137
	WIFE
	FEMALE~NIECE	NIECE:1. Make sign of female.2. Place the right index and middle fingers of the right hand near the ear with the fingers hanging downward.3. Move the fingers forward and back a little twice.	95
	NIECE
	FEMALE~SAME	SISTER:1. Move the point of the thumb from near the ear down the cheek to the chin: female.2. Strike the index fingers together lengthwise.	113
	SISTER
	FENCE	FENCE:2. (Paling fence): Hold the fingers up before you and move the hands downward. Repeat several times.	57
	FENCE (paling)
	FIGHT	FIGHT:1. Strike out the fist one after the other. Look cross.	58
	FIGHT
	FIND	FIND:1. Make motion of picking up something with the index finger and thumb.2. Have a surprised appearance.	58
	FIND
	FIRE	KINDLE:1. See fire.	80
	KINDLE
	FIRE	BURN:1. Go through the motion of lighting a match.2. Hold the lighted match under the left hand as if setting something on fire.3. Wiggle the fingers of both hands upward.	37
	BURN
	FIRE	FIRE:1. See burn.	58
	FIRE
	FISH	FISH:1. Put the right hand fingers against the left wrist.2. Wag the left hand as a fish does its tail.	58
	FISH
	FISH~LARGE~cl:11(along-nose>whale-spouting)	WHALE:1. Sign fish and large.2. Pass the index fingers up along the sides of your nose and outward as a whale spirming. (To denote Jonah, add sign of man and swallow.)	135
	WHALE
	FLAT	FLAT:1. Press the palms of both hands downward.2. Move them sideward, right to the right and left to the left.	59
	FLAT
	FLOOR	FLOOR:1. Hold both hands with the palms turned down.2. Knock them together so the index fingers will touch each other lengthwise.3. Point to the floor.	59
	FLOOR
	FLOWER	FLOWER:1. Cluster the fingers around the thumb of one hand.2. Put the hand to the nose and smell as you do a flower. (Spell variety.)	60
	FLOWER
	FLY	FLY:1. (To fly): Extend the arms right and left and flap them as a bird does its wings.	60
	FLY (to fly)
	FOLLOW	AFTER (to follow):1. Hold the left hand with the thumb sticking up in front of you.2. Put your right hand with the thumb sticking up right back of the left hand.3. Move the left hand in a zigzag way forward.4. Let the right hand follow the left hand.	22
	AFTER (to follow)
	FOLLOW	CHASE:1. Hold the left hand with the thumb sticking up before you.2. Hold the right hand with the thumb sticking up a little behind the left hand.3. Move the left hand out forward in a zigzag manner.4. Let the right hand follow as if trying to catch up to the left hand.	41
	CHASE
	FOOL	UGLY:1. Have a pouting face.2. Move the hooked index fingers of both hands up and down alternately along the cheeks.3. Pass one hooked index finger over the nose. See awkward.	127
	UGLY
	FOOTPRINTS	TRACK:1. Use your hands as feet.2. Press one palm downward after the other two or three times.3. Point to a foot.(Tracks of animals are expressed in various ways.)Railroad track: Glide the index and middle fingers of the right hand over the left index and middle fingers.Wagon track: Make two circles one with the right hand and the other with the left hand near your sides and point along the road.Automobile track: Sign auto and point along the road, etc., etc.	125
	TRACK
	FOOTPRINTS	WALK:1. Use your hands as feet.2. Move the hands one after the other forward as you move your feet in walking.3. Use your feet also.	131
	WALK
	FOR	FOR:1. Put the index finger to the forehead and quickly point it outward and forward.	60
	FOR
	FORGET	FORGET:1. Draw the fingers of your right hand from near the left temple along your forehead to the right temple.	61
	FORGET
	FORGIVE	EXCUSE:1. Pass the palms of the right hand fingers over the palms of the left hand fingers quickly several times.	56
	EXCUSE
	FORGIVE	FORGIVE:1. Pass the palms of the fingers of the right hand over the palms of the left hand then pass the fingers of the left hand over the palm of the right hand.	61
	FORGIVE
	FREE	SAFE:1. Cross the wrists with the fists closed.2. Draw them suddenly apart.3. Have a relieved expression.	110
	SAFE
	FRIDAY	FRIDAY:1. With the thumb resting on the index finger, other fingers extended, move the hand in a round about way in front of you.	61
	FRIDAY
	FRIEND	FOND:1. Hook the left and right index fingers together. Repeat.	60
	FOND
	FRIEND	FRIEND:1. See fond.(For lady friend, add female, for gentleman friend, add male.)	61
	FRIEND
	FROG	TOAD:1. See frog.	124
	TOAD
	FROM	FROM:1. Hold your left index finger up before you.2. Put the knuckle of the hooked right index finger against it.3. Draw the right hand toward you.	62
	FROM
	FROM-THEN-ON	AFTER:1. Hold your left hand near your right side, palm toward you.2. Put the fingers of the right hand on the back of the left hand.3. Force the left hand back a little with the right hand fingers.4. Move the right hand out forward in a straight forward way.	21
	AFTER
	FROM-THEN-ON	BEYOND:1. Put the fingers of the right hand on the back of the left hand held before you.2. Move the right hand outward and forward.	33
	BEYOND
	fs:OF	OF:1. Just spell "of."	96
	OF
	FUTURE	FUTURE:1. Hold your right hand near your sides with the fingers pointing outward.2. Move the hand straight forward as far as convenient.	62
	FUTURE
	GAS	GAS:1. Pass the index and middle fingers of your right hand up between the index and middle fingers of your left hand.2. Smell the right fingers.3. Show unpleasant smell. Turn the hand to one side.	62
	GAS
	GET	DRAW:1. Spread both hands out before you as far as you can with the palms up.2. Close the fingers in the palms of the hands, as if taking hold of something.3. Pull the hands toward you.	50
	DRAW
	GET	DRAW: 1. Spread both hands out before you as far as you can with the palms up. 2. Close the fingers in the palms of the hands, as if taking hold of something. 3. Pull the hands toward you.	50
	DRAW
	GET	RECEIVE:1. Hold both hands out in front of you. Palms up.2. Draw the fingers around the thumbs.3. Move the hands to your breast. Same for accept.	107
	RECEIVE
	GET	GET:1. Hold both hands in front of you with the palms facing each other and fingers spread out.2. Close the fingers and draw the hand toward you.	63
	GET
	GET-UP	RISE: To get up from bed:1. Lay the index finger in the palm of the left hand.2. Rise it up slowly.	108
	RISE (3)
	GIVE	GIVE:1. Close the fingers around the thumb, either hand.2. Move the hand forward as far as convenient.3. Relax the fingers and drop the hand as giving something. (Usually move the hand toward the object given to, if present).	64
	GIVE
	GLOBE	GLOBE:1. Pass the palm of the right hand over and around the closed fist of the left hand held in front of you.	64
	GLOBE
	GLORY	GLORY:1. Hold both hands, with palms down, as far as possible out sidewardly.2. Draw the hands toward you, meanwhile wiggle the fingers and move the hands up and down.3. Turn the head and close the eyes as if to screen the eyes.	64
	GLORY
	GO-AWAY	YONDER:1. Throw the back of the hand out toward the object.2. Point to the object.	140
	YONDER
	GOAT	GOAT:1. Make motion of stroking a long goatee with the right hand.2. Touch the forehead with the index and middle fingers.3. Throw the hand backward over your head.4. Butt against the palm of the left hand with your right fist.	65
	GOAT
	GOING	GO:1. Hold the extended index fingers pointing direct at each other, in front of you.2. Move the fingers forward revolving one over the other as you make the movement.For went, use the past-tense.	65
	GO
	GOOD	GOOD:1. Put the fingers of one hand to the lips.2. Move the hand outward, as if kissing the hand.	66
	GOOD
	GOVERNMENT	GOVERNOR:1. Move the right index finger in a circle near your right temple.2. Put the tip of the index finger against the temple.	66
	GOVERNOR
	GREEDY	GREEDY:1. Make the sign of eat.2. Act as if cramming the mouth. Extend the cheeks.	68
	GREEDY
	GREEN	GREEN:1. With the index finger extended and thumb resting on the middle finger, move the hand in a round about way before you.	68
	GREEN
	GREEN(circ)~COLD	GREENLAND:1. Index finger of right hand extended and thumb resting on the middle finger, move the hand in a round about manner.2. Sign cold.	69
	GREENLAND
	GREEN~GROW	GRASS:1. With the index finger of the right hand extended and thumb resting on the middle finger, twist the hand in a round about way in front of you: green.2. Close the fingers around the thumb of the same hand.3. Force the hand upward between the fingers and thumb of the left hand, and spread out the fingers as they pass upward.	66
	GRASS
	GREEN~GROW	STRAW:1. See grass and hay.	117
	STRAW
	GREEN~GROW~EAT	GRAZE:1. Sign grass and eat.	68
	GRAZE
	GRIEVE	GRIEVE:1. Rub the closed fist over the heart.2. Press both fists together in a twisting manner.3. Have a grieved expression.	69
	GRIEVE
	GROW	GROW:]1. Close the left fingers around the right hand and fingers.2. Force the right fingers up through the grip of the left fingers.3. Show height, by moving the hand, palm down, up from the ground to the proper height; or from over the palm of the other hand.	69
	GROW
	GROW~KEEP	RAISE:1. Make the sign of grow and keep.	106
	RAISE
	gs:adoring	ADMIRE:1. Put the palms of the hands to the breast one above the other.2. Move the hands outward.3. Close the fingers around the thumbs.4. Have a pleasant and admiring look.	21
	ADMIRE
	gs:adoring	ADORE:1. See admire and worship.	21
	ADORE
	gs:alas	ALAS:1. Throw up your hands with the palms facing outward.2. Bring the hands together and wring them.3. Have a distressed countenance.	22
	ALAS
	gs:arise	RISE:1. Hold both hands out before you with the palms turned down.2. Rise the hands slowly upward.	108
	RISE (1)
	gs:blow	BLOW (wind):1. Blow out breath.	35
	BLOW (wind)
	gs:climb	CLIMB:1. Imagine there is a ladder, pole or tree near you.2. Take hold of it and go through motion of climbing.	42
	CLIMB
	gs:lean-on	AGAINST (to lean against):1. Put the head against the palm of one hand.2. Lean the elbow of the arm against some thing. Or,1. Press the fingers of the right hand against the left forearm.	22
	AGAINST (lean)
	gs:oh	OH:1. Hold the hands up near the sides of your head palms turned out.2. Have a surprised or distressed expression as the case may be.	97
	OH
	gs:sit	SIT:1. Press the palms downwards near the sides of your hips.2. Act as if you would sit.	113
	SIT
	gs:sit	AT:1. Move both hands with palms turned down simultaneously to one side.	26
	AT
	gs:stroke-arms~gs:strong	WELL (adjective):1. Sign good. Or,1. Pass the palm of your right hand over your left arm.2. Pass the left palm over the right arm.3. Bring the fists of both hands down in a sudden jolt in front of you.	135
	WELL (adjective)
	GUN	ARMS: 1. See gun.	25
	ARMS
	HANDKERCHIEF	HANDKERCHIEF:1. Wipe before the mouth with the fingers.2. Sign white, viz.: Put the palm of the hand to the shirt front and draw it outward, close the fingers.	70
	HANDKERCHIEF
	HANDS	HAND:1. Pass the right index finger around the left wrist.2. Show the hand.	69
	HAND
	HAPPEN	OF:1. Hold the index finger of either hand out in front of you.2. Move the index finger in a curved and downward and outward way.	96
	OF
	HAPPY	HAPPY:1. Pat over the heart with the right hand.	70
	HAPPY
	HAPPY	JOY:1. Pat with both hands over the heart or on the breast.2. Have a glad smiling look.	78
	JOY
	HAPPY	GLAD:1. Pat the right hand over the heart. Have a pleasant expression.	64
	GLAD
	HARVEST	GATHER:1. Extend your right hand with the palm turned down.2. Move the fingers around the thumb, as if taking hold of something.3. Draw the hand toward you and put it between the left forearm held in front of you and your breast.4. Repeat the movements two or three times.	62
	GATHER
	HAT	HAT:1. Make motion of taking hold of your hat brim in front of your forehead.	70
	HAT
	HAT	CAP:1. Put the index finger of the right hand to your right temple.2. Move the finger in a semi-circle around to your left temple.3. Make motion of taking hold of a cap brim in front of your forehead.	39
	CAP
	HATE	HATE:1. Hold the backs of both hands near your breast, palms facing outward.2. Push the hands out forward.3. Have a frowning look and avert the head.	70
	HATE
	HAVE	HAVE:1. (To show possession) Put the back of your right hand in the palm of the left hand held out before you.2. Move the hands up to and against your breast.	70
	HAVE (to show possession)
	HEAD	HEAD:1. Put the fingers of one hand on top of the head.2. Move the hand down to the neck.3. Tap on the side of the head with the fingers.	71
	HEAD
	HEAR	EAR:1. Just touch or slightly pull the ear. (Note.-All limbs of the body are indicated by touching or passing a hand over them).	52
	EAR
	HEART	HEART:1. Put the tips of the index fingers at a point near the top of the heart.2. Move the hands in a semi-circle downward so the fingers will come together at the bottom of your heart.3. Pat over the heart.	71
	HEART
	HEAVEN	HEAVEN:1. Look heavenward.2. Raise both hands above your head, letting the tips of the fingers touch.3. Move the hands sideward and downward until they get to the level of your head or shoulders.4. Quickly hold the left forearm a little above the level of your head in front of you.5. Pass the right hand upward under the left forearm.	71
	HEAVEN
	HEAVY	HEAVY:1. Hold both hands with the palms turned up before you near the waist.2. Lift them upward in a difficult movement. Have a frown.3. Let both hands fall back to near the waist with a sudden drop.	72
	HEAVY
	HEAVY~METAL	LEAD (noun):1. Make the sign for heavy.2. Strike under the chin with the back of your right or left hand.	82
	LEAD (noun)
	HELP	HELP:1. Put the right palm under the left forearm.2. Lift the forearm up.	72
	HELP
	HELP	ASSIST:1. Put your right palm under your left forearm or hand.2. Lift the left forearm or hand upward.	26
	ASSIST
	HELP(at-wrist)~HELP(at-elbow)~cl-d:BB(bench-seat)	BENCH:1. Support the left forearm with the right hand near the wrist.2. Move the right hand to near the left elbow and support.3. Put both hands, with the palms together in front of you.4. Move the right hand to the right and the left hand to the left.	31
	BENCH
	HIDE	HIDE:1. With the fingers closed, press the thumb against your lips; right hand.2. Move the hand downwards and pass it under the palm of your left hand.	73
	HIDE
	HORSE	HORSE:1. Put the extended index and middle fingers of both hands to the side of the head near the ears.2. Move the fingers forward and back as a horse moves its ears.	74
	HORSE
	HOT	HOT:1. Put the palm of your hand with the fingers bent into the mouth.2. Breathe hot breath in the hand.3. Move the hand quickly from the mouth and throw it downward in a jerking manner.	75
	HOT
	HOUR	HOUR:1. Move the index finger of the right hand in a circle over the left palm.	75
	HOUR
	HOUSE	HOUSE:1. Make a peak by bringing the finger points together in front of you.2. Move the hands apart in a slanting way.3. Move the hands down perpendicular about a foot or two.	75
	HOUSE
	HOUSEFLY	FLY:1. (Housefly): Make motion of swiping in a fly with the right hand on the left forearm.	60
	FLY
	HOUSE~GRASS	BARN:1. Make a peak by placing the tips of the fingers of both hands together held up in front of you.2. Move the hands apart slantingly a little, then downward perpendicular and parallel to each other.3. Hold the back of one hand with fingers parted and pointing upward, near your mouth.4. Pass the back of the hand up and down before the mouth and chew.	28
	BARN
	HUG	HUG:1. Go through motion of hugging some imaginary person or thing.	75
	HUG
	HUNGRY	HUNGRY:1. Make the sign for eat.2. Scrape the fingers of the hand downward from your throat to near the stomach.	75
	HUNGRY
	HURRY	HASTE:1. With the index and middle fingers of both hands extended and thumbs resting on the third fingers, hold the hands near your breast.2. Move the hands simultaneously forward in an up and down movement.	70
	HASTE
	HURRY	HURRY:1. See sign for haste.	75
	HURRY
	HURRY	QUICK:1. See hurry.	106
	QUICK
	HUSH~BECOME~QUIET	BEHAVE:1. Put your index finger across your lips: silence.2. Quickly put the right palm in the left palm crosswise in front of you.3. Turn the hands over so the left hand will be uppermost. As you make the turn separate the hands.4. Now turn both hands out in front of you with the palms down and move the right hand to the right and the left hand to the left: quiet.	30
	BEHAVE
	HUSH~BECOME~QUIET	PEACE:1. Hold the left hand with the palm turned up, before you.2. Place the right palm on the left palm.3. Reverse the hands and place the left palm on the right palm.4. Turn both palms downward and move them out in a smooth gliding way.5. Have an earnest, pleading expression.	99
	PEACE
	HUSH~BECOME~QUIET	QUIET:1. See peace.	106
	QUIET
	HUSH~HUMBLE	HUMBLE:1. Draw the index finger of one hand across your lips.2. Pass the hand down and under the palm of the other hand held near the breast.	75
	HUMBLE
	HUSH~HUMBLE	GENTLE:1. Put the index finger of the left hand across your lips.2. Move the hand in a dragging manner slowly downward.3. Pass the hand under the palm of the other hand held near your breast.	63
	GENTLE
	HUSH~WAIT	WAIT:1. Press your index finger against your lips.2. Hold both hands out forward with the palms up, and the left hand a little further out than the right hand.3. Wiggle the fingers.4. Have a patient look.	131
	WAIT
	ICE	FREEZE:1. Hold both hands before you with the palms turned down and the fingers extended.2. Bend the fingers inward and downward in a quick movement.3. Sign cold. Frown.	61
	FREEZE
	ICE~COUNTRY	ICELAND:1. Make the sign for ice or freeze.2. Pass the palm of the right hand under the left forearm held before you.	76
	ICELAND
	IDEA	IDEA:1. Touch the forehead with the tip of the little finger.2. Move the finger upward in a curly manner.	76
	IDEA
	IDENTIFY	IDENTIFY:1. Take a good look at the object.2. Tap the forehead two or three times with the palm of the fingers. Use the right hand.	76
	IDENTIFY
	IDLE	IDLE:1. Have the little fingers extended only.2. Strike the hands against the upper arm.	76
	IDLE
	IGNORANT	IGNORANT:1. Strike the backs of the index and middle fingers of one hand against the forehead.2. Have a dull look.	76
	IGNORANT
	IN	CONTAIN:1. Hold your left hand before you with the palm toward you.2. Push the fingers of the right hand downward between the thumb and palm of the left hand.	44
	CONTAIN
	IN-FRONT-OF	BEFORE (to confront):1. Hold the left hand palm facing you.2. Suddenly place the right hand palm before the left hand palm.	30
	BEFORE (to confront)
	INDEFINITE	A or AN:1. Hold the index finger in front of you.2. Move the finger in a round about way.	19
	A, AN
	INDUSTRIOUS	INDUSTRIOUS:1. Have the little fingers extended only.2. Strike the right wrist over the left wrist several times.3. Move the hands around as you make the strikes.	76
	INDUSTRIOUS
	INK	INK:1. Pass the tip of the right little finger over the eye-brow for black.2. Dip the little finger between the index finger and thumb of the left hand.3. Go through motion of writing.	76
	INK
	INVITE	INVITE:1. Hold the right hand with the palm up out as far as you can get it.2. Draw the hand toward you in an inviting manner.	77
	INVITE
	ISLAND	ISLAND:1. Move the extended little finger only around over the left hand.	77
	ISLAND
	KICK	KICK:1. Go through motion of kicking with the foot. Or,Hold the left palm downward and strike in it with the back of your right hand in a pushing out manner.(Horse or cow kick) Kick the foot backward. Can use the fist if wished.	79
	KICK
	KILL	KILL:1. Use your index and middle fingers for a knife blade.2. Make a stabbing motion along the palm of the other hand.3. Turn the hand over and let it fall forward downward.	79
	KILL
	KIND	KIND:1. Hold both hands with the palms turned in near your breast.2. Move them out forward from you, revolving one over the other as you do so.3. Have a pleasant look.	79
	KIND
	KIND	TREAT:1. See kind.	126
	TREAT
	KING~OVER-ALL	KING:1. Put the thumb on the second joint of the middle finger of the right hand.2. Put the hand to the left shoulders.3. Move the hand in a circular manner out before you and down to your right side.4. Pass the right hand over the left forearm held before you: dominion.	80
	KING
	KNIT	KNIT:1. Use grandma's knitting needles and go through motion of knitting.	80
	KNIT
	KNIT~FOOT	SOCK:1. Go through motion of knitting.2. Point to the foot.	115
	SOCK
	KNOCK	KNOCK:1. Knock on the back of left hand with the knuckles of the right hand.(To knock down) Strike a blow in the palm of the left hand with the right fist. Let the hand fall over.	80
	KNOCK
	KNOW	KNOW:1. Touch or tap on the forehead with all four fingers of one hand.2. Have a knowing look.	80
	KNOW
	LAST	END:1. Hold the left hand with the little finger extended only.2. Strike at and just hit the end of the little finger of the left hand with the tip of the right hand index finger.2ND:1. Move the index finger of the right hand along the index finger of the left hand.2. Let the right index finger pass downward at the end of the left index finger.	55
	END
	LAUGH	LAUGH:1. Touch the corners of your mouth with the tips of your index fingers and laugh.	81
	LAUGH
	LAW	LAW:1. Strike the index finger of the right hand in the palm of the left hand.	81
	LAW
	LAW~AGENT	LAWYER:1. Sign law.2. Add: Put the palms to the breast and move them downward to the waist for yer.	81
	LAWYER
	LAY	LAY:1. Lean the side of your head in the palm of your hand.2. Make motion of a bed or a couch, by holding the hands near each other with the palms turned down and spreading them out sidewardly, right hand to the right and left hand to the left.	81
	LAY
	LEAD	LEAD (verb):1. Take hold of the left hand fingers with the right hand fingers.2. Pull the left hand outward or to the right.	82
	LEAD (verb)
	LEARN	LEARN:1. Hold both palms before you as an open book.2. Look intently in them.3. Make motion of taking some thing from the palm of your left hand with the fingers of the right hand.4. Carry the right hand to the forehead and relax the fingers as if leaving something on or in the forehead.	82
	LEARN
	LEAVE-FROM	LEAVE:1. (To leave on a journey) Hold both hands near your breast with the palms turned in.2. Move both hands out and a little downward and push out the fingers.	83
	LEAVE (on a journey)
	LEAVE-THERE	LEAVE:1. (To leave an article) Imagine you have something in your hand.2. Place it in the place you wish to leave it.	83
	LEAVE (an article)
	LEG	LEG:1. Pass your hand downward over the leg.	83
	LEG
	LETTER	LETTER:1. Put the palm part of the right thumb against your tongue, then press down in the palm of the left hand with the thumb, as if pressing down a stamp.	83
	LETTER
	LIMB	LIMB:1. (Of the body) Pass the hand along the limb.	85
	LIMB
	LION	LION:1. Look fierce.2. Draw the bent in fingers up from near the chin over the face and head.3. Quickly move both hands with palms outward in front of you and use your fingers as claws.	85
	LION
	LIQUID-CLASS~gs:swat~gs:squeeze-flea~gs:flea-hop-away	FLEA:1. Dampen your index finger with your lips.2. Swat the finger on some part of the arm.3. Pretend you have something between the thumb and index finger and mash it.4. Move the hand out in a jumping manner, relax the fingers as if something got away.	59
	FLEA
	LIVE	ACTIVE:1. Have the palms of both hands on your sides near the waist.2. Assume a lively attitude.3. Move the hands upward along your sides.4. Vigorously wiggle your fingers as you move the hands upward.	20
	ACTIVE
	LONG	LONG:1. Put the right index finger to the left index finger.2. Draw the right index finger up the left arm to the shoulder and beyond if you can.(Along a road) Move your index finger in a zigzag way forward.	86
	LONG
	LOOK-AT	LOOK:1. Put the index and middle fingers to the eyes.2. Move the fingers in the direction of the object.3. Have an earnest expression.	86
	LOOK
	LOVE	LOVE:1. Put the left hand over the heart and the right hand over the left.2. Give a firm pressure over the heart with the hands.3. Have a pleasant expression.	86
	LOVE
	MAD	MAD:1. Draw the bent in fingers of the left hand down from the forehead to the chin.2. Have an ugly or angry look.	87
	MAD
	MAD	CROSS:1. Hold the right palm before your face and draw in the fingers.2. Move the hand downward and up, as if scratching the face, repeat.	45
	CROSS
	MAD	FIERCE:1. See cross. Have a stern look.	58
	FIERCE
	MAKE	MAKE:1. Strike one fist on the other, turning the striking fist this way and that as you strike several times.	87
	MAKE
	MAKE~DET-IX(at-mend-site)	MEND:1. Sign make. Or go through the motion of plying a needle.2. Show the place.Also go through motion of sticking on a piece of court plaster.)	89
	MEND
	MALE	MALE:1. Put the hand to the forehead and act as if catching hold of a hat brim.	87
	MALE
	MALE~3P-IX	HE:1. Put the hand to the forehead.2. Move the hand out with the index pointing toward the object.	71
	HE
	MALE~BOAT	NOAH:1. Make the signs of man and boat. Imitation of the Ark.	95
	NOAH
	MALE~BORN	SON:1. Make the sign for male.2. Put right hand on left forearm.3. Move the arm up and down a little for baby. Show height.	116
	SON
	MALE~cl-d:B(height)	MAN:1. Make the sign of male.2. Hold the hand out to or above the level of your head.	87
	MAN
	MALE~FANCY	GENTLEMAN:1. Put the fist to the forehead: male.2. Move the hand down to the breast, simultaneously extend the fingers.3. Touch the breast with your thumb tip.4. Move the hand out forward.	63
	GENTLEMAN
	MALE~FEMALE~3P-HON-PL	THEY:1. Make the sign of male and female.2. Move the hand out before you and relax or spread out the fingers upward showing plural.	122
	THEY
	MALE~FEMALE~HON-PL~obj-case	THEM:1. Same as they. Add turn the hand over and let it fall, showing objective.	122
	THEM
	MALE~NEPHEW	NEPHEW:1. Make the sign for male.2. Hold the index and middle fingers of the right hand near the ear, and move them forward and back.	94
	NEPHEW
	MALE~obj-case	HIM:1. Make the sign for he and turn the hand over for the objective case.	73
	HIM
	MALE~obj-case	HIS:1. Make the sign for he and push the palm of the hand toward the object for possession.	73
	HIS
	MALE~SAME	BROTHER:1. Put the right hand to the forehead.2. Strike the index fingers together lengthwise.	37
	BROTHER
	MANY	MANY:1. Close and relax the fingers of one or both hands several times.	87
	MANY
	MARRY	MARRY:1. Put the palm of the right hand in the palm of the left hand.2. Hold tight. Pleasant look.	87
	MARRY
	MASH	GRIND:1. Hold the left turned up palm in front of you.2. Put the right palm in the left palm.3. Move the right palm in a crushing and circular way around on the left palm.	69
	GRIND
	MASH	MASH:1. Press the balls of the hands firmly together, move the upper hand around a little.	88
	MASH
	MASH~gs:pick-out~FINE(very-small)	MEAL:1. See flour.	88
	MEAL
	MASH~gs:pick-out~FINE(very-small)	FLOUR:1. Hold the left palm up before you.2. Move the right palm in a circular movement around in the left hand, as if grinding or mashing.3. Go through motion of picking up something with the right fingers and thumb from the left hand palm.4. Mash between the fingers and thumb as if testing the fineness.	59
	FLOUR
	MAYBE	MAY:1. (Denoting doubt) Hold both hands with palms up before you.2. Move the hands up and down alternately.3. Same for perhaps.	88
	MAY (denoting doubt)
	MAYBE	PERHAPS:1. See may.	100
	PERHAPS
	MEANING	INTEND:1. Press the tips of the index and middle fingers of the right hand in the palm of the left hand several times.2. Change the position of the fingers each time you make the press.	77
	INTEND
	MEAT	MEAT:1. Catch hold of the fleshy part between the index finger and thumb of the left hand with the index finger and thumb of the right hand.2. Move the hands up and down in a shaking manner.	88
	MEAT
	MEDICINE~TAKE-PILL	MEDICINE:1. Rub the tip of the middle finger of your right hand in the palm of your left hand.2. Go through motion of taking something from the left palm and putting it to your mouth to taste.3. Have expression.	88
	MEDICINE
	MEDIUM	TEMPERATE:1. Put the soft part of the right hand between the index finger and thumb of the left hand.2. Move the right hand from side to side.3. Move the head from side to side as you move the hand. Have a grave look.	121
	TEMPERATE
	MEDIUM	MILD:1. Let the little finger of the right hand rest on the fleshy part between the thumb and index finger of the left hand.2. In this position move the right hand from side to side two or three times.	90
	MILD
	METHODIST	METHODIST:1. Hold the palms facing each other.2. Move them up then down.3. Clap the hands together as if in great ecstasy.	89
	METHODIST
	MILK	MILK:1. Go through motion of milking a cow, and drinking from a glass.	90
	MILK
	MIND	MIND (noun):1. Tap on the forehead wtih the index finger.	90
	MIND (noun)
	MIRROR	LOOKING-GLASS:1. Hold the palm of one hand up before you.2. Look in it, moving the head this way and that.3. Have a pleasant expression.	86
	LOOKING-GLASS
	MOCK	MOCK:1. With the little fingers and thumbs of both hands extended, move them forward two or three times toward the object.2. Have a derisive look.	91
	MOCK
	MOMENT	MINUTE:1. Have the tip of the right thumb in the palm of your left hand.2. Move the extended index finger forward in a quick movement a little.	90
	MINUTE
	MONDAY	MONDAY:1. Make the letter "M" and move it around in front of you.	91
	MONDAY
	MONKEY	APE:1. See monkey.	24
	APE
	MONKEY	MONKEY:1. Scratch upward on both sides.2. Fill your cheeks with air.3. Move the body and head from side to side.4. Look silly.	91
	MONKEY
	MOON~cl:O>5(shining)	MOON:1. Hold the right hand with the palm facing outward and the fingers partly bent forward.2. Put the hand to the right temple.3. Make a circle in the air toward the sky. Spread out the fingers and draw the hand toward you. Look upward.	91
	MOON
	MORNING	MORNING:1. With the palm of the right hand turned up, move it up and down under the left hand held before you.	91
	MORNING
	MOUTH	MOUTH:1. Pass the index finger from corner to corner and around the mouth.	92
	MOUTH
	NAIL	NAIL (verb):1. Imagine you are holding a nail between the thumb and index finger of the left hand.2. Imagine you hold a hammer in your right hand.3. Strike with the hammer on the nail held in the left hand.(Noun) Show size of nail by moving the right index finger up and down to the proper length, on the left index finger. Strike with the hammer.	93
	NAIL
	NEAT	HOLY:1. Hold your left hand with the palm facing you.2. Pass the right hand palm along the left hand palm from the wrist across the fingers.	74
	HOLY
	NEAT	NICE:1. Pass the right palm over the left palm from wrist across the fingers.	95
	NICE
	NEAT	FINE:1. Pass the palm of the right hand over the palm of the left hand held before you.	58
	FINE
	NEED	NEED:1. Hook the index finger of either hand.2. Have the finger point downward.3. Move the hand up and down before you.	93
	NEED
	NEEDLE	NEEDLE:1. Go through the motion of threading a needle. Make size of needle on index finger.	93
	NEEDLE
	NEGATIVE	NOT:1. Hold the right hand out in front of you with the palm turned down.2. Give the hand a swift movement to the right, (some would put the thumb to the mouth and move the hand downward, but that means "deny".)	96
	NOT
	NEGATIVE~NEAT	UNBECOMING:1. Make the signs of not and nice.Or put the thumb with the fingers extended to your breast, move it out and back once or twice and throw the hand down and backward: ungentlemanly or unladylike.	127
	UNBECOMING
	NEW	NEW:1. See fresh.	94
	NEW
	NEW	FRESH:1. Strike upward with the back of your right hand in the palm of your left hand.	61
	FRESH
	NEXT	NEXT:1. Put the fingers of your right hand against the inside of your left thumb.2. Move the right fingers over and against the left index finger.	94
	NEXT
	NIGHT	EVENING:1. Hold the left forearm before you.2. Move the palm of your right hand in a downward way over the left forearm.	55
	EVENING
	NOON	NOON:1. Place the elbow of the right arm in the palm of the left hand.2. Hold the right forearm up perpendicular.3. Look upward.	95
	NOON
	NOTHING	NONE:1. Put the tips of the thumbs and index fingers both hands together.2. Put both hands to the mouth.3. Blow on them and as you do so move the hands outward and separate the fingers from the thumbs.	95
	NONE
	NUT	ACORN:1. Put the index finger point to the first joint of the thumb.2. Put the tip of the thumb to your teeth.3. Act as if biting. (Note same sign for all nuts, spell variety).	20
	ACORN
	OBEY	OBEY:1. Put the fingers of both hands to the forehead.2. Move the hands forward and downward.3. Bow the head in a submissive way.	96
	OBEY
	OFF	OFF:1. Put the right palm on the back of the left hand and let it fall off.	97
	OFF
	OFFER	BID (as an offer):1. Hold one palm up and move it forward.2. Let the hand drop.	34
	BID (as an offer)
	OFFER	DEDICATE:1. Hold both hands with palms turned up before you.2. Move them upward as if lifting something.3. Cluster the fingers around the thumbs as you make the movement upward.4. Bring the hands to a stop and relax the fingers as if leaving something.5. Have a reverent expression.	48
	DEDICATE
	OFTEN	YET: 1. Extend your thumb and little finger. 2. Hold the hand near your breast. 3. Move the hand out forward a little ata time in a pushing and up and down manner. Or 1. Hold your left palm up before you.2. Touch with the tips of the right hand fingers, first on the ball of the left palm, then about an inch further forward and on until you get to the left hand finger tips.	139
	YET
	OLD	OLD:1. Hold both hands with the fingers closed under your chin.2. Move them downward in a shaky manner.(If old person bend in the shoulders.)	97
	OLD
	ON	ON:1. Rub the fingers of the right hand on the back of the left hand. Or just place the palm of the fingers on the back of the other hand.	97
	ON
	ONE-HALF	HALF:1. Draw the right index finger across the second joint of the left index finger.	69
	HALF
	ONION	ONION:1. Rub the knuckle of the index finger of the right hand in the eye.2. Smell the hand and turn the nose away.3. Have a disagreeable look.	97
	ONION
	OR	WHICH:1. Hold both hands before you with the fingers closed in the palms and the thumbs sticking up.2. Move the hands up and down alternately. Looking at one then the other as you do so.To show connection:1. Hold the left hand with the index finger and thumb touching in front of you.2. Hook the right index finger between the index finger and thumb of the left hand.	135
	WHICH
	ORDER	BID (a command):1. Put the index finger to the lips.2. Move it outward in a semi-circle manner toward the object.3. Have a stern look.	34
	BID (a command)
	ORDER	ORDER:1. See tell. (For a written order): Go through motion of writing in the hand, and give.	98
	ORDER
	OTHER	ANOTHER:1. Close the fingers of the right hand in the palm.2. Let the thumb of the hand stick up.3. Hold the hand direct in front of you.4. Move the hand to the right a foot or two in a quick movement.	24
	ANOTHER
	OTHER	BESIDES:1. See sign for another.	33
	BESIDES
	OVER	ABOVE:1. Hold your left hand before you with the back of the hand turned up.2. Close the fingers of the right hand in the palm of the hand.3. Have the thumb sticking up.4. Move the right hand around over the left hand in a circular manner.	19
	ABOVE
	OWL~EAGLE~FLY	OWL:1. With the tips of your thumbs and index fingers touching put the hands to the eyes, and look through the O held before you.2. Extend the eyes as you look.3. Pass the hooked index finger of one hand over your nose.4. Flap your hands out sideward as a bird does its wings.	98
	OWL
	PAIN	ACHE:1. Extend both index fingers.2. Close the other fingers and thumbs in the palms of the hand.3. Hold the hands over the place that aches.4. Jab the index fingers toward each other two or three times.	20
	ACHE
	PAIN	PAIN:1. Jab the index fingers toward each other an inch or two apart. See ache.	99
	PAIN
	PAINT	PAINT:1. Move the right hand with all the fingers spread out up and down the left forearm as you do in painting.	99
	PAINT
	PAPER	PAPER:1. Strike the balls of your hands together, and move the hands back and forward over each other, as if rattling paper.	99
	PAPER
	PASS	PASS:1. Pass one hand with the fingers closed along by the other hand held out before you.	99
	PASS
	PAST	BEHIND(one's back):1. Throw one hand behind you.	31
	BEHIND (one's back)
	PEEL	PEEL:1. Use the left fist as an apple, potato, or orange, and the right thumb as a knife blade.2. Go through motion of peeling an apple.(To peel off bark or skin): Pull over the place with thumb and index finger the usual way.	100
	PEEL
	PEEP	PEEP:1. Hold the index and middle fingers up to your eyes and peep through them.	100
	PEEP
	PHOTOGRAPH	PICTURE:1. Make the letter "C" right hand, strike it in the palm of the left hand held before you.	100
	PICTURE
	PIE	PIE:1. Cut one-quarter in the palm of the left hand with the right hand.	100
	PIE
	PIG	HOG:1. Put the back of the right hand to the chin.2. Move the fingers of the right hand outward on the palm of the left hand: as a hog rooting.3. Show height by moving the palm up so high from the ground.	74
	HOG
	PIN	PIN:1. Feel on your coat lapel.2. Stick the index finger in a gliding way along the back of the left hand.	100
	PIN
	PLACE~BURY	GRAVE:1. Make an oblong square with the index fingers toward the ground.2. Point downward.3. Put the hands together so the index fingers will touch each other full length hold the hands out from you as far as you can.4. Move the hands toward you, and as you do so let them fall apart a little forming an oblong mound.	68
	GRAVE
	PLAY	PLAY:1. With the thumbs and little fingers extended, shake the hands in a round about way in front of you.2. Have a cheerful look.If idle play: frown.	101
	PLAY
	PLOW	PLOW:1. Hold on tightly to the handles of an imaginary plow in front of you.2. Click or check up your horse and push the plow along.3. Push your right hand outward and as you do so turn it over as furrowing.	101
	PLOW
	pn:ABRAHAM	ABRAHAM:1. Hold your right hand up about the level of your head.2. Close the fingers and thumb as if clinching a knife.3. Bring the hand down and outward, as if to stab someone.4. Quickly seize the right forearm near the wrist with the left hand to prevent the stabbing.	19
	ABRAHAM
	pn:AMERICA	AMERICA:1. Close the fingers in the right palm, with the thumb resting on the index finger.2. Move the hand in a broad circular manner before you.	24
	AMERICA
	pn:AMERICA	FENCE:1. (farm fence): Entwine the fingers and move them in a circle before you.	57
	FENCE
	pn:CANADA	CANADA:1. Take hold of your coat lapel and pull it down two or three times.	39
	CANADA
	pn:CHINA	ASIA:1. Put the index fingers to the temples and push the skin up.2. Move the letter "a" in a circle before you in a round about way.	25
	ASIA
	pn:CHINA	CHINA:1. Put the index fingers to your temples near the corners of the eyes.2. Push the skin up the temples with the index fingers to make slanting eyes.3. Put one index finger back of your head and move it downward in a curly way for queue.	41
	CHINA
	pn:EGYPT~PYRAMID	EGYPT:1. Press your middle finger against your nose: flat nose.2. Make a peak by pulling the palms together with the finger tips only touching.3. Move the hands apart in a slanting way, right hand to the right, left to the left: pyramid.	53
	EGYPT
	pn:ENGLAND	ENGLAND:1. Lap the fingers of the right hand over the back of the left hand.2. Pull the hands toward you. Repeat the pull two or three times.	55
	ENGLAND
	pn:EUROPE	EUROPE:1. Put the tips of your fingers on the back of the thumb of one hand: forming "E."2. Move the hand around in a circular movement in front of you.	55
	EUROPE
	pn:FRANCE	FRANCE:1. Put the thumb on the index finger of either hand, all other fingers extended.2. Move the hand to one side in a sudden movement.	61
	FRANCE
	pn:GERMANY	GERMANY:1. Cross the hands over your wrists.2. Move the hands forward and back without moving the hands from the wrists.	63
	GERMANY
	pn:GREECE	GREECE:1. Draw the index finger of the right hand straight down from the forehead over the nose. Straight nose.	68
	GREECE
	pn:IRELAND	IRELAND:1. Tap on the back of your left hand with the index and middle finger of the right hand.	77
	IRELAND
	pn:ITALY	ITALY:1. Make a cross before the forehead with the little finger of the right hand.	77
	ITALY
	pn:JAPAN	JAPAN:1. Put the index fingers to the temples near the eyes.2. Push the skin up to make slanting eyes.3. Make the letter "J."	78
	JAPAN
	pn:JESUS	JESUS CHRIST:1. Touch the centre of the left palm with the middle finger of the right hand.2. Touch the center of the right palm with the middle finger of the left hand.3. Spread the arms out right to right, left to left: Sign of the cross.	78
	JESUS CHRIST
	pn:JESUS	CHRIST:1. Touch the palm of your left hand with the middle finger of your right hand.2. Then touch the palm of your right hand with the middle finger of your left hand. (Showing print of the nails.)	42
	CHRIST
	pn:JESUS~BOOK	BIBLE:1. Touch the palm of the left hand with the middle finger of the right hand.2. Touch the palm of the right hand with the middle finger of the left hand.3. Put the palms together.4. Open the palms as you do in opening a book.	33
	BIBLE
	pn:JESUS~BOOK~PREACH	PREACH:1. Make sign of the Bible.2. Hold your right hand with the index and thumb tips touching up to the level of your head.3. Move the hand forward and back, imitating the gestures of a preacher, move your lips meanwhile.	102
	PREACH
	pn:JESUS~BOOK~PREACH	PREACHER:1. Sign preach, and add the er. Put the palms on the breast and move them downward.	103
	PREACHER
	pn:JESUS~TEACH	GOSPEL:1. Make the sign of the Bible: see Bible. Or the sign of Jesus.2. Cluster the fingers around the thumbs of both hands.3. Put the backs of the hands to the forehead.4. Move them out forward and as you do so relax the fingers from the thumb: Bible teaching.5. Repeat the movements two or three times.	66
	GOSPEL
	pn:MEXICO	MEXICO:1. With the middle finger lapped over the thumb, and index finger extended, move the hand in a round about movement, meanwhile draw in and extend the index finger.	90
	MEXICO
	pn:MOSES	MOSES:1. Put both hands to the side of your temples.2. Draw the hands out right and left, and as you do so let the index finger and thumb of each hand come together.	92
	MOSES
	pn:RUSSIA	RUSSIA:1. Put the hands to your sides with the palms turned downward.2. Stand a little akimbo.	109
	RUSSIA
	pn:SPAIN	SPAIN:1. Hook the index fingers of both hands in front of you.	116
	SPAIN
	pn:TURKEY	TURKEY (nation):1. Form the crescent "C" and put it to your forehead.	127
	TURKEY (nation)
	POOR	POOR:1. Pull under the left forearm sleeve with your right hand, let the sleeve slip from the fingers. Pull two or three times.	102
	POOR
	POTATOES	POTATO:1. Hold the closed fist of your left hand before you.2. Strike on the back of the fist with the index and middle fingers of the right hand.For sweet potato: Add the sign for sweet, i.e. Draw the index and middle fingers downward over your lips.	102
	POTATO
	PRAISE	PRAISE:1. Clap the hands toward the object.	102
	PRAISE
	PRESBYTERIAN	PRESBYTERIAN:1. Touch the palm of the left hand with the tips of the right index and middle fingers: for frequent standing in singing and praying.	103
	PRESBYTERIAN
	PRESIDENT	PRESIDENT:1. Hold the hands with the palms facing outward near the temples.2. Move the right hand to the right and left to the left.3. Close the fingers as you do so.	103
	PRESIDENT
	PROGRESS-UP	HIGH:1. Move the right hand as far up above the level of your head as you can. (If very high point the index finger way up.)	73
	HIGH
	PROUD	PROUD:1. Place the point of the right thumb against your waist in front.2. Move the hand upward to your breast, dragging the thumb along.3. Have a haughty appearance.	103
	PROUD
	PULL	PULL:1. Extend both hands outward.2. Draw the fingers in as if catching hold of something.3. Pull the hands toward you. Show resistance.	105
	PULL
	PUNISH	WHIP:1. Make motion of catching hold of some imaginary object with the left hand.2. Strike downward under the left hand with right hand, using the index finger as a whip or rod.	136
	WHIP
	PUNISH	PUNISH:1. Go through motion of catching hold of some one's collar.2. Strike downward under the left hand with the index finger of the right hand.(If to punish in hell): Point downward.(If in a jail): Peep through the crossed fingers held to your eyes. Show sad expression.	105
	PUNISH
	PUSH	PUSH:1. Push one or both hands outward.	105
	PUSH
	PUT	LAY (to put away):1. Imagine you have something in your hand.2. Move the hand toward the place or imaginary place and drop the thing.	82
	LAY (to put away)
	PUT	PUT:1. See place.	105
	PUT
	QUARREL	QUARREL:1. Look cross.2. Hold the index fingers points directly opposite each other.3. Move the hands simultaneously back and forward as advancing and retreating.4. Move the lips as if talking, but utter no voice.	105
	QUARREL
	QUIT	QUIT:1. Hold the left palm out before you.2. Strike down in the palm with the right hand so the little finger of the left hand will strike in the palm.	106
	QUIT
	RAIN	RAIN:1. Hold the hands up above your head a little outward with the palms turned down.2. Let the hands come down slowly meanwhile wiggle your fingers for rain drops.	106
	RAIN
	RAT	RAT:1. Lap the middle finger over the index finger, both hands.2. Put the fingers so fixed on the sides of your nose and move them up and down a little.3. Skin or turn up your nose a little. Point to a rat hole if convenient.	107
	RAT
	READ	READ:1. Hold the palms of both hands before you, as you do a book.2. Pass your eyes across and back a few times as if reading a book.	107
	READ
	RED	RED:1. Move the index finger downward across your lips.	107
	RED
	REMOVE	CHEAT:1. Hold the left hand out before you so the palm of the hand will face you.2. Make a snatch downward from the palm of the left hand with the right hand fingers.	41
	CHEAT
	RICH	RICH:1. Hold your left palm in front of you.2. Pat in the palm with the back of the right hand.3. Move the right hand up as far as convenient. The further up, the richer the person or thing is.	107
	RICH
	RING	RING:1. Make a large circle with the index finger.2. Make motion of putting on a ring.3. Make motion of ringing a bell.	108
	RING
	RIVER	RIVER:1. Lap the middle fingers over the index fingers both hands, forming the letter "R."2. Move the hands in an outward zigzag manner.	108
	RIVER
	ROCK	HARD:1. Strike on the back of the left fist with the right fist.	70
	HARD
	ROCK	STONE:1. See sign for rock.	117
	STONE
	ROCK	ROCK:1. Touch the teeth.2. Strike on the back of your left fist with the right fist.3. Sign small or large as the case may be.	109
	ROCK
	ROCK~cl-d:55(mountain)	MOUNTAIN:1. Strike on the back of your left fist wtih your right fist.2. Move both hands with the fingers extended upward and almost perpendicular.3. Look upward in awe.	92
	MOUNTAIN
	ROOM	TRUNK:1. See box.	126
	TRUNK
	ROPE	ROPE:1. Lap the middle fingers over the index fingers both hands.2. Put the hands together in front of you.3. Move the hands right and left meanwhile twist the hands this way and that.	109
	ROPE
	RUN-AWAY	CUNNING:1. Pass the index finger under your left hand held out before you.2. Look sly.	46
	CUNNING
	RUN-FAST	FAST:1. Hold the left hand up before you with the palm facing to the right and the fingers sticking up.2. Move the right palm in a swift movement forward and pass the left palm.	56
	FAST
	SAD	SAD:1. Hold both palms before your face.2. Move them down to your breast.3. Have a sad look.	109
	SAD
	SALT	SALT:1. Strike on the back of your left index and middle fingers with the palm of your right index and middle fingers.2. Put the fingers to the mouth and taste. Show satisfaction.	110
	SALT
	SALT~cl-d:55(ocean)	SEA:1. Make the sign for salt.2. Move the turned down palms in a waving or up and down way out forward from you.	110
	SEA
	SALT~INITIAL-W~cl:55(ocean)	OCEAN:1. Sign salt and water.2. Place the tips of the index finger and thumb of each hand together.3. Move the hands in a waving and round about way in front of you.	96
	OCEAN
	SATURDAY	SATURDAY:1. Make the letter "S" and move it around in front of you.	110
	SATURDAY
	SAVE	SAVE:1. Put your right palm under the closed left hand.2. Give it a slight lift.3. Now put the index and middle fingers of the right hand under the left fist and draw the hands up near the breast.	110
	SAVE
	SAW~CUT	SAW:1. Hold your left forearm before you.2. Use your right hand as a saw blade. The teeth of the saw being along the little finger.3. Move the right hand forward and backward over the left wrist.	110
	SAW
	SAY~VOW	VOW:1. See promise.	131
	VOW
	SAY~VOW	PROMISE:1. Put your right index finger across your lips.2. Move the hand above the head a little outward.3. Spread out the fingers.4. Have a solemn look.	103
	PROMISE
	SECRETARY~AGENT	SECRETARY:1. Hold an imaginary pencil or pen between the index finger and thumb of the right hand.2. Go through motion of writing across the palm of the left hand.3. Make the sign for er, vis.: Put the palms to the breast and move them downward toward your waist.	111
	SECRETARY
	SEE~LOOK-AT	SEE:1. Put the index and middle fingers of one hand to your eyes.2. Point the fingers outward (toward the object if convenient).3. Extend the eyes toward the object.	111
	SEE
	SEIZE	SEIZE:1. Grab with both hands simultaneously at some imaginary thing in front of you.2. Hold fast.3. Satisfied expression.	111
	SEIZE
	SELL	SELL:1. Put the tips of the index finger and thumb together, both hands.2. Hold the hands near the breast.3. Move them outward and relax the index fingers from the thumbs as if dropping something.4. Have a business look.	111
	SELL
	SEPARATE	PART:1. Put the fists together and move them apart.	99
	PART
	SERVE	WORSHIP:1. Hold both hands with the palms turned out before you.2. Move the hands simultaneously to the right then to the left two or three times.3. Bow the head and have a respectable look.	138
	WORSHIP
	SEVERAL	FEW:1. Relax the fingers one after the other from the closed fist.	57
	FEW
	SEVERAL	SCARCE:1. See sign for few.	110
	SCARCE
	SEVERAL~CLASS	COMPANY:1. With the fingers closed hold the right hand in front of you.2. Relax one finger after the other, meaning several.3. Bring both hands up to the breast with the palms outward.4. Move the hands out forward with the fingers bent inward a little.	44
	COMPANY
	SHARP(edge)	SHARP:1. Hold your left index finger up as a knife blade.2. Draw the soft part of the right thumb along the left index finger.3. Move the thumb quickly away and shake it down.4. Have a satisfied look.	111
	SHARP
	SHEEP	SHEEP:1. See sign for lamb. Denote height.	112
	SHEEP
	SHEEP	LAMB:1. Use your left forearm as the back of a lamb.2. Make motion of cutting along it with a pair of scissors, using your index and middle fingers for the scissors.3. Show height by raising your hand up from the ground.	81
	LAMB
	SHOCKED	JOLT:1. Hold both hands out in front of you.2. Move them in a sudden and quick manner forward and back again. Let the body jolt.	78
	JOLT
	SHOEMAKER	SHOEMAKER:1. Sign shoe.2. Add the sign for "er." i.e. Put the palms to the breast and move them downward.	112
	SHOEMAKER
	SHOE~DET-IX	SHOE:1. Push the fingers and thumb of the right hand across the palm of the left hand.2. Close the left hand fingers and thumb around the right hand as you do so.3. Hold tight with the left hand.4. Point down to the shoe.	112
	SHOE
	SHOE~DET-IX	FOOT:1. Push the right hand across the palm of your left hand. 2. Squeeze the left fingers over the right hand to prevent its going across the left palm.3. Point to the foot.	60
	FOOT
	SHOOT-GUN	SHOOT:1. Hold an imaginary gun or pistol in your hands.2. Take aim and pull the trigger.	112
	SHOOT
	SHOOT-GUN	HIT (to hit with a gun shot): Make motion of holding a gun pull the trigger, and hit in the palm of one hand with the point of the index finger of the other hand.	73
	HIT (with a gun shot)
	SHOULD	SHOULD:1. Place the hooked index finger to the mouth.2. Throw it downward in an inner curve movement.3. Have a sort of stern look.	113
	SHOULD
	SICK	SICK:1. Put all four fingers of your right hand to your forehead, and the left hand fingers to your stomach.2. Lean the head downward on the fingers.3. Draw in the stomach.4. Have a drooping look.	113
	SICK
	SICK~WHITE~cl:O>5onB(splotch-on-hand)	LEPROSY:1. Sign sick.2. Sign white, viz.: Put the palm of the hand to the shirt front and draw the hand out closing the fingers around the thumbs.3. Make a spluttering movement along the back of the left hand with the fingers of the right hand.	83
	LEPROSY
	SIDE	BESIDE:1. Pass the palm of one hand down along your side.2. Point the index finger down by the same side.	33
	BESIDE
	SILLY	NONSENSE:1. See foolish.	95
	NONSENSE
	SILLY	FOOL:1. With the thumb and little finger extended, pass the thumb before your forehead two or three times. Or once vigorously.2. Look cross.	60
	FOOL
	SILLY	RIDICULOUS:1. See sign for foolish.	107
	RIDICULOUS
	SIN	SIN:1. Jab the points of the index fingers at each other over the heart.2. Have a sad look.	113
	SIN
	SIN	WICKED:1. Sign bad.2. Jab the index fingers toward and pass each other over or near the heart two or three times.	137
	WICKED
	SLEEP	SLEEP:1. Draw the right palm down before your face and as you do so close the fingers around the thumb.2. Close the eyes.3. Breathe easily.	114
	SLEEP
	SMALL	SMALL:1. With the palms of the hands facing each other and the fingers bent in, move the hands toward and back from each other two times.	114
	SMALL
	SMALLPOX	SMALLPOX:1. Make a boreing touch on various parts of the face with the point of the index finger.2. Have a horrified look.	114
	SMALLPOX
	SNAKE	SNAKE:1. Put the back of the index and middle fingers to the mouth.2. Draw the fingers in and extend them quickly as a snake does its fanged tongue.3. Move the index finger in a rapid and zigzag way forward.4. Have a frightened expression.	115
	SNAKE
	SO-AS	AS:1. Extend both index fingers out parallel before you.2. Move both hands simultaneously to the right then to the left. Or,Strike the index fingers together two times.	25
	AS
	SOFT	SOFT:1. Hold both palms in front of you.2. Close the fingers softly toward the thumbs two or three times, as if feeling on a piece of sponge or soft ball.	115
	SOFT
	SOFT	RIPE:1. Hold both palms out in front of you.2. Draw the fingers around the thumbs and relax them two or three times.	108
	RIPE
	SOFT~TEXTURE~pose:smell~gs:dont-want	ROT:1. Draw the fingers against the thumbs of both hands held before you, relax and draw again, and glide the thumbs along over the inside of the fingers as if crushing something soft.2. Smell the fingers of one hand.3. Avert the head and move the hand quickly away. Frown.	109
	ROT
	SOME	PART: 1. Put the fists together and move them apart. Or 2. Draw the right hand with the little finger touching the left palm across the palm of the hand.	99
	PART
	SORRY	SORRY:1. Rub the right fist in a small circle over the heart.2. Have a distressed appearance.	116
	SORRY
	SOUR~PUSH	SOUR:1. Put the index finger on the thumb and make motion of tasting.2. Scrough up the lips and move the hand away.3. Have an unpleasant look.	116
	SOUR
	SOUR~PUSH	BITTER:1. Put the index finger to the lips.2. Scrough your lips and move the hand quickly away.3. Frown. Or,1. Jab the index finger toward the mouth.2. Scrough the lips and frown.	35
	BITTER
	SPADE	SPADE:1. Imagine you have a spade in your hands.2. Put the blade to the ground.3. Put your foot on top of the spade blade and push down as you do a spade. Throw up dirt.	116
	SPADE
	SPEND	SPEND:1. Put the back of your right hand in the palm of your left hand: money.2. Pass the right hand out forward from the palm of the left hand.3. Let the right hand fall forward and downward.4. Relax the fingers as dropping something.	116
	SPEND
	SPIDER	SPIDER:1. Hold both hands near the breast with palms turned outward and fingers bent in.2. Move the hands upward wiggling the fingers as you do so.3. Have a frightened look.	117
	SPIDER
	SPIRIT	GHOST:1. Put the flesh parts between the thumbs and index fingers nearly together.2. Draw the hands apart near the mouth.3. Breathe upon the hands and draw them apart, closing the fingers around the thumbs as you do so.	63
	GHOST
	SPONGE	SPONGE:1. Imagine you hold a piece of sponge in your hand.2. Press your fingers against the thumb softly.3. Look under the hand as if to see water running through your fingers.	117
	SPONGE
	SPREAD	SPREAD:1. Put the hands so the index fingers will touch each other lengthwise in front of you.2. Move the right hand to the right and left hand to the left.To spread disease!:1. Cluster the fingers around the thumbs of both hands.2. Move the right hand forward and spread out the fingers, follow this with the left hand. Repeat the movement two or three times.	117
	SPREAD
	STARS	STAR:1. Point the index fingers one after the other heavenward.2. Spread out the fingers of one hand and draw it toward you, wiggling the fingers: for brightness. Look upward.	114
	STAR
	STAY	STAY:1. Put the right thumb on top of the left thumb.2. Press down on the thumb in or toward the place to stay. Or,1. Move the palm of one hand downward over or toward the place to stay.	118
	STAY
	STEAL	STEAL:1. Give a shy look around.2. Put the right hand under the left forearm.3. Go through motion of taking something from under the left forearm and putting it under your coat front.4. Look this way and that.	118
	STEAL
	STILL	YET:1. Extend your thumb and little finger.2. Hold the hand near your breast.3. Move the hand out forward a little at a time in a pushing and up and down manner.	139
	YET
	STIR~PIE~EAT	CAKE:1. Make motion of beating egg or battering with a spoon.2. Make a small circular motion with the index fingers in front of you.3. Make one-quarter cut, as in Pie.4. Sign eat. Pleasant look.	38
	CAKE
	STRAWBERRY	BERRY:1. Put the tip of your index finger on the middle joint of your thumb.2. Put the thumb to the mouth.3. Smack your lips as if tasting.4. Go through motion of picking berries and putting to the lips.	32
	BERRY
	STRIKE	HIT:(To hit with the fist) Strike in the left palm with the right hand.(To hit with an instrument) Pick up the imaginary instrument and throw toward the object or hit toward it.	73
	HIT
	STRIKE	ATTACK:1. Hold the palm of the left hand in front of you.2. Strike against the left palm with the fist or tips of your right hand fingers.	26
	ATTACK
	STRIKE	BEAT (punish):1. Strike two times with the right fist in the palm of the left hand.	29
	BEAT
	STRIKE	BEAT: 1. Imagine you hold some one or thing by the collar with the left hand, and a whip or stick in your right hand.2. Strike under the left hand with the imaginary whip or stick.	29
	BEAT
	STRIKE	BLOW (to strike):1. Strike with the fist of one hand in the palm of the other hand.	35
	BLOW
	STRING	THREAD:1. Make motion of threading a needle.2. Revolve one index finger around the other and move the hands apart still revolving the index fingers.	123
	THREAD
	STRING	CORD:1. Place the index fingers on each other lengthwise.2. Move them around each other.3. Draw them apart left and right as far as convenient, still moving the fingers in a revolving manner.	44
	CORD
	STRONG	STRONG:1. Move the right hand along the left biceps.2. Bring both fists out in front of you and move them downward in a sudden jolt.3. Extend the breast and shoulders.	118
	STRONG
	SUNDAY	SUNDAY:1. Hold both hands with palms turned outward up near the sides of your head.2. Close your eyes.3. Move the lips as if in prayer.	119
	SUNDAY
	SUNRISE	RISE: For sun-rise:1. Hold the left forearm before you.2. Slowly rise the right hand with the fingers closed up from under and outside of the forearm.	108
	RISE (2)
	SURRENDER	YIELD:1. Touch the breast with the palms of the fingers of both hands simultaneously.2. Move the hands downward slowly.3. Bow the head as you do so.4. Have a pleasant or sad look as the case may be.	140
	YIELD
	SWEET	SWEET:1. Move the fingers of one hand downward over your lips two or three times.2. Lick your lips a little with the tongue.3. Have a pleasant look.	119
	SWEET
	SWEETHEART	SWEETHEART:1. Pat the right hand under the forearm near the elbow.2. Look pleased.Or (the new sign):1. Put the knuckles of both hands together with the thumbs sticking up.2. Wiggle or bow the thumbs alternately toward each other. Like sweethearts do their heads when conversing or courting.	119
	SWEETHEART
	SWELL	SWELL:1. Put the palm of the right hand on the back of the left hand.2. Raise the right hand upward slowly. Or,1. Put the fingers over the part and move them upward.Also see proud.	119
	SWELL
	SWIM	SWIM:1. Go through motion of swimming.	120
	SWIM
	TAKE	TAKE:1. Move one hand forward with the palm turned down.2. Close the fingers over the imaginary object to be taken.3. Draw the hand toward you.4. See carry.	120
	TAKE
	TASTE	TASTE:1. Pick up some imaginary stuff from the left palm with the index finger and thumb of the right hand.2. Put it to the mouth; smack the lips as if tasting.3. Show expression as the case may be.	120
	TASTE
	TEA	TEA:1. Hold your left hand with the tips of the thumb and index finger touching each other in front of you.2. Move the index finger and thumb of the right hand around in between the index finger and thumb of the left hand.	120
	TEA
	TEACH	TEACH:1. Close the fingers of both hands around the thumbs.2. Put the backs of the hands to the forehead.3. Move the hands out forward as far as convenient.4. Relax the fingers from the thumbs as you move the hands out as if giving something out.5. Repeat the movement two times.	120
	TEACH
	TEACH	EDUCATE:1. Cluster the fingers around the thumbs of both hands.2. Put the backs of the hands to the forehead.3. Push the hands forward outward and extend the fingers as you do so.4. Repeat two or three times.	53
	EDUCATE
	TELL	TELL:1. Put the index finger of the right hand to your mouth.2. Move the hand out forward and downward.	121
	TELL
	TEMPT	TEMPT:1. Hold the left forearm in front of you.2. Touch under the forearm in a sticking up manner with the point of the right index finger several times.3. Have an evil look.	121
	TEMPT
	TEMPT	\COAX:1. Touch in an upward manner under the left forearm with your right index finger: tempt.2. Look intently at the object. Evil or pleasant expression as the case may be. Same sign for tempt.	43
	COAX
	THEN	OR:1. Hold the thumb and index finger of the left hand in front of you.2. Touch alternately the thumb and the left index finger with the right index finger.	97
	OR
	THEN~NEGATIVE	NEITHER:1. Hold up before you the index and middle fingers of the left hand.2. Touch on the tips of the fingers held before you with the index finger of the right one time each.3. Move the right hand to the right, in a swift movement. Shake the head.	94
	NEITHER
	THEN~NEGATIVE	NOR:1. See neither.	96
	NOR
	THEN~OTHER	EITHER:1. Hold the index finger and thumb of the left hand up before you.2. Look intently at them, and touch first the index finger then the thumb held before you with the index finger of the right hand. (Same for Or).	54
	EITHER
	THINKING~KNOW~THINKING	THINK:1. Put the index finger of the right hand to the forehead.2. Rub the finger around in a small circle several times.3. Show a thoughtful expression.	122
	THINK
	THINKING~KNOW~THINKING	MEDITATE:1. Rub the index finger in a small circle on the forehead.2. Rest the hand on the forehead a moment and rub again.3. Have a thoughtful expression.	89
	MEDITATE
	THINK~CHANGE	TO CHANGE THE MIND:1. Touch the forehead with the tip of the index finger.2. Sign the change.	40
	TO CHANGE THE MIND
	THINK~CRAZY	CRAZY:1. Touch the forehead with the index finger.2. Move the finger in a circle over the forehead two or three times.	45
	CRAZY
	THORN	THORN:1. Stick the point of the right index finger against the left hand.2. Move the left hand quickly away. Rub on the spot the index finger touched it.3. Show painful expression.	122
	THORN
	THROUGH	THROUGH:1. Hold your left hand up before you with the fingers parted.2. Pass your right hand through the parted middle and third finger of the left hand.	123
	THROUGH
	THROW	THROW:1. Go through motion of throwing a rock.To throw from a horse:1. Straddle the index finger and thumb over the left index finger.2. Move the hands out forward in an up and down way as if riding horse back.3. Let the right hand fall or slip off of the left hand.To throw in wrestling:1. Go through motion of wrestling.2. Force some imaginary thing in your grasp downward to the ground or floor.	123
	THROW
	THURSDAY	THURSDAY:1. Make the letters "Th."	123
	THURSDAY
	TIE	TIE:1. Go through the motion of tieing a knot.	123
	TIE
	TIME-PERIOD	TIME:1. Make the letter "t" and move it in a circle around the palm of the other hand.	123
	TIME
	TIMEPIECE	WATCH:1. See attend.2. Make motion of pulling a watch out of your vest pocket. Look at the hand as if seeing what time it is.	133
	WATCH
	TIME~cl:BonFOREARM(swing-like-pendulum)	CLOCK:1. Touch the back of your left hand with the right index finger.2. Hang the right hand over the left hand.3. Move the right hand left and right in a swinging manner, imitating the movement of a clock's pendulum.For watch: Touch on the back of the left hand and make motion of taking a watch from your vest pocket.	42
	CLOCK
	TO	TO:1. Hold your left index finger up before you.2. Move the tip of the right index finger toward and against the left index finger.	124
	TO
	TO	TOWARD. See to.	125
	TOWARD
	TO	UNTO:1. See to.	128
	UNTO
	TO-BE(aux)	AM (to be) 1. Touch the breasy with either index finger. 2. Hold both hands with palms up in front of you. (Note: Some would put the index finger across the lips and move the finger outward).	23
	AM
	TO-BE(inf)	BE:1. Hook the right index finger and move it to the left before you. See am.	29
	BE
	TOE	TOE:1. Move your thumb up and down and point to the foot.	124
	TOE
	TOMATOES	TOMATO:1. Use your left fist for a tomato.2. Feel around it with your right hand palm.3. Tip the lips with your right index finger: for red.4. Draw the right index finger two or three times across the left fist as if cutting slices off of the tomato.	124
	TOMATO
	TOMORROW	TOMORROW:1. With the fingers closed and thumb up, put the side of the thumb against the cheek.2. Throw the hand backward over the shoulder.	124
	TOMORROW
	TONGUE	TONGUE:1. Touch the tongue with the index finger of the right hand.	125
	TONGUE
	TRAIN	RAILROAD:1. Hold the left hand with the index and middle fingers extended and turned up.2. Move the index and middle fingers of the right hand in a gliding way along on the back of the left hand index and middle fingers extended and back turned up.	106
	RAILROAD
	TRAIN~TRAVEL	TRAVEL:1. Sign railroad.2. Move the index finger in a round-about way in front of you and above your head.	126
	TRAVEL
	TREE~LEAF	LEAF:1. Sign tree.2. Hang the right hand over the left hand and shake the right hand as a leaf shakes in a tree.	82
	LEAF
	TROUBLE	TROUBLE:1. Pass the palm of one hand after the other before your face.2. Have a troubled look.	126
	TROUBLE
	TRUE	TRUE:1. Push the entire length of one index finger upward across your lips.2. Have an earnest expression.3. Strike the hand down on the other hand.	126
	TRUE
	TRUTH	TRUTH:1. Put one index finger to and across the lips.2. Move the hand upward and outward in a positive manner.	126
	TRUTH
	TRY	ENDEAVOR:1. Hold the right fist a little behind the left fist held out in front of you.2. Push both hands simultaneously forward two or three times.	54
	ENDEAVOR
	TUESDAY	TUESDAY:1. Make the letter "T" and move it around in front of you.2. Have a serious look.3. Strike the hand down on the other hand.	127
	TUESDAY
	TURKEY	TURKEY (fowl):1. Sign hen.2. Hang the index finger of one hand down from your nose.3. Move the finger from side to side.	127
	TURKEY (fowl)
	UMBRELLA	UMBRELLA:1. Go through motion of opening and hoisting an umbrella.2. Hold an imaginary umbrella over your head.	127
	UMBRELLA
	UNCLE	UNCLE:1. Have the index and middle fingers of the right hand extended upward.2. Move the hand up and down near the ear.	128
	UNCLE
	UNDER	UNDER:1. Hold the left hand with the palm turned down in front of you.2. Put the right hand with the thumb sticking up under the left palm.3. Move the right hand in a little circle under the left palm.To go under something: Pass the right hand with the thumb sticking up from one side beyond the other side under the palm of the left hand.	128
	UNDER
	UNDERSTAND	SMART:1. Push the index finger of the right hand from the bridge of the nose up across the forehead.2. Have an intelligent look.	115
	SMART
	UNTIL	UNTIL:1. Put the right index finger between the index and middle fingers of the left hand.2. Move the right hand outward and downward. Have the index finger one-quarter bent down.	128
	UNTIL
	UP	UP:1. Point upward, or move both hands upward.	128
	UP
	UPON	UPON:1. Hold the left hand up in front of you.2. Put the right hand upon it.	128
	UPON
	USEFUL	USEFUL:1. Hold your left forearm before you.2. Put your right palm under the left forearm and give it a lift: help.3. Bring the palms together.4. Move the palms forward and backward alternately against each other.	129
	USEFUL
	VAIN	VAIN:1. Hold both hands with the index and middle fingers extended and parted up near the side of the head, palms facing backward.2. Move the index and middle fingers back and forward two or three times.3. Have a vain or proud expression.	129
	VAIN
	VALLEY	VALE or VALLEY:1. Hold both hands out sidewardly above the level of your head.2. Move the hands down and inwardly so the backs of the hands will meet near the level of your waist in front of you, as far out as possible.	129
	VALE, VALLEY
	VERY	VERY:1. Put the tips of the index and middle fingers of the right hand against the tips of the index and middle fingers of the left hand.2. Move the hands apart simultaneously. Left hand going left and right, to the right.	130
	VERY
	VINE	VINE:1. Use your left forearm as a post.2. Hold it perpendicular before you.3. Move the index finger of the right hand up and along the forearm in a spirial way.	130
	VINE
	VINEGAR	VINEGAR:1. Put the tip of your index finger to your lips.2. Act as if tasting.3. Scrough and smack the lips.4. Show disagreeable taste.	130
	VINEGAR
	VISIT	VISIT:1. Hold the index and middle fingers of both hands extended and parted.2. Put the right fingers to the right eye and move them out forward.3. Put the left fingers to the left eye and move them out forward. Repeat the movements two times.	131
	VISIT
	VOTE	VOTE:1. Drop an imaginary ticket with your right hand fingers, between the thumb and fingers of the left hand.	131
	VOTE
	WAKE-UP	WAKE:1. Close the eyes.2. Put the hands, with the fingers closed around the thumbs, to the eyes.3. Relax the fingers from the thumbs and open the eyes.	131
	WAKE
	WALL	WALL:1. Let the palms of the hands face each other in front of you about a foot apart.2. Move the hands upward to a level above your head.For great walls: Pass your hand around with palm outward or toward the wall.	132
	WALL
	WANT	WANT:1. Hold both hands with palms turned up out before you.2. Draw the hands simultaneously toward you.3. Bend in the fingers as you draw the hands toward you.4. Repeat the movement two or three times.	132
	WANT
	WANT	DESIRE:1. Move the tip of the right index finger upward over your heart.2. Extend both hands outward with palms up.3. Bend in the fingers a little.4. Draw the hands toward you two or three times.	48
	DESIRE
	WANT	PASSION: see desire.	99
	PASSION
	WAR	WAR:1. Hold both hands in front of you with the palms turned down and the finger tips opposite each other.2. Move the hands simultaneously to the right vigorously wiggling the fingers, as guns shooting.3. Move back to the left and repeat two or three times.4. Have a serious appearance.	132
	WAR
	WARM	WARM: 1. Breathe a warm breath in the palm of one hand. 2. Have the fingers of the hand half bent in. (For warm weather:) Draw the hooked index finger of the right hand from near the left temple, across your forehead to the right temple.	132
	WARM
	WASTE	WASTE:1. Push the back of your right hand forward over the palm of your left hand, then vice versa.2. Push the back of the left hand forward over the palm of the right hand.3. Repeat the movements two times.	133
	WASTE
	WATER	WATER:1. Extend index, middle and third fingers upward before you.2. Move the hand right and left several times. (A drink a glass of water:) Make motion of drinking from a glass, using the hand as a glass.	133
	WATER
	WATER~BATH	BATH:1. Make the sign for "water." (See water).2. Rub from the breast down to your waist with the palms of both hands.	29
	BATH
	WATER~cl-trace:1(around-lake)	LAKE:1. Make the sign of water.2. Move the extended index finger and thumb of one hand in a round about way in front of you.	81
	LAKE
	WATER~cl-trace:8(round-pool)	POOL:1. Sign water.2. With your thumb touching the second joint of your middle finger move the hand in a circle before you.	101
	POOL
	WATER~WASH	WASH:1. Make the sign of water, and go through motion of washing the face and hands.To wash clothes: Go through motion of washing or rubbing on the knuckles, or a washboard as an old woman does in washing clothes.	133
	WASH
	WAY	ROAD:1. Hold the palms facing each other about a foot apart in front of you.2. Move the hands simultaneously forward in a zigzag manner.	109
	ROAD
	WEAK	WEAK:1. Put the tips of the index and middle fingers of the right hand in the palm of the left hand.2. Press the right hand downward and as you do so bend the index and middle fingers.3. Repeat two times.4. Show weak expression.	134
	WEAK
	WEAR	WEAR:1. Put the wrists of the hands with palms up against their respective sides.2. In this position move the hands slightly right and left two or three times.3. Bring the palms together and rub the fingers back and forward. Let the palms of the fingers touch as you make the movement.	134
	WEAR
	WEDNESDAY	WEDNESDAY:1. Make the letter "W" and move it around in front of you.	134
	WEDNESDAY
	WEEK	WEEK:1. Hold your left hand with the fingers spread and far apart before you (for 5).2. Lay the thumb and index finger of the right hand in the left palm (for 2 more making 7).3. Push the hands out forward, letting the right hands slip off of the left palm a little further out.	134
	WEEK
	WEIGH	POUND:1. Cross the right index over the left index finger.2. Balance the right finger as if weighing.3. Hold up the index finger for one: 1 pound; 3 fingers: 3 pounds, etc.	102
	POUND
	WEIGH-SCALE	JUDGE:1. Put the tip of the index fingers and thumbs of each hand together.2. Hold the hands before you and move them up and down one after the other several times.	78
	JUDGE
	WEIGH-SCALE~DECIDE	JUST:1. Sign Judge and bring the hands to a sudden pause.	79
	JUST
	WET	WET:1. See damp.	135
	WET
	WET	MUDDY:1. See damp. Turn the fingers downward and move them up and down a few times.2. Have an unpleasant look.	93
	MUDDY
	WET	DAMP:1. Hold both hands with palms upward before you.2. Cluster the fingers around and part them from the thumbs. Repeat twice.	47
	DAMP
	WHAT	WHAT:1. Strike on the index finger of the left hand with the right index finger.2. Move the right hand with the palm turned up out in front of you.3. Move the hand right and left. Or just move your index finger in a round-about way in front of you.	135
	WHAT
	WHISKEY	WHISKEY:1. Put the thumb of one hand with the little finger extended to the lips.2. Go through motion of drinking.3. Move the head from side to side. (Same for drunkard.)	136
	WHISKEY
	WHITE	WHITE:1. Put the palm of your right hand to your shirt front.2. Draw the hand outward closing the fingers around the thumb as you do so. Repeat the movement.	136
	WHITE
	WHITE~MONEY~cl-d:B:B:(clasp&shake to jingle)	SILVER:1. Make the sign of white.2. Strike the back of the right hand in the palm of the left hand: money.3. Put the palms of the hands near each other and shake them as if rattling silver money.	113
	SILVER
	WHITE~SNOW	SNOW:1. Put the palm of the right hand to your shirt front.2. Draw the hand outward meanwhile close the fingers around the thumb: white.3. Hold the palm up as far as you can in front of you.4. Let the hands come slowly down in an oscillating movement.5. Wiggle the fingers as you move the hands downward.	115
	SNOW
	WHO	WHO:1. Pass the index finger around the face.2. Look left and right a little.	136
	WHO
	WHO~3P-POSS	WHOSE:1. Pass the index finger around the face.2. Push the palm of the hand toward the object.	137
	WHOSE
	WHO~obj-case	WHOM:1. Pass the index finger around the face.2. Move the hand out forward and turn the palm upward to show objective.	136
	WHOM
	WIN	WIN:1. See get. Have pleasant look.	137
	WIN
	WIND-BLOW	WIND:1. Hold the palms up opposite each other.2. Move them simultaneously right and left.3. Make wind with your mouth.4. Turn the palms outward and push them forward, still blowing with the mouth.	137
	WIND
	WINE	WINE:1. Have the index, middle, and third fingers of the hand extended and upward.2. Rest the thumb on the little finger.3. Rub the fingers in a small circle on the cheek.	137
	WINE
	WISE	WISE:1. Touch the forehead with the point of the index finger.2. Hook the finger and move it up and down in front of and near the forehead.3. Have a grave look.	138
	WISE
	WOOD	WOOD:1. Make motion of sawing on the left forearm, with the right hand as a saw.	138
	WOOD
	WOOD~cl-d:CC(log)	LOG:1. Sign wood, and move the right hand to the right and left hand left, having the fingers bent downward.	85
	LOG
	WORK~DO~COLLECT	EARN:1. Strike the right wrist on the left wrist two or three times.2. Sign "do."3. Make a scoop-in movement with the palm of your right hand over and along the palm of your left hand.	53
	EARN
	WORLD	WORLD:1. Have the thumbs of both hands resting on the respective little fingers.2. Hold one hand stationary before you.3. Move the other hand around, beneath and over the hand held stationary.	138
	WORLD
	WORM	WORM:1. Hold your left hand with the palm turned sideward before you.2. Push the right index finger in a crawling or zigzag way across the palm of the left hand from the wrist on to and beyond the fingers.	138
	WORM
	WRIST	WRIST:1. Just touch and show your wrist.	138
	WRIST
	WRITE	WRITE:1. Hold an imaginary pencil or pen between the index finger and thumb of the right hand.2. Go through the motion of writing in the palm of the left hand.	139
	WRITE
	YEAR	YEAR:1. Hold your left fist stationary in front of you.2. Touch on top of the left fist with the right fist.3. Move the right fist around in a circle and touch the left fist again in the starting place.	139
	YEAR
	YELL	YELL:1. Partly close both hands.2. Put the hands to the mouth.3. Throw them up vehemently above your head.4. Open your mouth wide as if hollering, but use no voice.	139
	YELL
	YELLOW	YELLOW:1. Extend the thumb and little finger of one hand.2. Move the hand in a round-about and twisting manner in front of you.	139
	YELLOW
	YELLOW~LARGE~GLOBE	PUMPKIN:1. Sign yellow, large and ball or globe.	105
	PUMPKIN
	YES	YES:1. Bow the head in an affirmative manner.	140
	YES
	YES	NOD:1. Nod the head. Or hold your closed fist near your shoulder; bob it forward.	95
	NOD
	YESTERDAY	YESTERDAY:1. With fingers closed and thumb up, put the side of the thumb to the cheek.2. Move the hand outward.	140
	YESTERDAY
	YOKE	YOKE:1. Place the thumb and fingers around the back of your head.2. Force the head downward with the palm.3. Move the head from side to side.	140
	YOKE

Source: Pelissier 1856 Number of entries found: 387
Entry ID	Reference Gloss Author’s Gloss	Description	Page
	A LITTLE	Fig. 12. The thumb wiggles slightly touching the tip of the index finger.	Plate XVIII
	PEU
	A LOT	N/A	Plate XVIII
	BEAUCOUP
	ABANDON	Fig. 1. Having your hands closed as if holding something in them, then suddenly opening them, with the movement of throwing them sideways forward.	Plate XV
	ABANDONNER
	ACTIVE	Fig. 17. Quickly move the hands back and forth, right and left.	Plate IX
	ACTIF
	ADMIT	N/A	Plate XV
	AVOUER
	ADORE	Fig. 3. Sign to KNEEL by applying the knuckles of the index and middle fingers bent on the palm of the other hand; then make the sign of RESPECT DEEPLY by bowing the head and lowering the two hands that have the back against the forehead to the knees.	Plate XV
	ADORER
	AFTER	Fig. 7. Throw the hand behind you from below.	Plate XX
	APRÈS
	AGAINST	Fig. 4. Sharply dart the curved hand forward in a c shape.	Plate XX
	CONTRE
	AH	N/A	Plate XXI
	AH
	ALAS	N/A	Plate XXI
	HÉLAS
	ALL	Fig. 10. All object-pronouns, in other words, all direct or indirect regimes, are figured by the thumb of the left hand; all subject pronouns by the thumb of the right hand.	Plate XIV
	LE
	ALL	Fig. 16. Print a circular movement, from left to right, with the right hand which represents the dactylological T; or, describe a circle with the two hands starting from the top and meeting at the bottom.	Plate XIV
	TOUS
	ALSO	Fig. 20. Same sign to say: LIKE, ALSO, SAME. etc	Plate XVIII
	AUSSI
	ALWAYS	Fig. 17. The index describes circles while advancing.	Plate XVIII
	TOUJOURS
	AMONG	Fig. 15. Put the index finger, or the whole hand, several times, by the little finger, between the fingers of the other hand, which remains open, the fingers bent and the tip up.	Plate XIX
	PARMI
	AND	Fig. 9. Strike lightly on the palm with the tips of the fingers joined together in a bundle; louder and all of a sudden, it's making the ENCORE sign.	Plate XX
	ET
	ANGER	Fig. 8. With bent fingers briskly plow the chest two or three times from bottom to top.	Plate XI
	COLÀRE
	ARCHBISHOP	N/A	Plate VI
	ARCHEVÊQUE
	ARGUMENTATIVE	Fig. 12. Roundly add the liar sign to figure 11.	Plate XII
	QUERELLEUR
	AROUND	N/A	Plate XIX
	AUTOUR
	ARROGANT	N/A	Plate XII
	ORGUEILLEUX
	AS SOON AS	Fig. 15. Precede it with fig. 21, pl. XIV.	Plate XX
	DÈS QUE
	AT HOUSE OF	Fig. 20. This is the sign of HOME. Add figure 7 to it, and you will complete the CHEZ idea.	Plate XIX
	CHEZ
	AT THE BOTTOM	N/A	Plate XIX
	AU BAS
	BAD	Fig. 2. After the sign of good, shake the head in the form of a negation, and cross the hands briskly in the manner represented in the drawing.	Plate XII
	MAUVAIS
	BANISH	Fig. 12. Strike hard on the back of the fingers of the left hand, with the other hand going to the left side.	Plate XV
	BANNIR
	BE	Fig. 12. Idea of affirmation. The head nods, the hand drops down, the index and middle fingers remain spread apart in a V shape.	Plate XVI
	ÊTRE
	BE DELIGHTED	Fig. 8. Press strongly on the heart the palmar surface of the right hand, which traces circles there. It is also the sign of PLEASURE, BEING CONTEXT.	Plate XVII
	SE RÉJOUIR
	BEAR	Fig. 10. Slowly swing the head to the right and to the left.	Plate VII
	OURS
	BEAUTIFUL	Fig. 12. Make the above sign and feign an air of admiration.	Plate IX
	BEAU
	BECAUSE	Figures 11, 12 and 13 can be applied to each of these three conjunctions depending on the meaning attached to them.	Plate XX
	PARCE QUE
	BECAUSE	Figures 11, 12 and 13 can be applied to each of these three conjunctions depending on the meaning attached to them.	Plate XX
	CAR
	BEER	Fig. 7. This is the sign to pull the cork. Precede it with figure 2, you will say: OLD WINE.	Plate III
	BIÈRE
	BEFORE	Fig. 5. Push the hand forward 2 to 3 times, palm out and lying horizontally.	Plate XX
	AVANT
	BEGIN	Fig. 17. Pierce the middle of the index and middle fingers with the tip of the right index finger, the tip of which is seen on the outside.	Plate XV
	COMMENCER
	BEHIND	Fig. 6. You can also say it by touching your back with the back of your hand.	Plate XIX
	DERRIÈRE
	BELIEVE	Fig. 2. The index finger descends from the forehead, which it touches below the chin, and the head nods in assent.	Plate XVI
	CROIRE
	BENCH	Fig. 18. Describe the size of the object with both hands, taking the dactylological form of an inverted C and separated by a line. Then make the sit down sign as above.	Plate V
	BANC
	BETWEEN	Fig. 14. Put the index, or the whole hand, by the little finger, between the index and the middle finger of the other hand.	Plate XIX
	ENTRE
	BIG	N/A	Plate IX
	GROS
	BIRDS	Of these two figures together, the generic word BIRD.	Plate VIII
	OISEAUX
	BISHOP	N/A	Plate VI
	EVÊQUE
	BLACK	Fig. 22.id. of the eyebrow.	Plate X
	NOIR
	BLACKBOARD	Fig. 11. Draw a large square in front of you.	Plate IV
	TABLEAU NOIR
	BLUE	Fig. 24. id. of the sky.	Plate X
	BLEU
	BOOK	N/A	Plate V
	LIVRE
	BOTTLE	Fig. 17. Add wine.	Plate III
	BOUTEILLE
	BRANDY	Fig. 6. By scratching the throat with the tip of the index finger, we recall the tingling produced by brandy on this organ.	Plate III
	EAU-DE-VIE
	BRAVE	Fig. 7. Strike on the heart with the right fist and resolutely throw both fists forward.	Plate XII
	COURAGEUX
	BREAD	N/A	Plate II
	PAIN
	BRING	N/A	Plate XV
	APPORTER
	BROTHER	N/A	Plate VI
	FRÈRE
	BUT	Fig. 10. Both hands jump briskly from below to the sides of the shoulders, which they touch with their backs.	Plate XX
	MAIS
	BUY	Fig. 2. First make the sign of money, then that of giving with the help of the right hand which remains in front, while the left hand is brought towards you as a sign of taking or receiving.	Plate XV
	ACHETER
	CAKE	Complete figure 11, which traces, with the right index finger, the shape of a cake, by the action of the wooden roller with which the pastry chefs roll out the dough.	Plate II
	GÂTEAU
	CAMEL	Fig. 9. Add long neck.	Plate VII
	CHAMEAU
	CAN	Fig. 1. With both hands closed, rush them simultaneously with force downwards.	Plate XVII
	POUVOIR
	CARAFE	Fig. 14. Add water.	Plate III
	CARAFE
	CAREFUL	Fig. 17. With the tip of the index trace circles on the forehead to indicate the reflection; then reproduce the drawing which means: Bring back the reins.	Plate XI
	PRUDENT
	CARESS	Fig. 14. Slap lightly and quickly with the hand on both cheeks, and repeat the sign forward, as if on someone.	Plate XV
	CARESSER
	CAT	Fig. 18 and 19. With the sign of small, it is the CAT; with the big one, it's the TIGER.	Plate VII
	CHAT
	CHAIR	N/A	Plate V
	CHAISE
	CHALK	Fig. 12. Add Figure 11.	Plate IV
	CRAIE
	CHAMPAGNE	Fig. 9. Pop the cork.	Plate III
	CHAMPAZNE
	CHANGE	Fig. 15. Quickly turn over the hand which, after having the back up, now has it down.	Plate XV
	CHANGER
	CHEESE	Fig. 9. Pretend to bite a piece of cheese held between thumb and forefinger.	Plate II
	FROMAGE
	CHILD	Fig. 4. Sign of rocking in his arms; add small. Raise your hand to chin level to say BOY.	Plate VI
	ENFANT
	CHIMNEY	N/A	Plate V
	CHEMINÉE
	CLEAN	N/A	Plate IX
	PROPRE
	COFFEE	N/A	Plate III
	CAFÉ
	COLD	N/A	Plate X
	FROID
	COMPASS	N/A	Plate V
	COMPAS
	CORPORAL	N/A	Plate VI
	CAPORAL
	COW	N/A	Plate VII
	BŒUF
	COWARDLY	Fig. 8. Looking like you're backing off with shaky hands.	Plate XII
	LÂCHE
	CRAYFISH	Fig. 11. Open and close the index and middle fingers of both hands in the form of hooks.	Plate VIII
	ÉCREVISSE
	CRAZY	Fig. 16. With the tip of the index finger touch the forehead and suddenly wave the hands above the head.	Plate XI
	FOU
	CREATE	Fig. 1. This is the sign to PRODUCE. Precede it with figure 17, and you will have CREATE.	Plate XVI
	CRÉER
	CROSS		Plate V
	CROIX
	CUP	N/A	Plate III
	TASSE
	CURIOUS	Fig. 6. Have your eyes wide open, while making this sign; the hand rapidly describes circles in front of the eyes.	Plate XII
	CURIEUX
	CURSE	N/A	Plate XXI
	MALÉDICTION
	CURVY	N/A	Plate X
	TORTU
	DAY	Fig. 1. Raise your head.	Plate XVIII
	JOUR
	DEAF-MUTE	N/A	Plate IX
	SOURD-MUET
	DECEIVE	N/A	Plate XVII
	TROMPER
	DESCEND	Fig. 3. Roll, one around the other, the two indexes from top to bottom.	Plate XVI
	DESCENDRE
	DESIRE	Fig. 4. Draw the hands towards the heart, forward, fingers bent upwards, the right hand between the heart and the left hand.	Plate XVI
	DÉSIRER
	DESK	Fig. 19. After the sign to turn the key towards the middle, make the sign to open with both hands rising upwards and appearing to trace a semi-circle.	Plate IV
	BUREAU
	DESPITE	Fig. 3. The reversed hand, throw it, with a sudden movement, forwards, a little sideways.	Plate XX
	MALGRÉ
	DIE	Fig. 15. The right index finger, starting from the height of the right shoulder, falls on the left index finger, and the head bends to this side.	Plate XVI
	MOURIR
	DIRTY	N/A	Plate IX
	SALE
	DISCRETE	Fig. 5. First make the sign of seeking, then that of negation, then that of silence; finally turn your head a little.	Plate XII
	DISCRET
	DISGUST	N/A	Plate XXI
	FI
	DISOBEDIENT	Fig. 2. Precede it with Figure 1.	Plate XI
	DÉSOBÉISSANT
	DOG	N/A	Plate VII
	CHIEN
	DONKEY	N/A	Plate VII
	ANE
	DRINK	Fig. 1. Same observation as for Figure 1 of Plate II.	Plate III
	BOIRE
	DURING	Fig. 6. Bring forward simultaneously the two hands representing the dactylological p. If they appear the T, it will be WHILE, the D DORANT; the latter is done with one hand.	Plate XX
	PENDANT
	EACH	Fig. 17. The closed hand, except the thumb which figures one, runs from left to right with successive rests, as if it wanted to touch or designate each object.	Plate XIV
	CHACUN
	EAGLE	Fig. 3. Add Figure 2, arms more outstretched.	Plate VIII
	AIGLE
	EARN	Fig. 13. Slide the right hand over the left palm, open at the start, closed past the wrist.	Plate XVI
	GAGNER
	EASY CHAIR	N/A	Plate V
	FAUTEUIL
	EAT	The 1st figure must follow or precede the sign of each food.	Plate II
	MANGER
	EDUCATED	Fig. 11. Lightly strike the middle of the forehead with the tips of the fingers and open the hand by spreading it.	Plate XI
	INSTRUIT
	EGGS	Fig. 6. Hitting the tips of both hands, as if breaking an egg by knocking it against another.	Plate II
	OEUFS
	ELEPHANT	Fig. 7. Trunk sign. Pretend to use it to pick up an object and swallow it.	Plate VII
	ÉLÉPHANT
	ENOUGH	Fig. 13. Small movements back and forth, from left to right, of the palm of the right hand on the left hand, which remains closed.	Plate XVIII
	ASSEZ
	ERASER	N/A	Plate IV
	TORCHON
	EVENING	Fig. 4. Sun at the zenith.	Plate XVIII
	SOIR
	FAR	Fig. 12. With both hands closed, thumbs alone raised and touching, move the right away from the left.	Plate XIX
	LOIN
	FAT	N/A	Plate IX
	GRAS
	FATHER	Fig. 3. Sign of giving birth.	Plate VI
	PÈRE
	FEAR	Fig. 20. Clap hands over the heart, then with a worried face step back, waving them slightly, hands open, a little down.	Plate XV
	CRAINDRE
	FEAR	N/A	Plate XXI
	O TERREUR
	FILL	Fig. 10. Make the pour sign and the full board sign.	Plate XVII
	REMPLIR
	FIND	Fig. 16. First reproduce the sign to seek, then suddenly raise the head still slightly inclined, with the sign of figure 18.	Plate XVII
	TROUVER
	FINE	Fig. 14. Gently slide the thumb over the end of all the fingers of the same hand, starting from the little finger.	Plate X
	FIN
	FIRE	Fig. 9. Action of warming up. Then you have to rub your hands.	Plate V
	FEU
	FISH	Fig. 9. Wave your hand to represent the swimming fish.	Plate VIII
	POISSONS
	FLEA	N/A	Plate VIII
	PUCE
	FLIES	Fig. 15. Add the wings sign.	Plate VIII
	MOUCHES
	FOR	N/A	Plate XX
	POUR
	FORK	N/A	Plate II
	FOURCHETTE
	FOX	Fig. 12. Add bushy tail.	Plate VII
	RENARD
	FROM	Fig. 4. Look like you are hitting from the right side with the right hand reversed. It is also the sign of LEAVING.	Plate XIX
	DE
	FUTURE	Fig. 20. Push the hand forward.	Plate XIV
	FUTUR
	GAME	N/A	Plate II
	GIBIER
	GENERAL	Fig. 19. Add embroidered coat and hat.	Plate VI
	GÉNÉRAL
	GENEROUS	Fig. 13. Smile by gently waving your outstretched hands up and down and then placing them crossed on your chest.	Plate XII
	GÉNÉREUX
	GENTLE	Fig. 7. The open hand on the face, close it by drawing it aside.	Plate XI
	DOUX
	GIRL	Fig. 4. Sign of rocking in his arms; add small. Raise your hand to chin level to say BOY.	Plate VI
	FILLE
	GLASS	Fig. 15. Make the sign to rinse.	Plate III
	VERRE
	GO	Fig. 5. Roll both index fingers forward. Bring them back to yourself to say COME.	Plate XV
	ALLER
	GOAT	Fig. 5. Beard sign and curled back horns.	Plate VII
	BOUC
	GOD~APPRECIATE	N/A	Plate XXI
	L'ASSE LE CIEL
	GOD~APPRECIATE	N/A	Plate XXI
	PLAISE AU CIEL
	GOOD	Fig. 1. Look like you're smiling while giving the ok sign.	Plate XII
	BON
	GOOD HEAVENS	N/A	Plate XXI
	JUSTE CIEL
	GREEDY	Fig. 10. Complete this sign by raising the hand to the chin.	Plate XI
	GOURMAND
	GREEN	Fig. 25. Reproduce with the hand the drawn sign, extending it horizontally a little downwards, to paint the color of the grasses, the lawn, the meadow.	Plate X
	VERT
	HARD	Fig. 20. Strike with the second bone of the right middle finger on the third of the left middle finger. Add the negation to Figure 19.	Plate X
	DUR
	HARE	Fig. 16. Add rifle sign. To designate the RABBIT, add the way to kill it by hitting it on the head.	Plate VII
	LIÈVRE
	HAVE	Fig. 10. Idea of possession. Both hands rise from the front a little downwards, towards the top of the chest which they touch.	Plate XV
	AVOIR
	HAVE TO	Fig. 5. Strike several times with the index finger bent and turned downwards. It is also the sign of NECESSARY, IT IS NEEDED.	Plate XVI
	DEVOIR
	HE	N/A	Plate XIV
	IL
	HEALTH	N/A	Plate XXI
	SANTÉ
	HEARING	N/A	Plate IX
	PARLANT
	HEAVY	Fig. 11. Seeming to lift it with difficulty.	Plate X
	LOURD
	HEN	Fig. 5. Add the egg sign and the lay sign.	Plate VIII
	POULE
	HIDE	N/A	Plate XV
	SE CACHER
	HIGH	N/A	Plate X
	HAUT
	HIS	N/A	Plate XIV
	SON
	HOPE	Fig. 10. The right hand waves gently above the left arm, and the face expresses confidence.	Plate XVI
	ESPÉRER
	HORSE	Fig. 2. Make jerky movements in the hands, as if riding at a trot.	Plate VII
	CHEVAL
	HOT	N/A	Plate X
	CHAUD
	HOUR	Fig. 10. Strike a few strokes with the tip of the index finger of one hand on the back of the other hand.	Plate V
	HEURE
	HOURGLASS	N/A	Plate IV
	SABLIER
	HOW TERRIBLE	N/A	Plate XXI
	HORREUR
	HYPOCRITICAL	N/A	Plate XII
	HYPOCRITE
	I	N/A	Plate XIV
	JE
	IF	Fig. 18. Same as above, with the difference that only the little fingers are erect and turned forward. The face must be related to the conditional.	Plate XX
	SI
	IGNORANT	Fig. 12. Reproduce figure 11 with the negation.	Plate XI
	IGNORANT
	IMAGE	Fig. 8. The index finger following the contour of the profile indicates DRAWING, the rest means small square.	Plate V
	IMAGE
	IMAGINE	Fig. 19. The index finger, at a distance and turned towards the forehead, describes circles.	Plate XV
	CONCEVOIR
	IMMEDIATELY	Fig. 14. Thumbs touching the tips of the index fingers, straighten them, darting them briskly forward; this sign can be performed with one hand. Preceded by the future, it is SOON.	Plate XX
	AUSSITÔT
	IMPRUDENT	Fig. 18. First reproduce figure 16, then throw the hands closed, then open, forward, as if to say: Leave. slip the reins.	Plate XI
	IMPRUDENT
	IN	N/A	Plate XIX
	DANS
	IN FRONT	N/A	Plate XIX
	DEVANT
	IN ONLY	N/A	Plate XXI
	QUE
	IN THE MIDDLE	N/A	Plate XIX
	AU MILIEU
	INATTENTIVE	Fig. 20. Walk up and down side to side with your index finger outstretched and follow his movements with your eyes.	Plate XI
	DISTRAIT
	INDUSTRIOUS	Fig. 19. Forcefully drop the tip of the index finger of one hand from the forehead and touch it to the middle of the palm of the other hand	Plate XI
	APPLIQUÉ
	INK	N/A	Plate IV
	ENCRE
	INK WELL	Fig. 8. Add figure 7.	Plate IV
	ENCRIER
	INSECTS	Fig. 14. Wiggle all the fingers on one hand, move them back and forth on the other hand. It is the sign of INSECTS in general; — to add to it the signs of black and of extremely small, is to designate the ANTS.	Plate VIII
	INSECTES
	INTELLIGENT	Fig. 17. Strike the forehead with the tip of the index finger, wave the outstretched hand and give liveliness to the eyes.	Plate XII
	INTELLIGENT
	IT IS GOOD	N/A	Plate XXI
	C'EST BIEN
	KISS	N/A	Plate XVI
	EMBRASSER
	KNIFE	Fig. 17. Add to this sign, open the knife, that of using it to cut.	Plate II
	COUTEAU
	KNOW	Fig. 13. Strike the forehead lightly and repeatedly with the fingertips. In one go, with force and without the fingers touching the forehead, that is to KNOW. Complete this last sign by making an ah! it is RECOGNIZE.	Plate XVII
	SAVOIR
	LADY	N/A	Plate VI
	DEMOISELLE
	LAUGH	N/A	Plate XVII
	RIRE
	LAZY	N/A	Plate XI
	PARESSEUX
	LEAN	N/A	Plate IX
	MAIGRE
	LEAVE	Fig. 19. Strike with force the right arm reversed against the left hand which is extended forward.	Plate XVI
	PARTIR
	LEND	Fig. 2. Move the two closed hands alternately forwards towards you, the dorsal side down.	Plate XVII
	PRÊTER
	LENIENT	Fig. 15. Add to figure 9 the sign of PARDON, which consists in touching the left palm with the right palm. Clemency is beautiful forgiveness, Ferd said. Berthier, the most famous of all deaf-mutes.	Plate XII
	CLÉMENT
	LESS THAN	N/A	Plate XVIII
	MOINS QUE
	LETTER	N/A	Plate IV
	LETTRE
	LIAR	N/A	Plate XI
	MENTEUR
	LIGHT	Fig. 12. The opposite of the figure above.	Plate X
	LÉGER
	LION	Fig. 6. Serious pose; add mane, long tail.	Plate VII
	LION
	LOBSTER	Fig. 12. Precede this sign with figure 11.	Plate VIII
	HOMARD
	LONG	N/A	Plate X
	LONG
	LOSE	Fig. 8. Drop the joined hands down and spread them each side; then make the sign to search your pockets and the sign to search.	Plate XVI
	ÉGARER
	LOUSE	N/A	Plate VIII
	POU
	LOVE	N/A	Plate XV
	AIMER
	LOW	N/A	Plate X
	BAS
	MAID	Fig. 11. SWEEP sign.	Plate VI
	DOMESTIQUE
	MAN	Fig. 1. Sign of pulling the hat.	Plate VI
	HOMME
	MASTER	N/A	Plate VI
	MAÎTRE
	MAYBE	Fig. 19. Both field hands raise and lower alternately, with an air of doubt.	Plate XVIII
	PEUT-ÊTRE
	MEAT	N/A	Plate II
	VIANDE
	MILK	Fig. 10. Figure with the left index finger the udder of the cow that the right hand presses.	Plate III
	LAIT
	MILK (verb)	Fig. 22. Squeeze the udders of a quadruped alternately with both hands. Add this sign to figure 3 to designate the COW: to figure 5 to designate the goat.	Plate VII
	TRAIRE
	MIRROR	N/A	Plate V
	MIROIR
	MISERLY	Fig. 14. Print on the hands, the index fingers alone stretched against each other, a movement back and forth.	Plate XII
	AVARE
	MISSUS	Fig. 6. Jabot means well dressed.	Plate VI
	MADAME
	MISTER	Fig. 6. Jabot means well dressed.	Plate VI
	MONSIEUR
	MODEST	Fig. 4. Bend your head slightly and gently cross both hands over your chest.	Plate XII
	MODESTE
	MONK	Fig. 15. Do the beard and hood signs. Hit yourself two or three times in the chest.	Plate VI
	MOINE
	MONKEY	Fig. 13. Scratching like monkeys.	Plate VII
	SINGE
	MONTH	Fig. 10. Plow, from top to bottom, with the right thumb, the left thumb, as well as the other fingers of the left hand, which represents the calendar.	Plate XVIII
	MOIS
	MORE THAN	N/A	Plate XVIII
	PLUS QUE
	MORNING	Fig. 2. Head down, eyes half closed.	Plate XVIII
	MATIN
	MOST	N/A	Plate XVIII
	LE PLUS
	MOTHER	Fig. 3. Sign of giving birth.	Plate VI
	MÈRE
	MY	N/A	Plate XIV
	MON
	MY GOD	N/A	Plate XXI
	MON DIEU
	NAME	Fig. 16. Strike on the side of the left index finger on the side of the right index finger.	Plate XVI
	NOMMER
	NAPKIN, TABLECLOTH	Fig. 14. For TOWEL, add to the sign, to wipe the mouth with it, that to lay it on the knees. For TABLECLOTH, in addition to the first sign above, pretend to spread it on the table you are supposed to have in front of you.	Plate II
	SERVIETTE, NAPPE
	NARROW	N/A	Plate X
	ÉTROIT
	NEAR	Fig. 11. Bring the hand two to three times closer to the outer side of the forearm.	Plate XIX
	PRÈS
	NEVER	Fig. 18. The little finger draws a cross in the air.	Plate XVIII
	JAMAIS
	NEW	Fig. 13. With the right hand crossing the other hand, extend it overhead.	Plate X
	NEUF
	NIGHT	Fig. 5. Setting sun.	Plate XVIII
	NUIT
	NO	N/A	Plate XXI
	NON
	NONE	Fig. 18. Touch the tip of the upper incisor tooth with the thumb and forcefully throw it forward. It is also the sign of NOTHING; or, make the sign of one and that of blowing on the open hand, from the wrist to beyond the fingers. It is also the sign of SANS.	Plate XIV
	AUCUN
	NOON	Fig. 3. Rising sun.	Plate XVIII
	MIDI
	NOTEBOOK	Fig. 3. Look like you are carrying a notebook on your left arm and mark with it, with the inner side of your right hand, the two ends, the top and the bottom.	Plate IV
	CAHIER
	NUN	N/A	Plate VI
	RELIGIEUSE
	OBEDIENT	N/A	Plate XI
	OBÉISSANT
	OFTEN	Fig. 16. Open and close quickly, several times, both hands, or the hand alone, as if saying ten.	Plate XVIII
	SOUVENT
	OH	N/A	Plate XXI
	OH
	OIL	Fig. 12. Add yellow.	Plate III
	HUILE
	OLD	N/A	Plate IX
	VIEUX
	OLD	Fig. 15. Bring the right hand up along the left arm to the shoulder. It is also the sign of LATE and that of LONG.	Plate X
	VIEUX
	OMELETTE	Fig. 7. It must be preceded by figure 6.	Plate II
	OMELETTE
	ON	Fig. 1. The right hand waves on the back of the other.	Plate XIX
	SUR
	OPPOSITE	N/A	Plate XX
	AU CONTRAIRE
	OR	Fig. 17. Bring the two closed hands together, only the raised thumbs, raising them and lowering them alternately ONE OR THE OTHER.	Plate XX
	OU
	ORDER	Fig. 17. Bring the index finger, which touches the lower lip from the tip, to the height of the head and rush it from there with force downwards.	Plate XVI
	ORDONNER
	OUT OF	N/A	Plate XIX
	HORS DE
	OYSTERS	Fig. 13. Imitate the action of opening oysters and swallowing them.	Plate VIII
	HUÎTRES
	PAIN	N/A	Plate XXI
	O DOULEUR
	PAST	Fig. 21. Drop the right hand from top to bottom, making it touch, in the middle of this evolution, the digital tip of the left hand.	Plate XIV
	PASSÉ INDÉFINI
	PEACEFUL	N/A	Plate XII
	PAISIBLE
	PEACOCK	N/A	Plate VIII
	PAON
	PENCIL	N/A	Plate IV
	CRAYON
	PENDULUM	Fig. 14. First represent figure 10, then swing the inverted mam by resting the wrist on the other hand.	Plate V
	PENDULE
	PENKNIFE	N/A	Plate V
	CANIF
	PEPPER	Fig. 13. Prick the tongue with the tip of the index finger, say black and add figure 19 to it.	Plate II
	POIVRE
	PERCEIVE	N/A	Plate XV
	APERCEVOIR
	PIG	Fig. 17. Pretend to search the manure with the hand like the pig with the snout.	Plate VII
	COCHON
	PIGEON	Fig. 8. Faking throat swelling.	Plate VIII
	PIGEON
	PIOUS	Fig. 9. Clap on the heart with the palm of the right hand and throw it to the right side, stretched horizontally.	Plate XII
	PIEUX
	POCKET WATCH	Fig. 13. After the sign above, pretend to pull an object from the pocket and look at it.	Plate V
	MONTRE
	POINTER	Fig. 6. Raise the right hand, holding the left index finger, up to the height of the head, figuring the length of the object, and wave it as if to strike or to indicate.	Plate V
	BAGUETTE
	POLICEMAN	Fig. 20. Drawing with hands on the head a hat in the French style. Add the horse signs and arrest your thieves.	Plate VI
	GENDARME
	POOR	Fig. 10. BEG sign; add the elbow hole one.	Plate IX
	PAUVRE
	PRESENT	Fig. 19. Sign of now.	Plate XIV
	PRÉSENT
	PRETTY	Fig. 11. Look graceful.	Plate IX
	JOLI
	PRIEST	Fig. 12. Add prayer or mass.	Plate VI
	PRÊTRE
	PROTECT	N/A	Plate XVII
	PROTÉGER
	PUNISH	Fig. 5. Drop the right hand on the left wrist.	Plate XVII
	PUNIR
	QUIET	N/A	Plate XII
	SILENCIEUX
	QUILL	N/A	Plate IV
	PLUME
	RAT	Fig. 20. Add the action of gnawing. For a RAT, the big sign; for a MOUSE, that of small.	Plate VII
	RAT
	RECEIVE	N/A	Plate XVII
	RECEVOIR
	RED	Fig. 23.id. lips.	Plate X
	ROUGE
	RESPECT	Fig. 11. Appear to be looking at and pointing at someone with great consideration; then make the sign of well and that of applauding.	Plate XVI
	ESTIMER
	REWARD	Fig. 7. Make the sign of applauding and that of decorating or crowning,	Plate XVII
	RÉCOMPENSER
	RHINOCEROUS	N/A	Plate VII
	RHINOCÈROS
	RICH	N/A	Plate IX
	RICHE
	ROOSTER	N/A	Plate VIII
	COQ
	RULER	N/A	Plate IV
	RÈGLE
	SALAD	N/A	Plate II
	SALADE
	SALT	Fig. 12. Do the action of grinding with the right hand on the left palm and add the figure 19 to it.	Plate II
	SEL
	SAND	N/A	Plate IV
	SABLE
	SAUSAGE	In figure 4th, the left hand is the gut which the thumb stuffs with minced flesh.	Plate II
	SAUCIASE
	SAY	N/A	Plate XVI
	DIRE
	SCHOOL DESK	Fig. 18. Draw both hands towards you, up and down, on an inclined plane.	Plate IV
	PUPITRE
	SCOLD	N/A	Plate XVI
	GRONDER
	SCRAPER	N/A	Plate IV
	GRATTOIR
	SEARCH	N/A	Plate XV
	CHERCHER
	SEASON (verb)	Fig. 19. Wiggle upturned fingers like when you sprinkle salt or pepper on a dish.	Plate II
	ASSAISONNER
	SEE	Fig. 18. This is also the sign of RECARDING.	Plate XVII
	VOIR
	SELL	Fig. 17. Look like you're holding something in your hands and waving them like you do at an auction.	Plate XVII
	VENDRE
	SELTZ WATER	Fig. 8. Squeeze the plunger of a bottle of seltzer water.	Plate III
	EAU DE SELTZ
	SENSIBLE	Fig. 15. With the tip of the index finger touching the forehead; bring from there the outstretched hand forward, back up, and let it fall down.	Plate XI
	SENSÉ
	SERVANT	Fig. 10. Sign of SERVING. Make the hands move back and forth.	Plate VI
	VALET
	SHARE	Fig. 18. Appearing to cut the left hand on the palm with the little finger side of the right.	Plate XVI
	PARTAGER
	SHEEP	Fig. 4. Mowing.	Plate VII
	MOUTON
	SHORT	N/A	Plate X
	COURT
	SINCE	Fig. 1. The hand representing the dactylological D starts from above the shoulder and comes forward in front of the chest.	Plate XX
	DEPUIS
	SINCE	Figures 11, 12 and 13 can be applied to each of these three conjunctions depending on the meaning attached to them.	Plate XX
	PUISQUE
	SINCERE	Fig. 13. Signs of heart and truth.	Plate XI
	SINCÈRE
	SISTER	N/A	Plate VI
	SOEUR
	SLATE	Fig. 2. Moisten the palm of the left hand with your breath and make the sign to clean it with the right hand.	Plate IV
	ARDOISE
	SLATE PENCIL	N/A	Plate IV
	CRAYON D'ARDOISE
	SLEEP	N/A	Plate XVI
	DORMIR
	SLENDER	N/A	Plate IX
	MINCE
	SLUGGISH	Fig. 18. Repeatedly bring together the thumb on the one hand and the other fingers of each hand on the other, and repeat figure 17, following it with the negation.	Plate IX
	MOU
	SMALL	N/A	Plate IX
	PETIT
	SNAKE	Fig. 19. Describe circles with the index finger; the other index placed towards the middle of the forearm designates the length of the reptile.	Plate VIII
	SERPENT
	SOBER	Fig. 9. First make the sign to eat, then indicate the middle of the stomach.	Plate XI
	SOBRE
	SOFT	Fig. 19. About the first part of figure 18, plate IX; state of a thing yielding to pressure.	Plate X
	TENDRE
	SOLDIER	Fig. 17. Make the mustache sign and the gun arm sign.	Plate VI
	SOLDAT
	SOMETIMES	Fig. 15. Times is done by plowing the left palm two or three times with the right thumbnail. SOME, by raising the thumb, then the index and successively the other fingers.	Plate XVIII
	QUELQUEFOIS
	SPOON	N/A	Plate II
	CUILLOR
	SPREAD	Fig. 10. Place the palm of each of the two hands together, do. slide the upper one along the entire length of the lower one and bring it back through the back to its starting point. By adding black to it, you say JAM; red, CURRANT; yolk, BUTTER; bee, HONEY; cheese, CREAM CHEESE.	Plate II
	TARTINE
	STAG	N/A	Plate VII
	CERF
	STEAL	N/A	Plate XVII
	VOLER
	STOOL	Fig. 17. Draw a square or a circle at the bottom and add the sign to sit down, as in figure 15.	Plate V
	TABOURET
	STOVE	N/A	Plate V
	POÊLE
	STRAIGHT	N/A	Plate X
	DROIT
	STRONG	Fig. 15. Extend the arms vigorously, close the fists, raise them and jerk them back and forth.	Plate IX
	FORT
	STUDIOUS	N/A	Plate XI
	STUDIEUX
	STUPID	Fig. 18. After striking the forehead with the tip of the index finger, remain silent with the mouth gaping open and the hands spread out below. \n The easiest way is to add the nothing sign to Figure 17.	Plate XII
	IDIOT
	SUCCEED	Fig. 11. Hands closed, lips pursed, brow furrowed, throw open hands forward with a satisfied air.	Plate XVII
	RÉUSSIR
	TABLE	Fig. 3. After having traced a square or a circle in front of you, complete it with the sign, to write or by that of eating, according to the use you want to make of it.	Plate V
	TABLE
	TALKATIVE	Fig. 20. The 3rd phalanx of the index on the mouth, make and touch several times the extremity of the 4 fingers which are in top and the tip of the thumb which is in bottom.	Plate XII
	BAVARD
	TALL	N/A	Plate IX
	GRAND
	TEA	N/A	Plate III
	TISANE
	TEACHER	Fig. 9. Sign to TEACH.	Plate VI
	PROFESSEUR
	TEMPT	Fig. 14. Touch the tip of the index finger repeatedly to the underside of the left elbow with a defiant air.	Plate XVII
	TENTER
	THANK	Fig. 9. The forearms flexed, the hands bent inwards and touching the back of the underside of the mouth, give them a repeated forward movement.	Plate XVII
	REMERCIER
	THAT ONE	N/A	Plate XIV
	CELUI-LÀ
	THEREFORE	Fig. 20. Make an abrupt downward movement with both hands stretched forward.	Plate XX
	DONC
	THEY	N/A	Plate XIV
	ILS
	THICK	N/A	Plate X
	ÉPAIS
	THIN	N/A	Plate X
	MINCE
	THINK	Fig. 20. Draw circles with the tip of the index finger on the forehead.	Plate XVI
	PENSER
	THIS	N/A	Plate XIV
	CE
	THIS ONE	N/A	Plate XIV
	CELUI-CI
	TIGER	Fig. 18 and 19. With the sign of small, it is the CAT; with the big one, it's the TIGER.	Plate VII
	TIGRE
	TO	Fig. 3. Straighten the index finger by throwing the hand forward.	Plate XIX
	À
	TO HIM	Fig. 11. Dart the right index finger towards the raised left thumb, which means to it.	Plate XIV
	LUI
	TO THE BOTTOM	N/A	Plate XIX
	AU FOND
	TO THE TOP	N/A	Plate XIX
	AU HAUT
	TODAY	Fig. 7. Add present or now.	Plate XVIII
	AUJOURD'HUI
	TOMORROW	N/A	Plate XVIII
	DEMAIN
	TUREEN	Fig. 18. After having figured with the two hands the shape of the tureen, add to it the sign of SOUP, which consists of bread and a spoon.	Plate II
	SOUPIÈRE
	TURKEY	Fig. 6. Complete it by imitating the action of cartwheeling.	Plate VIII
	DINDON
	UGLY	To say UGLY, make the signs of pretty and no; accompany the negation with a grimace by a slight contraction of the features.	Plate IX
	LAID
	UNDER	Fig. 2. The opposite of above.	Plate XIX
	SOUS
	UNDERSTAND	Fig. 18. Forcefully dart the index finger at the forehead, raise the head.	Plate XV
	COMPRENDRE
	UNTIL	Fig. 2. Only erect little finger goes forward.	Plate XX
	JUSQU'À
	VENGEFUL	Fig. 16. Appearing to receive a blow, striking oneself with the left fist, then appearing to retaliate by throwing the right fist as if to return the blow.	Plate XII
	VINDICATIF
	VINEGAR	Fig. 13. Add Figure 12.	Plate III
	VINAIGRE
	WAIT	Fig. 8. Lightly wiggle bent fingers.	Plate XV
	ATTENDRE
	WALK	Fig. 3. Draw both hands forward to the top of the sides, which they imperceptibly touch with their palms, repeat this sign two or three times.	Plate XVII
	SE PROMENER
	WANT	Fig. 20. Index and middle fingers curved and spread apart, touching the forehead, throwing them down with a decided air.	Plate XVII
	VOULOIR
	WARN	Fig. 9. Hit a few taps on the left arm.	Plate XV
	AVERTIR
	WATER	Fig. 3. The curved index finger represents the faucet, and, by shaking it, the water flowing from it.	Plate III
	EAU
	WATER	Fig. 4. This is the sign to DRAW. That of water can still vary, for example: rain and drinking; swimming and drinking, etc. ; the most used sign is that of figure 3.	Plate III
	EAU
	WE	N/A	Plate XIV
	NOUS
	WEAK	Fig. 16. Add the negation to the sign above, extend the hands, drop them and bow the head.	Plate IX
	FAIBLE
	WEEK	Fig. 9. Wave hands that represent seven.	Plate XVIII
	SEMAINE
	WHALE	Fig. 10. Represent, with the two hands touching by their fingertips, the monstrous mouth" of the cetacean; separate them and reunite them to paint the action of swallowing.	Plate VIII
	BALEINE
	WHAT IS IT	All questions are translated by fig 14, which also means: WHO? THAT? WHAT? WHAT? etc. By adding it to fig. 15, you will say: HOW ARE YOU DOING? with the hour sign, WHAT TIME IS IT? It is the same for, WHY? with, WITH WHAT OR HOW? Do not forget that the head, by a movement, must always express the question mark.	Plate XXI
	QU-EST-CE QUE C'EST
	WHEN	Fig. 16. A blow from the tip of the index finger to the palm. It is also the sign of WHEN.	Plate XX
	QUAND
	WHITE	Fig. 21. Color of the tie.	Plate X
	BLANC
	WHO, THAT	N/A	Plate XIV
	QUI, QUE
	WICKED	Fig. 6. Dart the two index fingers against each other several times, or cross them length by length several times.	Plate XI
	MÉCHANT
	WIDE	N/A	Plate X
	LARGE
	WILD BOAR	N/A	Plate VII
	SANGLIER
	WINE	Fig. 2. The dactylological V applied, by rubbing it, on the cheek, indicates the color of the wine.	Plate III
	VIN
	WISE	Fig. 5. Raise and lower the hands a little, two or three times.	Plate XI
	SAGE
	WITH	N/A	Plate XIX
	AVEC
	WITHOUT	Fig. 10. Quickly pass the palm of the right hand over the palm of the left hand, or blow briskly on the palm of the hand. (See none.)	Plate XIX
	SANS
	WOLF	Fig. 11. Add the action of biting or devouring.	Plate VII
	LOUP
	WOMAN	Fig. 2. Bring the index finger down, on the outer side, along the temple, to the lower jaw.	Plate VI
	FEMME
	WORM	Fig. 18. CRAWLING sign. Lengthen the index finger and curl it forward.	Plate VIII
	VER
	WORN	Fig. 16. Doing it lightly is USED; with force, it is TORN.	Plate X
	USÉ
	WRITE	Fig. 1. Same observation as at the top of the last two plates.	Plate IV
	ECRIRE
	WRITING DESK	Fig. 20. Same evolution as above, but in reverse and with only one hand.	Plate IV
	SECRÉTAIRE
	YEAR	Fig. 11. Figure of the revolution of the earth around the sun.	Plate XVIII
	ANNÉE
	YELLOW	For YELLOW, make the finger-touch J and complete this sign by pinching the bottom of the ear to recall earrings or the color of gold.	Plate X
	JAUNE
	YES	N/A	Plate XXI
	OUI
	YESTERDAY	N/A	Plate XVIII
	HIER
	YOU (plural)	N/A	Plate XIV
	VOUS
	YOU (singular)	N/A	Plate XIV
	TU
	YOUNG	N/A	Plate IX
	JEUNE
	YOUNG MAN	N/A	Plate VI
	JEUNE HOMME
	YOUR	N/A	Plate XIV
	TON

FILMS:

Signer: Bryant, Arthur Dunham (1915) Title of film: Lincoln's Gettysburg Address Number of tags found: 15
Tag ID	Reference Gloss	Context	Paragraph-Clause
	fs:NOV	ONE BEAUTIFUL WARM ALL-DAY fs:NOV NINETEEN ONE~THOUSAND EIGHT~HUNDRED SIXTY-THREE	1-a
	ONE~THOUSAND	ONE BEAUTIFUL WARM ALL-DAY fs:NOV NINETEEN ONE~THOUSAND EIGHT~HUNDRED SIXTY-THREE	1-a
	EIGHT~HUNDRED	ONE BEAUTIFUL WARM ALL-DAY fs:NOV NINETEEN ONE~THOUSAND EIGHT~HUNDRED SIXTY-THREE	1-a
	COMING(-to-X)	PRESIDENT L-I-N-C-O-L-N COMING(-to-X) ARRIVE(-to-X) HERE,	1-b
	ARRIVE(-to-X)	PRESIDENT L-I-N-C-O-L-N COMING(-to-X) ARRIVE(-to-X) HERE,	1-b
	cl-d:V\\B(ride-horse)	cl-d:V\\B(ride-horse) ON HORSE(2h) IN PEOPLE(rf)~CLASS(rt) cl-p:CC(group-move) ABOVE TWENTY THOUSAND PEOPLE.	1-c
	HORSE(2h)	cl-d:V\\B(ride-horse) ON HORSE(2h) IN PEOPLE(rf)~CLASS(rt) cl-p:CC(group-move) ABOVE TWENTY THOUSAND PEOPLE.	1-c
	PEOPLE(rf)~CLASS(rt)	cl-d:V\\B(ride-horse) ON HORSE(2h) IN PEOPLE(rf)~CLASS(rt) cl-p:CC(group-move) ABOVE TWENTY THOUSAND PEOPLE.	1-c
	cl-p:CC(group-move)	cl-d:V\\B(ride-horse) ON HORSE(2h) IN PEOPLE(rf)~CLASS(rt) cl-p:CC(group-move) ABOVE TWENTY THOUSAND PEOPLE.	1-c
	gs:sit	HERE PRESIDENT L-I-N-C-O-L-N gs:sit THERE-HON(behind-X) SEE~LOOK-AT(sweep_rt-to-lt),	1-d
	THERE-HON(behind-X)	HERE PRESIDENT L-I-N-C-O-L-N gs:sit THERE-HON(behind-X) SEE~LOOK-AT(sweep_rt-to-lt),	1-d
	SEE~LOOK-AT(sweep_rt-to-lt)	HERE PRESIDENT L-I-N-C-O-L-N gs:sit THERE-HON(behind-X) SEE~LOOK-AT(sweep_rt-to-lt),	1-d
	gs:arise	gs:arise STAND TELL(2h alt) LECTURE IN-FRONT-OF PEOPLE~CLASS FOR ABOUT TEN M-I-N-U-T-E-S.	1-e
	TELL(2h alt)	gs:arise STAND TELL(2h alt) LECTURE IN-FRONT-OF PEOPLE~CLASS FOR ABOUT TEN M-I-N-U-T-E-S.	1-e
	PEOPLE~CLASS	gs:arise STAND TELL(2h alt) LECTURE IN-FRONT-OF PEOPLE~CLASS FOR ABOUT TEN M-I-N-U-T-E-S.	1-e

Signer: Cloud, James (1913) Title of film: A Plea for a Statue of Abbe de l'Epee in America Number of tags found: 61
Tag ID	Reference Gloss	Context	Paragraph-Clause
	TWO~HUNDRED	TWO~HUNDRED YEAR AND BEYOND AGO DAY~NOW TRUE BORN IN pn:FRANCE MALE ONE	1-a
	DAY~NOW	TWO~HUNDRED YEAR AND BEYOND AGO DAY~NOW TRUE BORN IN pn:FRANCE MALE ONE	1-a
	pn:FRANCE	TWO~HUNDRED YEAR AND BEYOND AGO DAY~NOW TRUE BORN IN pn:FRANCE MALE ONE	1-a
	3P-IX(lc,rf)	WHO FUTURE BECOME LOOK-AT 3P-IX(lc,rf) ESTABLISH DEAF TEACH+	1-b
	TEACH+	WHO FUTURE BECOME LOOK-AT 3P-IX(lc,rf) ESTABLISH DEAF TEACH+	1-b
	AND(rf)	AND(rf) FATHER SIGN,	1-c
	PASS-DOWN(rf)	3P-SELF PASS-DOWN(rf) FANCY PEOPLE, RICH HAVE, LEARN WISE HAVE	2-a
	FEEL~PITY(2h)	SOUL STRONG LOVE FEEL~PITY(2h) FOR(rf) PEOPLE,	2-b
	FOR(rf)	SOUL STRONG LOVE FEEL~PITY(2h) FOR(rf) PEOPLE,	2-b
	EVERY++(linear)	AND WITH EVERY++(linear) HOPE FOR(rf) GLORY SUCCEED IN ANY WORK WANT+,	2-c
	FOR(rf)	AND WITH EVERY++(linear) HOPE FOR(rf) GLORY SUCCEED IN ANY WORK WANT+,	2-c
	WANT+	AND WITH EVERY++(linear) HOPE FOR(rf) GLORY SUCCEED IN ANY WORK WANT+,	2-c
	fs:THE	3P-SELF DEVIATE FROM fs:THE WAY GLORY PEOPLE BEFORE FOLLOW	2-d
	gs:well-now	AND MAKE NEW WAY AND MOST FOR 3P-SELF IN gs:well-now FUTURE(2h) FOLLOW BY S-I-C-A-R-D, C-L-E-R-C, fs:THE G-A-L-L-A-U-D-E-T-S	2-e
	FUTURE(2h)	AND MAKE NEW WAY AND MOST FOR 3P-SELF IN gs:well-now FUTURE(2h) FOLLOW BY S-I-C-A-R-D, C-L-E-R-C, fs:THE G-A-L-L-A-U-D-E-T-S	2-e
	fs:THE	AND MAKE NEW WAY AND MOST FOR 3P-SELF IN gs:well-now FUTURE(2h) FOLLOW BY S-I-C-A-R-D, C-L-E-R-C, fs:THE G-A-L-L-A-U-D-E-T-S	2-e
	TEACH~AGENT	AND ALL WHO UP-TILL-NOW WHO FUTURE BECOME TRUE FRIEND TEACH~AGENT DEAF.	2-f
	pn:FRANCE	NOW HAVE IN pn:FRANCE NEAR+ P-A-R-I-S IN CITY(circ) V-E-R-S-A-I-L-L-E-S ONE FANCY SHAPE ESTABLISH PLACE gs:what(rf) D-E L-E-P-E TRUE BORN,	3-a
	NEAR+	NOW HAVE IN pn:FRANCE NEAR+ P-A-R-I-S IN CITY(circ) V-E-R-S-A-I-L-L-E-S ONE FANCY SHAPE ESTABLISH PLACE gs:what(rf) D-E L-E-P-E TRUE BORN,	3-a
	CITY(circ)	NOW HAVE IN pn:FRANCE NEAR+ P-A-R-I-S IN CITY(circ) V-E-R-S-A-I-L-L-E-S ONE FANCY SHAPE ESTABLISH PLACE gs:what(rf) D-E L-E-P-E TRUE BORN,	3-a
	gs:what(rf)	NOW HAVE IN pn:FRANCE NEAR+ P-A-R-I-S IN CITY(circ) V-E-R-S-A-I-L-L-E-S ONE FANCY SHAPE ESTABLISH PLACE gs:what(rf) D-E L-E-P-E TRUE BORN,	3-a
	3P-IX(rc)	LARGE IN SHAPE BEAUTIFUL IMAGE AND DEAF MALE MAKE; 3P-IX(rc) GIVE-GIFT BY DEAF FRANCE.	3-b
	THAT(2h)	THAT(2h) SHAPE SOME SHOW HONOR, LOVE pn:FRANCE DEAF HAVE FOR D-E L-E-P-P-E	3-c
	pn:FRANCE	THAT(2h) SHAPE SOME SHOW HONOR, LOVE pn:FRANCE DEAF HAVE FOR D-E L-E-P-P-E	3-c
	THAT(1h)	AND THAT(1h) LOVE 1P-IX-PL HERE HAVE AND OTHER DEAF ALSO.	3-d
	pn:GALLAUDET	TRUE GOOD FOR pn:GALLAUDET AGO SEEK FOR LEARN HOW TEACH DEAF FUTURE LEAD TO pn:FRANCE.	4-a
	pn:FRANCE	TRUE GOOD FOR pn:GALLAUDET AGO SEEK FOR LEARN HOW TEACH DEAF FUTURE LEAD TO pn:FRANCE.	4-a
	THAT(rf,1h)	FROM THAT(rf,1h)SCHOOL ESTABLISH BY D-E L-E-P-E-E AND OVER-ALL 3P-POSS EXCHANGE~AGENT S-I-C-A-R-D,	4-b
	EXCHANGE~AGENT	FROM THAT(rf,1h)SCHOOL ESTABLISH BY D-E L-E-P-E-E AND OVER-ALL 3P-POSS EXCHANGE~AGENT S-I-C-A-R-D,	4-b
	pn:GALLAUDET	pn:GALLAUDET G-A-L-L-A-U-D-E-T GET FOR pn:AMERICA DEAF TWO WORTH THING, FINGERSPELLING AND SIGN.	4-c
	pn:AMERICA	pn:GALLAUDET G-A-L-L-A-U-D-E-T GET FOR pn:AMERICA DEAF TWO WORTH THING, FINGERSPELLING AND SIGN.	4-c
	HERE(rf)	DEAF HERE(rf) pn:AMERICA UNDER 1P-POSS-PL N-A-D CLASS END ESTABLISH AT pn:WASHINGTON	5-a
	pn:AMERICA	DEAF HERE(rf) pn:AMERICA UNDER 1P-POSS-PL N-A-D CLASS END ESTABLISH AT pn:WASHINGTON	5-a
	pn:WASHINGTON	DEAF HERE(rf) pn:AMERICA UNDER 1P-POSS-PL N-A-D CLASS END ESTABLISH AT pn:WASHINGTON	5-a
	HELP~AGENT	ONE SHAPE FOR 3P-POSS OTHER LOVE HONOR FRIEND HELP~AGENT T-H-O-M-A-S H-O-P-K-I-N-S G-A-L-L-A-U-D-E-T.	5-b
	pn:WASHINGTON	NATION COLLEGE FOR DEAF AT pn:WASHINGTON HAVE 3P-POSS(rt) NAME.	5-c
	3P-POSS(rt)	NATION COLLEGE FOR DEAF AT pn:WASHINGTON HAVE 3P-POSS(rt) NAME.	5-c
	3P-POSS(rt)	3P-POSS(rt) BIRTHDAY~DAY DET-IX-PL(X) DEAF PEOPLE KNOW~STAY THAT(2h) cl-p:55(move-fwd) YEAR~ONE+future YEAR~ONE+future.	5-d
	BIRTHDAY~DAY	3P-POSS(rt) BIRTHDAY~DAY DET-IX-PL(X) DEAF PEOPLE KNOW~STAY THAT(2h) cl-p:55(move-fwd) YEAR~ONE+future YEAR~ONE+future.	5-d
	DET-IX-PL(X)	3P-POSS(rt) BIRTHDAY~DAY DET-IX-PL(X) DEAF PEOPLE KNOW~STAY THAT(2h) cl-p:55(move-fwd) YEAR~ONE+future YEAR~ONE+future.	5-d
	KNOW~STAY	3P-POSS(rt) BIRTHDAY~DAY DET-IX-PL(X) DEAF PEOPLE KNOW~STAY THAT(2h) cl-p:55(move-fwd) YEAR~ONE+future YEAR~ONE+future.	5-d
	THAT(2h)	3P-POSS(rt) BIRTHDAY~DAY DET-IX-PL(X) DEAF PEOPLE KNOW~STAY THAT(2h) cl-p:55(move-fwd) YEAR~ONE+future YEAR~ONE+future.	5-d
	cl-p:55(move-fwd)	3P-POSS(rt) BIRTHDAY~DAY DET-IX-PL(X) DEAF PEOPLE KNOW~STAY THAT(2h) cl-p:55(move-fwd) YEAR~ONE+future YEAR~ONE+future.	5-d
	YEAR~ONE+future	3P-POSS(rt) BIRTHDAY~DAY DET-IX-PL(X) DEAF PEOPLE KNOW~STAY THAT(2h) cl-p:55(move-fwd) YEAR~ONE+future YEAR~ONE+future.	5-d
	YEAR~ONE+future	3P-POSS(rt) BIRTHDAY~DAY DET-IX-PL(X) DEAF PEOPLE KNOW~STAY THAT(2h) cl-p:55(move-fwd) YEAR~ONE+future YEAR~ONE+future.	5-d
	pn:AMERICA	3P-POSS REMEMBER IN SOUL pn:AMERICA DEAF A-S 3P-POSS-PL FRIEND, TEACH~AGENT, HELP~AGENT CONTINUE FOR~FUTURE(2h).	5-e
	TEACH~AGENT	3P-POSS REMEMBER IN SOUL pn:AMERICA DEAF A-S 3P-POSS-PL FRIEND, TEACH~AGENT, HELP~AGENT CONTINUE FOR~FUTURE(2h).	5-e
	HELP~AGENT	3P-POSS REMEMBER IN SOUL pn:AMERICA DEAF A-S 3P-POSS-PL FRIEND, TEACH~AGENT, HELP~AGENT CONTINUE FOR~FUTURE(2h).	5-e
	FOR~FUTURE(2h)	3P-POSS REMEMBER IN SOUL pn:AMERICA DEAF A-S 3P-POSS-PL FRIEND, TEACH~AGENT, HELP~AGENT CONTINUE FOR~FUTURE(2h).	5-e
	KNOW~STAY	BUT D-E L-E-P-E-E WHO ESTABLISH TEACH DEAF WORLD MUST WORTH HAVE ONE SUPERIOR HONOR KNOW~STAY FROM(rf)1P-IX-PL THAN 1P-IX-PL HAVE NOW.	6-a
	FROM(rf)	BUT D-E L-E-P-E-E WHO ESTABLISH TEACH DEAF WORLD MUST WORTH HAVE ONE SUPERIOR HONOR KNOW~STAY FROM(rf)1P-IX-PL THAN 1P-IX-PL HAVE NOW.	6-a
	KNOW~STAY	ALLOW 1P-IX-PL ESTABLISH UNDER N-A-D CONTROL AT INDEFINITE AREA FUTURE DECIDE, ONE SHAPE BECOME STAY KNOW~STAY	6-b
	SHOW(rt-to-lc)	AND CONTINUE SHOW(rt-to-lc) fs:OF LOVE HONOR pn:AMERICA DEAF HAVE FOR MALE THAT(1h)	6-c
	fs:OF	AND CONTINUE SHOW(rt-to-lc) fs:OF LOVE HONOR pn:AMERICA DEAF HAVE FOR MALE THAT(1h)	6-c
	pn:AMERICA	AND CONTINUE SHOW(rt-to-lc) fs:OF LOVE HONOR pn:AMERICA DEAF HAVE FOR MALE THAT(1h)	6-c
	THAT(1h)	AND CONTINUE SHOW(rt-to-lc) fs:OF LOVE HONOR pn:AMERICA DEAF HAVE FOR MALE THAT(1h)	6-c
	FIRST(2h)	WHO ESTABLISH FIRST(2h) fs:PUBLIC SCHOOL FOR DEAF,	6-d
	fs:PUBLIC	WHO ESTABLISH FIRST(2h) fs:PUBLIC SCHOOL FOR DEAF,	6-d
	WHO(rf)	WHO(rf) GIVE(rf) DEAF SIGN,	6-g
	GIVE(rf)	WHO(rf) GIVE(rf) DEAF SIGN,	6-g
	pose:bow	C-H-A-R-L-E-S M-I-C-H-E-L D-E L-'-E-P-E-E. pose:bow	6-h

Signer: Dougherty, George T. (1913) Title of film: The Discovery of Chloroform Number of tags found: 142
Tag ID	Reference Gloss	Context	Paragraph-Clause
	GOOD(rf)~PRAISE	ALL WORLD LOVE GOOD(rf)~PRAISE MALE WHO INVENT SLEEP.	1-a
	cl-i:OintoB(anesthesia)	ALSO 3P-IX-PL ALL HONOR LOVE DOCTOR WHO INVENT cl-i:OintoB(anesthesia) CAUSE CAN(rf) SLEEP	1-b
	CAN(rf)	ALSO 3P-IX-PL ALL HONOR LOVE DOCTOR WHO INVENT cl-i:OintoB(anesthesia) CAUSE CAN(rf) SLEEP	1-b
	HAPPEN(rf)	OUT PAIN STOP HAPPEN(rf) cl-i:S(pull-tooth) OR cl:B(amputate-leg) SURGERY(at-lt-chest) SURGERY(at-rt-chest).	1-c
	cl-i:S(pull-tooth)	OUT PAIN STOP HAPPEN(rf) cl-i:S(pull-tooth) OR cl:B(amputate-leg) SURGERY(at-lt-chest) SURGERY(at-rt-chest).	1-c
	cl:B(amputate-leg)	OUT PAIN STOP HAPPEN(rf) cl-i:S(pull-tooth) OR cl:B(amputate-leg) SURGERY(at-lt-chest) SURGERY(at-rt-chest).	1-c
	SURGERY(at-lt-chest)	OUT PAIN STOP HAPPEN(rf) cl-i:S(pull-tooth) OR cl:B(amputate-leg) SURGERY(at-lt-chest) SURGERY(at-rt-chest).	1-c
	SURGERY(at-rt-chest)	OUT PAIN STOP HAPPEN(rf) cl-i:S(pull-tooth) OR cl:B(amputate-leg) SURGERY(at-lt-chest) SURGERY(at-rt-chest).	1-c
	THERE(-to-bwd)	ONE WIND-BLOW DARK ALL-NIGHT IN S-C-O-T-L-A-N-D THERE(-to-bwd) MALE POOR B-A-K-E-R WALK BACK-AND-FORTH+ IN HOME.	2-a
	BACK-AND-FORTH+	ONE WIND-BLOW DARK ALL-NIGHT IN S-C-O-T-L-A-N-D THERE(-to-bwd) MALE POOR B-A-K-E-R WALK BACK-AND-FORTH+ IN HOME.	2-a
	TIME~SAME-AS(2h)	TIME~SAME-AS(2h) 3P-POSS(lt) FEMALE~MARRY SLEEP IN NEXT ROOM PROGRESS NEAR MOTHER.	2-b
	3P-POSS(lt)	TIME~SAME-AS(2h) 3P-POSS(lt) FEMALE~MARRY SLEEP IN NEXT ROOM PROGRESS NEAR MOTHER.	2-b
	FEMALE~MARRY	TIME~SAME-AS(2h) 3P-POSS(lt) FEMALE~MARRY SLEEP IN NEXT ROOM PROGRESS NEAR MOTHER.	2-b
	MALE(rf)	MALE(rf) WALK(rf) BACK-AND-FORTH+ HEAR FEMALE(rf) THERE(rf) YELL+ PAIN	2-c
	WALK(rf)	MALE(rf) WALK(rf) BACK-AND-FORTH+ HEAR FEMALE(rf) THERE(rf) YELL+ PAIN	2-c
	BACK-AND-FORTH+	MALE(rf) WALK(rf) BACK-AND-FORTH+ HEAR FEMALE(rf) THERE(rf) YELL+ PAIN	2-c
	FEMALE(rf)	MALE(rf) WALK(rf) BACK-AND-FORTH+ HEAR FEMALE(rf) THERE(rf) YELL+ PAIN	2-c
	THERE(rf)	MALE(rf) WALK(rf) BACK-AND-FORTH+ HEAR FEMALE(rf) THERE(rf) YELL+ PAIN	2-c
	YELL+	MALE(rf) WALK(rf) BACK-AND-FORTH+ HEAR FEMALE(rf) THERE(rf) YELL+ PAIN	2-c
	BACK-AND-FORTH+	MALE SORRY WALK BACK-AND-FORTH+. AWHILE HEAR YELL, KNOW NEW BABY COME.	2-d
	MOM~DAD	MOM~DAD BOTH DECIDE SPEND(rf)~COLLECT MONEY GIVE(-to-rt) SON GROWUP LEARN BECOME DOCTOR HELP FIND WAY T-O CHANGE(rf) REMOVE SUFFER-PAIN AMONG(rf) PEOPLE.	2-e
	SPEND(rf)~COLLECT	MOM~DAD BOTH DECIDE SPEND(rf)~COLLECT MONEY GIVE(-to-rt) SON GROWUP LEARN BECOME DOCTOR HELP FIND WAY T-O CHANGE(rf) REMOVE SUFFER-PAIN AMONG(rf) PEOPLE.	2-e
	GIVE(-to-rt)	MOM~DAD BOTH DECIDE SPEND(rf)~COLLECT MONEY GIVE(-to-rt) SON GROWUP LEARN BECOME DOCTOR HELP FIND WAY T-O CHANGE(rf) REMOVE SUFFER-PAIN AMONG(rf) PEOPLE.	2-e
	CHANGE(rf)	MOM~DAD BOTH DECIDE SPEND(rf)~COLLECT MONEY GIVE(-to-rt) SON GROWUP LEARN BECOME DOCTOR HELP FIND WAY T-O CHANGE(rf) REMOVE SUFFER-PAIN AMONG(rf) PEOPLE.	2-e
	AMONG(rf)	MOM~DAD BOTH DECIDE SPEND(rf)~COLLECT MONEY GIVE(-to-rt) SON GROWUP LEARN BECOME DOCTOR HELP FIND WAY T-O CHANGE(rf) REMOVE SUFFER-PAIN AMONG(rf) PEOPLE.	2-e
	MALE~cl-d:B(small-height)	MALE~cl-d:B(small-height) NAME J-A-M-E-S Y-O-U-N-G S-I-M-P-S-O-N GROWUP GO-AWAY THROUGH(rf) COLLEGE U-N-I-V-E-R-S-I-T-Y O-F E-D-I-N-B-U-R-G.	3-a
	THROUGH(rf)	MALE~cl-d:B(small-height) NAME J-A-M-E-S Y-O-U-N-G S-I-M-P-S-O-N GROWUP GO-AWAY THROUGH(rf) COLLEGE U-N-I-V-E-R-S-I-T-Y O-F E-D-I-N-B-U-R-G.	3-a
	SUCCEED~GOING-UP	SUCCEED~GOING-UP END PICK-FROM(-from-lt) TEACH IN COLLEGE.	3-b
	PICK-FROM(-from-lt)	SUCCEED~GOING-UP END PICK-FROM(-from-lt) TEACH IN COLLEGE.	3-b
	3P-IX(rc,rf)	3P-IX(rc,rf) PAY-ATTENTION SEEK+ WAY HELP MOTHER SUFFER-PAIN SEE~READ+ VARIOUS TRY THING.	3-c
	SEEK+	3P-IX(rc,rf) PAY-ATTENTION SEEK+ WAY HELP MOTHER SUFFER-PAIN SEE~READ+ VARIOUS TRY THING.	3-c
	SEE~READ+	3P-IX(rc,rf) PAY-ATTENTION SEEK+ WAY HELP MOTHER SUFFER-PAIN SEE~READ+ VARIOUS TRY THING.	3-c
	SEE~READ	SEE~READ THERE(arc,lt) AMERICA THERE(arc,lt) DOCTOR TRY+ N-I-T-R-O-U-S O-X-I-D-E OR L-A-U-G-H-I-N-G G-A-S, THEN~OTHER E-T-H-E-R.	4-a
	THERE(arc,lt)	SEE~READ THERE(arc,lt) AMERICA THERE(arc,lt) DOCTOR TRY+ N-I-T-R-O-U-S O-X-I-D-E OR L-A-U-G-H-I-N-G G-A-S, THEN~OTHER E-T-H-E-R.	4-a
	THERE(arc,lt)	SEE~READ THERE(arc,lt) AMERICA THERE(arc,lt) DOCTOR TRY+ N-I-T-R-O-U-S O-X-I-D-E OR L-A-U-G-H-I-N-G G-A-S, THEN~OTHER E-T-H-E-R.	4-a
	TRY+	SEE~READ THERE(arc,lt) AMERICA THERE(arc,lt) DOCTOR TRY+ N-I-T-R-O-U-S O-X-I-D-E OR L-A-U-G-H-I-N-G G-A-S, THEN~OTHER E-T-H-E-R.	4-a
	THEN~OTHER	SEE~READ THERE(arc,lt) AMERICA THERE(arc,lt) DOCTOR TRY+ N-I-T-R-O-U-S O-X-I-D-E OR L-A-U-G-H-I-N-G G-A-S, THEN~OTHER E-T-H-E-R.	4-a
	SEEK+	DOCTOR SEEK+ BOTH.	4-b
	3P-IX(rf,rt)	3P-IX(rf,rt) APPRECIATE NOT CHOOSE WHY(2h) N-I-T-R-O-U-S O-X-I-D-E OR L-A-U-G-H-I-N-G G-A-S DET-IX(rt) CONTINUE AWHILE(restr) FADE-AWAY STOP WAKE-UP.	4-c
	WHY(2h)	3P-IX(rf,rt) APPRECIATE NOT CHOOSE WHY(2h) N-I-T-R-O-U-S O-X-I-D-E OR L-A-U-G-H-I-N-G G-A-S DET-IX(rt) CONTINUE AWHILE(restr) FADE-AWAY STOP WAKE-UP.	4-c
	DET-IX(rt)	3P-IX(rf,rt) APPRECIATE NOT CHOOSE WHY(2h) N-I-T-R-O-U-S O-X-I-D-E OR L-A-U-G-H-I-N-G G-A-S DET-IX(rt) CONTINUE AWHILE(restr) FADE-AWAY STOP WAKE-UP.	4-c
	AWHILE(restr)	3P-IX(rf,rt) APPRECIATE NOT CHOOSE WHY(2h) N-I-T-R-O-U-S O-X-I-D-E OR L-A-U-G-H-I-N-G G-A-S DET-IX(rt) CONTINUE AWHILE(restr) FADE-AWAY STOP WAKE-UP.	4-c
	GIVE(2h)	THEN E-T-H-E-R GIVE(2h) FOLLOW FUTURE(rf) VOMIT+ BAD.	4-d
	FUTURE(rf)	THEN E-T-H-E-R GIVE(2h) FOLLOW FUTURE(rf) VOMIT+ BAD.	4-d
	VOMIT+	THEN E-T-H-E-R GIVE(2h) FOLLOW FUTURE(rf) VOMIT+ BAD.	4-d
	3P-SELF(rt)	D-R S-I-M-P-S-O-N 3P-SELF(rt) GET cl-d:ConB(vial) cl-d:BB(height-approx-8-inches) C-H-L-O-R-O-F-O-R-M FROM FRIEND IN L-I-V-E-R-P-O-O-L.	5-a
	cl-d:ConB(vial)	D-R S-I-M-P-S-O-N 3P-SELF(rt) GET cl-d:ConB(vial) cl-d:BB(height-approx-8-inches) C-H-L-O-R-O-F-O-R-M FROM FRIEND IN L-I-V-E-R-P-O-O-L.	5-a
	cl-d:BB(height-approx-8-inches)	D-R S-I-M-P-S-O-N 3P-SELF(rt) GET cl-d:ConB(vial) cl-d:BB(height-approx-8-inches) C-H-L-O-R-O-F-O-R-M FROM FRIEND IN L-I-V-E-R-P-O-O-L.	5-a
	fs:HE	fs:HE SUMMONS-INVITE(-from-rt) 3P-POSS(rf) HELP TWO DOCTOR~AGENT YOUNG COME(rf) SEE SHARE(rf) THREE cl-d:1along1(horiz,lab-setup) cl:Aabove1++(pour-solution), cl-i:C+(at-nose,breathe-in-solution-to-put-down).	5-b
	SUMMONS-INVITE(-from-rt)	fs:HE SUMMONS-INVITE(-from-rt) 3P-POSS(rf) HELP TWO DOCTOR~AGENT YOUNG COME(rf) SEE SHARE(rf) THREE cl-d:1along1(horiz,lab-setup) cl:Aabove1++(pour-solution), cl-i:C+(at-nose,breathe-in-solution-to-put-down).	5-b
	3P-POSS(rf)	fs:HE SUMMONS-INVITE(-from-rt) 3P-POSS(rf) HELP TWO DOCTOR~AGENT YOUNG COME(rf) SEE SHARE(rf) THREE cl-d:1along1(horiz,lab-setup) cl:Aabove1++(pour-solution), cl-i:C+(at-nose,breathe-in-solution-to-put-down).	5-b
	DOCTOR~AGENT	fs:HE SUMMONS-INVITE(-from-rt) 3P-POSS(rf) HELP TWO DOCTOR~AGENT YOUNG COME(rf) SEE SHARE(rf) THREE cl-d:1along1(horiz,lab-setup) cl:Aabove1++(pour-solution), cl-i:C+(at-nose,breathe-in-solution-to-put-down).	5-b
	COME(rf)	fs:HE SUMMONS-INVITE(-from-rt) 3P-POSS(rf) HELP TWO DOCTOR~AGENT YOUNG COME(rf) SEE SHARE(rf) THREE cl-d:1along1(horiz,lab-setup) cl:Aabove1++(pour-solution), cl-i:C+(at-nose,breathe-in-solution-to-put-down).	5-b
	SHARE(rf)	fs:HE SUMMONS-INVITE(-from-rt) 3P-POSS(rf) HELP TWO DOCTOR~AGENT YOUNG COME(rf) SEE SHARE(rf) THREE cl-d:1along1(horiz,lab-setup) cl:Aabove1++(pour-solution), cl-i:C+(at-nose,breathe-in-solution-to-put-down).	5-b
	cl-d:1along1(horiz,lab-setup)	fs:HE SUMMONS-INVITE(-from-rt) 3P-POSS(rf) HELP TWO DOCTOR~AGENT YOUNG COME(rf) SEE SHARE(rf) THREE cl-d:1along1(horiz,lab-setup) cl:Aabove1++(pour-solution), cl-i:C+(at-nose,breathe-in-solution-to-put-down).	5-b
	cl:Aabove1++(pour-solution)	fs:HE SUMMONS-INVITE(-from-rt) 3P-POSS(rf) HELP TWO DOCTOR~AGENT YOUNG COME(rf) SEE SHARE(rf) THREE cl-d:1along1(horiz,lab-setup) cl:Aabove1++(pour-solution), cl-i:C+(at-nose,breathe-in-solution-to-put-down).	5-b
	cl-i:C+(at-nose,breathe-in-solution-to-put-down)	fs:HE SUMMONS-INVITE(-from-rt) 3P-POSS(rf) HELP TWO DOCTOR~AGENT YOUNG COME(rf) SEE SHARE(rf) THREE cl-d:1along1(horiz,lab-setup) cl:Aabove1++(pour-solution), cl-i:C+(at-nose,breathe-in-solution-to-put-down).	5-b
	TIME~SAME-AS	TIME~SAME-AS, cl-i:C(breathe-in-to-put-down,rt) LITTLE-BIT cl-i:C(breathe-in,rf) LITTLE-BIT(rf) BECOME DIZZY(1-to-2h).	5-c
	cl-i:C(breathe-in-to-put-down,rt)	TIME~SAME-AS, cl-i:C(breathe-in-to-put-down,rt) LITTLE-BIT cl-i:C(breathe-in,rf) LITTLE-BIT(rf) BECOME DIZZY(1-to-2h).	5-c
	cl-i:C(breathe-in,rf)	TIME~SAME-AS, cl-i:C(breathe-in-to-put-down,rt) LITTLE-BIT cl-i:C(breathe-in,rf) LITTLE-BIT(rf) BECOME DIZZY(1-to-2h).	5-c
	LITTLE-BIT(rf)	TIME~SAME-AS, cl-i:C(breathe-in-to-put-down,rt) LITTLE-BIT cl-i:C(breathe-in,rf) LITTLE-BIT(rf) BECOME DIZZY(1-to-2h).	5-c
	DIZZY(1-to-2h)	TIME~SAME-AS, cl-i:C(breathe-in-to-put-down,rt) LITTLE-BIT cl-i:C(breathe-in,rf) LITTLE-BIT(rf) BECOME DIZZY(1-to-2h).	5-c
	gs:whoopee	MALE DANCE, gs:whoopee DANCE SILLY(2h-alt).	5-d
	SILLY(2h-alt)	MALE DANCE, gs:whoopee DANCE SILLY(2h-alt).	5-d
	ONE~TWO(rf)	AWHILE ONE~TWO(rf) WOMAN VISIT ENTER(-from-rt-to-ctr) gs:shocked SEE THREE DOCTOR~FANCY+ NOW SILLY PLAY YELL(rf) gs:hey AROUND.	5-e
	ENTER(-from-rt-to-ctr)	AWHILE ONE~TWO(rf) WOMAN VISIT ENTER(-from-rt-to-ctr) gs:shocked SEE THREE DOCTOR~FANCY+ NOW SILLY PLAY YELL(rf) gs:hey AROUND.	5-e
	gs:shocked	AWHILE ONE~TWO(rf) WOMAN VISIT ENTER(-from-rt-to-ctr) gs:shocked SEE THREE DOCTOR~FANCY+ NOW SILLY PLAY YELL(rf) gs:hey AROUND.	5-e
	DOCTOR~FANCY+	AWHILE ONE~TWO(rf) WOMAN VISIT ENTER(-from-rt-to-ctr) gs:shocked SEE THREE DOCTOR~FANCY+ NOW SILLY PLAY YELL(rf) gs:hey AROUND.	5-e
	YELL(rf)	AWHILE ONE~TWO(rf) WOMAN VISIT ENTER(-from-rt-to-ctr) gs:shocked SEE THREE DOCTOR~FANCY+ NOW SILLY PLAY YELL(rf) gs:hey AROUND.	5-e
	gs:hey	AWHILE ONE~TWO(rf) WOMAN VISIT ENTER(-from-rt-to-ctr) gs:shocked SEE THREE DOCTOR~FANCY+ NOW SILLY PLAY YELL(rf) gs:hey AROUND.	5-e
	DOCTOR~FANCY+	AWHILE DOCTOR WAKE-UP STOP, SEE (glitch) TWO DOCTOR~FANCY+ PLAY SILLY(2h-alt).	5-f
	SILLY(2h-alt)	AWHILE DOCTOR WAKE-UP STOP, SEE (glitch) TWO DOCTOR~FANCY+ PLAY SILLY(2h-alt).	5-f
	AWHILE(rf)	DOCTOR AWHILE(rf) WAKE-UP, AGAIN WANT cl-i:O(breathe-in) LONG~MOST.	6-a
	cl-i:O(breathe-in)	DOCTOR AWHILE(rf) WAKE-UP, AGAIN WANT cl-i:O(breathe-in) LONG~MOST.	6-a
	LONG~MOST	DOCTOR AWHILE(rf) WAKE-UP, AGAIN WANT cl-i:O(breathe-in) LONG~MOST.	6-a
	3P-IX-TRIPLE(2h,rt)	3P-IX-TRIPLE(2h,rt) cl-i:O(breathe-in) AWHILE(exp) SLEEP~ROCK(int) QUIET.	6-b
	cl-i:O(breathe-in)	3P-IX-TRIPLE(2h,rt) cl-i:O(breathe-in) AWHILE(exp) SLEEP~ROCK(int) QUIET.	6-b
	AWHILE(exp)	3P-IX-TRIPLE(2h,rt) cl-i:O(breathe-in) AWHILE(exp) SLEEP~ROCK(int) QUIET.	6-b
	SLEEP~ROCK(int)	3P-IX-TRIPLE(2h,rt) cl-i:O(breathe-in) AWHILE(exp) SLEEP~ROCK(int) QUIET.	6-b
	AWHILE(exp)	AWHILE(exp) LAST WAKE-UP, D-R S-I-M-P-S-O-N YELL E-U-R-E-K-A 1P-IX END(rf) FIND I-T NOW!	6-c
	END(rf)	AWHILE(exp) LAST WAKE-UP, D-R S-I-M-P-S-O-N YELL E-U-R-E-K-A 1P-IX END(rf) FIND I-T NOW!	6-c
	3P-SELF(lt)	FROM-THEN-ON DOCTOR 3P-SELF(lt) PUBLISH THAT(1h) C-H-L-O-R-O-F-O-R-M IN VARIOUS SICK(rf) VARIOUS(rf) MOTHER DIFFERENT(rf) DET-IX-PL pose:nod	6-d
	THAT(1h)	FROM-THEN-ON DOCTOR 3P-SELF(lt) PUBLISH THAT(1h) C-H-L-O-R-O-F-O-R-M IN VARIOUS SICK(rf) VARIOUS(rf) MOTHER DIFFERENT(rf) DET-IX-PL pose:nod	6-d
	SICK(rf)	FROM-THEN-ON DOCTOR 3P-SELF(lt) PUBLISH THAT(1h) C-H-L-O-R-O-F-O-R-M IN VARIOUS SICK(rf) VARIOUS(rf) MOTHER DIFFERENT(rf) DET-IX-PL pose:nod	6-d
	VARIOUS(rf)	FROM-THEN-ON DOCTOR 3P-SELF(lt) PUBLISH THAT(1h) C-H-L-O-R-O-F-O-R-M IN VARIOUS SICK(rf) VARIOUS(rf) MOTHER DIFFERENT(rf) DET-IX-PL pose:nod	6-d
	DIFFERENT(rf)	FROM-THEN-ON DOCTOR 3P-SELF(lt) PUBLISH THAT(1h) C-H-L-O-R-O-F-O-R-M IN VARIOUS SICK(rf) VARIOUS(rf) MOTHER DIFFERENT(rf) DET-IX-PL pose:nod	6-d
	pose:nod	FROM-THEN-ON DOCTOR 3P-SELF(lt) PUBLISH THAT(1h) C-H-L-O-R-O-F-O-R-M IN VARIOUS SICK(rf) VARIOUS(rf) MOTHER DIFFERENT(rf) DET-IX-PL pose:nod	6-d
	LOOK-AT(rf)	BUT PUBLISH WRITE DISTRIBUTE PEOPLE, PEOPLE LOOK-AT(rf) WRONG(int) 3P-IX SIN(int), SHAME DOCTOR DET-IX(ctr).	7-a
	WRONG(int)	BUT PUBLISH WRITE DISTRIBUTE PEOPLE, PEOPLE LOOK-AT(rf) WRONG(int) 3P-IX SIN(int), SHAME DOCTOR DET-IX(ctr).	7-a
	SIN(int)	BUT PUBLISH WRITE DISTRIBUTE PEOPLE, PEOPLE LOOK-AT(rf) WRONG(int) 3P-IX SIN(int), SHAME DOCTOR DET-IX(ctr).	7-a
	DET-IX(ctr)	BUT PUBLISH WRITE DISTRIBUTE PEOPLE, PEOPLE LOOK-AT(rf) WRONG(int) 3P-IX SIN(int), SHAME DOCTOR DET-IX(ctr).	7-a
	ANGRY(1h)	3P-IX C-H-E-A-T GOD BETRAY GOD ANGRY(1h) WITH PEOPLE DET-IX-PL UP-TILL-NOW TIME E-V-E TEMPT A-D-A-M EAT(2h-alt) APPLE.	7-b
	EAT(2h-alt)	3P-IX C-H-E-A-T GOD BETRAY GOD ANGRY(1h) WITH PEOPLE DET-IX-PL UP-TILL-NOW TIME E-V-E TEMPT A-D-A-M EAT(2h-alt) APPLE.	7-b
	WRONG+++(int)	DOCTOR DET-IX WRONG+++(int) DET-IX(int).	7-c
	DET-IX(int)	DOCTOR DET-IX WRONG+++(int) DET-IX(int).	7-c
	PROTECT(rt)	DOCTOR TROUBLE PROTECT(rt) DISCUSS(rt) GOD FEEL~PITY(rf-to-rc).	7-d
	DISCUSS(rt)	DOCTOR TROUBLE PROTECT(rt) DISCUSS(rt) GOD FEEL~PITY(rf-to-rc).	7-d
	FEEL~PITY(rf-to-rc)	DOCTOR TROUBLE PROTECT(rt) DISCUSS(rt) GOD FEEL~PITY(rf-to-rc).	7-d
	FROM-THEN-ON(rf)	FROM-THEN-ON(rf) FUTURE QUEEN V-I-C-T-O-R-I-A 3P-SELF(rt) LITTLE-BIT BECOME(bs:rt) MOTHER(bs:rt) 3P-POSS(rt) FEMALE~DOCTOR GET C-H-L-O-R-O-F-O-R-M cl-i:O(-from-nose)-to-cl-i:B(give-chloroform)	8-a
	3P-SELF(rt)	FROM-THEN-ON(rf) FUTURE QUEEN V-I-C-T-O-R-I-A 3P-SELF(rt) LITTLE-BIT BECOME(bs:rt) MOTHER(bs:rt) 3P-POSS(rt) FEMALE~DOCTOR GET C-H-L-O-R-O-F-O-R-M cl-i:O(-from-nose)-to-cl-i:B(give-chloroform)	8-a
	BECOME(bs:rt)	FROM-THEN-ON(rf) FUTURE QUEEN V-I-C-T-O-R-I-A 3P-SELF(rt) LITTLE-BIT BECOME(bs:rt) MOTHER(bs:rt) 3P-POSS(rt) FEMALE~DOCTOR GET C-H-L-O-R-O-F-O-R-M cl-i:O(-from-nose)-to-cl-i:B(give-chloroform)	8-a
	MOTHER(bs:rt)	FROM-THEN-ON(rf) FUTURE QUEEN V-I-C-T-O-R-I-A 3P-SELF(rt) LITTLE-BIT BECOME(bs:rt) MOTHER(bs:rt) 3P-POSS(rt) FEMALE~DOCTOR GET C-H-L-O-R-O-F-O-R-M cl-i:O(-from-nose)-to-cl-i:B(give-chloroform)	8-a
	3P-POSS(rt)	FROM-THEN-ON(rf) FUTURE QUEEN V-I-C-T-O-R-I-A 3P-SELF(rt) LITTLE-BIT BECOME(bs:rt) MOTHER(bs:rt) 3P-POSS(rt) FEMALE~DOCTOR GET C-H-L-O-R-O-F-O-R-M cl-i:O(-from-nose)-to-cl-i:B(give-chloroform)	8-a
	FEMALE~DOCTOR	FROM-THEN-ON(rf) FUTURE QUEEN V-I-C-T-O-R-I-A 3P-SELF(rt) LITTLE-BIT BECOME(bs:rt) MOTHER(bs:rt) 3P-POSS(rt) FEMALE~DOCTOR GET C-H-L-O-R-O-F-O-R-M cl-i:O(-from-nose)-to-cl-i:B(give-chloroform)	8-a
	cl-i:O(-from-nose)-to-cl-i:B(give-chloroform)	FROM-THEN-ON(rf) FUTURE QUEEN V-I-C-T-O-R-I-A 3P-SELF(rt) LITTLE-BIT BECOME(bs:rt) MOTHER(bs:rt) 3P-POSS(rt) FEMALE~DOCTOR GET C-H-L-O-R-O-F-O-R-M cl-i:O(-from-nose)-to-cl-i:B(give-chloroform)	8-a
	TROUBLE(neg)	BORN SUCCEED WITH TROUBLE(neg) PAIN(neg) gs:nothing(neg).	8-b
	PAIN(neg)	BORN SUCCEED WITH TROUBLE(neg) PAIN(neg) gs:nothing(neg).	8-b
	gs:nothing(neg)	BORN SUCCEED WITH TROUBLE(neg) PAIN(neg) gs:nothing(neg).	8-b
	3P-IX(rt,up)	3P-IX(rt,up) AGAIN SECOND(2h) BORN WITH TROUBLE(neg).	8-c
	SECOND(2h)	3P-IX(rt,up) AGAIN SECOND(2h) BORN WITH TROUBLE(neg).	8-c
	TROUBLE(neg)	3P-IX(rt,up) AGAIN SECOND(2h) BORN WITH TROUBLE(neg).	8-c
	DET-IX(rt)	PEOPLE DET-IX(rt) LOOK-AT(-to-lt), BEGIN DOCTOR ALL-OVER SPREAD MEDICINE C-H-L-O-R-O-F-O-R-M(nod).	8-d
	LOOK-AT(-to-lt)	PEOPLE DET-IX(rt) LOOK-AT(-to-lt), BEGIN DOCTOR ALL-OVER SPREAD MEDICINE C-H-L-O-R-O-F-O-R-M(nod).	8-d
	C-H-L-O-R-O-F-O-R-M(nod)	PEOPLE DET-IX(rt) LOOK-AT(-to-lt), BEGIN DOCTOR ALL-OVER SPREAD MEDICINE C-H-L-O-R-O-F-O-R-M(nod).	8-d
	THAT(1h,rt)	QUEEN APPRECIATE MUCH WITH DOCTOR THAT(1h,rt), GIVE-GIFT(rt) HONOR(rt) NAMED T-I-T-L-E GIVE(rt) D-..S-I.. J-A-M-E-S Y-O-U-N-G S-I-M-P-S-O-N B-A-R-O-N-E-T	8-e
	GIVE-GIFT(rt)	QUEEN APPRECIATE MUCH WITH DOCTOR THAT(1h,rt), GIVE-GIFT(rt) HONOR(rt) NAMED T-I-T-L-E GIVE(rt) D-..S-I.. J-A-M-E-S Y-O-U-N-G S-I-M-P-S-O-N B-A-R-O-N-E-T	8-e
	HONOR(rt)	QUEEN APPRECIATE MUCH WITH DOCTOR THAT(1h,rt), GIVE-GIFT(rt) HONOR(rt) NAMED T-I-T-L-E GIVE(rt) D-..S-I.. J-A-M-E-S Y-O-U-N-G S-I-M-P-S-O-N B-A-R-O-N-E-T	8-e
	GIVE(rt)	QUEEN APPRECIATE MUCH WITH DOCTOR THAT(1h,rt), GIVE-GIFT(rt) HONOR(rt) NAMED T-I-T-L-E GIVE(rt) D-..S-I.. J-A-M-E-S Y-O-U-N-G S-I-M-P-S-O-N B-A-R-O-N-E-T	8-e
	MALE~DOCTOR	MALE~DOCTOR FUTURE DIE, 3P-POSS BODY B-U-S-T SHAPE IN W-E-S-T-M-I-N-S-T-E-R A-B-B-E-Y, THERE(up,rf,rt) WHO MANY+(rf) FAMOUS MALE CAPTAIN, GENTRY, KING, ARMY WRITE VARIOUS THERE+++(rt-to-lt) MUCH.	9-a
	THERE(up,rf,rt)	MALE~DOCTOR FUTURE DIE, 3P-POSS BODY B-U-S-T SHAPE IN W-E-S-T-M-I-N-S-T-E-R A-B-B-E-Y, THERE(up,rf,rt) WHO MANY+(rf) FAMOUS MALE CAPTAIN, GENTRY, KING, ARMY WRITE VARIOUS THERE+++(rt-to-lt) MUCH.	9-a
	MANY+(rf)	MALE~DOCTOR FUTURE DIE, 3P-POSS BODY B-U-S-T SHAPE IN W-E-S-T-M-I-N-S-T-E-R A-B-B-E-Y, THERE(up,rf,rt) WHO MANY+(rf) FAMOUS MALE CAPTAIN, GENTRY, KING, ARMY WRITE VARIOUS THERE+++(rt-to-lt) MUCH.	9-a
	THERE+++(rt-to-lt)	MALE~DOCTOR FUTURE DIE, 3P-POSS BODY B-U-S-T SHAPE IN W-E-S-T-M-I-N-S-T-E-R A-B-B-E-Y, THERE(up,rf,rt) WHO MANY+(rf) FAMOUS MALE CAPTAIN, GENTRY, KING, ARMY WRITE VARIOUS THERE+++(rt-to-lt) MUCH.	9-a
	DAY~NOW	DAY~NOW WOMAN(rf) VISIT(rf) cl-p:44(2-lines) SEE~LOOK-AT(rt-to-ctr) FEMALE(rf) cl-p:44(lines,-to-lt) TO(lt) THERE(lt) SHAPE B-U-S-T	9-b
	WOMAN(rf)	DAY~NOW WOMAN(rf) VISIT(rf) cl-p:44(2-lines) SEE~LOOK-AT(rt-to-ctr) FEMALE(rf) cl-p:44(lines,-to-lt) TO(lt) THERE(lt) SHAPE B-U-S-T	9-b
	VISIT(rf)	DAY~NOW WOMAN(rf) VISIT(rf) cl-p:44(2-lines) SEE~LOOK-AT(rt-to-ctr) FEMALE(rf) cl-p:44(lines,-to-lt) TO(lt) THERE(lt) SHAPE B-U-S-T	9-b
	cl-p:44(2-lines)	DAY~NOW WOMAN(rf) VISIT(rf) cl-p:44(2-lines) SEE~LOOK-AT(rt-to-ctr) FEMALE(rf) cl-p:44(lines,-to-lt) TO(lt) THERE(lt) SHAPE B-U-S-T	9-b
	SEE~LOOK-AT(rt-to-ctr)	DAY~NOW WOMAN(rf) VISIT(rf) cl-p:44(2-lines) SEE~LOOK-AT(rt-to-ctr) FEMALE(rf) cl-p:44(lines,-to-lt) TO(lt) THERE(lt) SHAPE B-U-S-T	9-b
	FEMALE(rf)	DAY~NOW WOMAN(rf) VISIT(rf) cl-p:44(2-lines) SEE~LOOK-AT(rt-to-ctr) FEMALE(rf) cl-p:44(lines,-to-lt) TO(lt) THERE(lt) SHAPE B-U-S-T	9-b
	cl-p:44(lines,-to-lt)	DAY~NOW WOMAN(rf) VISIT(rf) cl-p:44(2-lines) SEE~LOOK-AT(rt-to-ctr) FEMALE(rf) cl-p:44(lines,-to-lt) TO(lt) THERE(lt) SHAPE B-U-S-T	9-b
	TO(lt)	DAY~NOW WOMAN(rf) VISIT(rf) cl-p:44(2-lines) SEE~LOOK-AT(rt-to-ctr) FEMALE(rf) cl-p:44(lines,-to-lt) TO(lt) THERE(lt) SHAPE B-U-S-T	9-b
	THERE(lt)	DAY~NOW WOMAN(rf) VISIT(rf) cl-p:44(2-lines) SEE~LOOK-AT(rt-to-ctr) FEMALE(rf) cl-p:44(lines,-to-lt) TO(lt) THERE(lt) SHAPE B-U-S-T	9-b
	MALE~DOCTOR	MALE~DOCTOR cl-i:C(grab-neck) cl-d:CC(at-neck,bust-of-head) cl-p:44(look-at-bust,rt) FACE(rf) SEE~LOOK-AT(rt) D-R(rt) S-I-P-S-N(rt)	9-c
	cl-i:C(grab-neck)	MALE~DOCTOR cl-i:C(grab-neck) cl-d:CC(at-neck,bust-of-head) cl-p:44(look-at-bust,rt) FACE(rf) SEE~LOOK-AT(rt) D-R(rt) S-I-P-S-N(rt)	9-c
	cl-d:CC(at-neck,bust-of-head)	MALE~DOCTOR cl-i:C(grab-neck) cl-d:CC(at-neck,bust-of-head) cl-p:44(look-at-bust,rt) FACE(rf) SEE~LOOK-AT(rt) D-R(rt) S-I-P-S-N(rt)	9-c
	cl-p:44(look-at-bust,rt)	MALE~DOCTOR cl-i:C(grab-neck) cl-d:CC(at-neck,bust-of-head) cl-p:44(look-at-bust,rt) FACE(rf) SEE~LOOK-AT(rt) D-R(rt) S-I-P-S-N(rt)	9-c
	FACE(rf)	MALE~DOCTOR cl-i:C(grab-neck) cl-d:CC(at-neck,bust-of-head) cl-p:44(look-at-bust,rt) FACE(rf) SEE~LOOK-AT(rt) D-R(rt) S-I-P-S-N(rt)	9-c
	SEE~LOOK-AT(rt)	MALE~DOCTOR cl-i:C(grab-neck) cl-d:CC(at-neck,bust-of-head) cl-p:44(look-at-bust,rt) FACE(rf) SEE~LOOK-AT(rt) D-R(rt) S-I-P-S-N(rt)	9-c
	D-R(rt)	MALE~DOCTOR cl-i:C(grab-neck) cl-d:CC(at-neck,bust-of-head) cl-p:44(look-at-bust,rt) FACE(rf) SEE~LOOK-AT(rt) D-R(rt) S-I-P-S-N(rt)	9-c
	S-I-P-S-N(rt)	MALE~DOCTOR cl-i:C(grab-neck) cl-d:CC(at-neck,bust-of-head) cl-p:44(look-at-bust,rt) FACE(rf) SEE~LOOK-AT(rt) D-R(rt) S-I-P-S-N(rt)	9-c
	APPRECIATE(rf)	FEMALE APPRECIATE(rf) THANKYOU(2h,lt,bow) HONOR(lt,bow).	9-d
	THANKYOU(2h,lt,bow)	FEMALE APPRECIATE(rf) THANKYOU(2h,lt,bow) HONOR(lt,bow).	9-d
	HONOR(lt,bow)	FEMALE APPRECIATE(rf) THANKYOU(2h,lt,bow) HONOR(lt,bow).	9-d

Signer: Draper, Amos G. (1915) Title of film: The Signing of the Charter of Gallaudet College Number of tags found: 90
Tag ID	Reference Gloss	Context	Paragraph-Clause
	ONE~THOUSAND	A-P-R-I-L ONE~THOUSAND EIGHT~HUNDRED SIXTY-FOUR (glitch) PERSEVERE WAR-turned-into-stalemate	1-a
	EIGHT~HUNDRED	A-P-R-I-L ONE~THOUSAND EIGHT~HUNDRED SIXTY-FOUR (glitch) PERSEVERE WAR-turned-into-stalemate	1-a
	SEEM(2h)	SEEM(2h) SAME AMERICA(rf) CANT(neg) SUCCEED	1-b
	AMERICA(rf)	SEEM(2h) SAME AMERICA(rf) CANT(neg) SUCCEED	1-b
	CANT(neg)	SEEM(2h) SAME AMERICA(rf) CANT(neg) SUCCEED	1-b
	FALL++(nod)	MUST FALL++(nod).	1-c
	MANY+++(circ)	L-I-N-C-O-L-N WITH TROUBLE PRESSURE MANY+++(circ),	2-a
	SUCCEED(rf)	FEEL DONT-KNOW FUTURE SUCCEED(rf) OR FALL WHICH DONT-KNOW(exp).	2-c
	DONT-KNOW(exp)	FEEL DONT-KNOW FUTURE SUCCEED(rf) OR FALL WHICH DONT-KNOW(exp).	2-c
	3P-POSS(l-hand)	3P-POSS(l-hand) HOPE SUCCEED(rf) CONTINUE STILL(1h).	2-f
	SUCCEED(rf)	3P-POSS(l-hand) HOPE SUCCEED(rf) CONTINUE STILL(1h).	2-f
	STILL(1h)	3P-POSS(l-hand) HOPE SUCCEED(rf) CONTINUE STILL(1h).	2-f
	THAT(2h)	IN THAT(2h) HOUR FEEL PROGRESS-UP, BRING TO 3P-SELF ONE cl-d-trace:11(large-square-document)	3-a
	cl-d-trace:11(large-square-document)	IN THAT(2h) HOUR FEEL PROGRESS-UP, BRING TO 3P-SELF ONE cl-d-trace:11(large-square-document)	3-a
	WRITE~PUT-DOWN	3P-IX WRITE~PUT-DOWN 3P-POSS(rt) NAME PUT-DOWN.	3-b
	3P-POSS(rt)	3P-IX WRITE~PUT-DOWN 3P-POSS(rt) NAME PUT-DOWN.	3-b
	THAT(1h)	THAT(1h) cl-d-trace:11(document) MEANING ESTABLISH NEW COLLEGE ON DEAF. pose:nod	3-c
	cl-d-trace:11(document)	THAT(1h) cl-d-trace:11(document) MEANING ESTABLISH NEW COLLEGE ON DEAF. pose:nod	3-c
	pose:nod	THAT(1h) cl-d-trace:11(document) MEANING ESTABLISH NEW COLLEGE ON DEAF. pose:nod	3-c
	pn:LINCOLN	pn:LINCOLN DONT-KNOW(neg) ABOUT(rf) THAT(2h).	3-d
	DONT-KNOW(neg)	pn:LINCOLN DONT-KNOW(neg) ABOUT(rf) THAT(2h).	3-d
	ABOUT(rf)	pn:LINCOLN DONT-KNOW(neg) ABOUT(rf) THAT(2h).	3-d
	THAT(2h)	pn:LINCOLN DONT-KNOW(neg) ABOUT(rf) THAT(2h).	3-d
	THINK(process)	3P-SELF THINK(process) ABOUT(rf) THAT(2h), THINK ABOUT(rf) COLLEGE DEAF NEW++.	3-e
	ABOUT(rf)	3P-SELF THINK(process) ABOUT(rf) THAT(2h), THINK ABOUT(rf) COLLEGE DEAF NEW++.	3-e
	THAT(2h)	3P-SELF THINK(process) ABOUT(rf) THAT(2h), THINK ABOUT(rf) COLLEGE DEAF NEW++.	3-e
	ABOUT(rf)	3P-SELF THINK(process) ABOUT(rf) THAT(2h), THINK ABOUT(rf) COLLEGE DEAF NEW++.	3-e
	NEW++	3P-SELF THINK(process) ABOUT(rf) THAT(2h), THINK ABOUT(rf) COLLEGE DEAF NEW++.	3-e
	DOUBT++	DOUBT++ UNDERSTAND ASK-QUESTION MANY(circ) RELATED WITH DEAF(l-hand) TEACH+ gs:nothing(neg),	3-f
	MANY(circ)	DOUBT++ UNDERSTAND ASK-QUESTION MANY(circ) RELATED WITH DEAF(l-hand) TEACH+ gs:nothing(neg),	3-f
	DEAF(l-hand)	DOUBT++ UNDERSTAND ASK-QUESTION MANY(circ) RELATED WITH DEAF(l-hand) TEACH+ gs:nothing(neg),	3-f
	TEACH+	DOUBT++ UNDERSTAND ASK-QUESTION MANY(circ) RELATED WITH DEAF(l-hand) TEACH+ gs:nothing(neg),	3-f
	gs:nothing(neg)	DOUBT++ UNDERSTAND ASK-QUESTION MANY(circ) RELATED WITH DEAF(l-hand) TEACH+ gs:nothing(neg),	3-f
	3P-IX(rf)	BUT 3P-IX(rf) FEEL BELIEVE STILL(2h).	3-g
	STILL(2h)	BUT 3P-IX(rf) FEEL BELIEVE STILL(2h).	3-g
	gs:oh-well	gs:oh-well 3P-SELF SAY(1x), fs:IF 1P-IX fs:COULD TAKE-UP(ctr-to-rt) SEVERAL(2h) HEAVY(int) INSULT++(-to-1P) COME(1h) HERE TO 1P-IX NOW STILL(2h)	4-a
	SAY(1x)	gs:oh-well 3P-SELF SAY(1x), fs:IF 1P-IX fs:COULD TAKE-UP(ctr-to-rt) SEVERAL(2h) HEAVY(int) INSULT++(-to-1P) COME(1h) HERE TO 1P-IX NOW STILL(2h)	4-a
	fs:IF	gs:oh-well 3P-SELF SAY(1x), fs:IF 1P-IX fs:COULD TAKE-UP(ctr-to-rt) SEVERAL(2h) HEAVY(int) INSULT++(-to-1P) COME(1h) HERE TO 1P-IX NOW STILL(2h)	4-a
	fs:COULD	gs:oh-well 3P-SELF SAY(1x), fs:IF 1P-IX fs:COULD TAKE-UP(ctr-to-rt) SEVERAL(2h) HEAVY(int) INSULT++(-to-1P) COME(1h) HERE TO 1P-IX NOW STILL(2h)	4-a
	TAKE-UP(ctr-to-rt)	gs:oh-well 3P-SELF SAY(1x), fs:IF 1P-IX fs:COULD TAKE-UP(ctr-to-rt) SEVERAL(2h) HEAVY(int) INSULT++(-to-1P) COME(1h) HERE TO 1P-IX NOW STILL(2h)	4-a
	SEVERAL(2h)	gs:oh-well 3P-SELF SAY(1x), fs:IF 1P-IX fs:COULD TAKE-UP(ctr-to-rt) SEVERAL(2h) HEAVY(int) INSULT++(-to-1P) COME(1h) HERE TO 1P-IX NOW STILL(2h)	4-a
	HEAVY(int)	gs:oh-well 3P-SELF SAY(1x), fs:IF 1P-IX fs:COULD TAKE-UP(ctr-to-rt) SEVERAL(2h) HEAVY(int) INSULT++(-to-1P) COME(1h) HERE TO 1P-IX NOW STILL(2h)	4-a
	INSULT++(-to-1P)	gs:oh-well 3P-SELF SAY(1x), fs:IF 1P-IX fs:COULD TAKE-UP(ctr-to-rt) SEVERAL(2h) HEAVY(int) INSULT++(-to-1P) COME(1h) HERE TO 1P-IX NOW STILL(2h)	4-a
	COME(1h)	gs:oh-well 3P-SELF SAY(1x), fs:IF 1P-IX fs:COULD TAKE-UP(ctr-to-rt) SEVERAL(2h) HEAVY(int) INSULT++(-to-1P) COME(1h) HERE TO 1P-IX NOW STILL(2h)	4-a
	STILL(2h)	gs:oh-well 3P-SELF SAY(1x), fs:IF 1P-IX fs:COULD TAKE-UP(ctr-to-rt) SEVERAL(2h) HEAVY(int) INSULT++(-to-1P) COME(1h) HERE TO 1P-IX NOW STILL(2h)	4-a
	HUSH~QUIET	TIME-PERIOD (false_start) COLLECT TIME-PERIOD HUSH~QUIET THINK(process).	4-b
	THINK(process)	TIME-PERIOD (false_start) COLLECT TIME-PERIOD HUSH~QUIET THINK(process).	4-b
	THAT(1h)	1P-IX APPRECIATE SEEK THAT(1h) ASK-QUESTION ABOUT ESTABLISH COLLEGE DEAF.	4-c
	THAT(2h)	BUT THAT(2h) CANT+++(neg) B-E.	4-d
	CANT+++(neg)	BUT THAT(2h) CANT+++(neg) B-E.	4-d
	BEFORE(exp)	C-O-N-G-R-E-S-S END SEEK BEFORE(exp) ABOUT(rf) THAT(2h) ASK-QUESTION,	5-a
	ABOUT(rf)	C-O-N-G-R-E-S-S END SEEK BEFORE(exp) ABOUT(rf) THAT(2h) ASK-QUESTION,	5-a
	THAT(2h)	C-O-N-G-R-E-S-S END SEEK BEFORE(exp) ABOUT(rf) THAT(2h) ASK-QUESTION,	5-a
	3P-SELF(lt)	AND 3P-SELF(lt) C-O-N-G-R-E-S-S DECIDE THAT(1h) A-C-T GOOD(2h,int)	5-b
	THAT(1h)	AND 3P-SELF(lt) C-O-N-G-R-E-S-S DECIDE THAT(1h) A-C-T GOOD(2h,int)	5-b
	GOOD(2h,int)	AND 3P-SELF(lt) C-O-N-G-R-E-S-S DECIDE THAT(1h) A-C-T GOOD(2h,int)	5-b
	FEEL+	NOW FEEL+ THINK APPRECIATE AGREE(-to-rt) WITH THAT(1h,rt) DECIDE.	5-d
	AGREE(-to-rt)	NOW FEEL+ THINK APPRECIATE AGREE(-to-rt) WITH THAT(1h,rt) DECIDE.	5-d
	THAT(1h,rt)	NOW FEEL+ THINK APPRECIATE AGREE(-to-rt) WITH THAT(1h,rt) DECIDE.	5-d
	1P-IX+	1P-IX+ FEEL DEAF CAN PROGRESS-UP~LEVEL(exp).	5-e
	PROGRESS-UP~LEVEL(exp)	1P-IX+ FEEL DEAF CAN PROGRESS-UP~LEVEL(exp).	5-e
	3P-POSS(rt)	1P-IX FEEL 3P-POSS(rt) DEAF HOPE++ PROGRESS-UP~LEVEL(exp) ALRIGHT+ GOOD(int).	5-f
	HOPE++	1P-IX FEEL 3P-POSS(rt) DEAF HOPE++ PROGRESS-UP~LEVEL(exp) ALRIGHT+ GOOD(int).	5-f
	PROGRESS-UP~LEVEL(exp)	1P-IX FEEL 3P-POSS(rt) DEAF HOPE++ PROGRESS-UP~LEVEL(exp) ALRIGHT+ GOOD(int).	5-f
	ALRIGHT+	1P-IX FEEL 3P-POSS(rt) DEAF HOPE++ PROGRESS-UP~LEVEL(exp) ALRIGHT+ GOOD(int).	5-f
	GOOD(int)	1P-IX FEEL 3P-POSS(rt) DEAF HOPE++ PROGRESS-UP~LEVEL(exp) ALRIGHT+ GOOD(int).	5-f
	THAT(1h,rt)	HOPE SEE THAT(1h,rt) SUCCEED.	5-g
	gs:oh-well	gs:oh-well 1P-IX DECIDE 1P-SELF PUT-DOWN 1P-POSS NAME ON THAT(2h) cl-d-trace:11(document) A-C-T	6-a
	THAT(2h)	gs:oh-well 1P-IX DECIDE 1P-SELF PUT-DOWN 1P-POSS NAME ON THAT(2h) cl-d-trace:11(document) A-C-T	6-a
	cl-d-trace:11(document)	gs:oh-well 1P-IX DECIDE 1P-SELF PUT-DOWN 1P-POSS NAME ON THAT(2h) cl-d-trace:11(document) A-C-T	6-a
	THAT(2h)	AND 1P-IX HOPE FUTURE TIME-PERIOD SHOW THAT(2h) ALRIGHT.	6-b
	EVERY+++(arc)	HOPE DEAF EVERY+++(arc) MALE~FEMALE SEE 1P-POSS DO,	6-c
	MALE~FEMALE	HOPE DEAF EVERY+++(arc) MALE~FEMALE SEE 1P-POSS DO,	6-c
	GOOD~SUPERIOR	FEEL GOOD~SUPERIOR 1P-IX DO	6-d
	GOOD~MOST	GOOD~MOST 1P-IX(rf) CAN D-O,	6-e
	1P-IX(rf)	GOOD~MOST 1P-IX(rf) CAN D-O,	6-e
	GOOD~SUPERIOR	GOOD~SUPERIOR 1P-IX(rf) CAN THINK(process)	6-f
	1P-IX(rf)	GOOD~SUPERIOR 1P-IX(rf) CAN THINK(process)	6-f
	THINK(process)	GOOD~SUPERIOR 1P-IX(rf) CAN THINK(process)	6-f
	THAT(1h)	THAT(1h) HELP HAPPEN SUCCEED.	6-g
	gs:oh-well	gs:oh-well COLLEGE HERE BLESS IN TWO THING.	7-a
	FIRST(2h)	FIRST(2h) HAVE 3P-POSS(rt) FIRST PRESIDENT E-D-W-A-R-D G-A-L-L-A-U-D-E-T (glitch) ONE GOOD STRONG LOOK-AT(2h,split_arc) MAN;	7-b
	3P-POSS(rt)	FIRST(2h) HAVE 3P-POSS(rt) FIRST PRESIDENT E-D-W-A-R-D G-A-L-L-A-U-D-E-T (glitch) ONE GOOD STRONG LOOK-AT(2h,split_arc) MAN;	7-b
	LOOK-AT(2h,split_arc)	FIRST(2h) HAVE 3P-POSS(rt) FIRST PRESIDENT E-D-W-A-R-D G-A-L-L-A-U-D-E-T (glitch) ONE GOOD STRONG LOOK-AT(2h,split_arc) MAN;	7-b
	SECOND(2h)	AND SECOND(2h) BLESS IN HAVE 3P-POSS FIRST(1h) P-A-T-R-O-N, T-H-E I-L-L-U-S-T-R-I-O-U-S L-I-N-C-O-L-N, QUIET WITH SEE+++(fwd), BELIEVE(firmly) AND PATIENT~CONTINUE MALE. pose:bow	7-c
	FIRST(1h)	AND SECOND(2h) BLESS IN HAVE 3P-POSS FIRST(1h) P-A-T-R-O-N, T-H-E I-L-L-U-S-T-R-I-O-U-S L-I-N-C-O-L-N, QUIET WITH SEE+++(fwd), BELIEVE(firmly) AND PATIENT~CONTINUE MALE. pose:bow	7-c
	SEE+++(fwd)	AND SECOND(2h) BLESS IN HAVE 3P-POSS FIRST(1h) P-A-T-R-O-N, T-H-E I-L-L-U-S-T-R-I-O-U-S L-I-N-C-O-L-N, QUIET WITH SEE+++(fwd), BELIEVE(firmly) AND PATIENT~CONTINUE MALE. pose:bow	7-c
	BELIEVE(firmly)	AND SECOND(2h) BLESS IN HAVE 3P-POSS FIRST(1h) P-A-T-R-O-N, T-H-E I-L-L-U-S-T-R-I-O-U-S L-I-N-C-O-L-N, QUIET WITH SEE+++(fwd), BELIEVE(firmly) AND PATIENT~CONTINUE MALE. pose:bow	7-c
	PATIENT~CONTINUE	AND SECOND(2h) BLESS IN HAVE 3P-POSS FIRST(1h) P-A-T-R-O-N, T-H-E I-L-L-U-S-T-R-I-O-U-S L-I-N-C-O-L-N, QUIET WITH SEE+++(fwd), BELIEVE(firmly) AND PATIENT~CONTINUE MALE. pose:bow	7-c
	pose:bow	AND SECOND(2h) BLESS IN HAVE 3P-POSS FIRST(1h) P-A-T-R-O-N, T-H-E I-L-L-U-S-T-R-I-O-U-S L-I-N-C-O-L-N, QUIET WITH SEE+++(fwd), BELIEVE(firmly) AND PATIENT~CONTINUE MALE. pose:bow	7-c

Signer: Erd, Mary Williamson (1913) Title of film: Death of Minnehaha Number of tags found: 251
Tag ID	Reference Gloss	Context	Paragraph-Clause
	THERE(-to-rt)	THERE(-to-rt) cl-d:BB(wigwam,rt) WITH OLD(1h,bow) FATHER	1-a
	cl-d:BB(wigwam,rt)	THERE(-to-rt) cl-d:BB(wigwam,rt) WITH OLD(1h,bow) FATHER	1-a
	OLD(1h,bow)	THERE(-to-rt) cl-d:BB(wigwam,rt) WITH OLD(1h,bow) FATHER	1-a
	DET-IX(rt)	WITH DET-IX(rt) DET-IX(rt) WOLF~SPIRIT LOOK-AT+(-to-lt,int),	1-b
	DET-IX(rt)	WITH DET-IX(rt) DET-IX(rt) WOLF~SPIRIT LOOK-AT+(-to-lt,int),	1-b
	WOLF~SPIRIT	WITH DET-IX(rt) DET-IX(rt) WOLF~SPIRIT LOOK-AT+(-to-lt,int),	1-b
	LOOK-AT+(-to-lt,int)	WITH DET-IX(rt) DET-IX(rt) WOLF~SPIRIT LOOK-AT+(-to-lt,int),	1-b
	gs:nothing	WITH EAT gs:nothing HUNGRY HOT gs:fever	1-c
	gs:fever	WITH EAT gs:nothing HUNGRY HOT gs:fever	1-c
	FEMALE~cl-d:B(height,rt)	FEMALE~cl-d:B(height,rt) cl:BB(lay-there,lt)	1-d
	cl:BB(lay-there,lt)	FEMALE~cl-d:B(height,rt) cl:BB(lay-there,lt)	1-d
	DET-IX(lt)	DET-IX(lt) LOVE, 3P-IX(lt) NEAR(prog) BREATHE(labored) DIE M-I-N-N-E-H-A-H-A.	1-e
	3P-IX(lt)	DET-IX(lt) LOVE, 3P-IX(lt) NEAR(prog) BREATHE(labored) DIE M-I-N-N-E-H-A-H-A.	1-e
	NEAR(prog)	DET-IX(lt) LOVE, 3P-IX(lt) NEAR(prog) BREATHE(labored) DIE M-I-N-N-E-H-A-H-A.	1-e
	BREATHE(labored)	DET-IX(lt) LOVE, 3P-IX(lt) NEAR(prog) BREATHE(labored) DIE M-I-N-N-E-H-A-H-A.	1-e
	3P-IX(lt)	minehaha:LISTEN, 3P-IX(lt) TELL(-to-rt)	2-a
	TELL(-to-rt)	minehaha:LISTEN, 3P-IX(lt) TELL(-to-rt)	2-a
	cl-d:55(rushing-water,-to-lt)	1P-IX HEAR cl-d:55(rushing-water,-to-lt),	2-b
	cl-d:55+(roaring-thunder,rt)	HEAR cl-d:55+(roaring-thunder,rt) cl-d:55(rushing-water,-to-lt)	2-c
	cl-d:55(rushing-water,-to-lt)	HEAR cl-d:55+(roaring-thunder,rt) cl-d:55(rushing-water,-to-lt)	2-c
	THERE(-to-rt)	HEAR THERE(-to-rt) INITIAL-W~cl-d:55(falls-of-Minnehaha,rt_up-to-dn) cl:55(waters-striking-a-wall)+ cl:55(dn,swirling-spray-of-water-up) cl:55(settling-down) M-I-N-N-E-H-A-H-A(rt)	2-d
	INITIAL-W~cl-d:55(falls-of-Minnehaha,rt_up-to-dn)	HEAR THERE(-to-rt) INITIAL-W~cl-d:55(falls-of-Minnehaha,rt_up-to-dn) cl:55(waters-striking-a-wall)+ cl:55(dn,swirling-spray-of-water-up) cl:55(settling-down) M-I-N-N-E-H-A-H-A(rt)	2-d
	cl:55(waters-striking-a-wall)+	HEAR THERE(-to-rt) INITIAL-W~cl-d:55(falls-of-Minnehaha,rt_up-to-dn) cl:55(waters-striking-a-wall)+ cl:55(dn,swirling-spray-of-water-up) cl:55(settling-down) M-I-N-N-E-H-A-H-A(rt)	2-d
	cl:55(dn,swirling-spray-of-water-up)	HEAR THERE(-to-rt) INITIAL-W~cl-d:55(falls-of-Minnehaha,rt_up-to-dn) cl:55(waters-striking-a-wall)+ cl:55(dn,swirling-spray-of-water-up) cl:55(settling-down) M-I-N-N-E-H-A-H-A(rt)	2-d
	cl:55(settling-down)	HEAR THERE(-to-rt) INITIAL-W~cl-d:55(falls-of-Minnehaha,rt_up-to-dn) cl:55(waters-striking-a-wall)+ cl:55(dn,swirling-spray-of-water-up) cl:55(settling-down) M-I-N-N-E-H-A-H-A(rt)	2-d
	M-I-N-N-E-H-A-H-A(rt)	HEAR THERE(-to-rt) INITIAL-W~cl-d:55(falls-of-Minnehaha,rt_up-to-dn) cl:55(waters-striking-a-wall)+ cl:55(dn,swirling-spray-of-water-up) cl:55(settling-down) M-I-N-N-E-H-A-H-A(rt)	2-d
	pose:open-arms(-to-lt)	pose:open-arms(-to-lt) gs:come-here(-to-lt), TO-1P 1P-IX FAR+.	2-e
	gs:come-here(-to-lt)	pose:open-arms(-to-lt) gs:come-here(-to-lt), TO-1P 1P-IX FAR+.	2-e
	FAR+	pose:open-arms(-to-lt) gs:come-here(-to-lt), TO-1P 1P-IX FAR+.	2-e
	pose:hands-clasped	old nokomis: pose:hands-clasped pose:pacing pose:stop 1P-POSS BABY(swaying)	3-a
	pose:pacing	old nokomis: pose:hands-clasped pose:pacing pose:stop 1P-POSS BABY(swaying)	3-a
	pose:stop	old nokomis: pose:hands-clasped pose:pacing pose:stop 1P-POSS BABY(swaying)	3-a
	BABY(swaying)	old nokomis: pose:hands-clasped pose:pacing pose:stop 1P-POSS BABY(swaying)	3-a
	TELL(-to-lt)	TELL(-to-lt) OLD(1h,bow) FATHER THERE(rt)	3-b
	OLD(1h,bow)	TELL(-to-lt) OLD(1h,bow) FATHER THERE(rt)	3-b
	THERE(rt)	TELL(-to-lt) OLD(1h,bow) FATHER THERE(rt)	3-b
	2P-IX(lt)	2P-IX(lt) HEAR THAT(1h) ALL-NIGHT WIND-BLOW(up)(swaying) AMONG TALL(lt) TREE(sweep-arc_lt-to-rt), pose:hands-clasped.	3-c
	THAT(1h)	2P-IX(lt) HEAR THAT(1h) ALL-NIGHT WIND-BLOW(up)(swaying) AMONG TALL(lt) TREE(sweep-arc_lt-to-rt), pose:hands-clasped.	3-c
	WIND-BLOW(up)(swaying)	2P-IX(lt) HEAR THAT(1h) ALL-NIGHT WIND-BLOW(up)(swaying) AMONG TALL(lt) TREE(sweep-arc_lt-to-rt), pose:hands-clasped.	3-c
	TALL(lt)	2P-IX(lt) HEAR THAT(1h) ALL-NIGHT WIND-BLOW(up)(swaying) AMONG TALL(lt) TREE(sweep-arc_lt-to-rt), pose:hands-clasped.	3-c
	TREE(sweep-arc_lt-to-rt)	2P-IX(lt) HEAR THAT(1h) ALL-NIGHT WIND-BLOW(up)(swaying) AMONG TALL(lt) TREE(sweep-arc_lt-to-rt), pose:hands-clasped.	3-c
	pose:hands-clasped	2P-IX(lt) HEAR THAT(1h) ALL-NIGHT WIND-BLOW(up)(swaying) AMONG TALL(lt) TREE(sweep-arc_lt-to-rt), pose:hands-clasped.	3-c
	pose:hands-down	minnehaha: pose:hands-down gs:look+ 1P-IX SEE(l-hand,-to-lt) 1P-POSS(r-hand) FATHER	4-a
	gs:look+	minnehaha: pose:hands-down gs:look+ 1P-IX SEE(l-hand,-to-lt) 1P-POSS(r-hand) FATHER	4-a
	SEE(l-hand,-to-lt)	minnehaha: pose:hands-down gs:look+ 1P-IX SEE(l-hand,-to-lt) 1P-POSS(r-hand) FATHER	4-a
	1P-POSS(r-hand)	minnehaha: pose:hands-down gs:look+ 1P-IX SEE(l-hand,-to-lt) 1P-POSS(r-hand) FATHER	4-a
	pose:arms-folded	pose:arms-folded LONELY~ALONE NEAR cl-d:BB(wigwam) cl-d:BB(wigwam-flaps)	4-b
	LONELY~ALONE	pose:arms-folded LONELY~ALONE NEAR cl-d:BB(wigwam) cl-d:BB(wigwam-flaps)	4-b
	cl-d:BB(wigwam)	pose:arms-folded LONELY~ALONE NEAR cl-d:BB(wigwam) cl-d:BB(wigwam-flaps)	4-b
	cl-d:BB(wigwam-flaps)	pose:arms-folded LONELY~ALONE NEAR cl-d:BB(wigwam) cl-d:BB(wigwam-flaps)	4-b
	pose:arms-folded	pose:arms-folded, gs:come-here(-from-lt) COME-HERE(-from-lt) TO-1P(-from-lt)	4-c
	gs:come-here(-from-lt)	pose:arms-folded, gs:come-here(-from-lt) COME-HERE(-from-lt) TO-1P(-from-lt)	4-c
	COME-HERE(-from-lt)	pose:arms-folded, gs:come-here(-from-lt) COME-HERE(-from-lt) TO-1P(-from-lt)	4-c
	TO-1P(-from-lt)	pose:arms-folded, gs:come-here(-from-lt) COME-HERE(-from-lt) TO-1P(-from-lt)	4-c
	DET-IX-POSS(lt)	FROM DET-IX-POSS(lt) cl-d:BB(wigwam,lt) FAR+ LAND~ALL-OVER(-to-rt) D-A-C-O-T-A-H-S.	4-d
	cl-d:BB(wigwam,lt)	FROM DET-IX-POSS(lt) cl-d:BB(wigwam,lt) FAR+ LAND~ALL-OVER(-to-rt) D-A-C-O-T-A-H-S.	4-d
	FAR+	FROM DET-IX-POSS(lt) cl-d:BB(wigwam,lt) FAR+ LAND~ALL-OVER(-to-rt) D-A-C-O-T-A-H-S.	4-d
	LAND~ALL-OVER(-to-rt)	FROM DET-IX-POSS(lt) cl-d:BB(wigwam,lt) FAR+ LAND~ALL-OVER(-to-rt) D-A-C-O-T-A-H-S.	4-d
	pose:hands-clasped	old nokomis:pose:hands-clasped pose:pacing NEGATIVE(up) 1P-POSS BABY	5-a
	pose:pacing	old nokomis:pose:hands-clasped pose:pacing NEGATIVE(up) 1P-POSS BABY	5-a
	NEGATIVE(up)	old nokomis:pose:hands-clasped pose:pacing NEGATIVE(up) 1P-POSS BABY	5-a
	TELL-2P(-to-lt)	TELL-2P(-to-lt) OLD(1h) FATHER THERE(-to-lc)	5-b
	OLD(1h)	TELL-2P(-to-lt) OLD(1h) FATHER THERE(-to-lc)	5-b
	THERE(-to-lc)	TELL-2P(-to-lt) OLD(1h) FATHER THERE(-to-lc)	5-b
	THAT(1h)	THAT(1h) 2P-IX SEE RED~FIRE SMOKE BLACK~cl:55(smoke,2h-to-1h_floating-to-rt)	5-c
	RED~FIRE	THAT(1h) 2P-IX SEE RED~FIRE SMOKE BLACK~cl:55(smoke,2h-to-1h_floating-to-rt)	5-c
	BLACK~cl:55(smoke,2h-to-1h_floating-to-rt)	THAT(1h) 2P-IX SEE RED~FIRE SMOKE BLACK~cl:55(smoke,2h-to-1h_floating-to-rt)	5-c
	pose:hands-on-chest	minnehaha:pose:hands-on-chest pose:hands-up(in_fear) pose:hands-up(in_fear) EYES 3P-POSS DIE LOOK-AT-1P ACROSS DARK(int).	6-a
	pose:hands-up(in_fear)	minnehaha:pose:hands-on-chest pose:hands-up(in_fear) pose:hands-up(in_fear) EYES 3P-POSS DIE LOOK-AT-1P ACROSS DARK(int).	6-a
	pose:hands-up(in_fear)	minnehaha:pose:hands-on-chest pose:hands-up(in_fear) pose:hands-up(in_fear) EYES 3P-POSS DIE LOOK-AT-1P ACROSS DARK(int).	6-a
	DARK(int)	minnehaha:pose:hands-on-chest pose:hands-up(in_fear) pose:hands-up(in_fear) EYES 3P-POSS DIE LOOK-AT-1P ACROSS DARK(int).	6-a
	3P-POSS(lc)	1P-IX NOW FEEL 3P-POSS(lc) COLD HANDS PULL(-to-lc) 1P-POSS THROUGH(lt) UNSEEN~DARK(lt).	6-b
	PULL(-to-lc)	1P-IX NOW FEEL 3P-POSS(lc) COLD HANDS PULL(-to-lc) 1P-POSS THROUGH(lt) UNSEEN~DARK(lt).	6-b
	THROUGH(lt)	1P-IX NOW FEEL 3P-POSS(lc) COLD HANDS PULL(-to-lc) 1P-POSS THROUGH(lt) UNSEEN~DARK(lt).	6-b
	UNSEEN~DARK(lt)	1P-IX NOW FEEL 3P-POSS(lc) COLD HANDS PULL(-to-lc) 1P-POSS THROUGH(lt) UNSEEN~DARK(lt).	6-b
	pose:reach-out(-to-rt)	pose:reach-out(-to-rt) H-I-A-W-A-T-H-A! pose:reach-out(-to-rt) H-I-A-W-A-T-H-A!	6-c
	pose:reach-out(-to-rt)	pose:reach-out(-to-rt) H-I-A-W-A-T-H-A! pose:reach-out(-to-rt) H-I-A-W-A-T-H-A!	6-c
	pose:pacing	pose:pacing TROUBLE THINK(circ,1x) H-I-A-W-A-T-H-A	7-a
	THINK(circ,1x)	pose:pacing TROUBLE THINK(circ,1x) H-I-A-W-A-T-H-A	7-a
	FAR++(-to-rt)	FAR++(-to-rt) GO-AWAY(-to-rt) AMONG(rt) TREE(arc,rt)	7-b
	GO-AWAY(-to-rt)	FAR++(-to-rt) GO-AWAY(-to-rt) AMONG(rt) TREE(arc,rt)	7-b
	AMONG(rt)	FAR++(-to-rt) GO-AWAY(-to-rt) AMONG(rt) TREE(arc,rt)	7-b
	TREE(arc,rt)	FAR++(-to-rt) GO-AWAY(-to-rt) AMONG(rt) TREE(arc,rt)	7-b
	FAR+(rt)	FAR+(rt) cl-trace:1(wandering,-to-rt) ROCK~cl-d:BB(mountains,lt)~cl-d:BB(mountains,rt)	7-c
	cl-trace:1(wandering,-to-rt)	FAR+(rt) cl-trace:1(wandering,-to-rt) ROCK~cl-d:BB(mountains,lt)~cl-d:BB(mountains,rt)	7-c
	ROCK~cl-d:BB(mountains,lt)~cl-d:BB(mountains,rt)	FAR+(rt) cl-trace:1(wandering,-to-rt) ROCK~cl-d:BB(mountains,lt)~cl-d:BB(mountains,rt)	7-c
	HAPPEN(restr)	HEAR HAPPEN(restr) YELL(-to-rt).	7-d
	YELL(-to-rt)	HEAR HAPPEN(restr) YELL(-to-rt).	7-d
	DURING(rest)	DURING(rest) HEAR(l-hand) YELL(r-hand,-to-rt) 3P-POSS(lt) M-I-N-N-E-H-A-H-A	8-a
	HEAR(l-hand)	DURING(rest) HEAR(l-hand) YELL(r-hand,-to-rt) 3P-POSS(lt) M-I-N-N-E-H-A-H-A	8-a
	YELL(r-hand,-to-rt)	DURING(rest) HEAR(l-hand) YELL(r-hand,-to-rt) 3P-POSS(lt) M-I-N-N-E-H-A-H-A	8-a
	3P-POSS(lt)	DURING(rest) HEAR(l-hand) YELL(r-hand,-to-rt) 3P-POSS(lt) M-I-N-N-E-H-A-H-A	8-a
	pose:reach-out(-to-rt)	pose:reach-out(-to-rt) gs:come-here+(-to-lt) ACROSS(lt) DARK(lt).	8-b
	gs:come-here+(-to-lt)	pose:reach-out(-to-rt) gs:come-here+(-to-lt) ACROSS(lt) DARK(lt).	8-b
	ACROSS(lt)	pose:reach-out(-to-rt) gs:come-here+(-to-lt) ACROSS(lt) DARK(lt).	8-b
	DARK(lt)	pose:reach-out(-to-rt) gs:come-here+(-to-lt) ACROSS(lt) DARK(lt).	8-b
	pose:reach-out(-to-rt)	pose:reach-out(-to-rt) H-I-A-W-A-T-H-A(rt) pose:reach-out(-to-rt) H-I-A-W-A-T-H-A(rt) pose:head-on-despairing.	8-c
	H-I-A-W-A-T-H-A(rt)	pose:reach-out(-to-rt) H-I-A-W-A-T-H-A(rt) pose:reach-out(-to-rt) H-I-A-W-A-T-H-A(rt) pose:head-on-despairing.	8-c
	pose:reach-out(-to-rt)	pose:reach-out(-to-rt) H-I-A-W-A-T-H-A(rt) pose:reach-out(-to-rt) H-I-A-W-A-T-H-A(rt) pose:head-on-despairing.	8-c
	H-I-A-W-A-T-H-A(rt)	pose:reach-out(-to-rt) H-I-A-W-A-T-H-A(rt) pose:reach-out(-to-rt) H-I-A-W-A-T-H-A(rt) pose:head-on-despairing.	8-c
	pose:head-on-despairing	pose:reach-out(-to-rt) H-I-A-W-A-T-H-A(rt) pose:reach-out(-to-rt) H-I-A-W-A-T-H-A(rt) pose:head-on-despairing.	8-c
	ACROSS(-to-lt)	ACROSS(-to-lt) WHITE~SNOW cl-d:55(covered,lt-to-rt)~cl:55+(fields),	9-a
	WHITE~SNOW	ACROSS(-to-lt) WHITE~SNOW cl-d:55(covered,lt-to-rt)~cl:55+(fields),	9-a
	cl-d:55(covered,lt-to-rt)~cl:55+(fields)	ACROSS(-to-lt) WHITE~SNOW cl-d:55(covered,lt-to-rt)~cl:55+(fields),	9-a
	WAY(winding,-to-lt)	WAY(winding,-to-lt) gs:nothing	9-b
	gs:nothing	WAY(winding,-to-lt) gs:nothing	9-b
	BELOW(rt)	BELOW(rt) TREE+(arc,rt) WHITE~SNOW(rt) cl-d:55+(covered-up),rt) cl:55+(branches-hanging-arched) cl:55+(alt,push-branches-away) cl:55+(alt,branches-swaying),	9-c
	TREE+(arc,rt)	BELOW(rt) TREE+(arc,rt) WHITE~SNOW(rt) cl-d:55+(covered-up),rt) cl:55+(branches-hanging-arched) cl:55+(alt,push-branches-away) cl:55+(alt,branches-swaying),	9-c
	WHITE~SNOW(rt)	BELOW(rt) TREE+(arc,rt) WHITE~SNOW(rt) cl-d:55+(covered-up),rt) cl:55+(branches-hanging-arched) cl:55+(alt,push-branches-away) cl:55+(alt,branches-swaying),	9-c
	cl-d:55+(covered-up),rt)	BELOW(rt) TREE+(arc,rt) WHITE~SNOW(rt) cl-d:55+(covered-up),rt) cl:55+(branches-hanging-arched) cl:55+(alt,push-branches-away) cl:55+(alt,branches-swaying),	9-c
	cl:55+(branches-hanging-arched)	BELOW(rt) TREE+(arc,rt) WHITE~SNOW(rt) cl-d:55+(covered-up),rt) cl:55+(branches-hanging-arched) cl:55+(alt,push-branches-away) cl:55+(alt,branches-swaying),	9-c
	cl:55+(alt,push-branches-away)	BELOW(rt) TREE+(arc,rt) WHITE~SNOW(rt) cl-d:55+(covered-up),rt) cl:55+(branches-hanging-arched) cl:55+(alt,push-branches-away) cl:55+(alt,branches-swaying),	9-c
	cl:55+(alt,branches-swaying)	BELOW(rt) TREE+(arc,rt) WHITE~SNOW(rt) cl-d:55+(covered-up),rt) cl:55+(branches-hanging-arched) cl:55+(alt,push-branches-away) cl:55+(alt,branches-swaying),	9-c
	EAT~BED	EAT~BED GOING(-to-lt)\pose:running(-to-lt) H-I-A-W-A-T-H-A,	9-d
	GOING(-to-lt)\pose:running(-to-lt)	EAT~BED GOING(-to-lt)\pose:running(-to-lt) H-I-A-W-A-T-H-A,	9-d
	gs:nothing	gs:nothing EAT THING IN HANDS BRING(rt-to-lt),	9-e
	BRING(rt-to-lt)	gs:nothing EAT THING IN HANDS BRING(rt-to-lt),	9-e
	HEART~HEAVY	TIRED, HEART~HEAVY pose:pacing.	9-f
	pose:pacing	TIRED, HEART~HEAVY pose:pacing.	9-f
	OLD(1h,bow)	HEAR OLD(1h,bow) FATHER pose:arms-crossed(swaying), pose:face-in-hands(crying), pose:hands-raised-to-hands-clasped.	10-a
	pose:arms-crossed(swaying)	HEAR OLD(1h,bow) FATHER pose:arms-crossed(swaying), pose:face-in-hands(crying), pose:hands-raised-to-hands-clasped.	10-a
	pose:face-in-hands(crying)	HEAR OLD(1h,bow) FATHER pose:arms-crossed(swaying), pose:face-in-hands(crying), pose:hands-raised-to-hands-clasped.	10-a
	pose:hands-raised-to-hands-clasped	HEAR OLD(1h,bow) FATHER pose:arms-crossed(swaying), pose:face-in-hands(crying), pose:hands-raised-to-hands-clasped.	10-a
	ALLOW(rf)	old nokomis:ALLOW(rf) 3P-HON(lt) M-I-N-N-E-H-A-H-A pose:hands-clasped(-to-lt),	10-b
	3P-HON(lt)	old nokomis:ALLOW(rf) 3P-HON(lt) M-I-N-N-E-H-A-H-A pose:hands-clasped(-to-lt),	10-b
	pose:hands-clasped(-to-lt)	old nokomis:ALLOW(rf) 3P-HON(lt) M-I-N-N-E-H-A-H-A pose:hands-clasped(-to-lt),	10-b
	ALLOW(up)	ALLOW(up) 1P-IX BEFORE DIE(2h) FOR 3P-IX(lt),	10-c
	DIE(2h)	ALLOW(up) 1P-IX BEFORE DIE(2h) FOR 3P-IX(lt),	10-c
	3P-IX(lt)	ALLOW(up) 1P-IX BEFORE DIE(2h) FOR 3P-IX(lt),	10-c
	pose:hands-clasped(pacing)	pose:hands-clasped(pacing), pose:face-in-hand(moaning).	10-e
	pose:face-in-hand(moaning).	pose:hands-clasped(pacing), pose:face-in-hand(moaning).	10-e
	cl-d:BB(wigwam,rt)	THEN H-I-A-W-A-T-H-A, RUN-FAST cl-d:BB(wigwam,rt) cl-d:BB(flaps,rt) ENTER(rt).	11-a
	cl-d:BB(flaps,rt)	THEN H-I-A-W-A-T-H-A, RUN-FAST cl-d:BB(wigwam,rt) cl-d:BB(flaps,rt) ENTER(rt).	11-a
	ENTER(rt)	THEN H-I-A-W-A-T-H-A, RUN-FAST cl-d:BB(wigwam,rt) cl-d:BB(flaps,rt) ENTER(rt).	11-a
	SEE(rt)	SEE(rt) OLD(rt,1h,bow) FATHER(rt) pose:arms-crossed(swaying,rt)	11-b
	OLD(rt,1h,bow)	SEE(rt) OLD(rt,1h,bow) FATHER(rt) pose:arms-crossed(swaying,rt)	11-b
	FATHER(rt)	SEE(rt) OLD(rt,1h,bow) FATHER(rt) pose:arms-crossed(swaying,rt)	11-b
	pose:arms-crossed(swaying,rt)	SEE(rt) OLD(rt,1h,bow) FATHER(rt) pose:arms-crossed(swaying,rt)	11-b
	SEE(-to-lt)	SEE(-to-lt) 1P-POSS BEAUTIFUL M-I-N-N-E-H-A-H-A, gs:lay-there(2h,lt) DIE(2h) pose:hand-on-hand(lt) COLD IN-FRONT-OF(lt).	11-c
	gs:lay-there(2h,lt)	SEE(-to-lt) 1P-POSS BEAUTIFUL M-I-N-N-E-H-A-H-A, gs:lay-there(2h,lt) DIE(2h) pose:hand-on-hand(lt) COLD IN-FRONT-OF(lt).	11-c
	DIE(2h)	SEE(-to-lt) 1P-POSS BEAUTIFUL M-I-N-N-E-H-A-H-A, gs:lay-there(2h,lt) DIE(2h) pose:hand-on-hand(lt) COLD IN-FRONT-OF(lt).	11-c
	pose:hand-on-hand(lt)	SEE(-to-lt) 1P-POSS BEAUTIFUL M-I-N-N-E-H-A-H-A, gs:lay-there(2h,lt) DIE(2h) pose:hand-on-hand(lt) COLD IN-FRONT-OF(lt).	11-c
	IN-FRONT-OF(lt)	SEE(-to-lt) 1P-POSS BEAUTIFUL M-I-N-N-E-H-A-H-A, gs:lay-there(2h,lt) DIE(2h) pose:hand-on-hand(lt) COLD IN-FRONT-OF(lt).	11-c
	pose:walk-forward\arms-folded(-to-rt)	pose:walk-forward\arms-folded(-to-rt) pose:step-back~grieve-chest(1h), THEN H-I-A-W-A-T-H-A HEART FULL cl:55(bursting) BREAK(abrupt_rel),	12-a
	pose:step-back~grieve-chest(1h)	pose:walk-forward\arms-folded(-to-rt) pose:step-back~grieve-chest(1h), THEN H-I-A-W-A-T-H-A HEART FULL cl:55(bursting) BREAK(abrupt_rel),	12-a
	cl:55(bursting)	pose:walk-forward\arms-folded(-to-rt) pose:step-back~grieve-chest(1h), THEN H-I-A-W-A-T-H-A HEART FULL cl:55(bursting) BREAK(abrupt_rel),	12-a
	BREAK(abrupt_rel)	pose:walk-forward\arms-folded(-to-rt) pose:step-back~grieve-chest(1h), THEN H-I-A-W-A-T-H-A HEART FULL cl:55(bursting) BREAK(abrupt_rel),	12-a
	YELL(2h,-to-rt)	YELL(2h,-to-rt) cl:BB(strike-against,rt) cl:BB(strike-against,lt)	12-b
	cl:BB(strike-against,rt)	YELL(2h,-to-rt) cl:BB(strike-against,rt) cl:BB(strike-against,lt)	12-b
	cl:BB(strike-against,lt)	YELL(2h,-to-rt) cl:BB(strike-against,rt) cl:BB(strike-against,lt)	12-b
	cl:55(shaking-spreads)	HEAR cl:55(shaking-spreads) TREE(arc,lt-to-rt) cl:55(trees-shaking,rt-to-lt) cl:55(trees-swaying,lt-to-rt).	12-c
	TREE(arc,lt-to-rt)	HEAR cl:55(shaking-spreads) TREE(arc,lt-to-rt) cl:55(trees-shaking,rt-to-lt) cl:55(trees-swaying,lt-to-rt).	12-c
	cl:55(trees-shaking,rt-to-lt)	HEAR cl:55(shaking-spreads) TREE(arc,lt-to-rt) cl:55(trees-shaking,rt-to-lt) cl:55(trees-swaying,lt-to-rt).	12-c
	cl:55(trees-swaying,lt-to-rt)	HEAR cl:55(shaking-spreads) TREE(arc,lt-to-rt) cl:55(trees-shaking,rt-to-lt) cl:55(trees-swaying,lt-to-rt).	12-c
	pose:step-back~grieve-chest(1h)	pose:step-back~grieve-chest(1h) YELL(2h) BRING(up,-to-rt) cl:BB(strike-against-rt) cl:BB(strike-against-lt)	12-d
	YELL(2h)	pose:step-back~grieve-chest(1h) YELL(2h) BRING(up,-to-rt) cl:BB(strike-against-rt) cl:BB(strike-against-lt)	12-d
	BRING(up,-to-rt)	pose:step-back~grieve-chest(1h) YELL(2h) BRING(up,-to-rt) cl:BB(strike-against-rt) cl:BB(strike-against-lt)	12-d
	cl:BB(strike-against-rt)	pose:step-back~grieve-chest(1h) YELL(2h) BRING(up,-to-rt) cl:BB(strike-against-rt) cl:BB(strike-against-lt)	12-d
	cl:BB(strike-against-lt)	pose:step-back~grieve-chest(1h) YELL(2h) BRING(up,-to-rt) cl:BB(strike-against-rt) cl:BB(strike-against-lt)	12-d
	cl:55(up,shaking-spreads)	HEAR cl:55(up,shaking-spreads), STAR++(lt-to-rt) SKY cl:5(stars-shake,lt-to-rt),	12-e
	STAR++(lt-to-rt)	HEAR cl:55(up,shaking-spreads), STAR++(lt-to-rt) SKY cl:5(stars-shake,lt-to-rt),	12-e
	cl:5(stars-shake,lt-to-rt)	HEAR cl:55(up,shaking-spreads), STAR++(lt-to-rt) SKY cl:5(stars-shake,lt-to-rt),	12-e
	SAME(lt)	FEEL SAME(lt) WITH 3P-POSS(lt) GRIEVE(bow).	12-f
	3P-POSS(lt)	FEEL SAME(lt) WITH 3P-POSS(lt) GRIEVE(bow).	12-f
	GRIEVE(bow)	FEEL SAME(lt) WITH 3P-POSS(lt) GRIEVE(bow).	12-f
	gs:sit(lt)	THEN H-I-A-W-A-T-H-A gs:sit(lt) QUIET HUSH pose:arms-folded ON(lt) cl-d:BB(bed-length,lt) BED 3P-POSS(lt) M-I-N-N-E-H-A-H-A,	13-a
	pose:arms-folded	THEN H-I-A-W-A-T-H-A gs:sit(lt) QUIET HUSH pose:arms-folded ON(lt) cl-d:BB(bed-length,lt) BED 3P-POSS(lt) M-I-N-N-E-H-A-H-A,	13-a
	ON(lt)	THEN H-I-A-W-A-T-H-A gs:sit(lt) QUIET HUSH pose:arms-folded ON(lt) cl-d:BB(bed-length,lt) BED 3P-POSS(lt) M-I-N-N-E-H-A-H-A,	13-a
	cl-d:BB(bed-length,lt)	THEN H-I-A-W-A-T-H-A gs:sit(lt) QUIET HUSH pose:arms-folded ON(lt) cl-d:BB(bed-length,lt) BED 3P-POSS(lt) M-I-N-N-E-H-A-H-A,	13-a
	3P-POSS(lt)	THEN H-I-A-W-A-T-H-A gs:sit(lt) QUIET HUSH pose:arms-folded ON(lt) cl-d:BB(bed-length,lt) BED 3P-POSS(lt) M-I-N-N-E-H-A-H-A,	13-a
	NEAR(lc)	NEAR(lc) FEET 3P-POSS(lt) SMILE WATER,	13-b
	3P-POSS(lt)	NEAR(lc) FEET 3P-POSS(lt) SMILE WATER,	13-b
	3P-POSS(lt)	NEAR 3P-POSS(lt) APPRECIATE SURRENDER(bow) FEET	13-c
	SURRENDER(bow)	NEAR 3P-POSS(lt) APPRECIATE SURRENDER(bow) FEET	13-c
	pose:running(-to-lt)	FUTURE NEVER FROM-THEN-ON LIGHT-WEIGHT pose:running(-to-lt) MEET(-to-lt),	13-d
	MEET(-to-lt)	FUTURE NEVER FROM-THEN-ON LIGHT-WEIGHT pose:running(-to-lt) MEET(-to-lt),	13-d
	gs:nothing	gs:nothing FROM-THEN-ON LIGHT-WEIGHT SET-BEHIND~FOLLOW+(-to-ctr-to-rt).	13-e
	SET-BEHIND~FOLLOW+(-to-ctr-to-rt)	gs:nothing FROM-THEN-ON LIGHT-WEIGHT SET-BEHIND~FOLLOW+(-to-ctr-to-rt).	13-e
	pose:face-in-hands(kneeling_lt)	H-I-A-W-A-T-H-A pose:face-in-hands(kneeling_lt) gs:seven LONG DAY~ALL-NIGHT+(exp,rt-to-lt)	14-a
	gs:seven	H-I-A-W-A-T-H-A pose:face-in-hands(kneeling_lt) gs:seven LONG DAY~ALL-NIGHT+(exp,rt-to-lt)	14-a
	DAY~ALL-NIGHT+(exp,rt-to-lt)	H-I-A-W-A-T-H-A pose:face-in-hands(kneeling_lt) gs:seven LONG DAY~ALL-NIGHT+(exp,rt-to-lt)	14-a
	THAT(1h,lt)	CONTINUE SAME THAT(1h,lt)	14-b
	gs:nothing	SAY gs:nothing WORD++(arc,lt-to-lc)	14-c
	WORD++(arc,lt-to-lc)	SAY gs:nothing WORD++(arc,lt-to-lc)	14-c
	DO(rt)	DO(rt) gs:nothing SEEM SAME	14-d
	gs:nothing	DO(rt) gs:nothing SEEM SAME	14-d
	gs:nothing	KNOW gs:nothing ABOUT ALL-NIGHT~cl:C\\B(sunrise,lt) RED~cl:5(glimmer,lt),	14-e
	ALL-NIGHT~cl:C\\B(sunrise,lt)	KNOW gs:nothing ABOUT ALL-NIGHT~cl:C\\B(sunrise,lt) RED~cl:5(glimmer,lt),	14-e
	RED~cl:5(glimmer,lt)	KNOW gs:nothing ABOUT ALL-NIGHT~cl:C\\B(sunrise,lt) RED~cl:5(glimmer,lt),	14-e
	gs:nothing	KNOW gs:nothing ABOUT AFTERNOON~cl:F\\B(sunset,rt) cl:B(darkness-come-down,rt) DARK(rt) MOON~cl:C(moonrise-to-apex,rt)	14-f
	AFTERNOON~cl:F\\B(sunset,rt)	KNOW gs:nothing ABOUT AFTERNOON~cl:F\\B(sunset,rt) cl:B(darkness-come-down,rt) DARK(rt) MOON~cl:C(moonrise-to-apex,rt)	14-f
	cl:B(darkness-come-down,rt)	KNOW gs:nothing ABOUT AFTERNOON~cl:F\\B(sunset,rt) cl:B(darkness-come-down,rt) DARK(rt) MOON~cl:C(moonrise-to-apex,rt)	14-f
	DARK(rt)	KNOW gs:nothing ABOUT AFTERNOON~cl:F\\B(sunset,rt) cl:B(darkness-come-down,rt) DARK(rt) MOON~cl:C(moonrise-to-apex,rt)	14-f
	MOON~cl:C(moonrise-to-apex,rt)	KNOW gs:nothing ABOUT AFTERNOON~cl:F\\B(sunset,rt) cl:B(darkness-come-down,rt) DARK(rt) MOON~cl:C(moonrise-to-apex,rt)	14-f
	CLASS(rt)	THEN INDIAN CLASS(rt) cl-p:55(walking-in-line,-to-lt) cl:BB(bring-and-lay-body-in-ground,lt) PUT(lt) BELOW(lt) LAND~cl:55(cover-up,lt) BODY 3P-POSS(lt) M-I-N-N-E-H-A-H-A.	15-a
	cl-p:55(walking-in-line,-to-lt)	THEN INDIAN CLASS(rt) cl-p:55(walking-in-line,-to-lt) cl:BB(bring-and-lay-body-in-ground,lt) PUT(lt) BELOW(lt) LAND~cl:55(cover-up,lt) BODY 3P-POSS(lt) M-I-N-N-E-H-A-H-A.	15-a
	cl:BB(bring-and-lay-body-in-ground,lt)	THEN INDIAN CLASS(rt) cl-p:55(walking-in-line,-to-lt) cl:BB(bring-and-lay-body-in-ground,lt) PUT(lt) BELOW(lt) LAND~cl:55(cover-up,lt) BODY 3P-POSS(lt) M-I-N-N-E-H-A-H-A.	15-a
	PUT(lt)	THEN INDIAN CLASS(rt) cl-p:55(walking-in-line,-to-lt) cl:BB(bring-and-lay-body-in-ground,lt) PUT(lt) BELOW(lt) LAND~cl:55(cover-up,lt) BODY 3P-POSS(lt) M-I-N-N-E-H-A-H-A.	15-a
	BELOW(lt)	THEN INDIAN CLASS(rt) cl-p:55(walking-in-line,-to-lt) cl:BB(bring-and-lay-body-in-ground,lt) PUT(lt) BELOW(lt) LAND~cl:55(cover-up,lt) BODY 3P-POSS(lt) M-I-N-N-E-H-A-H-A.	15-a
	LAND~cl:55(cover-up,lt)	THEN INDIAN CLASS(rt) cl-p:55(walking-in-line,-to-lt) cl:BB(bring-and-lay-body-in-ground,lt) PUT(lt) BELOW(lt) LAND~cl:55(cover-up,lt) BODY 3P-POSS(lt) M-I-N-N-E-H-A-H-A.	15-a
	3P-POSS(lt)	THEN INDIAN CLASS(rt) cl-p:55(walking-in-line,-to-lt) cl:BB(bring-and-lay-body-in-ground,lt) PUT(lt) BELOW(lt) LAND~cl:55(cover-up,lt) BODY 3P-POSS(lt) M-I-N-N-E-H-A-H-A.	15-a
	H-I-A-W-A-T-H-A (pacing)	THEN H-I-A-W-A-T-H-A (pacing) pose:arms-crossed pose:arms-folded pose:face-in-hand pose:arms-folded gs:look+(lt)	15-b
	pose:arms-crossed	THEN H-I-A-W-A-T-H-A (pacing) pose:arms-crossed pose:arms-folded pose:face-in-hand pose:arms-folded gs:look+(lt)	15-b
	pose:arms-folded	THEN H-I-A-W-A-T-H-A (pacing) pose:arms-crossed pose:arms-folded pose:face-in-hand pose:arms-folded gs:look+(lt)	15-b
	pose:face-in-hand	THEN H-I-A-W-A-T-H-A (pacing) pose:arms-crossed pose:arms-folded pose:face-in-hand pose:arms-folded gs:look+(lt)	15-b
	pose:arms-folded	THEN H-I-A-W-A-T-H-A (pacing) pose:arms-crossed pose:arms-folded pose:face-in-hand pose:arms-folded gs:look+(lt)	15-b
	gs:look+(lt)	THEN H-I-A-W-A-T-H-A (pacing) pose:arms-crossed pose:arms-folded pose:face-in-hand pose:arms-folded gs:look+(lt)	15-b
	YELL(-to-lt)	YELL(-to-lt) M-I-N-N-E-H-A-H-A pose:hands-clasped gs:farewell(1h,-to-lt) gs:farewell(2h,-to-lt) 1P-POSS(lt) SMILE(lt) WATER(rt),	16-a
	pose:hands-clasped	YELL(-to-lt) M-I-N-N-E-H-A-H-A pose:hands-clasped gs:farewell(1h,-to-lt) gs:farewell(2h,-to-lt) 1P-POSS(lt) SMILE(lt) WATER(rt),	16-a
	gs:farewell(1h,-to-lt)	YELL(-to-lt) M-I-N-N-E-H-A-H-A pose:hands-clasped gs:farewell(1h,-to-lt) gs:farewell(2h,-to-lt) 1P-POSS(lt) SMILE(lt) WATER(rt),	16-a
	gs:farewell(2h,-to-lt)	YELL(-to-lt) M-I-N-N-E-H-A-H-A pose:hands-clasped gs:farewell(1h,-to-lt) gs:farewell(2h,-to-lt) 1P-POSS(lt) SMILE(lt) WATER(rt),	16-a
	1P-POSS(lt)	YELL(-to-lt) M-I-N-N-E-H-A-H-A pose:hands-clasped gs:farewell(1h,-to-lt) gs:farewell(2h,-to-lt) 1P-POSS(lt) SMILE(lt) WATER(rt),	16-a
	SMILE(lt)	YELL(-to-lt) M-I-N-N-E-H-A-H-A pose:hands-clasped gs:farewell(1h,-to-lt) gs:farewell(2h,-to-lt) 1P-POSS(lt) SMILE(lt) WATER(rt),	16-a
	WATER(rt)	YELL(-to-lt) M-I-N-N-E-H-A-H-A pose:hands-clasped gs:farewell(1h,-to-lt) gs:farewell(2h,-to-lt) 1P-POSS(lt) SMILE(lt) WATER(rt),	16-a
	PUT(lt)	ALL 1P-POSS HEART PUT(lt) BELOW(lt) LAND~cl:55(cover-up,lt) WITH 2P-IX(lt)	16-b
	BELOW(lt)	ALL 1P-POSS HEART PUT(lt) BELOW(lt) LAND~cl:55(cover-up,lt) WITH 2P-IX(lt)	16-b
	LAND~cl:55(cover-up,lt)	ALL 1P-POSS HEART PUT(lt) BELOW(lt) LAND~cl:55(cover-up,lt) WITH 2P-IX(lt)	16-b
	2P-IX(lt)	ALL 1P-POSS HEART PUT(lt) BELOW(lt) LAND~cl:55(cover-up,lt) WITH 2P-IX(lt)	16-b
	GOING(-to-lt)	ALL 1P-POSS THINKING GOING(-to-lt) RELATED(-to-lt) WITH 2P-IX(lt)	16-c
	RELATED(-to-lt)	ALL 1P-POSS THINKING GOING(-to-lt) RELATED(-to-lt) WITH 2P-IX(lt)	16-c
	2P-IX(lt)	ALL 1P-POSS THINKING GOING(-to-lt) RELATED(-to-lt) WITH 2P-IX(lt)	16-c
	COMING(-from-lt)	COMING(-from-lt) NEGATIVE(up) AGAIN HERE WORLD FOR WORK DO gs:nothing,	16-d
	NEGATIVE(up)	COMING(-from-lt) NEGATIVE(up) AGAIN HERE WORLD FOR WORK DO gs:nothing,	16-d
	gs:nothing	COMING(-from-lt) NEGATIVE(up) AGAIN HERE WORLD FOR WORK DO gs:nothing,	16-d
	COMING(-from-lt)	COMING(-from-lt) NEGATIVE(up) AGAIN HERE WORLD FOR SUFFER~PAIN.	16-e
	NEGATIVE(up)	COMING(-from-lt) NEGATIVE(up) AGAIN HERE WORLD FOR SUFFER~PAIN.	16-e
	SUFFER~PAIN	COMING(-from-lt) NEGATIVE(up) AGAIN HERE WORLD FOR SUFFER~PAIN.	16-e
	EARTH(rt)	EARTH(rt) HERE(rt) EAT gs:nothing HUNGRY HOT~gs:fever GRIEVE(bow) HEART HARM BODY THIN cl-d:BB(thin-body) TIRED.	16-f
	HERE(rt)	EARTH(rt) HERE(rt) EAT gs:nothing HUNGRY HOT~gs:fever GRIEVE(bow) HEART HARM BODY THIN cl-d:BB(thin-body) TIRED.	16-f
	gs:nothing	EARTH(rt) HERE(rt) EAT gs:nothing HUNGRY HOT~gs:fever GRIEVE(bow) HEART HARM BODY THIN cl-d:BB(thin-body) TIRED.	16-f
	HOT~gs:fever	EARTH(rt) HERE(rt) EAT gs:nothing HUNGRY HOT~gs:fever GRIEVE(bow) HEART HARM BODY THIN cl-d:BB(thin-body) TIRED.	16-f
	GRIEVE(bow)	EARTH(rt) HERE(rt) EAT gs:nothing HUNGRY HOT~gs:fever GRIEVE(bow) HEART HARM BODY THIN cl-d:BB(thin-body) TIRED.	16-f
	cl-d:BB(thin-body)	EARTH(rt) HERE(rt) EAT gs:nothing HUNGRY HOT~gs:fever GRIEVE(bow) HEART HARM BODY THIN cl-d:BB(thin-body) TIRED.	16-f
	GOING(1x-to-lt)	FUTURE LITTLE-BIT TIME-PERIOD 1P-IX GOING(1x-to-lt) 1P-POSS DUTY DO ON EARTH END,	17-a
	2P-POSS(lt)	FUTURE LITTLE-BIT TIME-PERIOD PASS THEN 2P-POSS(lt) cl:1(feet) WALK++(-to-lt) 1P-IX FUTURE FOLLOW	17-b
	cl:1(feet)	FUTURE LITTLE-BIT TIME-PERIOD PASS THEN 2P-POSS(lt) cl:1(feet) WALK++(-to-lt) 1P-IX FUTURE FOLLOW	17-b
	WALK++(-to-lt)	FUTURE LITTLE-BIT TIME-PERIOD PASS THEN 2P-POSS(lt) cl:1(feet) WALK++(-to-lt) 1P-IX FUTURE FOLLOW	17-b
	FAR+(1-hs)	FAR+(1-hs) TO LAND~cl:55(up,spread) PLACE(up) ALL SPIRIT GOD(l-hand) END(rf) BLESS,	17-c
	LAND~cl:55(up,spread)	FAR+(1-hs) TO LAND~cl:55(up,spread) PLACE(up) ALL SPIRIT GOD(l-hand) END(rf) BLESS,	17-c
	PLACE(up)	FAR+(1-hs) TO LAND~cl:55(up,spread) PLACE(up) ALL SPIRIT GOD(l-hand) END(rf) BLESS,	17-c
	GOD(l-hand)	FAR+(1-hs) TO LAND~cl:55(up,spread) PLACE(up) ALL SPIRIT GOD(l-hand) END(rf) BLESS,	17-c
	END(rf)	FAR+(1-hs) TO LAND~cl:55(up,spread) PLACE(up) ALL SPIRIT GOD(l-hand) END(rf) BLESS,	17-c
	GOING(up,lt)	GOING(up,lt) TO(lt) KING~OVER-ALL GO(up)(1-hs,lt) 3P-POSS(up,lt) SUPERIOR SPIRIT	17-d
	TO(lt)	GOING(up,lt) TO(lt) KING~OVER-ALL GO(up)(1-hs,lt) 3P-POSS(up,lt) SUPERIOR SPIRIT	17-d
	KING~OVER-ALL	GOING(up,lt) TO(lt) KING~OVER-ALL GO(up)(1-hs,lt) 3P-POSS(up,lt) SUPERIOR SPIRIT	17-d
	GO(up)(1-hs,lt)	GOING(up,lt) TO(lt) KING~OVER-ALL GO(up)(1-hs,lt) 3P-POSS(up,lt) SUPERIOR SPIRIT	17-d
	3P-POSS(up,lt)	GOING(up,lt) TO(lt) KING~OVER-ALL GO(up)(1-hs,lt) 3P-POSS(up,lt) SUPERIOR SPIRIT	17-d
	GOING(up,lt)	GOING(up,lt) TO(lt) LAND~cl:55(up,spread,lt) ALWAYS FUTURE HAPPY STILL pose:arms-folded	17-e
	TO(lt)	GOING(up,lt) TO(lt) LAND~cl:55(up,spread,lt) ALWAYS FUTURE HAPPY STILL pose:arms-folded	17-e
	LAND~cl:55(up,spread,lt)	GOING(up,lt) TO(lt) LAND~cl:55(up,spread,lt) ALWAYS FUTURE HAPPY STILL pose:arms-folded	17-e
	pose:arms-folded	GOING(up,lt) TO(lt) LAND~cl:55(up,spread,lt) ALWAYS FUTURE HAPPY STILL pose:arms-folded	17-e

Signer: Fay, Edward Allen (1913) Title of film: Dom Pedro's Visit to Gallaudet College Number of tags found: 101
Tag ID	Reference Gloss	Context	Paragraph-Clause
	FRIEND~CLASS	1P-POSS FRIEND~CLASS, DURING NEAR FIFTY YEAR+ UP-TILL-NOW 1P-IX RELATED HERE COLLEGE, MANY+++(arc) FAMOUS MALE(rf)~FEMALE COME VISIT HERE.	1-a
	YEAR+	1P-POSS FRIEND~CLASS, DURING NEAR FIFTY YEAR+ UP-TILL-NOW 1P-IX RELATED HERE COLLEGE, MANY+++(arc) FAMOUS MALE(rf)~FEMALE COME VISIT HERE.	1-a
	MANY+++(arc)	1P-POSS FRIEND~CLASS, DURING NEAR FIFTY YEAR+ UP-TILL-NOW 1P-IX RELATED HERE COLLEGE, MANY+++(arc) FAMOUS MALE(rf)~FEMALE COME VISIT HERE.	1-a
	MALE(rf)~FEMALE	1P-POSS FRIEND~CLASS, DURING NEAR FIFTY YEAR+ UP-TILL-NOW 1P-IX RELATED HERE COLLEGE, MANY+++(arc) FAMOUS MALE(rf)~FEMALE COME VISIT HERE.	1-a
	1P-HON(rf)	ONE VISIT 1P-HON(rf) KNOW~STAY WITH(rf) MUCH APPRECIATE HAPPEN IN YEAR ONE THOUSAND EIGHT~HUNDRED SEVENTY-SIX.	1-b
	KNOW~STAY	ONE VISIT 1P-HON(rf) KNOW~STAY WITH(rf) MUCH APPRECIATE HAPPEN IN YEAR ONE THOUSAND EIGHT~HUNDRED SEVENTY-SIX.	1-b
	WITH(rf)	ONE VISIT 1P-HON(rf) KNOW~STAY WITH(rf) MUCH APPRECIATE HAPPEN IN YEAR ONE THOUSAND EIGHT~HUNDRED SEVENTY-SIX.	1-b
	EIGHT~HUNDRED	ONE VISIT 1P-HON(rf) KNOW~STAY WITH(rf) MUCH APPRECIATE HAPPEN IN YEAR ONE THOUSAND EIGHT~HUNDRED SEVENTY-SIX.	1-b
	THAT(1h)	IN THAT(1h) YEAR, pn:AMERICA CELEBRATE(1h) FREE UP-TILL-NOW ONE~HUNDRED YEAR+ WITH MUCH FANCY+(restr) SHOW IN CITY++(slight_arc) pn:PHILADELPHIA.	1-c
	pn:AMERICA	IN THAT(1h) YEAR, pn:AMERICA CELEBRATE(1h) FREE UP-TILL-NOW ONE~HUNDRED YEAR+ WITH MUCH FANCY+(restr) SHOW IN CITY++(slight_arc) pn:PHILADELPHIA.	1-c
	CELEBRATE(1h)	IN THAT(1h) YEAR, pn:AMERICA CELEBRATE(1h) FREE UP-TILL-NOW ONE~HUNDRED YEAR+ WITH MUCH FANCY+(restr) SHOW IN CITY++(slight_arc) pn:PHILADELPHIA.	1-c
	ONE~HUNDRED	IN THAT(1h) YEAR, pn:AMERICA CELEBRATE(1h) FREE UP-TILL-NOW ONE~HUNDRED YEAR+ WITH MUCH FANCY+(restr) SHOW IN CITY++(slight_arc) pn:PHILADELPHIA.	1-c
	YEAR+	IN THAT(1h) YEAR, pn:AMERICA CELEBRATE(1h) FREE UP-TILL-NOW ONE~HUNDRED YEAR+ WITH MUCH FANCY+(restr) SHOW IN CITY++(slight_arc) pn:PHILADELPHIA.	1-c
	FANCY+(restr)	IN THAT(1h) YEAR, pn:AMERICA CELEBRATE(1h) FREE UP-TILL-NOW ONE~HUNDRED YEAR+ WITH MUCH FANCY+(restr) SHOW IN CITY++(slight_arc) pn:PHILADELPHIA.	1-c
	CITY++(slight_arc)	IN THAT(1h) YEAR, pn:AMERICA CELEBRATE(1h) FREE UP-TILL-NOW ONE~HUNDRED YEAR+ WITH MUCH FANCY+(restr) SHOW IN CITY++(slight_arc) pn:PHILADELPHIA.	1-c
	pn:PHILADELPHIA	IN THAT(1h) YEAR, pn:AMERICA CELEBRATE(1h) FREE UP-TILL-NOW ONE~HUNDRED YEAR+ WITH MUCH FANCY+(restr) SHOW IN CITY++(slight_arc) pn:PHILADELPHIA.	1-c
	THAT(1h)	TO THAT(1h) SHOW, MANY(arc) FAMOUS MALE COME FROM ALL SOME+ ON WORLD.	1-d
	MANY(arc)	TO THAT(1h) SHOW, MANY(arc) FAMOUS MALE COME FROM ALL SOME+ ON WORLD.	1-d
	SOME+	TO THAT(1h) SHOW, MANY(arc) FAMOUS MALE COME FROM ALL SOME+ ON WORLD.	1-d
	THAT(1h)	AMONG THAT(1h) VISIT~AGENT, ONE FAMOUS~MOST, D-O-M P-E-D-R-O EMPEROR OVER-ALL LAND B-R-A-Z-I-L.	2-a
	VISIT~AGENT	AMONG THAT(1h) VISIT~AGENT, ONE FAMOUS~MOST, D-O-M P-E-D-R-O EMPEROR OVER-ALL LAND B-R-A-Z-I-L.	2-a
	FAMOUS~MOST	AMONG THAT(1h) VISIT~AGENT, ONE FAMOUS~MOST, D-O-M P-E-D-R-O EMPEROR OVER-ALL LAND B-R-A-Z-I-L.	2-a
	DET-IX(lt)	DET-IX(lt) NAME FAMOUS SPECIAL ONE WHY~SUPERIOR(2h) EMPEROR~OVER-ALL~AGENT NEGATIVE,	2-b
	WHY~SUPERIOR(2h)	DET-IX(lt) NAME FAMOUS SPECIAL ONE WHY~SUPERIOR(2h) EMPEROR~OVER-ALL~AGENT NEGATIVE,	2-b
	EMPEROR~OVER-ALL~AGENT	DET-IX(lt) NAME FAMOUS SPECIAL ONE WHY~SUPERIOR(2h) EMPEROR~OVER-ALL~AGENT NEGATIVE,	2-b
	MALE~cl-d:B(height)	BUT SO-AS MALE~cl-d:B(height) INTELLIGENT~INTELLIGENT(int), WISE, ENTHUSIASTIC, KIND, LOVE 3P-POSS(lt) PEOPLE~CLASS	2-c
	INTELLIGENT~INTELLIGENT(int)	BUT SO-AS MALE~cl-d:B(height) INTELLIGENT~INTELLIGENT(int), WISE, ENTHUSIASTIC, KIND, LOVE 3P-POSS(lt) PEOPLE~CLASS	2-c
	3P-POSS(lt)	BUT SO-AS MALE~cl-d:B(height) INTELLIGENT~INTELLIGENT(int), WISE, ENTHUSIASTIC, KIND, LOVE 3P-POSS(lt) PEOPLE~CLASS	2-c
	PEOPLE~CLASS	BUT SO-AS MALE~cl-d:B(height) INTELLIGENT~INTELLIGENT(int), WISE, ENTHUSIASTIC, KIND, LOVE 3P-POSS(lt) PEOPLE~CLASS	2-c
	3P-POSS(lt)	DO MUCH PROGRESS 3P-POSS(lt) NATION DURING YEAR+ FIFTY-EIGHT 3P-IX(lt) CONTINUE EMPEROR~OVER-ALL~AGENT.	2-d
	YEAR+	DO MUCH PROGRESS 3P-POSS(lt) NATION DURING YEAR+ FIFTY-EIGHT 3P-IX(lt) CONTINUE EMPEROR~OVER-ALL~AGENT.	2-d
	3P-IX(lt)	DO MUCH PROGRESS 3P-POSS(lt) NATION DURING YEAR+ FIFTY-EIGHT 3P-IX(lt) CONTINUE EMPEROR~OVER-ALL~AGENT.	2-d
	EMPEROR~OVER-ALL~AGENT	DO MUCH PROGRESS 3P-POSS(lt) NATION DURING YEAR+ FIFTY-EIGHT 3P-IX(lt) CONTINUE EMPEROR~OVER-ALL~AGENT.	2-d
	pn:PEDRO	D-O-M pn:PEDRO COME(-from-lt) TO CITY pn:PHILADELPHIA J-U-L-Y FOURTH FOR JOIN ARRANGE LECTURE(2h) THAT(1h) DAY.	3-a
	COME(-from-lt)	D-O-M pn:PEDRO COME(-from-lt) TO CITY pn:PHILADELPHIA J-U-L-Y FOURTH FOR JOIN ARRANGE LECTURE(2h) THAT(1h) DAY.	3-a
	pn:PHILADELPHIA	D-O-M pn:PEDRO COME(-from-lt) TO CITY pn:PHILADELPHIA J-U-L-Y FOURTH FOR JOIN ARRANGE LECTURE(2h) THAT(1h) DAY.	3-a
	LECTURE(2h)	D-O-M pn:PEDRO COME(-from-lt) TO CITY pn:PHILADELPHIA J-U-L-Y FOURTH FOR JOIN ARRANGE LECTURE(2h) THAT(1h) DAY.	3-a
	THAT(1h)	D-O-M pn:PEDRO COME(-from-lt) TO CITY pn:PHILADELPHIA J-U-L-Y FOURTH FOR JOIN ARRANGE LECTURE(2h) THAT(1h) DAY.	3-a
	THAT(1h)	BUT BEFORE THAT(1h) DURING MONTH J-U-N-E GO-TO(rt) THERE(rt) CITY++ pn:WASHINGTON-DC STAY SEVERAL(2h) DAY+.	3-b
	GO-TO(rt)	BUT BEFORE THAT(1h) DURING MONTH J-U-N-E GO-TO(rt) THERE(rt) CITY++ pn:WASHINGTON-DC STAY SEVERAL(2h) DAY+.	3-b
	THERE(rt)	BUT BEFORE THAT(1h) DURING MONTH J-U-N-E GO-TO(rt) THERE(rt) CITY++ pn:WASHINGTON-DC STAY SEVERAL(2h) DAY+.	3-b
	CITY++	BUT BEFORE THAT(1h) DURING MONTH J-U-N-E GO-TO(rt) THERE(rt) CITY++ pn:WASHINGTON-DC STAY SEVERAL(2h) DAY+.	3-b
	pn:WASHINGTON-DC	BUT BEFORE THAT(1h) DURING MONTH J-U-N-E GO-TO(rt) THERE(rt) CITY++ pn:WASHINGTON-DC STAY SEVERAL(2h) DAY+.	3-b
	SEVERAL(2h)	BUT BEFORE THAT(1h) DURING MONTH J-U-N-E GO-TO(rt) THERE(rt) CITY++ pn:WASHINGTON-DC STAY SEVERAL(2h) DAY+.	3-b
	DAY+	BUT BEFORE THAT(1h) DURING MONTH J-U-N-E GO-TO(rt) THERE(rt) CITY++ pn:WASHINGTON-DC STAY SEVERAL(2h) DAY+.	3-b
	READ+	1P-IX-PL HERE COLLEGE READ+ IN PAPER HOW NOW++ D-O-M pn:PEDRO IN CITY+++(rc)	3-c
	NOW++	1P-IX-PL HERE COLLEGE READ+ IN PAPER HOW NOW++ D-O-M pn:PEDRO IN CITY+++(rc)	3-c
	pn:PEDRO	1P-IX-PL HERE COLLEGE READ+ IN PAPER HOW NOW++ D-O-M pn:PEDRO IN CITY+++(rc)	3-c
	CITY+++(rc)	1P-IX-PL HERE COLLEGE READ+ IN PAPER HOW NOW++ D-O-M pn:PEDRO IN CITY+++(rc)	3-c
	SUMMONS~INVITE(-from-rt)	AND 1P-IX-PL WANT SUMMONS~INVITE(-from-rt) COME VISIT COLLEGE	3-d
	KNOW+++	BUT 1P-IX-PL KNOW+++ DET-IX(rt) TIME-PERIOD SMALL+.	3-e
	DET-IX(rt)	BUT 1P-IX-PL KNOW+++ DET-IX(rt) TIME-PERIOD SMALL+.	3-e
	SMALL+	BUT 1P-IX-PL KNOW+++ DET-IX(rt) TIME-PERIOD SMALL+.	3-e
	MANY(arc)	MANY(arc) THING WORTH MUCH 3P-IX(lt) WANT SEE+(rt) IN CITY(rt) pn:WASHINGTON-DC(rt),	3-f
	3P-IX(lt)	MANY(arc) THING WORTH MUCH 3P-IX(lt) WANT SEE+(rt) IN CITY(rt) pn:WASHINGTON-DC(rt),	3-f
	SEE+(rt)	MANY(arc) THING WORTH MUCH 3P-IX(lt) WANT SEE+(rt) IN CITY(rt) pn:WASHINGTON-DC(rt),	3-f
	CITY(rt)	MANY(arc) THING WORTH MUCH 3P-IX(lt) WANT SEE+(rt) IN CITY(rt) pn:WASHINGTON-DC(rt),	3-f
	pn:WASHINGTON-DC(rt)	MANY(arc) THING WORTH MUCH 3P-IX(lt) WANT SEE+(rt) IN CITY(rt) pn:WASHINGTON-DC(rt),	3-f
	SUMMONS~INVITE(-from-rt)	SO-AS 1P-IX-PL SUMMONS~INVITE(-from-rt) NEGATIVE.	3-g
	gs:surprised	1P-IX-PL gs:surprised MUCH ONE DAY GET M-E-S-S-A-G-E FROM D-E-P-A-R-T-M-E-N-T O-F S-T-A-T-E SAY(1x) TOMORROW MORNING TIME+~SEVEN D-O-M P-E-D-R-O WANT COME(-from-rt) VISIT COLLEGE HEAR~CLOSE.	4-a
	SAY(1x)	1P-IX-PL gs:surprised MUCH ONE DAY GET M-E-S-S-A-G-E FROM D-E-P-A-R-T-M-E-N-T O-F S-T-A-T-E SAY(1x) TOMORROW MORNING TIME+~SEVEN D-O-M P-E-D-R-O WANT COME(-from-rt) VISIT COLLEGE HEAR~CLOSE.	4-a
	TIME+~SEVEN	1P-IX-PL gs:surprised MUCH ONE DAY GET M-E-S-S-A-G-E FROM D-E-P-A-R-T-M-E-N-T O-F S-T-A-T-E SAY(1x) TOMORROW MORNING TIME+~SEVEN D-O-M P-E-D-R-O WANT COME(-from-rt) VISIT COLLEGE HEAR~CLOSE.	4-a
	COME(-from-rt)	1P-IX-PL gs:surprised MUCH ONE DAY GET M-E-S-S-A-G-E FROM D-E-P-A-R-T-M-E-N-T O-F S-T-A-T-E SAY(1x) TOMORROW MORNING TIME+~SEVEN D-O-M P-E-D-R-O WANT COME(-from-rt) VISIT COLLEGE HEAR~CLOSE.	4-a
	HEAR~CLOSE	1P-IX-PL gs:surprised MUCH ONE DAY GET M-E-S-S-A-G-E FROM D-E-P-A-R-T-M-E-N-T O-F S-T-A-T-E SAY(1x) TOMORROW MORNING TIME+~SEVEN D-O-M P-E-D-R-O WANT COME(-from-rt) VISIT COLLEGE HEAR~CLOSE.	4-a
	THAT(1h)	THAT(1h) TIME-PERIOD PRESIDENT pn:EMG GONE~AWAY.	4-b
	pn:EMG	THAT(1h) TIME-PERIOD PRESIDENT pn:EMG GONE~AWAY.	4-b
	GONE~AWAY	THAT(1h) TIME-PERIOD PRESIDENT pn:EMG GONE~AWAY.	4-b
	pn:EMG	ONE-DAY-AGO BEFORE pn:EMG GO-AWAY TO CITY pn:PHILADELPHIA FOR ARRANGE(3x) BEFORE FEW-DAYS-FUTURE ALL COLLEGE cl-p:CC(group-move,rt-to-lt) VISIT THAT(1h,lt) SHOW(lt)	4-c
	pn:PHILADELPHIA	ONE-DAY-AGO BEFORE pn:EMG GO-AWAY TO CITY pn:PHILADELPHIA FOR ARRANGE(3x) BEFORE FEW-DAYS-FUTURE ALL COLLEGE cl-p:CC(group-move,rt-to-lt) VISIT THAT(1h,lt) SHOW(lt)	4-c
	ARRANGE(3x)	ONE-DAY-AGO BEFORE pn:EMG GO-AWAY TO CITY pn:PHILADELPHIA FOR ARRANGE(3x) BEFORE FEW-DAYS-FUTURE ALL COLLEGE cl-p:CC(group-move,rt-to-lt) VISIT THAT(1h,lt) SHOW(lt)	4-c
	cl-p:CC(group-move,rt-to-lt)	ONE-DAY-AGO BEFORE pn:EMG GO-AWAY TO CITY pn:PHILADELPHIA FOR ARRANGE(3x) BEFORE FEW-DAYS-FUTURE ALL COLLEGE cl-p:CC(group-move,rt-to-lt) VISIT THAT(1h,lt) SHOW(lt)	4-c
	THAT(1h,lt)	ONE-DAY-AGO BEFORE pn:EMG GO-AWAY TO CITY pn:PHILADELPHIA FOR ARRANGE(3x) BEFORE FEW-DAYS-FUTURE ALL COLLEGE cl-p:CC(group-move,rt-to-lt) VISIT THAT(1h,lt) SHOW(lt)	4-c
	SHOW(lt)	ONE-DAY-AGO BEFORE pn:EMG GO-AWAY TO CITY pn:PHILADELPHIA FOR ARRANGE(3x) BEFORE FEW-DAYS-FUTURE ALL COLLEGE cl-p:CC(group-move,rt-to-lt) VISIT THAT(1h,lt) SHOW(lt)	4-c
	AND(rf)	AND(rf) 1P-IX EXCHANGE A-C-T-I-N-G P-R-E-S-I-D-E-N-T.	4-d
	fs:IF	1P-IX FEEL fs:IF PRES(false start) EMPEROR~OVER-ALL B-R-A-Z-I-L COME VISIT COLLEGE, gs:oh-well PRESIDENT COLLEGE NEED HERE FOR MEET.	5-a
	PRES(false start)	1P-IX FEEL fs:IF PRES(false start) EMPEROR~OVER-ALL B-R-A-Z-I-L COME VISIT COLLEGE, gs:oh-well PRESIDENT COLLEGE NEED HERE FOR MEET.	5-a
	EMPEROR~OVER-ALL	1P-IX FEEL fs:IF PRES(false start) EMPEROR~OVER-ALL B-R-A-Z-I-L COME VISIT COLLEGE, gs:oh-well PRESIDENT COLLEGE NEED HERE FOR MEET.	5-a
	gs:oh-well	1P-IX FEEL fs:IF PRES(false start) EMPEROR~OVER-ALL B-R-A-Z-I-L COME VISIT COLLEGE, gs:oh-well PRESIDENT COLLEGE NEED HERE FOR MEET.	5-a
	TELEGRAPH~SEND-MESSAGE(-to-lt)	SO-AS 1P-IX TELEGRAPH~SEND-MESSAGE(-to-lt) TO pn:EMG TELL(-to-lt) TOMORROW MORNING TIME+~SEVEN D-O-M P-E-D-R-O FUTURE COME(-from-rt) VISIT COLLEGE	5-b
	pn:EMG	SO-AS 1P-IX TELEGRAPH~SEND-MESSAGE(-to-lt) TO pn:EMG TELL(-to-lt) TOMORROW MORNING TIME+~SEVEN D-O-M P-E-D-R-O FUTURE COME(-from-rt) VISIT COLLEGE	5-b
	TELL(-to-lt)	SO-AS 1P-IX TELEGRAPH~SEND-MESSAGE(-to-lt) TO pn:EMG TELL(-to-lt) TOMORROW MORNING TIME+~SEVEN D-O-M P-E-D-R-O FUTURE COME(-from-rt) VISIT COLLEGE	5-b
	TIME+~SEVEN	SO-AS 1P-IX TELEGRAPH~SEND-MESSAGE(-to-lt) TO pn:EMG TELL(-to-lt) TOMORROW MORNING TIME+~SEVEN D-O-M P-E-D-R-O FUTURE COME(-from-rt) VISIT COLLEGE	5-b
	COME(-from-rt)	SO-AS 1P-IX TELEGRAPH~SEND-MESSAGE(-to-lt) TO pn:EMG TELL(-to-lt) TOMORROW MORNING TIME+~SEVEN D-O-M P-E-D-R-O FUTURE COME(-from-rt) VISIT COLLEGE	5-b
	BETTER~SUPERIOR	BETTER~SUPERIOR 2P-IX(lt) COME(-from-lt) EAT~BED QUICK.	5-c
	2P-IX(lt)	BETTER~SUPERIOR 2P-IX(lt) COME(-from-lt) EAT~BED QUICK.	5-c
	COME(-from-lt)	BETTER~SUPERIOR 2P-IX(lt) COME(-from-lt) EAT~BED QUICK.	5-c
	EAT~BED	BETTER~SUPERIOR 2P-IX(lt) COME(-from-lt) EAT~BED QUICK.	5-c
	THAT(1h)	THAT(1h) NIGHT pn:EMG ARRIVE	6-a
	pn:EMG	THAT(1h) NIGHT pn:EMG ARRIVE	6-a
	TIME~SEVEN	AND TOMORROW MORNING BEFORE TIME~SEVEN, ALL COLLEGE, LEARN~AGENT, TEACH~AGENT cl-p:CC(gather) IN HOUSE~SUNDAY THERE(behind_back).	6-b
	LEARN~AGENT	AND TOMORROW MORNING BEFORE TIME~SEVEN, ALL COLLEGE, LEARN~AGENT, TEACH~AGENT cl-p:CC(gather) IN HOUSE~SUNDAY THERE(behind_back).	6-b
	TEACH~AGENT	AND TOMORROW MORNING BEFORE TIME~SEVEN, ALL COLLEGE, LEARN~AGENT, TEACH~AGENT cl-p:CC(gather) IN HOUSE~SUNDAY THERE(behind_back).	6-b
	cl-p:CC(gather)	AND TOMORROW MORNING BEFORE TIME~SEVEN, ALL COLLEGE, LEARN~AGENT, TEACH~AGENT cl-p:CC(gather) IN HOUSE~SUNDAY THERE(behind_back).	6-b
	HOUSE~SUNDAY	AND TOMORROW MORNING BEFORE TIME~SEVEN, ALL COLLEGE, LEARN~AGENT, TEACH~AGENT cl-p:CC(gather) IN HOUSE~SUNDAY THERE(behind_back).	6-b
	THERE(behind_back)	AND TOMORROW MORNING BEFORE TIME~SEVEN, ALL COLLEGE, LEARN~AGENT, TEACH~AGENT cl-p:CC(gather) IN HOUSE~SUNDAY THERE(behind_back).	6-b
	TIME+~SEVEN	EXACT TIME+~SEVEN D-M pn:PEDRO ARRIVE WITH SEVERAL(2h,rc) MALE~FANCY++ CLASS(rc) 3P-POSS(lt) ...	6-c
	pn:PEDRO	EXACT TIME+~SEVEN D-M pn:PEDRO ARRIVE WITH SEVERAL(2h,rc) MALE~FANCY++ CLASS(rc) 3P-POSS(lt) ...	6-c
	SEVERAL(2h,rc)	EXACT TIME+~SEVEN D-M pn:PEDRO ARRIVE WITH SEVERAL(2h,rc) MALE~FANCY++ CLASS(rc) 3P-POSS(lt) ...	6-c
	MALE~FANCY++	EXACT TIME+~SEVEN D-M pn:PEDRO ARRIVE WITH SEVERAL(2h,rc) MALE~FANCY++ CLASS(rc) 3P-POSS(lt) ...	6-c
	CLASS(rc)	EXACT TIME+~SEVEN D-M pn:PEDRO ARRIVE WITH SEVERAL(2h,rc) MALE~FANCY++ CLASS(rc) 3P-POSS(lt) ...	6-c
	3P-POSS(lt)	EXACT TIME+~SEVEN D-M pn:PEDRO ARRIVE WITH SEVERAL(2h,rc) MALE~FANCY++ CLASS(rc) 3P-POSS(lt) ...	6-c

Signer: Fox, Thomas F. (1915) Title of film: Lincoln's Gettysburg Address Number of tags found: 146
Tag ID	Reference Gloss	Context	Paragraph-Clause
	cl-p:55(gather)	PEOPLE cl-p:55(gather) IN G-E-T-T-Y-S-B-U-R-G	1-a
	FOR(l-hand)	FOR(l-hand) cl:CC(set-aside,-to-lc) PLACE(lc) NEW LAND ALL-OVER(rt)	1-b
	cl:CC(set-aside,-to-lc)	FOR(l-hand) cl:CC(set-aside,-to-lc) PLACE(lc) NEW LAND ALL-OVER(rt)	1-b
	PLACE(lc)	FOR(l-hand) cl:CC(set-aside,-to-lc) PLACE(lc) NEW LAND ALL-OVER(rt)	1-b
	ALL-OVER(rt)	FOR(l-hand) cl:CC(set-aside,-to-lc) PLACE(lc) NEW LAND ALL-OVER(rt)	1-b
	PUT(2h-alt,lc)	PUT(2h-alt,lc) DIE(2h) ARMY+ AGO.	1-c
	DIE(2h)	PUT(2h-alt,lc) DIE(2h) ARMY+ AGO.	1-c
	ARMY+	PUT(2h-alt,lc) DIE(2h) ARMY+ AGO.	1-c
	pn:LINCOLN(1x)	pn:LINCOLN(1x) 3P-SELF(rt) BEFORE PICK-FROM(1h,-from-rt,l-hand) FOR LECTURE SHOW ALL-OVER(rt) LAND BECOME HONOR(bow).	1-d
	3P-SELF(rt)	pn:LINCOLN(1x) 3P-SELF(rt) BEFORE PICK-FROM(1h,-from-rt,l-hand) FOR LECTURE SHOW ALL-OVER(rt) LAND BECOME HONOR(bow).	1-d
	PICK-FROM(1h,-from-rt,l-hand)	pn:LINCOLN(1x) 3P-SELF(rt) BEFORE PICK-FROM(1h,-from-rt,l-hand) FOR LECTURE SHOW ALL-OVER(rt) LAND BECOME HONOR(bow).	1-d
	ALL-OVER(rt)	pn:LINCOLN(1x) 3P-SELF(rt) BEFORE PICK-FROM(1h,-from-rt,l-hand) FOR LECTURE SHOW ALL-OVER(rt) LAND BECOME HONOR(bow).	1-d
	HONOR(bow)	pn:LINCOLN(1x) 3P-SELF(rt) BEFORE PICK-FROM(1h,-from-rt,l-hand) FOR LECTURE SHOW ALL-OVER(rt) LAND BECOME HONOR(bow).	1-d
	pn:LINCOLN(1x)	pn:LINCOLN(1x) TELL+++++(ctr-to-rc-to-rt) ONE(l-hand) LECTURE UP-TILL-NOW 1P-IX-PL LOOK-AT-PAST(l-hand)\FEEL(bow_head-to-rt) WONDERFUL(3x) LECTURE.	1-e
	TELL+++++(ctr-to-rc-to-rt)	pn:LINCOLN(1x) TELL+++++(ctr-to-rc-to-rt) ONE(l-hand) LECTURE UP-TILL-NOW 1P-IX-PL LOOK-AT-PAST(l-hand)\FEEL(bow_head-to-rt) WONDERFUL(3x) LECTURE.	1-e
	ONE(l-hand)	pn:LINCOLN(1x) TELL+++++(ctr-to-rc-to-rt) ONE(l-hand) LECTURE UP-TILL-NOW 1P-IX-PL LOOK-AT-PAST(l-hand)\FEEL(bow_head-to-rt) WONDERFUL(3x) LECTURE.	1-e
	LOOK-AT-PAST(l-hand)\FEEL(bow_head-to-rt)	pn:LINCOLN(1x) TELL+++++(ctr-to-rc-to-rt) ONE(l-hand) LECTURE UP-TILL-NOW 1P-IX-PL LOOK-AT-PAST(l-hand)\FEEL(bow_head-to-rt) WONDERFUL(3x) LECTURE.	1-e
	WONDERFUL(3x)	pn:LINCOLN(1x) TELL+++++(ctr-to-rc-to-rt) ONE(l-hand) LECTURE UP-TILL-NOW 1P-IX-PL LOOK-AT-PAST(l-hand)\FEEL(bow_head-to-rt) WONDERFUL(3x) LECTURE.	1-e
	MAKE(hold)	BUT MAKE(hold) pn:LINCOLN 3P-SELF(neg-rt) FEEL gs:what.	1-f
	pn:LINCOLN	BUT MAKE(hold) pn:LINCOLN 3P-SELF(neg-rt) FEEL gs:what.	1-f
	3P-SELF(neg-rt)	BUT MAKE(hold) pn:LINCOLN 3P-SELF(neg-rt) FEEL gs:what.	1-f
	gs:what	BUT MAKE(hold) pn:LINCOLN 3P-SELF(neg-rt) FEEL gs:what.	1-f
	3P-IX(rt)	END 3P-IX(rt) LECTURE 3P-IX(rf) gs:move(-to-rt)~gs:sit.	2-a
	3P-IX(rf)	END 3P-IX(rt) LECTURE 3P-IX(rf) gs:move(-to-rt)~gs:sit.	2-a
	gs:move(-to-rt)~gs:sit	END 3P-IX(rt) LECTURE 3P-IX(rf) gs:move(-to-rt)~gs:sit.	2-a
	ONE(l-hand)	ONE(l-hand) FRIEND gs:tap-3P(-to-rt) PRAISE(-to-rt) MANY.	2-b
	gs:tap-3P(-to-rt)	ONE(l-hand) FRIEND gs:tap-3P(-to-rt) PRAISE(-to-rt) MANY.	2-b
	PRAISE-2P(-to-rt)	ONE(l-hand) FRIEND gs:tap-3P(-to-rt) PRAISE(-to-rt) MANY.	2-b
	2P-IX(rt)	2P-IX(rt) LECTURE BEAUTIFUL(l-hand).	2-c
	BEAUTIFUL(l-hand)	2P-IX(rt) LECTURE BEAUTIFUL(l-hand).	2-c
	pn:LINCOLN	pn:LINCOLN SAY(1x) pose:head-shake("NO") 1P-POSS SAY WORTH LITTLE-BIT.	2-d
	SAY(1x)	pn:LINCOLN SAY(1x) pose:head-shake("NO") 1P-POSS SAY WORTH LITTLE-BIT.	2-d
	pose:head-shake("NO")	pn:LINCOLN SAY(1x) pose:head-shake("NO") 1P-POSS SAY WORTH LITTLE-BIT.	2-d
	3P-HON(l-hand,lt)	3P-HON(l-hand,lt) MALE~3P-HON(lt) LECTURE+(int) WONDERFUL,	2-e
	MALE~3P-HON(lt)	3P-HON(l-hand,lt) MALE~3P-HON(lt) LECTURE+(int) WONDERFUL,	2-e
	LECTURE+(int)	3P-HON(l-hand,lt) MALE~3P-HON(lt) LECTURE+(int) WONDERFUL,	2-e
	WORD++(lc-to-rc)	WORD++(lc-to-rc) FUTURE CONTINUE cl:55(flowing-fwd) YEAR++ MANY+ FUTURE.	2-f
	cl:55(flowing-fwd)	WORD++(lc-to-rc) FUTURE CONTINUE cl:55(flowing-fwd) YEAR++ MANY+ FUTURE.	2-f
	YEAR++	WORD++(lc-to-rc) FUTURE CONTINUE cl:55(flowing-fwd) YEAR++ MANY+ FUTURE.	2-f
	MANY+	WORD++(lc-to-rc) FUTURE CONTINUE cl:55(flowing-fwd) YEAR++ MANY+ FUTURE.	2-f
	1P-POSS(l-hand)	1P-POSS(l-hand) gs:oh-well WORTH NOTHING(1h,l-hand).	2-g
	gs:oh-well	1P-POSS(l-hand) gs:oh-well WORTH NOTHING(1h,l-hand).	2-g
	NOTHING(1h,l-hand)	1P-POSS(l-hand) gs:oh-well WORTH NOTHING(1h,l-hand).	2-g
	3P-HON\LOOK-AT(across-time-line)	DAY NOW 1P-IX-PL 3P-HON\LOOK-AT(across time line) LECTURE+\DET-HON VARIOUS	3-a
	LECTURE+\DET-HON	DAY NOW 1P-IX-PL 3P-HON\LOOK-AT(across time line) LECTURE+\DET-HON VARIOUS	3-a
	pn:LINCOLN	pn:LINCOLN 3P-POSS(rt) G-E-T-T-Y-B-U-R-G A-D-D-R-E-S-S CONTINUE ONE(l-hand) CORRECT C-L-A-S-S-I-C, BEAUTIFUL, NEAT	3-b
	3P-POSS(rt)	pn:LINCOLN 3P-POSS(rt) G-E-T-T-Y-B-U-R-G A-D-D-R-E-S-S CONTINUE ONE(l-hand) CORRECT C-L-A-S-S-I-C, BEAUTIFUL, NEAT	3-b
	ONE(l-hand)	pn:LINCOLN 3P-POSS(rt) G-E-T-T-Y-B-U-R-G A-D-D-R-E-S-S CONTINUE ONE(l-hand) CORRECT C-L-A-S-S-I-C, BEAUTIFUL, NEAT	3-b
	OTHER(l-hand)	OTHER(l-hand) LECTURE~AGENT(lc)	3-c
	LECTURE~AGENT(lc)	OTHER(l-hand) LECTURE~AGENT(lc)	3-c
	1P-IX-PL(rf)	1P-IX-PL(rf) READ(-to-rc) INTERESTING(l-hand,rc)	3-d
	READ(-to-rc)	1P-IX-PL(rf) READ(-to-rc) INTERESTING(l-hand,rc)	3-d
	INTERESTING(l-hand,rc)	1P-IX-PL(rf) READ(-to-rc) INTERESTING(l-hand,rc)	3-d
	BUT(rc)	BUT(rc) TRUE(l-hand,rc) NOT(rf,rc) EQUAL(rc) 3P-POSS(rt) pn:LINCOLN.	3-e
	TRUE(l-hand,rc)	BUT(rc) TRUE(l-hand,rc) NOT(rf,rc) EQUAL(rc) 3P-POSS(rt) pn:LINCOLN.	3-e
	NOT(rf,rc)	BUT(rc) TRUE(l-hand,rc) NOT(rf,rc) EQUAL(rc) 3P-POSS(rt) pn:LINCOLN.	3-e
	EQUAL(rc)	BUT(rc) TRUE(l-hand,rc) NOT(rf,rc) EQUAL(rc) 3P-POSS(rt) pn:LINCOLN.	3-e
	3P-POSS(rt)	BUT(rc) TRUE(l-hand,rc) NOT(rf,rc) EQUAL(rc) 3P-POSS(rt) pn:LINCOLN.	3-e
	pn:LINCOLN	BUT(rc) TRUE(l-hand,rc) NOT(rf,rc) EQUAL(rc) 3P-POSS(rt) pn:LINCOLN.	3-e
	FATHER(2h)	1P-POSS-PL FATHER(2h) BRING(rt-shoulder-to-ctr) ON HERE LAND~ALL-OVER	4-b
	BRING(rt-shoulder-to-ctr)	1P-POSS-PL FATHER(2h) BRING(rt-shoulder-to-ctr) ON HERE LAND~ALL-OVER	4-b
	LAND~ALL-OVER	1P-POSS-PL FATHER(2h) BRING(rt-shoulder-to-ctr) ON HERE LAND~ALL-OVER	4-b
	SHAPE(rt)	ONE NEW NATION, SHAPE(rt) IN FREE	4-c
	cl:CC(set-aside,rt)	AND cl:CC(set-aside,rt) TO DET-IX PRINCIPLE	4-d
	MALE~FEMALE~PEOPLE	ALL MALE~FEMALE~PEOPLE BORN EQUAL.	4-e
	BIND~MIX	NOW 1P-IX-PL BIND~MIX IN ONE(rf) LARGE WAR BETWEEN 1P-POSS-PL PEOPLE	5-a
	ONE(rf)	NOW 1P-IX-PL BIND~MIX IN ONE(rf) LARGE WAR BETWEEN 1P-POSS-PL PEOPLE	5-a
	THAT(2h)	OR THAT(2h) NATION	5-c
	OR(rf)~OTHER(rf)	OR(rf)~OTHER(rf) ANY NATION	5-d
	SHAPE(rc)	SO-AS SHAPE(rc)	5-e
	cl:CC(set-aside,-to-rt)	SO-AS cl:CC(set-aside,-to-rt)	5-f
	cl-p:CC(gather)	1P-IX-PL cl-p:CC(gather) ON ONE LARGE WAR LAND~ALL-OVER	6-a
	LAND~ALL-OVER	1P-IX-PL cl-p:CC(gather) ON ONE LARGE WAR LAND~ALL-OVER	6-a
	THAT(1h)	THAT(1h) WAR FOR(l-hand) cl:CC(set-aside-to-rt) SOME(rc) THAT(1h,rt) LAND(rt)	6-b
	FOR(l-hand)	THAT(1h) WAR FOR(l-hand) cl:CC(set-aside-to-rt) SOME(rc) THAT(1h,rt) LAND(rt)	6-b
	cl:CC(set-aside-to-rt)	THAT(1h) WAR FOR(l-hand) cl:CC(set-aside-to-rt) SOME(rc) THAT(1h,rt) LAND(rt)	6-b
	SOME(rc)	THAT(1h) WAR FOR(l-hand) cl:CC(set-aside-to-rt) SOME(rc) THAT(1h,rt) LAND(rt)	6-b
	THAT(1h,rt)	THAT(1h) WAR FOR(l-hand) cl:CC(set-aside-to-rt) SOME(rc) THAT(1h,rt) LAND(rt)	6-b
	LAND(rt)	THAT(1h) WAR FOR(l-hand) cl:CC(set-aside-to-rt) SOME(rc) THAT(1h,rt) LAND(rt)	6-b
	FOR(rc)	FOR ONE LAST REST PLACE FOR(rc) THAT(1h,rt) ARMY+	6-c
	THAT(1h,rt)	FOR ONE LAST REST PLACE FOR(rc) THAT(1h,rt) ARMY+	6-c
	ARMY+	FOR ONE LAST REST PLACE FOR(rc) THAT(1h,rt) ARMY+	6-c
	GIVE-GIFT(up)	WHO HERE GIVE-GIFT(up) 3P-POSS(rc) LIVE	6-d
	3P-POSS(rc)	WHO HERE GIVE-GIFT(up) 3P-POSS(rc) LIVE	6-d
	THAT(2h)	SO-AS THAT(2h) NATION CAN LIVE.	6-e
	ALL~WITH	TRUE ALL~WITH AGREE(rc) ALRIGHT(rc) FOR 1P-IX-PL DO THAT(2h).	7-a
	AGREE(rc)	TRUE ALL~WITH AGREE(rc) ALRIGHT(rc) FOR 1P-IX-PL DO THAT(2h).	7-a
	ALRIGHT(rc)	TRUE ALL~WITH AGREE(rc) ALRIGHT(rc) FOR 1P-IX-PL DO THAT(2h).	7-a
	THAT(2h)	TRUE ALL~WITH AGREE(rc) ALRIGHT(rc) FOR 1P-IX-PL DO THAT(2h).	7-a
	IN(rf)	BUT IN(rf) ONE SUPERIOR UNDERSTAND(neg)	7-b
	UNDERSTAND(neg)	BUT IN(rf) ONE SUPERIOR UNDERSTAND(neg)	7-b
	CANT+	1P-IX-PL CANT+ PUT~BLESS(from-lt-to-rt).	7-c
	PUT~BLESS(from-lt-to-rt)	1P-IX-PL CANT+ PUT~BLESS(from-lt-to-rt).	7-c
	1P-IX-PL(rf)	1P-IX-PL CANT+ GIVE-GIFT~BOW-DOWN~HONOR(rt).	7-d
	CANT+	1P-IX-PL CANT+ GIVE-GIFT~BOW-DOWN~HONOR(rt).	7-d
	GIVE-GIFT~BOW-DOWN~HONOR(rt)	1P-IX-PL CANT+ GIVE-GIFT~BOW-DOWN~HONOR(rt).	7-d
	CANT+	1P-IX-PL CANT+ MAKE NEAT HERE(rt) LAND.	7-e
	HERE(rt)	1P-IX-PL CANT+ MAKE NEAT HERE(rt) LAND.	7-e
	3P-IX(lf)	3P-IX(lf) BRAVE ARMY+ LIVE AND DIE(2h)	8-a
	ARMY+	3P-IX(lf) BRAVE ARMY+ LIVE AND DIE(2h)	8-a
	DIE(2h)	3P-IX(lf) BRAVE ARMY+ LIVE AND DIE(2h)	8-a
	WHO(l-hand,lf)	WHO(l-hand,lf) WAR HERE END MAKE DET-IX NEAT	8-b
	ADD+(lc)	MOST THAN 1P-POSS-PL WEAK STRONG CAN ADD+(lc) THEN REMOVE(rc).	8-c
	REMOVE(rc)	MOST THAN 1P-POSS-PL WEAK STRONG CAN ADD+(lc) THEN REMOVE(rc).	8-c
	3P-IX(rt-int-neg)	3P-IX(rt-int-neg) WORLD FUTURE(l-hand) LITTLE-BIT LOOK-AT(-to-lt)	8-d
	FUTURE(l-hand)	3P-IX(rt-int-neg) WORLD FUTURE(l-hand) LITTLE-BIT LOOK-AT(-to-lt)	8-d
	LOOK-AT(-to-lt)	3P-IX(rt-int-neg) WORLD FUTURE(l-hand) LITTLE-BIT LOOK-AT(-to-lt)	8-d
	KNOW~STAY	OR LONG KNOW~STAY gs:what 1P-IX-PL SAY+ HERE(neg),	8-e
	gs:what	OR LONG KNOW~STAY gs:what 1P-IX-PL SAY+ HERE(neg),	8-e
	SAY+	OR LONG KNOW~STAY gs:what 1P-IX-PL SAY+ HERE(neg),	8-e
	HERE(neg)	OR LONG KNOW~STAY gs:what 1P-IX-PL SAY+ HERE(neg),	8-e
	gs:what	BUT WORLD FUTURE NEVER FORGET gs:what 1P-POSS-PL ARMY+ DO HERE.	8-f
	ARMY+	BUT WORLD FUTURE NEVER FORGET gs:what 1P-POSS-PL ARMY+ DO HERE.	8-f
	FOR(-to-lt)	TRUE GOOD FOR 1P-IX-PL WHO LIVE HERE FOR(-to-lt) CHANGE(from-lt-to-rt) PAY-ATTENTION(-to-rt) TO(rt) THAT(2h) DO BRING-FORTH(lt) END(lt) NOT-YET,	9-a
	CHANGE(from-lt-to-rt)	TRUE GOOD FOR 1P-IX-PL WHO LIVE HERE FOR(-to-lt) CHANGE(from-lt-to-rt) PAY-ATTENTION(-to-rt) TO(rt) THAT(2h) DO BRING-FORTH(lt) END(lt) NOT-YET,	9-a
	PAY-ATTENTION(-to-rt)	TRUE GOOD FOR 1P-IX-PL WHO LIVE HERE FOR(-to-lt) CHANGE(from-lt-to-rt) PAY-ATTENTION(-to-rt) TO(rt) THAT(2h) DO BRING-FORTH(lt) END(lt) NOT-YET,	9-a
	TO(rt)	TRUE GOOD FOR 1P-IX-PL WHO LIVE HERE FOR(-to-lt) CHANGE(from-lt-to-rt) PAY-ATTENTION(-to-rt) TO(rt) THAT(2h) DO BRING-FORTH(lt) END(lt) NOT-YET,	9-a
	THAT(2h)	TRUE GOOD FOR 1P-IX-PL WHO LIVE HERE FOR(-to-lt) CHANGE(from-lt-to-rt) PAY-ATTENTION(-to-rt) TO(rt) THAT(2h) DO BRING-FORTH(lt) END(lt) NOT-YET,	9-a
	BRING-FORTH(lt)	TRUE GOOD FOR 1P-IX-PL WHO LIVE HERE FOR(-to-lt) CHANGE(from-lt-to-rt) PAY-ATTENTION(-to-rt) TO(rt) THAT(2h) DO BRING-FORTH(lt) END(lt) NOT-YET,	9-a
	END(lt)	TRUE GOOD FOR 1P-IX-PL WHO LIVE HERE FOR(-to-lt) CHANGE(from-lt-to-rt) PAY-ATTENTION(-to-rt) TO(rt) THAT(2h) DO BRING-FORTH(lt) END(lt) NOT-YET,	9-a
	gs:what	gs:what 1P-POSS-PL(rf) ARMY++ UP-TILL-NOW PROGRESS(from-rc-to-lc).	9-b
	1P-POSS-PL(rf)	gs:what 1P-POSS-PL(rf) ARMY++ UP-TILL-NOW PROGRESS(from-rc-to-lc).	9-b
	ARMY++	gs:what 1P-POSS-PL(rf) ARMY++ UP-TILL-NOW PROGRESS(from-rc-to-lc).	9-b
	PROGRESS(from-rc-to-lc)	gs:what 1P-POSS-PL(rf) ARMY++ UP-TILL-NOW PROGRESS(from-rc-to-lc).	9-b
	1P-IX-PL~1P-SELF-PL	TRUE GOOD FOR 1P-IX-PL~1P-SELF-PL PAY-ATTENTION~PUT-ASIDE(to-rt)	9-c
	PAY-ATTENTION~PUT-ASIDE(to-rt)	TRUE GOOD FOR 1P-IX-PL~1P-SELF-PL PAY-ATTENTION~PUT-ASIDE(to-rt)	9-c
	DET-IX(ctr)	TO DET-IX(ctr) BRING-FORTH(to-lt) END(lt) NOT-YET+ DO.	9-d
	BRING-FORTH(to-lt)	TO DET-IX(ctr) BRING-FORTH(to-lt) END(lt) NOT-YET+ DO.	9-d
	END(lt)	TO DET-IX(ctr) BRING-FORTH(to-lt) END(lt) NOT-YET+ DO.	9-d
	NOT-YET+	TO DET-IX(ctr) BRING-FORTH(to-lt) END(lt) NOT-YET+ DO.	9-d
	THAT(2h)	THAT(2h) DO 3P-SELF+(rt) GIVE(lt) LAST FULL WORTH(lt) 3P-POSS(rt) LOVE(toward-lt).	9-e
	3P-SELF+(rt)	THAT(2h) DO 3P-SELF+(rt) GIVE(lt) LAST FULL WORTH(lt) 3P-POSS(rt) LOVE(toward-lt).	9-e
	GIVE(lt)	THAT(2h) DO 3P-SELF+(rt) GIVE(lt) LAST FULL WORTH(lt) 3P-POSS(rt) LOVE(toward-lt).	9-e
	WORTH(lt)	THAT(2h) DO 3P-SELF+(rt) GIVE(lt) LAST FULL WORTH(lt) 3P-POSS(rt) LOVE(toward-lt).	9-e
	LOVE(toward-lt)	THAT(2h) DO 3P-SELF+(rt) GIVE(lt) LAST FULL WORTH(lt) 3P-POSS(rt) LOVE(toward-lt).	9-e
	3P-IX-PL(rt)	3P-IX-PL(rt) HONOR(rc) DIE(2h) FUTURE(l-hand,rt) NOT(l-hand) DIE(1h) WORTH~NOTHING(l-hand,rt).	10-b
	HONOR(rc)	3P-IX-PL(rt) HONOR(rc) DIE(2h) FUTURE(l-hand,rt) NOT(l-hand) DIE(1h) WORTH~NOTHING(l-hand,rt).	10-b
	DIE(2h)	3P-IX-PL(rt) HONOR(rc) DIE(2h) FUTURE(l-hand,rt) NOT(l-hand) DIE(1h) WORTH~NOTHING(l-hand,rt).	10-b
	FUTURE(l-hand,rt)	3P-IX-PL(rt) HONOR(rc) DIE(2h) FUTURE(l-hand,rt) NOT(l-hand) DIE(1h) WORTH~NOTHING(l-hand,rt).	10-b
	NOT(l-hand)	3P-IX-PL(rt) HONOR(rc) DIE(2h) FUTURE(l-hand,rt) NOT(l-hand) DIE(1h) WORTH~NOTHING(l-hand,rt).	10-b
	DIE(1h)	3P-IX-PL(rt) HONOR(rc) DIE(2h) FUTURE(l-hand,rt) NOT(l-hand) DIE(1h) WORTH~NOTHING(l-hand,rt).	10-b
	WORTH~NOTHING(l-hand,rt)	3P-IX-PL(rt) HONOR(rc) DIE(2h) FUTURE(l-hand,rt) NOT(l-hand) DIE(1h) WORTH~NOTHING(l-hand,rt).	10-b
	RELATED(lc-to-rc)	2P-IX-PL HERE NATION BELOW GOD FUTURE HAVE ONE NEW BORN RELATED(lc-to-rc) WITH FREE	10-c
	NOT~NEVER	FUTURE NOT~NEVER WIPE~AWAY FROM WORLD~initial-E HERE	10-g
	WIPE~AWAY	FUTURE NOT~NEVER WIPE~AWAY FROM WORLD~initial-E HERE	10-g
	WORLD~initial-E	FUTURE NOT~NEVER WIPE~AWAY FROM WORLD~initial-E HERE	10-g

Signer: Gallaudet, Edward Miner (1910) Title of film: The Lorna Doone Country of Devonshire, England Number of tags found: 395
Tag ID	Reference Gloss	Context	Paragraph-Clause
	pose:bow	pose:bow ABOUT YEAR(rep) THIRTY PAST, ONE PUBLISH BOOK ABOUT pn:ENGLAND(lt)	1-a
	YEAR(rep)	pose:bow ABOUT YEAR(rep) THIRTY PAST, ONE PUBLISH BOOK ABOUT pn:ENGLAND(lt)	1-a
	pn:ENGLAND(lt)	pose:bow ABOUT YEAR(rep) THIRTY PAST, ONE PUBLISH BOOK ABOUT pn:ENGLAND(lt)	1-a
	pn:ENGLAND(lt)	T-H-E D-O-O-N-E F-A-M-I-L-Y, CLASS NOBLE IN pn:ENGLAND(lt)	2-a
	DET-IX(lt)	BUT DET-IX(lt) CLASS(lt) ROBBER~STEAL~AGENT	2-b
	CLASS(lt)	BUT DET-IX(lt) CLASS(lt) ROBBER~STEAL~AGENT	2-b
	ROBBER~STEAL~AGENT	BUT DET-IX(lt) CLASS(lt) ROBBER~STEAL~AGENT	2-b
	cl-i:XxXx(coach-ride)	OFTEN ON WAY cl-i:XxXx(coach-ride) TAKE(dn,rep2x,2h-alt) MALE~FEMALE~PEOPLE(rf) MONEY	2-c
	TAKE(dn,rep2x,2h-alt)	OFTEN ON WAY cl-i:XxXx(coach-ride) TAKE(dn,rep2x,2h-alt) MALE~FEMALE~PEOPLE(rf) MONEY	2-c
	MALE~FEMALE~PEOPLE(rf)	OFTEN ON WAY cl-i:XxXx(coach-ride) TAKE(dn,rep2x,2h-alt) MALE~FEMALE~PEOPLE(rf) MONEY	2-c
	TAKE(dn,rep2x,2h-alt,at_rt)	SOMETIMES PLOW TAKE(dn,rep2x,2h-alt,at_rt) SHEEP COW(2h).	2-d
	COW(2h)	SOMETIMES PLOW TAKE(dn,rep2x,2h-alt,at_rt) SHEEP COW(2h).	2-d
	THAT(1h)	ONCE THAT(1h) CLASS ON WAY CATCH ONE FEMALE~FANCY pn:FRANCE WITH FEMALE~cl-d:B(small-height,l-hand) OLD(r-hand) FIVE(l-hand)	3-a
	FEMALE~FANCY	ONCE THAT(1h) CLASS ON WAY CATCH ONE FEMALE~FANCY pn:FRANCE WITH FEMALE~cl-d:B(small-height,l-hand) OLD(r-hand) FIVE(l-hand)	3-a
	pn:FRANCE	ONCE THAT(1h) CLASS ON WAY CATCH ONE FEMALE~FANCY pn:FRANCE WITH FEMALE~cl-d:B(small-height,l-hand) OLD(r-hand) FIVE(l-hand)	3-a
	FEMALE~cl-d:B(small-height,l-hand)	ONCE THAT(1h) CLASS ON WAY CATCH ONE FEMALE~FANCY pn:FRANCE WITH FEMALE~cl-d:B(small-height,l-hand) OLD(r-hand) FIVE(l-hand)	3-a
	OLD(r-hand)	ONCE THAT(1h) CLASS ON WAY CATCH ONE FEMALE~FANCY pn:FRANCE WITH FEMALE~cl-d:B(small-height,l-hand) OLD(r-hand) FIVE(l-hand)	3-a
	FIVE(l-hand)	ONCE THAT(1h) CLASS ON WAY CATCH ONE FEMALE~FANCY pn:FRANCE WITH FEMALE~cl-d:B(small-height,l-hand) OLD(r-hand) FIVE(l-hand)	3-a
	TAKE(-from-lt)	AND CLASS TAKE(-from-lt) ALL 3P-POSS-PL MONEY EARRING~BROOCH~YELLOW	3-b
	EARRING~BROOCH~YELLOW	AND CLASS TAKE(-from-lt) ALL 3P-POSS-PL MONEY EARRING~BROOCH~YELLOW	3-b
	FEMALE~cl-d:B(small-height)	AND FEMALE~cl-d:B(small-height) TAKE GO-AWAY(-to-lt_shoulder)	3-c
	GO-AWAY(-to-lt_shoulder)	AND FEMALE~cl-d:B(small-height) TAKE GO-AWAY(-to-lt_shoulder)	3-c
	FEMALE~FANCY	AND FEMALE~FANCY LEAVE-THERE(-to-rt) GOING(-to-lt) INN(lt)	3-d
	LEAVE-THERE(-to-rt)	AND FEMALE~FANCY LEAVE-THERE(-to-rt) GOING(-to-lt) INN(lt)	3-d
	GOING(-to-lt)	AND FEMALE~FANCY LEAVE-THERE(-to-rt) GOING(-to-lt) INN(lt)	3-d
	INN(lt)	AND FEMALE~FANCY LEAVE-THERE(-to-rt) GOING(-to-lt) INN(lt)	3-d
	DAY(1h)	AND STAY DAY(1h) SEVERAL	3-e
	AND(rf)	SICK AND(rf) DIE(1h).	3-f
	DIE(1h)	SICK AND(rf) DIE(1h).	3-f
	THAT(1h)	THAT(1h) FEMALE~cl-d:B(small-height,l-hand) TRUE CHANGE NAME L-O-R-N-A D-O-O-N-E	3-g
	FEMALE~cl-d:B(small-height,l-hand)	THAT(1h) FEMALE~cl-d:B(small-height,l-hand) TRUE CHANGE NAME L-O-R-N-A D-O-O-N-E	3-g
	AND(l-hand)	AND(l-hand) GROWUP(l-hand) IN CLASS(lt) THAT(1h,lt) F-A-M-I-L-Y	3-h
	GROWUP(l-hand)	AND(l-hand) GROWUP(l-hand) IN CLASS(lt) THAT(1h,lt) F-A-M-I-L-Y	3-h
	CLASS(lt)	AND(l-hand) GROWUP(l-hand) IN CLASS(lt) THAT(1h,lt) F-A-M-I-L-Y	3-h
	THAT(1h,lt)	AND(l-hand) GROWUP(l-hand) IN CLASS(lt) THAT(1h,lt) F-A-M-I-L-Y	3-h
	OTHER(l-hand)	OTHER(l-hand) SHAPE(lt) CHARACTER IN BOOK J-O-H-N R-I-D-D	4-a
	SHAPE(lt)	OTHER(l-hand) SHAPE(lt) CHARACTER IN BOOK J-O-H-N R-I-D-D	4-a
	ONE(l-hand)	ONE(l-hand) YOUNG PLOW~AGENT IN pn:ENGLAND	4-b
	PLOW~AGENT	ONE(l-hand) YOUNG PLOW~AGENT IN pn:ENGLAND	4-b
	pn:ENGLAND	ONE(l-hand) YOUNG PLOW~AGENT IN pn:ENGLAND	4-b
	3P-SELF(lt)	AND 3P-SELF(lt) DURING MALE~cl-d:B(small-height) IN SCHOOL	4-c
	MALE~cl-d:B(small-height)	AND 3P-SELF(lt) DURING MALE~cl-d:B(small-height) IN SCHOOL	4-c
	3P-POSS(lt)	3P-POSS(lt) FATHER GET cl:1(bullet-hit-body) DIE(1h,l-hand) FROM D-O-O-N-E-S CLASS(rc)	4-d
	cl:1(bullet-hit-body)	3P-POSS(lt) FATHER GET cl:1(bullet-hit-body) DIE(1h,l-hand) FROM D-O-O-N-E-S CLASS(rc)	4-d
	DIE(1h,l-hand)	3P-POSS(lt) FATHER GET cl:1(bullet-hit-body) DIE(1h,l-hand) FROM D-O-O-N-E-S CLASS(rc)	4-d
	CLASS(rc)	3P-POSS(lt) FATHER GET cl:1(bullet-hit-body) DIE(1h,l-hand) FROM D-O-O-N-E-S CLASS(rc)	4-d
	AGAINST(rt)	AND J-O-H-N HAVE A FEEL STRONG AGAINST(rt) THAT(1h,rt) CLASS(rc)	4-e
	THAT(1h,rt)	AND J-O-H-N HAVE A FEEL STRONG AGAINST(rt) THAT(1h,rt) CLASS(rc)	4-e
	CLASS(rc)	AND J-O-H-N HAVE A FEEL STRONG AGAINST(rt) THAT(1h,rt) CLASS(rc)	4-e
	DAY(1h)	ONE DAY(1h) J-O-H-N(l-hand) GOING INITIAL-W~WAY(trace-wavy-path) NAME W-A-T-E-R-S-L-I-D-E FOR FISHING	5-a
	J-O-H-N(l-hand)	ONE DAY(1h) J-O-H-N(l-hand) GOING INITIAL-W~WAY(trace-wavy-path) NAME W-A-T-E-R-S-L-I-D-E FOR FISHING	5-a
	INITIAL-W~WAY(trace-wavy-path)	ONE DAY(1h) J-O-H-N(l-hand) GOING INITIAL-W~WAY(trace-wavy-path) NAME W-A-T-E-R-S-L-I-D-E FOR FISHING	5-a
	PROGRESS(rep2x)	AND 3P-SELF GOING PROGRESS(rep2x) WAY(winding-downstream) ALL-DAY	5-b
	WAY(winding-downstream)	AND 3P-SELF GOING PROGRESS(rep2x) WAY(winding-downstream) ALL-DAY	5-b
	ARRIVE(ctr)	LAST ARRIVE(ctr) ONE BIG LAND~HERE(ctr) VERY BEAUTIFUL	5-c
	LAND~HERE(ctr)	LAST ARRIVE(ctr) ONE BIG LAND~HERE(ctr) VERY BEAUTIFUL	5-c
	FIND(l-hand)	FIND(l-hand) FEMALE~YOUNG gs:sit(lt) THERE(lt).	5-d
	FEMALE~YOUNG	FIND(l-hand) FEMALE~YOUNG gs:sit(lt) THERE(lt).	5-d
	gs:sit(lt)	FIND(l-hand) FEMALE~YOUNG gs:sit(lt) THERE(lt).	5-d
	THERE(lt)	FIND(l-hand) FEMALE~YOUNG gs:sit(lt) THERE(lt).	5-d
	SAY~TALK(lc)	J-O-H-N BEGIN SAY~TALK(lc) WITH THAT(1h, lc) FEMALE~YOUNG.	5-e
	THAT(1h,lc)	J-O-H-N BEGIN SAY~TALK(lc) WITH THAT(1h, lc) FEMALE~YOUNG.	5-e
	FEMALE~YOUNG	J-O-H-N BEGIN SAY~TALK(lc) WITH THAT(1h, lc) FEMALE~YOUNG.	5-e
	THAT(1h,lt)	THAT(1h, lt) FEMALE~YOUNG L-O-R-N-A D-O-O-N-E	5-f
	FEMALE~YOUNG	THAT(1h, lt) FEMALE~YOUNG L-O-R-N-A D-O-O-N-E	5-f
	J-O-H-N(l-hand)	J-O-H-N(l-hand) OLD(l-hand) EIGHTEEN(l-hand), L-O-R-N-A OLD FIFTEEN(r-hand)	5-g
	OLD(l-hand)	J-O-H-N(l-hand) OLD(l-hand) EIGHTEEN(l-hand), L-O-R-N-A OLD FIFTEEN(r-hand)	5-g
	EIGHTEEN(l-hand)	J-O-H-N(l-hand) OLD(l-hand) EIGHTEEN(l-hand), L-O-R-N-A OLD FIFTEEN(r-hand)	5-g
	FIFTEEN(r-hand)	J-O-H-N(l-hand) OLD(l-hand) EIGHTEEN(l-hand), L-O-R-N-A OLD FIFTEEN(r-hand)	5-g
	3P-POSS(lt)	VERY EASY PROGRESS IN 3P-POSS(lt) FRIEND	5-h
	SEEM(2h)	SEEM(2h) HAPPEN LOVE~FALL(rep,dual,lt-and-ctr) 3P-IX-DUAL(lt-to-ctr) FIRST SEE	5-i
	LOVE~FALL(rep,dual,lt-and-ctr)	SEEM(2h) HAPPEN LOVE~FALL(rep,dual,lt-and-ctr) 3P-IX-DUAL(lt-to-ctr) FIRST SEE	5-i
	3P-IX-DUAL(lt-to-ctr)	SEEM(2h) HAPPEN LOVE~FALL(rep,dual,lt-and-ctr) 3P-IX-DUAL(lt-to-ctr) FIRST SEE	5-i
	PURPOSE(nm:neg)	1P-IX PURPOSE(nm:neg) EXPLAIN	6-a
	3P-POSS(rt)	ABOUT 3P-POSS(rt) LOVE SWEETHEART CONTINUE, NEGATIVE	6-b
	OTHER(rep2x,l-hand)	1P-IX PURPOSE OTHER(rep2x,l-hand) BUT RELATED(lt-to-ctr) WITH THAT(2h,rc)	6-c
	RELATED(lt-to-ctr)	1P-IX PURPOSE OTHER(rep2x,l-hand) BUT RELATED(lt-to-ctr) WITH THAT(2h,rc)	6-c
	THAT(2h,rc)	1P-IX PURPOSE OTHER(rep2x,l-hand) BUT RELATED(lt-to-ctr) WITH THAT(2h,rc)	6-c
	THAT(1h)	THAT(1h) HAPPEN(rep2x,lt-to-rt) IN BOOK L-O-R-N-A D-O-O-N-E GIVE-GIFT(-to-lt) NAME(lt) TO LAND~ALL-OVER IN S-O-M-E-R-S-E-T(l-hand) AND D-E-V-O-N-O-N-T-I-O-S(r-hand)	6-d
	HAPPEN(rep2x,lt-to-rt)	THAT(1h) HAPPEN(rep2x,lt-to-rt) IN BOOK L-O-R-N-A D-O-O-N-E GIVE-GIFT(-to-lt) NAME(lt) TO LAND~ALL-OVER IN S-O-M-E-R-S-E-T(l-hand) AND D-E-V-O-N-O-N-T-I-O-S(r-hand)	6-d
	GIVE-GIFT(-to-lt)	THAT(1h) HAPPEN(rep2x,lt-to-rt) IN BOOK L-O-R-N-A D-O-O-N-E GIVE-GIFT(-to-lt) NAME(lt) TO LAND~ALL-OVER IN S-O-M-E-R-S-E-T(l-hand) AND D-E-V-O-N-O-N-T-I-O-S(r-hand)	6-d
	NAME(lt)	THAT(1h) HAPPEN(rep2x,lt-to-rt) IN BOOK L-O-R-N-A D-O-O-N-E GIVE-GIFT(-to-lt) NAME(lt) TO LAND~ALL-OVER IN S-O-M-E-R-S-E-T(l-hand) AND D-E-V-O-N-O-N-T-I-O-S(r-hand)	6-d
	LAND~ALL-OVER	THAT(1h) HAPPEN(rep2x,lt-to-rt) IN BOOK L-O-R-N-A D-O-O-N-E GIVE-GIFT(-to-lt) NAME(lt) TO LAND~ALL-OVER IN S-O-M-E-R-S-E-T(l-hand) AND D-E-V-O-N-O-N-T-I-O-S(r-hand)	6-d
	S-O-M-E-R-S-E-T(l-hand)	THAT(1h) HAPPEN(rep2x,lt-to-rt) IN BOOK L-O-R-N-A D-O-O-N-E GIVE-GIFT(-to-lt) NAME(lt) TO LAND~ALL-OVER IN S-O-M-E-R-S-E-T(l-hand) AND D-E-V-O-N-O-N-T-I-O-S(r-hand)	6-d
	D-E-V-O-N-O-N-T-I-O-S(r-hand)	THAT(1h) HAPPEN(rep2x,lt-to-rt) IN BOOK L-O-R-N-A D-O-O-N-E GIVE-GIFT(-to-lt) NAME(lt) TO LAND~ALL-OVER IN S-O-M-E-R-S-E-T(l-hand) AND D-E-V-O-N-O-N-T-I-O-S(r-hand)	6-d
	AND(l-hand)	AND(l-hand) THAT(1h,l-hand) 1P-IX PURPOSE STORY NOW	6-f
	THAT(1h,l-hand)	AND(l-hand) THAT(1h,l-hand) 1P-IX PURPOSE STORY NOW	6-f
	THAT(rep,2h)	THAT(rep,2h) TO THAT(1h) LAND CONTINUE(1h) UP-TILL-NOW THIRTY YEAR MANY(rep,lt) MALE(rf)~FEMALE(rf)~PEOPLE(rf) cl-p:55(mass-approach,lt-to-ctr)	7-a
	THAT(1h)	THAT(rep,2h) TO THAT(1h) LAND CONTINUE(1h) UP-TILL-NOW THIRTY YEAR MANY(rep,lt) MALE(rf)~FEMALE(rf)~PEOPLE(rf) cl-p:55(mass-approach,lt-to-ctr)	7-a
	CONTINUE(1h)	THAT(rep,2h) TO THAT(1h) LAND CONTINUE(1h) UP-TILL-NOW THIRTY YEAR MANY(rep,lt) MALE(rf)~FEMALE(rf)~PEOPLE(rf) cl-p:55(mass-approach,lt-to-ctr)	7-a
	MANY(rep,lt)	THAT(rep,2h) TO THAT(1h) LAND CONTINUE(1h) UP-TILL-NOW THIRTY YEAR MANY(rep,lt) MALE(rf)~FEMALE(rf)~PEOPLE(rf) cl-p:55(mass-approach,lt-to-ctr)	7-a
	MALE(rf)~FEMALE(rf)~PEOPLE(rf)	THAT(rep,2h) TO THAT(1h) LAND CONTINUE(1h) UP-TILL-NOW THIRTY YEAR MANY(rep,lt) MALE(rf)~FEMALE(rf)~PEOPLE(rf) cl-p:55(mass-approach,lt-to-ctr)	7-a
	cl-p:55(mass-approach,lt-to-ctr)	THAT(rep,2h) TO THAT(1h) LAND CONTINUE(1h) UP-TILL-NOW THIRTY YEAR MANY(rep,lt) MALE(rf)~FEMALE(rf)~PEOPLE(rf) cl-p:55(mass-approach,lt-to-ctr)	7-a
	LOOK-AT(1h-to-rt)	LOOK-AT(1h-to-rt) PLACE(rep,rt-to-lt) HAPPEN(rep,ctr-to-lt) LIKE IN THAT(1h,lt) STORY	7-b
	PLACE(rep,rt-to-lt)	LOOK-AT(1h-to-rt) PLACE(rep,rt-to-lt) HAPPEN(rep,ctr-to-lt) LIKE IN THAT(1h,lt) STORY	7-b
	HAPPEN(rep,ctr-to-lt)	LOOK-AT(1h-to-rt) PLACE(rep,rt-to-lt) HAPPEN(rep,ctr-to-lt) LIKE IN THAT(1h,lt) STORY	7-b
	THAT(1h,lt)	LOOK-AT(1h-to-rt) PLACE(rep,rt-to-lt) HAPPEN(rep,ctr-to-lt) LIKE IN THAT(1h,lt) STORY	7-b
	THINK~SUPERIOR	AND MORE THINK~SUPERIOR ALL-OVER VERY BEAUTIFUL C-O-U-N-T-R-Y	7-c
	MONTH(1-2-3)	PAST SUMMER MONTH(1-2-3) THREE 1P-IX WITH 1P-POSS FEMALE~BORN K-A-T-H-A-R-I-N-E AND(l-hand) TWO(l-hand) pn:ENGLAND(lt) FRIEND D-R AND M-R-S R-A-Y-N-E-R.	8-a
	FEMALE~BORN	PAST SUMMER MONTH(1-2-3) THREE 1P-IX WITH 1P-POSS FEMALE~BORN K-A-T-H-A-R-I-N-E AND(l-hand) TWO(l-hand) pn:ENGLAND(lt) FRIEND D-R AND M-R-S R-A-Y-N-E-R.	8-a
	AND(l-hand)	PAST SUMMER MONTH(1-2-3) THREE 1P-IX WITH 1P-POSS FEMALE~BORN K-A-T-H-A-R-I-N-E AND(l-hand) TWO(l-hand) pn:ENGLAND(lt) FRIEND D-R AND M-R-S R-A-Y-N-E-R.	8-a
	TWO(l-hand)	PAST SUMMER MONTH(1-2-3) THREE 1P-IX WITH 1P-POSS FEMALE~BORN K-A-T-H-A-R-I-N-E AND(l-hand) TWO(l-hand) pn:ENGLAND(lt) FRIEND D-R AND M-R-S R-A-Y-N-E-R.	8-a
	pn:ENGLAND(lt)	PAST SUMMER MONTH(1-2-3) THREE 1P-IX WITH 1P-POSS FEMALE~BORN K-A-T-H-A-R-I-N-E AND(l-hand) TWO(l-hand) pn:ENGLAND(lt) FRIEND D-R AND M-R-S R-A-Y-N-E-R.	8-a
	3P-IX-DUAL(l-hand,lt)	3P-IX-DUAL(l-hand,lt) AGO SEE~VISIT(-to-lt) COLLEGE IN pn:WASHINGTON-DC	8-b
	SEE~VISIT(-to-lt)	3P-IX-DUAL(l-hand,lt) AGO SEE~VISIT(-to-lt) COLLEGE IN pn:WASHINGTON-DC	8-b
	pn:WASHINGTON-DC	3P-IX-DUAL(l-hand,lt) AGO SEE~VISIT(-to-lt) COLLEGE IN pn:WASHINGTON-DC	8-b
	AND(l-hand)	AND(l-hand) M-R-S R-A-Y-N-E-R PASS-DOWN(-from-shoulder) FROM O-L-I-V-E-R C-R-O-M-W-E-L-L	8-c
	PASS-DOWN(-from-shoulder)	AND(l-hand) M-R-S R-A-Y-N-E-R PASS-DOWN(-from-shoulder) FROM O-L-I-V-E-R C-R-O-M-W-E-L-L	8-c
	DET-IX-PL(2h-lc)	DET-IX-PL(2h-lc) cl-p:CC(group-get-together) IN CITY(lc) L-Y-N-T-O-N DURING WEEK(rep) SEVERAL(l-hand)	8-d
	cl-p:CC(group-get-together)	DET-IX-PL(2h-lc) cl-p:CC(group-get-together) IN CITY(lc) L-Y-N-T-O-N DURING WEEK(rep) SEVERAL(l-hand)	8-d
	CITY(lc)	DET-IX-PL(2h-lc) cl-p:CC(group-get-together) IN CITY(lc) L-Y-N-T-O-N DURING WEEK(rep) SEVERAL(l-hand)	8-d
	WEEK(rep)	DET-IX-PL(2h-lc) cl-p:CC(group-get-together) IN CITY(lc) L-Y-N-T-O-N DURING WEEK(rep) SEVERAL(l-hand)	8-d
	SEVERAL(l-hand)	DET-IX-PL(2h-lc) cl-p:CC(group-get-together) IN CITY(lc) L-Y-N-T-O-N DURING WEEK(rep) SEVERAL(l-hand)	8-d
	L-Y-N-T-O-N(l-hand)	L-Y-N-T-O-N(l-hand) NEAR(lt) THAT(1h) T-H-E L-O-R-N-A D-O-O-N-E C-O-U-N-T-R-Y ALL-OVER	9-a
	NEAR(lt)	L-Y-N-T-O-N(l-hand) NEAR(lt) THAT(1h) T-H-E L-O-R-N-A D-O-O-N-E C-O-U-N-T-R-Y ALL-OVER	9-a
	THAT(1h)	L-Y-N-T-O-N(l-hand) NEAR(lt) THAT(1h) T-H-E L-O-R-N-A D-O-O-N-E C-O-U-N-T-R-Y ALL-OVER	9-a
	NEAR(lt)	NEAR(lt) INITIAL-W~LIQUID-CLASS~cl-d:55(ocean,-to-lt) B-R-I-S-T-O-L C-H-A-N-N-E-L(l-hand),	9-b
	INITIAL-W~LIQUID-CLASS~cl-d:55(ocean,-to-lt)	NEAR(lt) INITIAL-W~LIQUID-CLASS~cl-d:55(ocean,-to-lt) B-R-I-S-T-O-L C-H-A-N-N-E-L(l-hand),	9-b
	C-H-A-N-N-E-L(l-hand)	NEAR(lt) INITIAL-W~LIQUID-CLASS~cl-d:55(ocean,-to-lt) B-R-I-S-T-O-L C-H-A-N-N-E-L(l-hand),	9-b
	cl-d:55(rough-uphill-for-cliff,rt)	AND ROCK cl-d:55(rough-uphill-for-cliff,rt) VERY BEAUTIFUL U-N-I-Q-U-E	9-c
	1P-SELF(rep2x,neg)	1P-SELF(rep2x,neg) SEE EQUAL THAT(2h_parallel) OTHER(rep2x) PLACE(rt) ALWAYS~NEGATIVE	9-d
	THAT(2h_parallel)	1P-SELF(rep2x,neg) SEE EQUAL THAT(2h_parallel) OTHER(rep2x) PLACE(rt) ALWAYS~NEGATIVE	9-d
	OTHER(rep2x)	1P-SELF(rep2x,neg) SEE EQUAL THAT(2h_parallel) OTHER(rep2x) PLACE(rt) ALWAYS~NEGATIVE	9-d
	PLACE(rt)	1P-SELF(rep2x,neg) SEE EQUAL THAT(2h_parallel) OTHER(rep2x) PLACE(rt) ALWAYS~NEGATIVE	9-d
	ALWAYS~NEGATIVE	1P-SELF(rep2x,neg) SEE EQUAL THAT(2h_parallel) OTHER(rep2x) PLACE(rt) ALWAYS~NEGATIVE	9-d
	NEAR(-to-X)	NEAR(-to-X) L-Y-N-T-O-N ONE(l-hand) SEE(l-hand,-to-lt) BEAUTIFUL(l-hand) WALK(-to-rt) WAY(-to-rt) NAME T-H-E C-L-I-F-F W-A-L-K	10-a
	ONE(l-hand)	NEAR(-to-X) L-Y-N-T-O-N ONE(l-hand) SEE(l-hand,-to-lt) BEAUTIFUL(l-hand) WALK(-to-rt) WAY(-to-rt) NAME T-H-E C-L-I-F-F W-A-L-K	10-a
	SEE(l-hand,-to-lt)	NEAR(-to-X) L-Y-N-T-O-N ONE(l-hand) SEE(l-hand,-to-lt) BEAUTIFUL(l-hand) WALK(-to-rt) WAY(-to-rt) NAME T-H-E C-L-I-F-F W-A-L-K	10-a
	BEAUTIFUL(l-hand)	NEAR(-to-X) L-Y-N-T-O-N ONE(l-hand) SEE(l-hand,-to-lt) BEAUTIFUL(l-hand) WALK(-to-rt) WAY(-to-rt) NAME T-H-E C-L-I-F-F W-A-L-K	10-a
	WALK(-to-rt)	NEAR(-to-X) L-Y-N-T-O-N ONE(l-hand) SEE(l-hand,-to-lt) BEAUTIFUL(l-hand) WALK(-to-rt) WAY(-to-rt) NAME T-H-E C-L-I-F-F W-A-L-K	10-a
	WAY(-to-rt)	NEAR(-to-X) L-Y-N-T-O-N ONE(l-hand) SEE(l-hand,-to-lt) BEAUTIFUL(l-hand) WALK(-to-rt) WAY(-to-rt) NAME T-H-E C-L-I-F-F W-A-L-K	10-a
	cl-trace:1(walkway,-to-rt)	cl-trace:1(walkway,-to-rt) MILE(rep,rt) TWO AND THAT(rep,1h) WAY(all along,-to-rt) LOOK-AT(dn-the-cliff,rt) INITIAL-W~LIQUID-CLASS~cl-d:55(ocean) THREE~HUNDRED MEASURE-FEET(dn,lt)	10-b
	MILE(rep,rt)	cl-trace:1(walkway,-to-rt) MILE(rep,rt) TWO AND THAT(rep,1h) WAY(all along,-to-rt) LOOK-AT(dn-the-cliff,rt) INITIAL-W~LIQUID-CLASS~cl-d:55(ocean) THREE~HUNDRED MEASURE-FEET(dn,lt)	10-b
	THAT(rep,1h)	cl-trace:1(walkway,-to-rt) MILE(rep,rt) TWO AND THAT(rep,1h) WAY(all along,-to-rt) LOOK-AT(dn-the-cliff,rt) INITIAL-W~LIQUID-CLASS~cl-d:55(ocean) THREE~HUNDRED MEASURE-FEET(dn,lt)	10-b
	WAY(all along,-to-rt)	cl-trace:1(walkway,-to-rt) MILE(rep,rt) TWO AND THAT(rep,1h) WAY(all along,-to-rt) LOOK-AT(dn-the-cliff,rt) INITIAL-W~LIQUID-CLASS~cl-d:55(ocean) THREE~HUNDRED MEASURE-FEET(dn,lt)	10-b
	LOOK-AT(dn-the-cliff,rt)	cl-trace:1(walkway,-to-rt) MILE(rep,rt) TWO AND THAT(rep,1h) WAY(all along,-to-rt) LOOK-AT(dn-the-cliff,rt) INITIAL-W~LIQUID-CLASS~cl-d:55(ocean) THREE~HUNDRED MEASURE-FEET(dn,lt)	10-b
	INITIAL-W~LIQUID-CLASS~cl-d:55(ocean)	cl-trace:1(walkway,-to-rt) MILE(rep,rt) TWO AND THAT(rep,1h) WAY(all along,-to-rt) LOOK-AT(dn-the-cliff,rt) INITIAL-W~LIQUID-CLASS~cl-d:55(ocean) THREE~HUNDRED MEASURE-FEET(dn,lt)	10-b
	THREE~HUNDRED	cl-trace:1(walkway,-to-rt) MILE(rep,rt) TWO AND THAT(rep,1h) WAY(all along,-to-rt) LOOK-AT(dn-the-cliff,rt) INITIAL-W~LIQUID-CLASS~cl-d:55(ocean) THREE~HUNDRED MEASURE-FEET(dn,lt)	10-b
	MEASURE-FEET(dn,lt)	cl-trace:1(walkway,-to-rt) MILE(rep,rt) TWO AND THAT(rep,1h) WAY(all along,-to-rt) LOOK-AT(dn-the-cliff,rt) INITIAL-W~LIQUID-CLASS~cl-d:55(ocean) THREE~HUNDRED MEASURE-FEET(dn,lt)	10-b
	cl-trace:1(up-cliff)	AND cl-trace:1(up-cliff) ROCK(rep2x) THREE~HUNDRED MEASURE-FEET(up)	10-c
	ROCK(rep2x)	AND cl-trace:1(up-cliff) ROCK(rep2x) THREE~HUNDRED MEASURE-FEET(up)	10-c
	THREE~HUNDRED	AND cl-trace:1(up-cliff) ROCK(rep2x) THREE~HUNDRED MEASURE-FEET(up)	10-c
	MEASURE-FEET(up)	AND cl-trace:1(up-cliff) ROCK(rep2x) THREE~HUNDRED MEASURE-FEET(up)	10-c
	cl-trace:1(walkway,-to-rt)	WALK cl-trace:1(walkway,-to-rt) NEAR(-to-X) MIND~SPIN SOME(rep2x)	10-d
	NEAR(-to-X)	WALK cl-trace:1(walkway,-to-rt) NEAR(-to-X) MIND~SPIN SOME(rep2x)	10-d
	MIND~SPIN	WALK cl-trace:1(walkway,-to-rt) NEAR(-to-X) MIND~SPIN SOME(rep2x)	10-d
	SOME(rep2x)	WALK cl-trace:1(walkway,-to-rt) NEAR(-to-X) MIND~SPIN SOME(rep2x)	10-d
	THINK~SUPERIOR	THINK~SUPERIOR FEEL(2h) FEAR FALL(2h,rt) IN LIQUID-CLASS~cl-d:55(ocean,-to-rt) cl-d-trace:B(path-dn,-to-rt)	10-e
	FEEL(2h)	THINK~SUPERIOR FEEL(2h) FEAR FALL(2h,rt) IN LIQUID-CLASS~cl-d:55(ocean,-to-rt) cl-d-trace:B(path-dn,-to-rt)	10-e
	FALL(2h,rt)	THINK~SUPERIOR FEEL(2h) FEAR FALL(2h,rt) IN LIQUID-CLASS~cl-d:55(ocean,-to-rt) cl-d-trace:B(path-dn,-to-rt)	10-e
	LIQUID-CLASS~cl-d:55(ocean,-to-rt)	THINK~SUPERIOR FEEL(2h) FEAR FALL(2h,rt) IN LIQUID-CLASS~cl-d:55(ocean,-to-rt) cl-d-trace:B(path-dn,-to-rt)	10-e
	cl-d-trace:B(path-dn,-to-rt)	THINK~SUPERIOR FEEL(2h) FEAR FALL(2h,rt) IN LIQUID-CLASS~cl-d:55(ocean,-to-rt) cl-d-trace:B(path-dn,-to-rt)	10-e
	THAT(rep,1h)	THAT(rep,1h) VERY U-N-U-S-U-A-L RELATED O-F LIQUID-CLASS~cl-d:55(ocean,-to-rt) AND ROCK~cl-d:BB(up-and-fwd-to-lt)	10-f
	LIQUID-CLASS~cl-d:55(ocean,-to-rt)	THAT(rep,1h) VERY U-N-U-S-U-A-L RELATED O-F LIQUID-CLASS~cl-d:55(ocean,-to-rt) AND ROCK~cl-d:BB(up-and-fwd-to-lt)	10-f
	ROCK~cl-d:BB(up-and-fwd-to-lt)	THAT(rep,1h) VERY U-N-U-S-U-A-L RELATED O-F LIQUID-CLASS~cl-d:55(ocean,-to-rt) AND ROCK~cl-d:BB(up-and-fwd-to-lt)	10-f
	THAT(1h)	THAT(1h) WAY(-to-rt) LEAD(-to-rt) TO C-A-S-T-L-E-R-O-C-K, ONE BEAUTIFUL ROCK(rep)~cl-d-trace:BB(up,-to-rt) ABOUT MEASURE-FEET(up) ONE~THOUSAND	11-a
	WAY(-to-rt)	THAT(1h) WAY(-to-rt) LEAD(-to-rt) TO C-A-S-T-L-E-R-O-C-K, ONE BEAUTIFUL ROCK(rep)~cl-d-trace:BB(up,-to-rt) ABOUT MEASURE-FEET(up) ONE~THOUSAND	11-a
	LEAD(-to-rt)	THAT(1h) WAY(-to-rt) LEAD(-to-rt) TO C-A-S-T-L-E-R-O-C-K, ONE BEAUTIFUL ROCK(rep)~cl-d-trace:BB(up,-to-rt) ABOUT MEASURE-FEET(up) ONE~THOUSAND	11-a
	ROCK(rep)~cl-d-trace:BB(up,-to-rt)	THAT(1h) WAY(-to-rt) LEAD(-to-rt) TO C-A-S-T-L-E-R-O-C-K, ONE BEAUTIFUL ROCK(rep)~cl-d-trace:BB(up,-to-rt) ABOUT MEASURE-FEET(up) ONE~THOUSAND	11-a
	MEASURE-FEET(up)	THAT(1h) WAY(-to-rt) LEAD(-to-rt) TO C-A-S-T-L-E-R-O-C-K, ONE BEAUTIFUL ROCK(rep)~cl-d-trace:BB(up,-to-rt) ABOUT MEASURE-FEET(up) ONE~THOUSAND	11-a
	ONE~THOUSAND	THAT(1h) WAY(-to-rt) LEAD(-to-rt) TO C-A-S-T-L-E-R-O-C-K, ONE BEAUTIFUL ROCK(rep)~cl-d-trace:BB(up,-to-rt) ABOUT MEASURE-FEET(up) ONE~THOUSAND	11-a
	FROM-THEN-ON(rt)	AND FROM-THEN-ON(rt) THAT(rep,2h) ONE LIKE STRANGE(rep,rt) C-A-V-E cl-d-trace:BB(curved-opening,rt) ENTER(rt)	11-b
	THAT(rep,2h)	AND FROM-THEN-ON(rt) THAT(rep,2h) ONE LIKE STRANGE(rep,rt) C-A-V-E cl-d-trace:BB(curved-opening,rt) ENTER(rt)	11-b
	STRANGE(rep,rt)	AND FROM-THEN-ON(rt) THAT(rep,2h) ONE LIKE STRANGE(rep,rt) C-A-V-E cl-d-trace:BB(curved-opening,rt) ENTER(rt)	11-b
	cl-d-trace:BB(curved-opening,rt)	AND FROM-THEN-ON(rt) THAT(rep,2h) ONE LIKE STRANGE(rep,rt) C-A-V-E cl-d-trace:BB(curved-opening,rt) ENTER(rt)	11-b
	ENTER(rt)	AND FROM-THEN-ON(rt) THAT(rep,2h) ONE LIKE STRANGE(rep,rt) C-A-V-E cl-d-trace:BB(curved-opening,rt) ENTER(rt)	11-b
	THAT(2h,rc)	IN THAT(2h,rc) AGO DURING TIME-PERIOD L-O-R-N-A D-O-O-N-E, ONE(l-hand) FEMALE(l-hand)~OLD(2h) LIVE	11-c
	ONE(l-hand)	IN THAT(2h,rc) AGO DURING TIME-PERIOD L-O-R-N-A D-O-O-N-E, ONE(l-hand) FEMALE(l-hand)~OLD(2h) LIVE	11-c
	FEMALE(l-hand)~OLD(2h)	IN THAT(2h,rc) AGO DURING TIME-PERIOD L-O-R-N-A D-O-O-N-E, ONE(l-hand) FEMALE(l-hand)~OLD(2h) LIVE	11-c
	M-E-L-D-R-U-M(Melldrum)	NAMED A W-I-T-C-H, M-O-T-H-E-R M-E-L-D-R-U-M(Melldrum)	11-d
	AND(l-hand)	AND(l-hand) TO THAT(2h) FEMALE ONCE J-O-H-N R-I-D-D(l-hand) HAPPEN 3P-POSS(lt) SWEETHEART WITH L-O-R-N-A PROGRESS SOME DILEMMA(rep2x,arc,rt-to-lt) 3P-SELF(lt) GO-TO(-to-rt)	11-e
	THAT(2h)	AND(l-hand) TO THAT(2h) FEMALE ONCE J-O-H-N R-I-D-D(l-hand) HAPPEN 3P-POSS(lt) SWEETHEART WITH L-O-R-N-A PROGRESS SOME DILEMMA(rep2x,arc,rt-to-lt) 3P-SELF(lt) GO-TO(-to-rt)	11-e
	R-I-D-D(l-hand)	AND(l-hand) TO THAT(2h) FEMALE ONCE J-O-H-N R-I-D-D(l-hand) HAPPEN 3P-POSS(lt) SWEETHEART WITH L-O-R-N-A PROGRESS SOME DILEMMA(rep2x,arc,rt-to-lt) 3P-SELF(lt) GO-TO(-to-rt)	11-e
	3P-POSS(lt)	AND(l-hand) TO THAT(2h) FEMALE ONCE J-O-H-N R-I-D-D(l-hand) HAPPEN 3P-POSS(lt) SWEETHEART WITH L-O-R-N-A PROGRESS SOME DILEMMA(rep2x,arc,rt-to-lt) 3P-SELF(lt) GO-TO(-to-rt)	11-e
	DILEMMA(rep2x,arc,rt-to-lt)	AND(l-hand) TO THAT(2h) FEMALE ONCE J-O-H-N R-I-D-D(l-hand) HAPPEN 3P-POSS(lt) SWEETHEART WITH L-O-R-N-A PROGRESS SOME DILEMMA(rep2x,arc,rt-to-lt) 3P-SELF(lt) GO-TO(-to-rt)	11-e
	3P-SELF(lt)	AND(l-hand) TO THAT(2h) FEMALE ONCE J-O-H-N R-I-D-D(l-hand) HAPPEN 3P-POSS(lt) SWEETHEART WITH L-O-R-N-A PROGRESS SOME DILEMMA(rep2x,arc,rt-to-lt) 3P-SELF(lt) GO-TO(-to-rt)	11-e
	GO-TO(-to-rt)	AND(l-hand) TO THAT(2h) FEMALE ONCE J-O-H-N R-I-D-D(l-hand) HAPPEN 3P-POSS(lt) SWEETHEART WITH L-O-R-N-A PROGRESS SOME DILEMMA(rep2x,arc,rt-to-lt) 3P-SELF(lt) GO-TO(-to-rt)	11-e
	SEE~ASK-QUESTION(rep,-to-rt)	SEE~ASK-QUESTION(rep,-to-rt) THAT(1h,rt) FEMALE~OLD(2h) FOR HELP.	11-f
	THAT(1h,rt)	SEE~ASK-QUESTION(rep,-to-rt) THAT(1h,rt) FEMALE~OLD(2h) FOR HELP.	11-f
	FEMALE~OLD(2h)	SEE~ASK-QUESTION(rep,-to-rt) THAT(1h,rt) FEMALE~OLD(2h) FOR HELP.	11-f
	THAT(1h,rt)	AND THAT(1h,rt) FEMALE~OLD(nod,2h,rt) HELP(rep) J-O-H-N CAUSE(-to-lt) FEEL(2h) HEART STRONG FOR SWEETHEART L-O-R-N-A CONTINUE(1h,l-hand)	11-g
	FEMALE~OLD(nod,2h,rt)	AND THAT(1h,rt) FEMALE~OLD(nod,2h,rt) HELP(rep) J-O-H-N CAUSE(-to-lt) FEEL(2h) HEART STRONG FOR SWEETHEART L-O-R-N-A CONTINUE(1h,l-hand)	11-g
	HELP(rep)	AND THAT(1h,rt) FEMALE~OLD(nod,2h,rt) HELP(rep) J-O-H-N CAUSE(-to-lt) FEEL(2h) HEART STRONG FOR SWEETHEART L-O-R-N-A CONTINUE(1h,l-hand)	11-g
	CAUSE(-to-lt)	AND THAT(1h,rt) FEMALE~OLD(nod,2h,rt) HELP(rep) J-O-H-N CAUSE(-to-lt) FEEL(2h) HEART STRONG FOR SWEETHEART L-O-R-N-A CONTINUE(1h,l-hand)	11-g
	FEEL(2h)	AND THAT(1h,rt) FEMALE~OLD(nod,2h,rt) HELP(rep) J-O-H-N CAUSE(-to-lt) FEEL(2h) HEART STRONG FOR SWEETHEART L-O-R-N-A CONTINUE(1h,l-hand)	11-g
	CONTINUE(1h,l-hand)	AND THAT(1h,rt) FEMALE~OLD(nod,2h,rt) HELP(rep) J-O-H-N CAUSE(-to-lt) FEEL(2h) HEART STRONG FOR SWEETHEART L-O-R-N-A CONTINUE(1h,l-hand)	11-g
	RELATED(-to-lt)	NOW RELATED(-to-lt) THAT(rep2x,1h) NEAR(-to-X) LAND~ALL-OVER VERY BEAUTIFUL	12-a
	THAT(rep2x,1h)	NOW RELATED(-to-lt) THAT(rep2x,1h) NEAR(-to-X) LAND~ALL-OVER VERY BEAUTIFUL	12-a
	NEAR(-to-X)	NOW RELATED(-to-lt) THAT(rep2x,1h) NEAR(-to-X) LAND~ALL-OVER VERY BEAUTIFUL	12-a
	LAND~ALL-OVER	NOW RELATED(-to-lt) THAT(rep2x,1h) NEAR(-to-X) LAND~ALL-OVER VERY BEAUTIFUL	12-a
	ONCE~TWICE	ONCE~TWICE cl-d:55(wavy-movement-fwd,rolling-meadows,rt-to-lt) C-O-L-O-R-S ON LAND	12-b
	cl-d:55(wavy-movement-fwd,rolling-meadows,rt-to-lt)	ONCE~TWICE cl-d:55(wavy-movement-fwd,rolling-meadows,rt-to-lt) C-O-L-O-R-S ON LAND	12-b
	GROW(rep,rt)	BUT SOME NEGATIVE GROW(rep,rt) W-I-L-D	12-d
	AND(l-hand)	AND(l-hand) LOOK-AT(1h-to-rt) DURING MONTH S-E-P-T NAMED H-E-A-T-H-E-R	12-e
	LOOK-AT(1h-to-rt)	AND(l-hand) LOOK-AT(1h-to-rt) DURING MONTH S-E-P-T NAMED H-E-A-T-H-E-R	12-e
	RED(rep4x)	VERY BEAUTIFUL RED(rep4x) ALL-OVER.	12-f
	NEAR(rep)	NEAR(rep) THAT(1h) H-E-A-T-H-E-R, LAND PLACE(-to-rt) WITH G-O-R-S-E YELLOW BEAUTIFUL VERY ALL-OVER(2h,l-hand_static,rc)	12-g
	THAT(1h)	NEAR(rep) THAT(1h) H-E-A-T-H-E-R, LAND PLACE(-to-rt) WITH G-O-R-S-E YELLOW BEAUTIFUL VERY ALL-OVER(2h,l-hand_static,rc)	12-g
	PLACE(-to-rt)	NEAR(rep) THAT(1h) H-E-A-T-H-E-R, LAND PLACE(-to-rt) WITH G-O-R-S-E YELLOW BEAUTIFUL VERY ALL-OVER(2h,l-hand_static,rc)	12-g
	ALL-OVER(2h,l-hand_static,rc)	NEAR(rep) THAT(1h) H-E-A-T-H-E-R, LAND PLACE(-to-rt) WITH G-O-R-S-E YELLOW BEAUTIFUL VERY ALL-OVER(2h,l-hand_static,rc)	12-g
	AND(l-hand)	AND(l-hand) FROM-THEN-ON(-to-rt) B-R-A-K-E-N RED(l-hand) BLACK(l-hand) COLOR GROW(rep3x,small_arc_at_rt)	12-h
	FROM-THEN-ON(-to-rt)	AND(l-hand) FROM-THEN-ON(-to-rt) B-R-A-K-E-N RED(l-hand) BLACK(l-hand) COLOR GROW(rep3x,small_arc_at_rt)	12-h
	RED(l-hand)	AND(l-hand) FROM-THEN-ON(-to-rt) B-R-A-K-E-N RED(l-hand) BLACK(l-hand) COLOR GROW(rep3x,small_arc_at_rt)	12-h
	BLACK(l-hand)	AND(l-hand) FROM-THEN-ON(-to-rt) B-R-A-K-E-N RED(l-hand) BLACK(l-hand) COLOR GROW(rep3x,small_arc_at_rt)	12-h
	GROW(rep3x,small_arc_at_rt)	AND(l-hand) FROM-THEN-ON(-to-rt) B-R-A-K-E-N RED(l-hand) BLACK(l-hand) COLOR GROW(rep3x,small_arc_at_rt)	12-h
	LOOK-AT(1h+arc-to-rt)	AND DURING INDEFINITE LOOK-AT(1h+arc-to-rt) SEEM(2h) SAME ONE BEAUTIFUL ARTIST(rep5x,lt) cl-d-trace:11(picture-frame,lt) IN C-O-L-O-R	12-i
	SEEM(2h)	AND DURING INDEFINITE LOOK-AT(1h+arc-to-rt) SEEM(2h) SAME ONE BEAUTIFUL ARTIST(rep5x,lt) cl-d-trace:11(picture-frame,lt) IN C-O-L-O-R	12-i
	ARTIST(rep5x,lt)	AND DURING INDEFINITE LOOK-AT(1h+arc-to-rt) SEEM(2h) SAME ONE BEAUTIFUL ARTIST(rep5x,lt) cl-d-trace:11(picture-frame,lt) IN C-O-L-O-R	12-i
	cl-d-trace:11(picture-frame,lt)	AND DURING INDEFINITE LOOK-AT(1h+arc-to-rt) SEEM(2h) SAME ONE BEAUTIFUL ARTIST(rep5x,lt) cl-d-trace:11(picture-frame,lt) IN C-O-L-O-R	12-i
	L-Y-N-T-O-N(l-hand)	FROM L-Y-N-T-O-N(l-hand) SEVERAL(2h) BEAUTIFUL WAY(rep2x)	12-j
	SEVERAL(2h)	FROM L-Y-N-T-O-N(l-hand) SEVERAL(2h) BEAUTIFUL WAY(rep2x)	12-j
	WAY(rep2x)	FROM L-Y-N-T-O-N(l-hand) SEVERAL(2h) BEAUTIFUL WAY(rep2x)	12-j
	cl-i:XxXx(coach-ride,rt)	FOR cl-i:XxXx(coach-ride,rt) OR WALK ALL-OVER T-H-E L-O-R-N-A D-O-O-N-E C-O-U-N-T-R-Y	12-k
	ONE(l-hand)	ONE(l-hand) DAY(1h) 1P-POSS FRIEND 1P-IX cl-p:55(group-moves-along) cl-i:XxXx(coach-ride) TO J-O-H-N R-I-D-D-'S F-A-R-M	13-a
	DAY(1h)	ONE(l-hand) DAY(1h) 1P-POSS FRIEND 1P-IX cl-p:55(group-moves-along) cl-i:XxXx(coach-ride) TO J-O-H-N R-I-D-D-'S F-A-R-M	13-a
	cl-p:55(group-moves-along)	ONE(l-hand) DAY(1h) 1P-POSS FRIEND 1P-IX cl-p:55(group-moves-along) cl-i:XxXx(coach-ride) TO J-O-H-N R-I-D-D-'S F-A-R-M	13-a
	cl-i:XxXx(coach-ride)	ONE(l-hand) DAY(1h) 1P-POSS FRIEND 1P-IX cl-p:55(group-moves-along) cl-i:XxXx(coach-ride) TO J-O-H-N R-I-D-D-'S F-A-R-M	13-a
	CONTINUE(2h)	NOW CONTINUE(2h) GOOD VERY GROW(rep2x,ctr-to-lt) ENOUGH(rep,lt)	13-b
	GROW(rep2x,ctr-to-lt)	NOW CONTINUE(2h) GOOD VERY GROW(rep2x,ctr-to-lt) ENOUGH(rep,lt)	13-b
	ENOUGH(rep,lt)	NOW CONTINUE(2h) GOOD VERY GROW(rep2x,ctr-to-lt) ENOUGH(rep,lt)	13-b
	NEAT(lt)	NEAT(lt) HOUSE FANCY NEAT LARGE(lc)	13-c
	LARGE(lc)	NEAT(lt) HOUSE FANCY NEAT LARGE(lc)	13-c
	MALE~INDEFINITE	SHOW MALE~INDEFINITE RICH PLOW KEEP(lc) ALL-OVER	13-d
	KEEP(lc)	SHOW MALE~INDEFINITE RICH PLOW KEEP(lc) ALL-OVER	13-d
	GET(lt)	AND 1P-IX-PL GET(lt) EAT UNDER(lt) LARGE(lt) TREE(l-hand_dom)	13-e
	UNDER(lt)	AND 1P-IX-PL GET(lt) EAT UNDER(lt) LARGE(lt) TREE(l-hand_dom)	13-e
	LARGE(lt)	AND 1P-IX-PL GET(lt) EAT UNDER(lt) LARGE(lt) TREE(l-hand_dom)	13-e
	TREE(l-hand_dom)	AND 1P-IX-PL GET(lt) EAT UNDER(lt) LARGE(lt) TREE(l-hand_dom)	13-e
	SEEM(2h,lt)	SEEM(2h,lt) SAME OLD(2h) ENOUGH FOR YEAR(rep) TWO~HUNDRED PAST(int-lhand) DURING TIME-PERIOD O-F J-O-H-N	13-f
	OLD(2h)	SEEM(2h,lt) SAME OLD(2h) ENOUGH FOR YEAR(rep) TWO~HUNDRED PAST(int-lhand) DURING TIME-PERIOD O-F J-O-H-N	13-f
	YEAR(rep)	SEEM(2h,lt) SAME OLD(2h) ENOUGH FOR YEAR(rep) TWO~HUNDRED PAST(int-lhand) DURING TIME-PERIOD O-F J-O-H-N	13-f
	TWO~HUNDRED	SEEM(2h,lt) SAME OLD(2h) ENOUGH FOR YEAR(rep) TWO~HUNDRED PAST(int-lhand) DURING TIME-PERIOD O-F J-O-H-N	13-f
	PAST(int-lhand)	SEEM(2h,lt) SAME OLD(2h) ENOUGH FOR YEAR(rep) TWO~HUNDRED PAST(int-lhand) DURING TIME-PERIOD O-F J-O-H-N	13-f
	FEMALE~YOUNG	FEMALE~YOUNG RELATED(ctr-to-lt) PLOW CLASS BRING(lt-to-rt) EAT BREAD BUTTER TEA -	13-g
	RELATED(ctr-to-lt)	FEMALE~YOUNG RELATED(ctr-to-lt) PLOW CLASS BRING(lt-to-rt) EAT BREAD BUTTER TEA -	13-g
	BRING(lt-to-rt)	FEMALE~YOUNG RELATED(ctr-to-lt) PLOW CLASS BRING(lt-to-rt) EAT BREAD BUTTER TEA -	13-g
	pn:ENGLAND	ALWAYS TEA IN pn:ENGLAND.	13-h
	STAY(2h,lt)	AND 1P-IX-PL STAY(2h,lt) AWHILE VERY cl-d:breezy-air GET	13-i
	cl-d:breezy-air	AND 1P-IX-PL STAY(2h,lt) AWHILE VERY cl-d:breezy-air GET	13-i
	NEAR(rep)	NEAR(rep) THAT(1h) WAY(-to-rt) NAMED(-to-rt) T-H-E D-O-O-N-E V-A-L-L-E-Y LEAD(-to-rt) TO(-to-rt) LAND~HERE(rt)	14-a
	THAT(1h)	NEAR(rep) THAT(1h) WAY(-to-rt) NAMED(-to-rt) T-H-E D-O-O-N-E V-A-L-L-E-Y LEAD(-to-rt) TO(-to-rt) LAND~HERE(rt)	14-a
	WAY(-to-rt)	NEAR(rep) THAT(1h) WAY(-to-rt) NAMED(-to-rt) T-H-E D-O-O-N-E V-A-L-L-E-Y LEAD(-to-rt) TO(-to-rt) LAND~HERE(rt)	14-a
	NAMED(-to-rt)	NEAR(rep) THAT(1h) WAY(-to-rt) NAMED(-to-rt) T-H-E D-O-O-N-E V-A-L-L-E-Y LEAD(-to-rt) TO(-to-rt) LAND~HERE(rt)	14-a
	LEAD(-to-rt)	NEAR(rep) THAT(1h) WAY(-to-rt) NAMED(-to-rt) T-H-E D-O-O-N-E V-A-L-L-E-Y LEAD(-to-rt) TO(-to-rt) LAND~HERE(rt)	14-a
	TO(-to-rt)	NEAR(rep) THAT(1h) WAY(-to-rt) NAMED(-to-rt) T-H-E D-O-O-N-E V-A-L-L-E-Y LEAD(-to-rt) TO(-to-rt) LAND~HERE(rt)	14-a
	LAND~HERE(rt)	NEAR(rep) THAT(1h) WAY(-to-rt) NAMED(-to-rt) T-H-E D-O-O-N-E V-A-L-L-E-Y LEAD(-to-rt) TO(-to-rt) LAND~HERE(rt)	14-a
	THAT(1h,rt)	IN THAT(1h,rt) T-H-E D-O-O-N-E-S LIVE	14-b
	ROCK~cl-d-trace:BB(cliffs)	HAVE ROCK~cl-d-trace:BB(cliffs) cl-d-trace:B(border-surrounding-area)	14-c
	cl-d-trace:B(border-surrounding-area)	HAVE ROCK~cl-d-trace:BB(cliffs) cl-d-trace:B(border-surrounding-area)	14-c
	SEE~KEEP	SEE~KEEP FREE FROM INTERFERE(rep2x)	14-d
	INTERFERE(rep2x)	SEE~KEEP FREE FROM INTERFERE(rep2x)	14-d
	THAT(2h,rt)	AND IN THAT(2h,rt) NOW SOME(rep) LEAVE-THERE(rc) ROCK R-U-I-N-S	14-e
	SOME(rep)	AND IN THAT(2h,rt) NOW SOME(rep) LEAVE-THERE(rc) ROCK R-U-I-N-S	14-e
	LEAVE-THERE(rc)	AND IN THAT(2h,rt) NOW SOME(rep) LEAVE-THERE(rc) ROCK R-U-I-N-S	14-e
	OLD(2h)	SHOW OLD(2h) HOUSE AGO D-O-O-N-E-S LIVE IN THAT(rep2x,2h)	14-f
	THAT(rep2x,2h)	SHOW OLD(2h) HOUSE AGO D-O-O-N-E-S LIVE IN THAT(rep2x,2h)	14-f
	BREAK(rep4x,rt-to-lt)	NOW BREAK(rep4x,rt-to-lt) ALL~WIPE-AWAY.	14-g
	ALL~WIPE-AWAY	NOW BREAK(rep4x,rt-to-lt) ALL~WIPE-AWAY.	14-g
	OTHER(l-hand)	OTHER(l-hand) VERY BEAUTIFUL WAY WALK FROM L-Y-N-T-O-N	15-a
	DAY(1h)	ONE DAY(1h) 1P-POSS FRIEND cl-p:55(group-move-along) WAY T-H-E V-A-L-L-E-Y O-F T-H-E L-Y-N-N	15-b
	cl-p:55(group-move-along)	ONE DAY(1h) 1P-POSS FRIEND cl-p:55(group-move-along) WAY T-H-E V-A-L-L-E-Y O-F T-H-E L-Y-N-N	15-b
	ONE(l-hand)	ONE(l-hand) BEAUTIFUL(l-hand) cl-d:55(up)-to-(dn,waterfall,rt-to-lt), A M-O-U-N-T-A-I-N T-O-R-R-E-N-T	15-c
	BEAUTIFUL(l-hand)	ONE(l-hand) BEAUTIFUL(l-hand) cl-d:55(up)-to-(dn,waterfall,rt-to-lt), A M-O-U-N-T-A-I-N T-O-R-R-E-N-T	15-c
	cl-d:55(up)-to-(dn,waterfall,rt-to-lt)	ONE(l-hand) BEAUTIFUL(l-hand) cl-d:55(up)-to-(dn,waterfall,rt-to-lt), A M-O-U-N-T-A-I-N T-O-R-R-E-N-T	15-c
	WALK(rc)	AND WALK(rc) NEAR(rep,lt) cl-d-trace:B(edge-by-the-side) SEE(l-hand)	15-d
	NEAR(rep,lt)	AND WALK(rc) NEAR(rep,lt) cl-d-trace:B(edge-by-the-side) SEE(l-hand)	15-d
	cl-d-trace:B(edge-by-the-side)	AND WALK(rc) NEAR(rep,lt) cl-d-trace:B(edge-by-the-side) SEE(l-hand)	15-d
	SEE(l-hand)	AND WALK(rc) NEAR(rep,lt) cl-d-trace:B(edge-by-the-side) SEE(l-hand)	15-d
	THAT(1h,l-hand)	THAT(1h,l-hand) TWO WAY(rep,rt-and-ctr) INITIAL-W~cl-d:55(up)-to-(dn,waterfall,rt-to-lt)	15-f
	WAY(rep,rt-and-ctr)	THAT(1h,l-hand) TWO WAY(rep,rt-and-ctr) INITIAL-W~cl-d:55(up)-to-(dn,waterfall,rt-to-lt)	15-f
	INITIAL-W~cl-d:55(up)-to-(dn,waterfall,rt-to-lt)	THAT(1h,l-hand) TWO WAY(rep,rt-and-ctr) INITIAL-W~cl-d:55(up)-to-(dn,waterfall,rt-to-lt)	15-f
	DET-IX-PL(rt)	DET-IX-PL(rt) ALL NEAR(rep3x,small_arc) THAT(1h) GIVE KNOW~STAY R-O-C-K C-R-E-E-K P-A-R-K NEAR pn:WASHINGTON-DC	15-g
	NEAR(rep3x,small_arc)	DET-IX-PL(rt) ALL NEAR(rep3x,small_arc) THAT(1h) GIVE KNOW~STAY R-O-C-K C-R-E-E-K P-A-R-K NEAR pn:WASHINGTON-DC	15-g
	THAT(1h)	DET-IX-PL(rt) ALL NEAR(rep3x,small_arc) THAT(1h) GIVE KNOW~STAY R-O-C-K C-R-E-E-K P-A-R-K NEAR pn:WASHINGTON-DC	15-g
	KNOW~STAY	DET-IX-PL(rt) ALL NEAR(rep3x,small_arc) THAT(1h) GIVE KNOW~STAY R-O-C-K C-R-E-E-K P-A-R-K NEAR pn:WASHINGTON-DC	15-g
	pn:WASHINGTON-DC	DET-IX-PL(rt) ALL NEAR(rep3x,small_arc) THAT(1h) GIVE KNOW~STAY R-O-C-K C-R-E-E-K P-A-R-K NEAR pn:WASHINGTON-DC	15-g
	DAY(1h)	OTHER DAY(1h) 1P-IX-PL cl-p:55(group-move-along-to-rt) TO ONE VERY LIKE OLD EAT~BED NAME L-E-Y A-B-B-E-Y	16-a
	cl-p:55(group-move-along-to-rt)	OTHER DAY(1h) 1P-IX-PL cl-p:55(group-move-along-to-rt) TO ONE VERY LIKE OLD EAT~BED NAME L-E-Y A-B-B-E-Y	16-a
	EAT~BED	OTHER DAY(1h) 1P-IX-PL cl-p:55(group-move-along-to-rt) TO ONE VERY LIKE OLD EAT~BED NAME L-E-Y A-B-B-E-Y	16-a
	cl-d-trace:CC(long-shape)	VERY FANCY ROCK BUILD cl-d-trace:CC(long-shape) WITH cl-d:CC(rep2x,column,lt,ctr,rt)	16-b
	cl-d:CC(rep2x,column,lt,ctr,rt)	VERY FANCY ROCK BUILD cl-d-trace:CC(long-shape) WITH cl-d:CC(rep2x,column,lt,ctr,rt)	16-b
	THREE~HUNDRED	BUT YEAR THREE~HUNDRED PAST DURING TIME-PERIOD L-O-R-N-A D-O-O-N-E THAT(1h,l-hand,rt) HAVE 3P-SELF(rt) OVER-ALL B-A-R-O-N W-H-I-C-H-A-L-S-E	17-a
	THAT(1h,l-hand,rt)	BUT YEAR THREE~HUNDRED PAST DURING TIME-PERIOD L-O-R-N-A D-O-O-N-E THAT(1h,l-hand,rt) HAVE 3P-SELF(rt) OVER-ALL B-A-R-O-N W-H-I-C-H-A-L-S-E	17-a
	3P-SELF(rt)	BUT YEAR THREE~HUNDRED PAST DURING TIME-PERIOD L-O-R-N-A D-O-O-N-E THAT(1h,l-hand,rt) HAVE 3P-SELF(rt) OVER-ALL B-A-R-O-N W-H-I-C-H-A-L-S-E	17-a
	AND(l-hand)	AND(l-hand) 3P-SELF(rc) HAVE A MALE~BORN VERY THINK~SUCCEED WHO LEAVE-FROM(-to-rt) 3P-POSS EAT~BED	17-b
	3P-SELF(rc)	AND(l-hand) 3P-SELF(rc) HAVE A MALE~BORN VERY THINK~SUCCEED WHO LEAVE-FROM(-to-rt) 3P-POSS EAT~BED	17-b
	MALE~BORN	AND(l-hand) 3P-SELF(rc) HAVE A MALE~BORN VERY THINK~SUCCEED WHO LEAVE-FROM(-to-rt) 3P-POSS EAT~BED	17-b
	THINK~SUCCEED	AND(l-hand) 3P-SELF(rc) HAVE A MALE~BORN VERY THINK~SUCCEED WHO LEAVE-FROM(-to-rt) 3P-POSS EAT~BED	17-b
	LEAVE-FROM(-to-rt)	AND(l-hand) 3P-SELF(rc) HAVE A MALE~BORN VERY THINK~SUCCEED WHO LEAVE-FROM(-to-rt) 3P-POSS EAT~BED	17-b
	EAT~BED	AND(l-hand) 3P-SELF(rc) HAVE A MALE~BORN VERY THINK~SUCCEED WHO LEAVE-FROM(-to-rt) 3P-POSS EAT~BED	17-b
	JOIN(ctr-to-lt)	JOIN(ctr-to-lt) T-H-E D-O-O-N-E-S CLASS(l-hand,lt)	17-c
	CLASS(l-hand,lt)	JOIN(ctr-to-lt) T-H-E D-O-O-N-E-S CLASS(l-hand,lt)	17-c
	LOVE~FALL(-to-lt)	AND LOVE~FALL(-to-lt) L-O-R-N-A AND WANT(lt) MARRY(lt) L-O-R-N-A(l-hand)	17-d
	WANT(lt)	AND LOVE~FALL(-to-lt) L-O-R-N-A AND WANT(lt) MARRY(lt) L-O-R-N-A(l-hand)	17-d
	MARRY(lt)	AND LOVE~FALL(-to-lt) L-O-R-N-A AND WANT(lt) MARRY(lt) L-O-R-N-A(l-hand)	17-d
	L-O-R-N-A(l-hand)	AND LOVE~FALL(-to-lt) L-O-R-N-A AND WANT(lt) MARRY(lt) L-O-R-N-A(l-hand)	17-d
	L-O-R-N-A(l-hand)	BUT L-O-R-N-A(l-hand) REJECT(rep3x,-to-rt)	17-e
	REJECT(rep3x,-to-rt)	BUT L-O-R-N-A(l-hand) REJECT(rep3x,-to-rt)	17-e
	THAT(1h,rt)	AND FROM-THEN-ON THAT(1h,rt) MALE LIVE GET(2h) cl:1(bullet-hit-body) DIE(1h,l-hand) IN ONE ROBBER STEAL TAKE(rep2x,2h-alt,rt-to-ctr) RELATED T-H-E D-O-O-N-E-S	17-f
	GET(2h)	AND FROM-THEN-ON THAT(1h,rt) MALE LIVE GET(2h) cl:1(bullet-hit-body) DIE(1h,l-hand) IN ONE ROBBER STEAL TAKE(rep2x,2h-alt,rt-to-ctr) RELATED T-H-E D-O-O-N-E-S	17-f
	cl:1(bullet-hit-body)	AND FROM-THEN-ON THAT(1h,rt) MALE LIVE GET(2h) cl:1(bullet-hit-body) DIE(1h,l-hand) IN ONE ROBBER STEAL TAKE(rep2x,2h-alt,rt-to-ctr) RELATED T-H-E D-O-O-N-E-S	17-f
	DIE(1h,l-hand)	AND FROM-THEN-ON THAT(1h,rt) MALE LIVE GET(2h) cl:1(bullet-hit-body) DIE(1h,l-hand) IN ONE ROBBER STEAL TAKE(rep2x,2h-alt,rt-to-ctr) RELATED T-H-E D-O-O-N-E-S	17-f
	TAKE(rep2x,2h-alt,rt-to-ctr)	AND FROM-THEN-ON THAT(1h,rt) MALE LIVE GET(2h) cl:1(bullet-hit-body) DIE(1h,l-hand) IN ONE ROBBER STEAL TAKE(rep2x,2h-alt,rt-to-ctr) RELATED T-H-E D-O-O-N-E-S	17-f
	PITY(-to-rt)	VERY PITY(-to-rt) MALE~YOUNG DET-IX(rf,rt) VERY NOBLE NEAT TO ONE(int,l-hand) 3P-SELF(rt) OFFER(lt) STEAL(rep,lt) TAKE(rep2x,2h-alt)	17-g
	MALE~YOUNG	VERY PITY(-to-rt) MALE~YOUNG DET-IX(rf,rt) VERY NOBLE NEAT TO ONE(int,l-hand) 3P-SELF(rt) OFFER(lt) STEAL(rep,lt) TAKE(rep2x,2h-alt)	17-g
	DET-IX(rf,rt)	VERY PITY(-to-rt) MALE~YOUNG DET-IX(rf,rt) VERY NOBLE NEAT TO ONE(int,l-hand) 3P-SELF(rt) OFFER(lt) STEAL(rep,lt) TAKE(rep2x,2h-alt)	17-g
	ONE(int,l-hand)	VERY PITY(-to-rt) MALE~YOUNG DET-IX(rf,rt) VERY NOBLE NEAT TO ONE(int,l-hand) 3P-SELF(rt) OFFER(lt) STEAL(rep,lt) TAKE(rep2x,2h-alt)	17-g
	3P-SELF(rt)	VERY PITY(-to-rt) MALE~YOUNG DET-IX(rf,rt) VERY NOBLE NEAT TO ONE(int,l-hand) 3P-SELF(rt) OFFER(lt) STEAL(rep,lt) TAKE(rep2x,2h-alt)	17-g
	OFFER(lt)	VERY PITY(-to-rt) MALE~YOUNG DET-IX(rf,rt) VERY NOBLE NEAT TO ONE(int,l-hand) 3P-SELF(rt) OFFER(lt) STEAL(rep,lt) TAKE(rep2x,2h-alt)	17-g
	STEAL(rep,lt)	VERY PITY(-to-rt) MALE~YOUNG DET-IX(rf,rt) VERY NOBLE NEAT TO ONE(int,l-hand) 3P-SELF(rt) OFFER(lt) STEAL(rep,lt) TAKE(rep2x,2h-alt)	17-g
	TAKE(rep2x,2h-alt)	VERY PITY(-to-rt) MALE~YOUNG DET-IX(rf,rt) VERY NOBLE NEAT TO ONE(int,l-hand) 3P-SELF(rt) OFFER(lt) STEAL(rep,lt) TAKE(rep2x,2h-alt)	17-g
	THAT(1h,rt)	NEAR THAT(1h,rt) HOUSE 1P-IX-PL HAVE T-H-E G-A-R-D-N-E-R-S H-O-U-S-E	18-a
	FEEL~PITY	AND THINKING ABOUT FEEL~PITY YOUNG W-H-I-C-H-A-L-S-E 3P-SELF(rt)	18-c
	3P-SELF(rt)	AND THINKING ABOUT FEEL~PITY YOUNG W-H-I-C-H-A-L-S-E 3P-SELF(rt)	18-c
	WRONG(2h)	LOVE FOR L-O-R-N-A D-O-O-N-E WRONG(2h) 3P-POSS(rt) LIVE YOUNG LOSE gs:alas	18-d
	3P-POSS(rt)	LOVE FOR L-O-R-N-A D-O-O-N-E WRONG(2h) 3P-POSS(rt) LIVE YOUNG LOSE gs:alas	18-d
	gs:alas	LOVE FOR L-O-R-N-A D-O-O-N-E WRONG(2h) 3P-POSS(rt) LIVE YOUNG LOSE gs:alas	18-d
	DAY(1h)	OTHER DAY(1h) 1P-IX-PL HAVE VERY LIKE HAPPEN	19-a
	OLD(2h)~HABIT	ONE OLD(2h)~HABIT IN THAT(1h) LAND(diverging) NEAR(rep3x) YEARLY IN S-E-P-T FOR HAVE THING NAMED A S-T-A-G H-U-N-T-E-R-S M-E-E-T	19-b
	THAT(1h)	ONE OLD(2h)~HABIT IN THAT(1h) LAND(diverging) NEAR(rep3x) YEARLY IN S-E-P-T FOR HAVE THING NAMED A S-T-A-G H-U-N-T-E-R-S M-E-E-T	19-b
	LAND(diverging)	ONE OLD(2h)~HABIT IN THAT(1h) LAND(diverging) NEAR(rep3x) YEARLY IN S-E-P-T FOR HAVE THING NAMED A S-T-A-G H-U-N-T-E-R-S M-E-E-T	19-b
	NEAR(rep3x)	ONE OLD(2h)~HABIT IN THAT(1h) LAND(diverging) NEAR(rep3x) YEARLY IN S-E-P-T FOR HAVE THING NAMED A S-T-A-G H-U-N-T-E-R-S M-E-E-T	19-b
	MALE(l-hand)	MALE(l-hand) FEMALE(l-hand) FANCY(rep2x) FROM PLACE(rep,rt-to-lt) FAR(rt) FAR(l-hand_dom,lt) FAR(ctr)	19-c
	FEMALE(l-hand)	MALE(l-hand) FEMALE(l-hand) FANCY(rep2x) FROM PLACE(rep,rt-to-lt) FAR(rt) FAR(l-hand_dom,lt) FAR(ctr)	19-c
	FANCY(rep2x)	MALE(l-hand) FEMALE(l-hand) FANCY(rep2x) FROM PLACE(rep,rt-to-lt) FAR(rt) FAR(l-hand_dom,lt) FAR(ctr)	19-c
	PLACE(rep,rt-to-lt)	MALE(l-hand) FEMALE(l-hand) FANCY(rep2x) FROM PLACE(rep,rt-to-lt) FAR(rt) FAR(l-hand_dom,lt) FAR(ctr)	19-c
	FAR(rt)	MALE(l-hand) FEMALE(l-hand) FANCY(rep2x) FROM PLACE(rep,rt-to-lt) FAR(rt) FAR(l-hand_dom,lt) FAR(ctr)	19-c
	FAR(l-hand_dom,lt)	MALE(l-hand) FEMALE(l-hand) FANCY(rep2x) FROM PLACE(rep,rt-to-lt) FAR(rt) FAR(l-hand_dom,lt) FAR(ctr)	19-c
	FAR(ctr)	MALE(l-hand) FEMALE(l-hand) FANCY(rep2x) FROM PLACE(rep,rt-to-lt) FAR(rt) FAR(l-hand_dom,lt) FAR(ctr)	19-c
	cl:LEGSonB(ride-horse)	cl:LEGSonB(ride-horse), cl:LEGSonB(sidestraddle) IN CLOTHES RED AND VARIOUS CLOTHES	19-d
	cl:LEGSonB(sidestraddle)	cl:LEGSonB(ride-horse), cl:LEGSonB(sidestraddle) IN CLOTHES RED AND VARIOUS CLOTHES	19-d
	MILE(rep,fwd)	GATHER ON A M-O-O-R MILE(rep,fwd) FOUR, FIVE FROM L-Y-N-T-O-N(l-hand)	19-e
	L-Y-N-T-O-N(l-hand)	GATHER ON A M-O-O-R MILE(rep,fwd) FOUR, FIVE FROM L-Y-N-T-O-N(l-hand)	19-e
	FOR(l-hand)	FOR(l-hand) SHOOT-GUN(rep,2h,rt-to-ctr) DEER(rep,2h)	19-f
	SHOOT-GUN(rep,2h,rt-to-ctr)	FOR(l-hand) SHOOT-GUN(rep,2h,rt-to-ctr) DEER(rep,2h)	19-f
	DEER(rep,2h)	FOR(l-hand) SHOOT-GUN(rep,2h,rt-to-ctr) DEER(rep,2h)	19-f
	THAT(2h)	AND IN THAT(2h) LAND NOW DEER(2h) ENOUGH(rep2x) MANY(rep2x,arc,hands_diverge)	19-g
	DEER(2h)	AND IN THAT(2h) LAND NOW DEER(2h) ENOUGH(rep2x) MANY(rep2x,arc,hands_diverge)	19-g
	ENOUGH(rep2x)	AND IN THAT(2h) LAND NOW DEER(2h) ENOUGH(rep2x) MANY(rep2x,arc,hands_diverge)	19-g
	MANY(rep2x,arc,hands_diverge)	AND IN THAT(2h) LAND NOW DEER(2h) ENOUGH(rep2x) MANY(rep2x,arc,hands_diverge)	19-g
	THAT(1h)	AND THAT(1h) SEE ALL-DAY VERY LIKE	19-h
	MALE(rc)~FEMALE(rc)~PEOPLE	SEE MALE(rc)~FEMALE(rc)~PEOPLE MANY(rep4x,arc,hands_diverge) cl:LEGSonB(ride-horse) ACROSS(rep2x,rt-to-lt) TRAVEL(rep4x,hands_diverge,all-over_lt-and-rt)	19-i
	MANY(rep4x,arc,hands_diverge)	SEE MALE(rc)~FEMALE(rc)~PEOPLE MANY(rep4x,arc,hands_diverge) cl:LEGSonB(ride-horse) ACROSS(rep2x,rt-to-lt) TRAVEL(rep4x,hands_diverge,all-over_lt-and-rt)	19-i
	cl:LEGSonB(ride-horse)	SEE MALE(rc)~FEMALE(rc)~PEOPLE MANY(rep4x,arc,hands_diverge) cl:LEGSonB(ride-horse) ACROSS(rep2x,rt-to-lt) TRAVEL(rep4x,hands_diverge,all-over_lt-and-rt)	19-i
	ACROSS(rep2x,rt-to-lt)	SEE MALE(rc)~FEMALE(rc)~PEOPLE MANY(rep4x,arc,hands_diverge) cl:LEGSonB(ride-horse) ACROSS(rep2x,rt-to-lt) TRAVEL(rep4x,hands_diverge,all-over_lt-and-rt)	19-i
	TRAVEL(rep4x,hands_diverge,all-over_lt-and-rt)	SEE MALE(rc)~FEMALE(rc)~PEOPLE MANY(rep4x,arc,hands_diverge) cl:LEGSonB(ride-horse) ACROSS(rep2x,rt-to-lt) TRAVEL(rep4x,hands_diverge,all-over_lt-and-rt)	19-i
	OLD(2h)~HABIT	ONE OLD(2h)~HABIT PAST(2h) SEVERAL~HUNDRED Y-E-A-R-S	20-a
	PAST(2h)	ONE OLD(2h)~HABIT PAST(2h) SEVERAL~HUNDRED Y-E-A-R-S	20-a
	SEVERAL~HUNDRED	ONE OLD(2h)~HABIT PAST(2h) SEVERAL~HUNDRED Y-E-A-R-S	20-a
	TRUE(l-hand)	TRUE(l-hand) pn:ENGLAND C-U-S-T-O-M	20-b
	pn:ENGLAND	TRUE(l-hand) pn:ENGLAND C-U-S-T-O-M	20-b
	cl-d:55(across-chest)	1P-SELF BUY IN L-Y-N-T-O-N ONE cl-d:55(across-chest) S-K-I-N O-F A BEAUTIFUL S-T-A-G	20-c
	HOUSE(lc)	AND HAVE IN 1P-POSS HOUSE(lc) NOW FOR KNOW~STAY T-H-E L-O-R-N-A D-O-O-N-E C-O-U-N-T-R-Y	20-d
	KNOW~STAY	AND HAVE IN 1P-POSS HOUSE(lc) NOW FOR KNOW~STAY T-H-E L-O-R-N-A D-O-O-N-E C-O-U-N-T-R-Y	20-d
	DAY(1h)	OTHER DAY(1h) 1P-IX-PL HAVE ONE VERY NEAT cl-i:XxXx(coach-ride) TO ONE HOUSE~cl:CC(church) OLD NAME O-A-R-E C-H-U-R-C-H	21-a
	cl-i:XxXx(coach-ride)	OTHER DAY(1h) 1P-IX-PL HAVE ONE VERY NEAT cl-i:XxXx(coach-ride) TO ONE HOUSE~cl:CC(church) OLD NAME O-A-R-E C-H-U-R-C-H	21-a
	HOUSE~cl:CC(church)	OTHER DAY(1h) 1P-IX-PL HAVE ONE VERY NEAT cl-i:XxXx(coach-ride) TO ONE HOUSE~cl:CC(church) OLD NAME O-A-R-E C-H-U-R-C-H	21-a
	THAT(1h,l-hand)	IN THAT(1h,l-hand) HOUSE~cl:CC(church) J-O-H-N R-I-D-D AND L-O-R-N-A D-O-O-N-E MARRY	21-b
	HOUSE~cl:CC(church)	IN THAT(1h,l-hand) HOUSE~cl:CC(church) J-O-H-N R-I-D-D AND L-O-R-N-A D-O-O-N-E MARRY	21-b
	3P-POSS(lc)	BUT RELATED WITH 3P-POSS(lc) MARRY ONE AWFUL~HAPPEN	22-a
	AWFUL~HAPPEN	BUT RELATED WITH 3P-POSS(lc) MARRY ONE AWFUL~HAPPEN	22-a
	L-O-R-N-A(l-hand)	C-A-R-V-E-R D-O-O-N-E WHO LOVE L-O-R-N-A(l-hand) WANT(lc) MARRY(lc) AND ENVY(l-hand) MUCH THAT(1h) J-O-H-N R-I-D-D	22-b
	WANT(lc)	C-A-R-V-E-R D-O-O-N-E WHO LOVE L-O-R-N-A(l-hand) WANT(lc) MARRY(lc) AND ENVY(l-hand) MUCH THAT(1h) J-O-H-N R-I-D-D	22-b
	MARRY(lc)	C-A-R-V-E-R D-O-O-N-E WHO LOVE L-O-R-N-A(l-hand) WANT(lc) MARRY(lc) AND ENVY(l-hand) MUCH THAT(1h) J-O-H-N R-I-D-D	22-b
	ENVY(l-hand)	C-A-R-V-E-R D-O-O-N-E WHO LOVE L-O-R-N-A(l-hand) WANT(lc) MARRY(lc) AND ENVY(l-hand) MUCH THAT(1h) J-O-H-N R-I-D-D	22-b
	THAT(1h)	C-A-R-V-E-R D-O-O-N-E WHO LOVE L-O-R-N-A(l-hand) WANT(lc) MARRY(lc) AND ENVY(l-hand) MUCH THAT(1h) J-O-H-N R-I-D-D	22-b
	SHOOT-PISTOL(-to-lt)	SHOOT-PISTOL(-to-lt) cl:X-1(bullet-fly-to-lt) L-O-R-N-A cl:1(bullet-hit-body)	22-c
	cl:X-1(bullet-fly-to-lt)	SHOOT-PISTOL(-to-lt) cl:X-1(bullet-fly-to-lt) L-O-R-N-A cl:1(bullet-hit-body)	22-c
	cl:1(bullet-hit-body)	SHOOT-PISTOL(-to-lt) cl:X-1(bullet-fly-to-lt) L-O-R-N-A cl:1(bullet-hit-body)	22-c
	3P-IX(lt)	DURING 3P-IX(lt) STAND(lt) NEAR(lt) T-H-E A-L-T-A-R	22-d
	STAND(lt)	DURING 3P-IX(lt) STAND(lt) NEAR(lt) T-H-E A-L-T-A-R	22-d
	NEAR(lt)	DURING 3P-IX(lt) STAND(lt) NEAR(lt) T-H-E A-L-T-A-R	22-d
	DIE(1h)	BUT HAPPY FOR SAY L-O-R-N-A DIE(1h) NEGATIVE	23-a
	WEEK(rep)	LIVE MORE FUTURE WEEK(rep) SEVERAL IMPROVE STRONG	23-b
	CONTINUE(rf)	FROM-THEN-ON CONTINUE(rf) YEAR(rep) MANY	23-d
	YEAR(rep)	FROM-THEN-ON CONTINUE(rf) YEAR(rep) MANY	23-d
	THINK~HOPE	1P-IX THINK~HOPE 1P-POSS STORY ABOUT T-H-E L-O-R-N-A D-O-O-N-E C-O-U-N-T-R-Y TEMPT 2P-IX-PL ALL THINK READ BOOK	24-a
	THAT(1h)	THAT(1h) WORTH LARGE STORY(rep2x) OLD pn:ENGLAND HAPPEN(rep,rt-to-lt) LIKE VERY	24-b
	STORY(rep2x)	THAT(1h) WORTH LARGE STORY(rep2x) OLD pn:ENGLAND HAPPEN(rep,rt-to-lt) LIKE VERY	24-b
	pn:ENGLAND	THAT(1h) WORTH LARGE STORY(rep2x) OLD pn:ENGLAND HAPPEN(rep,rt-to-lt) LIKE VERY	24-b
	HAPPEN(rep,rt-to-lt)	THAT(1h) WORTH LARGE STORY(rep2x) OLD pn:ENGLAND HAPPEN(rep,rt-to-lt) LIKE VERY	24-b
	SEVERAL(2h)	AND NOW WORD SEVERAL(2h) TO DEAF CLASS pn:AMERICA	25-a
	pn:AMERICA	AND NOW WORD SEVERAL(2h) TO DEAF CLASS pn:AMERICA	25-a
	WRONG(l-hand)	WRONG(l-hand,neg), NEGATIVE(neg)	25-c
	NEGATIVE(nm:neg)	WRONG(l-hand,neg), NEGATIVE(neg)	25-c
	WORK(rep3x,arc)	1P-IX TRY FIND WORK(rep3x,arc) PROGRESS FUTURE	25-d
	LEAVE(-from-lt)	TRUE 1P-IX LEAVE(-from-lt) FROM COLLEGE	25-e
	CONTINUE(1h,l-hand)	BUT 1P-POSS HEART CONTINUE(1h,l-hand) gs:warm-hand~ENTHUSIASTIC FOR DEAF	25-f
	gs:warm-hand~ENTHUSIASTIC	BUT 1P-POSS HEART CONTINUE(1h,l-hand) gs:warm-hand~ENTHUSIASTIC FOR DEAF	25-f
	THINK~HOPE	AND THINK~HOPE 1P-IX FIND(l-hand) WAY(rep) FOR HELP(rep) DEAF IN pn:AMERICA ALL-OVER FROM-THEN-ON.	25-g
	FIND(l-hand)	AND THINK~HOPE 1P-IX FIND(l-hand) WAY(rep) FOR HELP(rep) DEAF IN pn:AMERICA ALL-OVER FROM-THEN-ON.	25-g
	WAY(rep)	AND THINK~HOPE 1P-IX FIND(l-hand) WAY(rep) FOR HELP(rep) DEAF IN pn:AMERICA ALL-OVER FROM-THEN-ON.	25-g
	HELP(rep)	AND THINK~HOPE 1P-IX FIND(l-hand) WAY(rep) FOR HELP(rep) DEAF IN pn:AMERICA ALL-OVER FROM-THEN-ON.	25-g
	pn:AMERICA	AND THINK~HOPE 1P-IX FIND(l-hand) WAY(rep) FOR HELP(rep) DEAF IN pn:AMERICA ALL-OVER FROM-THEN-ON.	25-g
	THANK(2P-pl)	THANK(2P-pl)	25-h

Signer: Hanson, Olof (1913) Title of film: An Address at the Tomb of Garfield Number of tags found: 10
Tag ID	Reference Gloss	Context	Paragraph-Clause
	pn:AMERICA	DURING G-A-R-F-I-E-L-D AGO PRESIDENT OVER-ALL pn:AMERICA, 3P-SELF SHOW 3P-SELF(rf) VERY GOOD(int) FRIEND TO DEAF.	1-a
	3P-SELF(rf)	DURING G-A-R-F-I-E-L-D AGO PRESIDENT OVER-ALL pn:AMERICA, 3P-SELF SHOW 3P-SELF(rf) VERY GOOD(int) FRIEND TO DEAF.	1-a
	GOOD(int)	DURING G-A-R-F-I-E-L-D AGO PRESIDENT OVER-ALL pn:AMERICA, 3P-SELF SHOW 3P-SELF(rf) VERY GOOD(int) FRIEND TO DEAF.	1-a
	cl-p:CC(gather)	NOW N-A-D cl-p:CC(gather) IN CITY(circ) C-L-E-V-E-L-A-N-D BEAUTIFUL NOW AFTERNOON	1-b
	CITY(circ)	NOW N-A-D cl-p:CC(gather) IN CITY(circ) C-L-E-V-E-L-A-N-D BEAUTIFUL NOW AFTERNOON	1-b
	1P-IX-PL(1P-to-arc-to-1P)	1P-IX-PL(1P-to-arc-to-1P) HERE SHOW HONOR TO THAT(1h) FRIEND.	1-c
	THAT(1h)	1P-IX-PL(1P-to-arc-to-1P) HERE SHOW HONOR TO THAT(1h) FRIEND.	1-c
	INVITE(-from-lt)	1P-IX LIKE INVITE(-from-lt) FOR GIVE(2h,rf) STORY AWHILE ABOUT THAT MALE.	1-d
	GIVE(2h,rf)	1P-IX LIKE INVITE(-from-lt) FOR GIVE(2h,rf) STORY AWHILE ABOUT THAT MALE.	1-d
	DET-HON(bow)	FROM M-I-C-H-I-G-A-N, M-R W-I-L-L-I-S H-U-B-B-A-R-D. DET-HON(bow).	1-e

Signer: Hotchkiss, John B. (1913) Title of film: Memories of Old Hartford Number of tags found: 352
Tag ID	Reference Gloss	Context	Paragraph-Clause
	pose:bow	pose:bow 2P-IX-PL(lt,rt,ctr) DEAF pose:nod SAME-AS-1P++(rt-to-lt)	1-a
	2P-IX-PL(lt,rt,ctr)	pose:bow 2P-IX-PL(lt,rt,ctr) DEAF pose:nod SAME-AS-1P++(rt-to-lt)	1-a
	pose:nod	pose:bow 2P-IX-PL(lt,rt,ctr) DEAF pose:nod SAME-AS-1P++(rt-to-lt)	1-a
	SAME-AS-1P++(rt-to-lt)	pose:bow 2P-IX-PL(lt,rt,ctr) DEAF pose:nod SAME-AS-1P++(rt-to-lt)	1-a
	2P-IX-PL(arc,rt-to-lt)	MAYBE 2P-IX-PL(arc,rt-to-lt) APPRECIATE KNOW WHO DET-IX(-to-X) AGENT.	1-b
	DET-IX(-to-X)	MAYBE 2P-IX-PL(arc,rt-to-lt) APPRECIATE KNOW WHO DET-IX(-to-X) AGENT.	1-b
	THAT(1h,rt)	THAT(1h,rt) N-A-D GIVE(rf,-to-lt) HONOR(-to-lt,bow) PICK-FROM(-from-lt) FOR STORY DISTRIBUTE.	1-c
	GIVE(rf,-to-lt)	THAT(1h,rt) N-A-D GIVE(rf,-to-lt) HONOR(-to-lt,bow) PICK-FROM(-from-lt) FOR STORY DISTRIBUTE.	1-c
	HONOR(-to-lt,bow)	THAT(1h,rt) N-A-D GIVE(rf,-to-lt) HONOR(-to-lt,bow) PICK-FROM(-from-lt) FOR STORY DISTRIBUTE.	1-c
	PICK-FROM(-from-lt)	THAT(1h,rt) N-A-D GIVE(rf,-to-lt) HONOR(-to-lt,bow) PICK-FROM(-from-lt) FOR STORY DISTRIBUTE.	1-c
	FIRST~MOST	1P-POSS FIRST~MOST SHOW-1P HONOR(1h) THINK~SUPERIOR 1P-IX OLD(2h),	1-d
	HONOR(1h)	1P-POSS FIRST~MOST SHOW-1P HONOR(1h) THINK~SUPERIOR 1P-IX OLD(2h),	1-d
	THINK~SUPERIOR	1P-POSS FIRST~MOST SHOW-1P HONOR(1h) THINK~SUPERIOR 1P-IX OLD(2h),	1-d
	OLD(2h)	1P-POSS FIRST~MOST SHOW-1P HONOR(1h) THINK~SUPERIOR 1P-IX OLD(2h),	1-d
	WITH(rf)	1P-IX RELATED WITH(rf) OLD(2h) MOST SCHOOL FOR DEAF	1-e
	OLD(2h)	1P-IX RELATED WITH(rf) OLD(2h) MOST SCHOOL FOR DEAF	1-e
	THAT(1h)	THAT(1h) pn:GALLAUDET ESTABLISH IN pn:HARTFORD fs:CONN LONG PAST NEAR ONE-HALF A C-E-N-T-U-R-Y	1-f
	pn:GALLAUDET	THAT(1h) pn:GALLAUDET ESTABLISH IN pn:HARTFORD fs:CONN LONG PAST NEAR ONE-HALF A C-E-N-T-U-R-Y	1-f
	pn:HARTFORD	THAT(1h) pn:GALLAUDET ESTABLISH IN pn:HARTFORD fs:CONN LONG PAST NEAR ONE-HALF A C-E-N-T-U-R-Y	1-f
	fs:CONN	THAT(1h) pn:GALLAUDET ESTABLISH IN pn:HARTFORD fs:CONN LONG PAST NEAR ONE-HALF A C-E-N-T-U-R-Y	1-f
	THAT(lc)	AND DURING 1P-IX RELATED THAT(lc) SCHOOL(lc) 1P-IX MINGLE(lc) SEE(-to-lt) GET~LEARN FROM SEVERAL(l-hand)\IX(r-hand)) MOST+(lt-to-rt) TEACH~AGENT 3P-POSS(lt) DEAF	2-a
	SCHOOL(lc)	AND DURING 1P-IX RELATED THAT(lc) SCHOOL(lc) 1P-IX MINGLE(lc) SEE(-to-lt) GET~LEARN FROM SEVERAL(l-hand)\IX(r-hand)) MOST+(lt-to-rt) TEACH~AGENT 3P-POSS(lt) DEAF	2-a
	MINGLE(lc)	AND DURING 1P-IX RELATED THAT(lc) SCHOOL(lc) 1P-IX MINGLE(lc) SEE(-to-lt) GET~LEARN FROM SEVERAL(l-hand)\IX(r-hand)) MOST+(lt-to-rt) TEACH~AGENT 3P-POSS(lt) DEAF	2-a
	SEE(-to-lt)	AND DURING 1P-IX RELATED THAT(lc) SCHOOL(lc) 1P-IX MINGLE(lc) SEE(-to-lt) GET~LEARN FROM SEVERAL(l-hand)\IX(r-hand)) MOST+(lt-to-rt) TEACH~AGENT 3P-POSS(lt) DEAF	2-a
	GET~LEARN	AND DURING 1P-IX RELATED THAT(lc) SCHOOL(lc) 1P-IX MINGLE(lc) SEE(-to-lt) GET~LEARN FROM SEVERAL(l-hand)\IX(r-hand)) MOST+(lt-to-rt) TEACH~AGENT 3P-POSS(lt) DEAF	2-a
	SEVERAL(l-hand)\IX(r-hand))	AND DURING 1P-IX RELATED THAT(lc) SCHOOL(lc) 1P-IX MINGLE(lc) SEE(-to-lt) GET~LEARN FROM SEVERAL(l-hand)\IX(r-hand)) MOST+(lt-to-rt) TEACH~AGENT 3P-POSS(lt) DEAF	2-a
	MOST+(lt-to-rt)	AND DURING 1P-IX RELATED THAT(lc) SCHOOL(lc) 1P-IX MINGLE(lc) SEE(-to-lt) GET~LEARN FROM SEVERAL(l-hand)\IX(r-hand)) MOST+(lt-to-rt) TEACH~AGENT 3P-POSS(lt) DEAF	2-a
	TEACH~AGENT	AND DURING 1P-IX RELATED THAT(lc) SCHOOL(lc) 1P-IX MINGLE(lc) SEE(-to-lt) GET~LEARN FROM SEVERAL(l-hand)\IX(r-hand)) MOST+(lt-to-rt) TEACH~AGENT 3P-POSS(lt) DEAF	2-a
	3P-POSS(lt)	AND DURING 1P-IX RELATED THAT(lc) SCHOOL(lc) 1P-IX MINGLE(lc) SEE(-to-lt) GET~LEARN FROM SEVERAL(l-hand)\IX(r-hand)) MOST+(lt-to-rt) TEACH~AGENT 3P-POSS(lt) DEAF	2-a
	CLASS(po_up)	AMONG CLASS(po_up) 2P-IX-PL(arc) ALL KNOW L-A-U-R-E-N-T C-L-E-R-C	2-b
	2P-IX-PL(arc)	AMONG CLASS(po_up) 2P-IX-PL(arc) ALL KNOW L-A-U-R-E-N-T C-L-E-R-C	2-b
	THAT(1h)	THAT(1h)MALE LIVE AGO++ LEAVE-FROM(rt) HOME pn:FRANCE(rt) WITH(rt-to-lt) pn:GALLAUDET FOR HELP(lc) ESTABLISH(lc) THAT(1h,lt) FIRST SCHOOL(lc)	2-c
	AGO++	THAT(1h)MALE LIVE AGO++ LEAVE-FROM(rt) HOME pn:FRANCE(rt) WITH(rt-to-lt) pn:GALLAUDET FOR HELP(lc) ESTABLISH(lc) THAT(1h,lt) FIRST SCHOOL(lc)	2-c
	LEAVE-FROM(rt)	THAT(1h)MALE LIVE AGO++ LEAVE-FROM(rt) HOME pn:FRANCE(rt) WITH(rt-to-lt) pn:GALLAUDET FOR HELP(lc) ESTABLISH(lc) THAT(1h,lt) FIRST SCHOOL(lc)	2-c
	pn:FRANCE(rt)	THAT(1h)MALE LIVE AGO++ LEAVE-FROM(rt) HOME pn:FRANCE(rt) WITH(rt-to-lt) pn:GALLAUDET FOR HELP(lc) ESTABLISH(lc) THAT(1h,lt) FIRST SCHOOL(lc)	2-c
	WITH(rt-to-lt)	THAT(1h)MALE LIVE AGO++ LEAVE-FROM(rt) HOME pn:FRANCE(rt) WITH(rt-to-lt) pn:GALLAUDET FOR HELP(lc) ESTABLISH(lc) THAT(1h,lt) FIRST SCHOOL(lc)	2-c
	pn:GALLAUDET	THAT(1h)MALE LIVE AGO++ LEAVE-FROM(rt) HOME pn:FRANCE(rt) WITH(rt-to-lt) pn:GALLAUDET FOR HELP(lc) ESTABLISH(lc) THAT(1h,lt) FIRST SCHOOL(lc)	2-c
	HELP(lc)	THAT(1h)MALE LIVE AGO++ LEAVE-FROM(rt) HOME pn:FRANCE(rt) WITH(rt-to-lt) pn:GALLAUDET FOR HELP(lc) ESTABLISH(lc) THAT(1h,lt) FIRST SCHOOL(lc)	2-c
	ESTABLISH(lc)	THAT(1h)MALE LIVE AGO++ LEAVE-FROM(rt) HOME pn:FRANCE(rt) WITH(rt-to-lt) pn:GALLAUDET FOR HELP(lc) ESTABLISH(lc) THAT(1h,lt) FIRST SCHOOL(lc)	2-c
	THAT(1h,lt)	THAT(1h)MALE LIVE AGO++ LEAVE-FROM(rt) HOME pn:FRANCE(rt) WITH(rt-to-lt) pn:GALLAUDET FOR HELP(lc) ESTABLISH(lc) THAT(1h,lt) FIRST SCHOOL(lc)	2-c
	SCHOOL(lc)	THAT(1h)MALE LIVE AGO++ LEAVE-FROM(rt) HOME pn:FRANCE(rt) WITH(rt-to-lt) pn:GALLAUDET FOR HELP(lc) ESTABLISH(lc) THAT(1h,lt) FIRST SCHOOL(lc)	2-c
	SCHOOL(lc)	TRUE DURING 1P-IX IN SCHOOL(lc) cl-d:B(small-height), THAT(1h,lc) MALE pn:CLERC C-L-E-R-C NEGATIVE TEACH(-to-lt)	3-a
	cl-d:B(small-height)	TRUE DURING 1P-IX IN SCHOOL(lc) cl-d:B(small-height), THAT(1h,lc) MALE pn:CLERC C-L-E-R-C NEGATIVE TEACH(-to-lt)	3-a
	THAT(1h,lc)	TRUE DURING 1P-IX IN SCHOOL(lc) cl-d:B(small-height), THAT(1h,lc) MALE pn:CLERC C-L-E-R-C NEGATIVE TEACH(-to-lt)	3-a
	pn:CLERC	TRUE DURING 1P-IX IN SCHOOL(lc) cl-d:B(small-height), THAT(1h,lc) MALE pn:CLERC C-L-E-R-C NEGATIVE TEACH(-to-lt)	3-a
	TEACH(-to-lt)	TRUE DURING 1P-IX IN SCHOOL(lc) cl-d:B(small-height), THAT(1h,lc) MALE pn:CLERC C-L-E-R-C NEGATIVE TEACH(-to-lt)	3-a
	3P-SELF(rt)	3P-SELF(rt) END~LEAVE~REST YEAR TWO BEFORE 1P-IX+ GO-TO(-to-lt) ENTER(-to-lt) THAT(1h,-to-lc) SCHOOL(lc)	3-b
	END~LEAVE~REST	3P-SELF(rt) END~LEAVE~REST YEAR TWO BEFORE 1P-IX+ GO-TO(-to-lt) ENTER(-to-lt) THAT(1h,-to-lc) SCHOOL(lc)	3-b
	1P-IX+	3P-SELF(rt) END~LEAVE~REST YEAR TWO BEFORE 1P-IX+ GO-TO(-to-lt) ENTER(-to-lt) THAT(1h,-to-lc) SCHOOL(lc)	3-b
	GO-TO(-to-lt)	3P-SELF(rt) END~LEAVE~REST YEAR TWO BEFORE 1P-IX+ GO-TO(-to-lt) ENTER(-to-lt) THAT(1h,-to-lc) SCHOOL(lc)	3-b
	ENTER(-to-lt)	3P-SELF(rt) END~LEAVE~REST YEAR TWO BEFORE 1P-IX+ GO-TO(-to-lt) ENTER(-to-lt) THAT(1h,-to-lc) SCHOOL(lc)	3-b
	THAT(1h,-to-lc)	3P-SELF(rt) END~LEAVE~REST YEAR TWO BEFORE 1P-IX+ GO-TO(-to-lt) ENTER(-to-lt) THAT(1h,-to-lc) SCHOOL(lc)	3-b
	SCHOOL(lc)	3P-SELF(rt) END~LEAVE~REST YEAR TWO BEFORE 1P-IX+ GO-TO(-to-lt) ENTER(-to-lt) THAT(1h,-to-lc) SCHOOL(lc)	3-b
	3P-SELF(lc)	BUT 3P-SELF(lc) LIVE IN ONE BEAUTIFUL HOUSE(rc) PLEASANT NEAR++ SCHOOL	3-c
	HOUSE(rc)	BUT 3P-SELF(lc) LIVE IN ONE BEAUTIFUL HOUSE(rc) PLEASANT NEAR++ SCHOOL	3-c
	NEAR++	BUT 3P-SELF(lc) LIVE IN ONE BEAUTIFUL HOUSE(rc) PLEASANT NEAR++ SCHOOL	3-c
	DET-IX-PL(X-to-arc-to-X)	AND DET-IX-PL(X-to-arc-to-X) MALE~FEMALE~CHILDREN+(-to-rt) cl-trace:1tip(path-to-rt,go) CITY(rt) cl-trace:1tip(path-to-1P,go) SEE AND MEET AND TALK AGAIN+++	3-d
	MALE~FEMALE~CHILDREN+(-to-rt)	AND DET-IX-PL(X-to-arc-to-X) MALE~FEMALE~CHILDREN+(-to-rt) cl-trace:1tip(path-to-rt,go) CITY(rt) cl-trace:1tip(path-to-1P,go) SEE AND MEET AND TALK AGAIN+++	3-d
	cl-trace:1tip(path-to-rt,go)	AND DET-IX-PL(X-to-arc-to-X) MALE~FEMALE~CHILDREN+(-to-rt) cl-trace:1tip(path-to-rt,go) CITY(rt) cl-trace:1tip(path-to-1P,go) SEE AND MEET AND TALK AGAIN+++	3-d
	CITY(rt)	AND DET-IX-PL(X-to-arc-to-X) MALE~FEMALE~CHILDREN+(-to-rt) cl-trace:1tip(path-to-rt,go) CITY(rt) cl-trace:1tip(path-to-1P,go) SEE AND MEET AND TALK AGAIN+++	3-d
	cl-trace:1tip(path-to-1P,go)	AND DET-IX-PL(X-to-arc-to-X) MALE~FEMALE~CHILDREN+(-to-rt) cl-trace:1tip(path-to-rt,go) CITY(rt) cl-trace:1tip(path-to-1P,go) SEE AND MEET AND TALK AGAIN+++	3-d
	AGAIN+++	AND DET-IX-PL(X-to-arc-to-X) MALE~FEMALE~CHILDREN+(-to-rt) cl-trace:1tip(path-to-rt,go) CITY(rt) cl-trace:1tip(path-to-1P,go) SEE AND MEET AND TALK AGAIN+++	3-d
	GO-TO(-to-lt)	3P-SELF SOMETIMES GO-TO(-to-lt) VISIT(lt) SCHOOL(lt)	3-e
	VISIT(lt)	3P-SELF SOMETIMES GO-TO(-to-lt) VISIT(lt) SCHOOL(lt)	3-e
	SCHOOL(lt)	3P-SELF SOMETIMES GO-TO(-to-lt) VISIT(lt) SCHOOL(lt)	3-e
	1P-IX+	1P-IX+ HAVE VERY CLEAR cl-d-trace:X(profile) IN 1P-POSS MIND.	4-a
	cl-d-trace:X(profile)	1P-IX+ HAVE VERY CLEAR cl-d-trace:X(profile) IN 1P-POSS MIND.	4-a
	THAT(1h,rc)	MALE THAT(1h,rc) SHAPE OLD(2h) cl-d:B(standard-height) MEDIUM,	4-b
	OLD(2h)	MALE THAT(1h,rc) SHAPE OLD(2h) cl-d:B(standard-height) MEDIUM,	4-b
	cl-d:B(standard-height)	MALE THAT(1h,rc) SHAPE OLD(2h) cl-d:B(standard-height) MEDIUM,	4-b
	cl-tracing:B(hair-on-head)	WHITE cl-tracing:B(hair-on-head) SMOOTH	4-c
	SHAVE(dn)++	FACIAL-APPEARANCE SHAVE(dn)++ NEAT.	4-d
	cl:1(bent-over)	cl:1(bent-over) WITH OLD(2h) BUT BODY~STRONG AND SHAPE(rc) SHOW THAT(1h) BEAUTIFUL DURING YOUNG AGO++	4-e
	OLD(2h)	cl:1(bent-over) WITH OLD(2h) BUT BODY~STRONG AND SHAPE(rc) SHOW THAT(1h) BEAUTIFUL DURING YOUNG AGO++	4-e
	BODY~STRONG	cl:1(bent-over) WITH OLD(2h) BUT BODY~STRONG AND SHAPE(rc) SHOW THAT(1h) BEAUTIFUL DURING YOUNG AGO++	4-e
	SHAPE(rc)	cl:1(bent-over) WITH OLD(2h) BUT BODY~STRONG AND SHAPE(rc) SHOW THAT(1h) BEAUTIFUL DURING YOUNG AGO++	4-e
	THAT(1h)	cl:1(bent-over) WITH OLD(2h) BUT BODY~STRONG AND SHAPE(rc) SHOW THAT(1h) BEAUTIFUL DURING YOUNG AGO++	4-e
	AGO++	cl:1(bent-over) WITH OLD(2h) BUT BODY~STRONG AND SHAPE(rc) SHOW THAT(1h) BEAUTIFUL DURING YOUNG AGO++	4-e
	3P-SELF(rt)	3P-SELF(rt) WALK cl-trace:1(winding-path,-to-lt) WITH pose:walk-with-cane	5-a
	cl-trace:1(winding-path,-to-lt)	3P-SELF(rt) WALK cl-trace:1(winding-path,-to-lt) WITH pose:walk-with-cane	5-a
	pose:walk-with-cane	3P-SELF(rt) WALK cl-trace:1(winding-path,-to-lt) WITH pose:walk-with-cane	5-a
	THAT(1h,rt)	THAT(1h,rt) WOOD cl-d:FF(long-thin-cylinder) pose:walk-with-cane HELP(-to-rt) IN TWO WAY(lt) WAY(rt)	5-b
	cl-d:FF(long-thin-cylinder)	THAT(1h,rt) WOOD cl-d:FF(long-thin-cylinder) pose:walk-with-cane HELP(-to-rt) IN TWO WAY(lt) WAY(rt)	5-b
	pose:walk-with-cane	THAT(1h,rt) WOOD cl-d:FF(long-thin-cylinder) pose:walk-with-cane HELP(-to-rt) IN TWO WAY(lt) WAY(rt)	5-b
	HELP(-to-rt)	THAT(1h,rt) WOOD cl-d:FF(long-thin-cylinder) pose:walk-with-cane HELP(-to-rt) IN TWO WAY(lt) WAY(rt)	5-b
	WAY(lt)	THAT(1h,rt) WOOD cl-d:FF(long-thin-cylinder) pose:walk-with-cane HELP(-to-rt) IN TWO WAY(lt) WAY(rt)	5-b
	WAY(rt)	THAT(1h,rt) WOOD cl-d:FF(long-thin-cylinder) pose:walk-with-cane HELP(-to-rt) IN TWO WAY(lt) WAY(rt)	5-b
	3P-POSS(rt)	FIRST, LEAD 3P-POSS(rt) WALK++	5-c
	WALK++	FIRST, LEAD 3P-POSS(rt) WALK++	5-c
	HELP(-to-rt)	SECOND OFTEN HELP(-to-rt) pose:holding-cane SUMMONS LOOK-AT-1P.	5-d
	pose:holding-cane	SECOND OFTEN HELP(-to-rt) pose:holding-cane SUMMONS LOOK-AT-1P.	5-d
	MALE~CHILD	SECOND OFTEN HELP(-to-rt) pose:holding-cane SUMMONS LOOK-AT-1P.	5-d
	pose:poke	MALE~CHILD LOOK-OTHER-WAY pose:poke, pose:swat.	5-e
	pose:swat	MALE~CHILD LOOK-OTHER-WAY pose:poke, pose:swat.	5-e
	3P-SELF(rt)	3P-SELF(rt) WEAR-clothing COAT~long-to-floor BLACK cl-d:FF+++(buttons-dn-front-double-breasted)	5-f
	COAT~long-to-floor	3P-SELF(rt) WEAR-clothing COAT~long-to-floor BLACK cl-d:FF+++(buttons-dn-front-double-breasted)	5-f
	cl-d:FF+++(buttons-dn-front-double-breasted)	3P-SELF(rt) WEAR-clothing COAT~long-to-floor BLACK cl-d:FF+++(buttons-dn-front-double-breasted)	5-f
	cl-d:GG(hat-brim)	WITH cl-d:GG(hat-brim) cl-d:GG(hat-height), cl-handling:BB(wrap-round-top-of-head) BLACK	5-g
	cl-d:GG(hat-height)	WITH cl-d:GG(hat-brim) cl-d:GG(hat-height), cl-handling:BB(wrap-round-top-of-head) BLACK	5-g
	cl-handling:BB(wrap-round-top-of-head)	WITH cl-d:GG(hat-brim) cl-d:GG(hat-height), cl-handling:BB(wrap-round-top-of-head) BLACK	5-g
	MALE~cl-d:B(small-height)	1P-IX-PL MALE~cl-d:B(small-height) NAMED(-to-rt) S-T-O-V-E-P-I-P-E H-A-T	5-h
	NAMED(-to-rt)	1P-IX-PL MALE~cl-d:B(small-height) NAMED(-to-rt) S-T-O-V-E-P-I-P-E H-A-T	5-h
	KNOW~STAY	ONCE 1P-IX KNOW~STAY 3P-SELF(rt) pn:CLERC GOING(-to-lt) ENTER(lt) INSTITUTE(lt) STAND STORY DISTRIBUTE DEAF ABOUT WORTH IMPORTANT 3P-IX-PL KEEP READ WRITE+ ARRANGE++(ctr-to-rt) 3P-POSS WORD ALRIGHT	6-a
	3P-SELF(rt)	ONCE 1P-IX KNOW~STAY 3P-SELF(rt) pn:CLERC GOING(-to-lt) ENTER(lt) INSTITUTE(lt) STAND STORY DISTRIBUTE DEAF ABOUT WORTH IMPORTANT 3P-IX-PL KEEP READ WRITE+ ARRANGE++(ctr-to-rt) 3P-POSS WORD ALRIGHT	6-a
	pn:CLERC	ONCE 1P-IX KNOW~STAY 3P-SELF(rt) pn:CLERC GOING(-to-lt) ENTER(lt) INSTITUTE(lt) STAND STORY DISTRIBUTE DEAF ABOUT WORTH IMPORTANT 3P-IX-PL KEEP READ WRITE+ ARRANGE++(ctr-to-rt) 3P-POSS WORD ALRIGHT	6-a
	GOING(-to-lt)	ONCE 1P-IX KNOW~STAY 3P-SELF(rt) pn:CLERC GOING(-to-lt) ENTER(lt) INSTITUTE(lt) STAND STORY DISTRIBUTE DEAF ABOUT WORTH IMPORTANT 3P-IX-PL KEEP READ WRITE+ ARRANGE++(ctr-to-rt) 3P-POSS WORD ALRIGHT	6-a
	ENTER(lt)	ONCE 1P-IX KNOW~STAY 3P-SELF(rt) pn:CLERC GOING(-to-lt) ENTER(lt) INSTITUTE(lt) STAND STORY DISTRIBUTE DEAF ABOUT WORTH IMPORTANT 3P-IX-PL KEEP READ WRITE+ ARRANGE++(ctr-to-rt) 3P-POSS WORD ALRIGHT	6-a
	INSTITUTE(lt)	ONCE 1P-IX KNOW~STAY 3P-SELF(rt) pn:CLERC GOING(-to-lt) ENTER(lt) INSTITUTE(lt) STAND STORY DISTRIBUTE DEAF ABOUT WORTH IMPORTANT 3P-IX-PL KEEP READ WRITE+ ARRANGE++(ctr-to-rt) 3P-POSS WORD ALRIGHT	6-a
	WRITE+	ONCE 1P-IX KNOW~STAY 3P-SELF(rt) pn:CLERC GOING(-to-lt) ENTER(lt) INSTITUTE(lt) STAND STORY DISTRIBUTE DEAF ABOUT WORTH IMPORTANT 3P-IX-PL KEEP READ WRITE+ ARRANGE++(ctr-to-rt) 3P-POSS WORD ALRIGHT	6-a
	ARRANGE++(ctr-to-rt)	ONCE 1P-IX KNOW~STAY 3P-SELF(rt) pn:CLERC GOING(-to-lt) ENTER(lt) INSTITUTE(lt) STAND STORY DISTRIBUTE DEAF ABOUT WORTH IMPORTANT 3P-IX-PL KEEP READ WRITE+ ARRANGE++(ctr-to-rt) 3P-POSS WORD ALRIGHT	6-a
	3P-SELF(lt)	3P-SELF(lt) CHOOSE~archaic-TWO(dual) TWO SENTENCE	6-b
	CHOOSE~archaic-TWO(dual)	3P-SELF(lt) CHOOSE~archaic-TWO(dual) TWO SENTENCE	6-b
	E-A-T(l-hand)	FIRST, W-E L-I-V-E T-O E-A-T(l-hand) AND OTHER, W-E E-A-T T-O L-I-V-E(r-hand)	6-c
	L-I-V-E(r-hand)	FIRST, W-E L-I-V-E T-O E-A-T(l-hand) AND OTHER, W-E E-A-T T-O L-I-V-E(r-hand)	6-c
	THAT(1h)	AND IN THAT(1h) DET-IX-DUAL+(rc) 3P-SELF(rc) TRY THROUGH SIGN LARGE BEAUTIFUL	6-d
	DET-IX-DUAL+(rc)	AND IN THAT(1h) DET-IX-DUAL+(rc) 3P-SELF(rc) TRY THROUGH SIGN LARGE BEAUTIFUL	6-d
	3P-SELF(rc)	AND IN THAT(1h) DET-IX-DUAL+(rc) 3P-SELF(rc) TRY THROUGH SIGN LARGE BEAUTIFUL	6-d
	SOME+	SOME+ LONG BUT EXACT CLEAR	6-e
	1P-IX-PL(X-to-arc)	GIVE 1P-IX-PL(X-to-arc) CHILDREN UNDERSTAND HOW BIG CHANGE(exp) IN UNDERSTAND DISTRIBUTE TWO DET-IX-DUAL SENTENCE ABOUT WORD L-I-V-E(lc) AND E-A-T(rc) cl:L:L:(exchange-words)	6-f
	CHANGE(exp)	GIVE 1P-IX-PL(X-to-arc) CHILDREN UNDERSTAND HOW BIG CHANGE(exp) IN UNDERSTAND DISTRIBUTE TWO DET-IX-DUAL SENTENCE ABOUT WORD L-I-V-E(lc) AND E-A-T(rc) cl:L:L:(exchange-words)	6-f
	L-I-V-E(lc)	GIVE 1P-IX-PL(X-to-arc) CHILDREN UNDERSTAND HOW BIG CHANGE(exp) IN UNDERSTAND DISTRIBUTE TWO DET-IX-DUAL SENTENCE ABOUT WORD L-I-V-E(lc) AND E-A-T(rc) cl:L:L:(exchange-words)	6-f
	E-A-T(rc)	GIVE 1P-IX-PL(X-to-arc) CHILDREN UNDERSTAND HOW BIG CHANGE(exp) IN UNDERSTAND DISTRIBUTE TWO DET-IX-DUAL SENTENCE ABOUT WORD L-I-V-E(lc) AND E-A-T(rc) cl:L:L:(exchange-words)	6-f
	cl:L:L:(exchange-words)	GIVE 1P-IX-PL(X-to-arc) CHILDREN UNDERSTAND HOW BIG CHANGE(exp) IN UNDERSTAND DISTRIBUTE TWO DET-IX-DUAL SENTENCE ABOUT WORD L-I-V-E(lc) AND E-A-T(rc) cl:L:L:(exchange-words)	6-f
	3P-SELF(rc)	3P-SELF(rc) SIGN: 1P-IX-PL(1P-to-arc-to-1P) LIVE THINK~GOAL++ EAT+++(2h-alt)	7-a
	1P-IX-PL(1P-to-arc-to-1P)	3P-SELF(rc) SIGN: 1P-IX-PL(1P-to-arc-to-1P) LIVE THINK~GOAL++ EAT+++(2h-alt)	7-a
	THINK~GOAL++	3P-SELF(rc) SIGN: 1P-IX-PL(1P-to-arc-to-1P) LIVE THINK~GOAL++ EAT+++(2h-alt)	7-a
	EAT+++(2h-alt)	3P-SELF(rc) SIGN: 1P-IX-PL(1P-to-arc-to-1P) LIVE THINK~GOAL++ EAT+++(2h-alt)	7-a
	1P-IX-PL(1P-to-arc-to-1P)	NEGATIVE, 1P-IX-PL(1P-to-arc-to-1P) LIVE FOR BETTER~MOST THING THAN THAT(1h,lt)	7-b
	BETTER~MOST	NEGATIVE, 1P-IX-PL(1P-to-arc-to-1P) LIVE FOR BETTER~MOST THING THAN THAT(1h,lt)	7-b
	THAT(1h,lt)	NEGATIVE, 1P-IX-PL(1P-to-arc-to-1P) LIVE FOR BETTER~MOST THING THAN THAT(1h,lt)	7-b
	1P-IX-PL(1P-to-3P-to-3P)	BUT TRUE 1P-IX-PL(1P-to-3P-to-3P) EAT++(2h-alt) FOR GET~STRONG SO-AS 1P-IX-PL CAN DO LIVE GOOD(2h)	7-c
	EAT++(2h-alt)	BUT TRUE 1P-IX-PL(1P-to-3P-to-3P) EAT++(2h-alt) FOR GET~STRONG SO-AS 1P-IX-PL CAN DO LIVE GOOD(2h)	7-c
	GET~STRONG	BUT TRUE 1P-IX-PL(1P-to-3P-to-3P) EAT++(2h-alt) FOR GET~STRONG SO-AS 1P-IX-PL CAN DO LIVE GOOD(2h)	7-c
	GOOD(2h)	BUT TRUE 1P-IX-PL(1P-to-3P-to-3P) EAT++(2h-alt) FOR GET~STRONG SO-AS 1P-IX-PL CAN DO LIVE GOOD(2h)	7-c
	pn:CLERC	OTHER TIME-PERIOD pn:CLERC 3P-SELF(rc) SUMMONS(lc) MALE~cl-d:B(small-height,lt) GOING PASS(-to-rt) HOUSE,	8-a
	3P-SELF(rc)	OTHER TIME-PERIOD pn:CLERC 3P-SELF(rc) SUMMONS(lc) MALE~cl-d:B(small-height,lt) GOING PASS(-to-rt) HOUSE,	8-a
	SUMMONS(lc)	OTHER TIME-PERIOD pn:CLERC 3P-SELF(rc) SUMMONS(lc) MALE~cl-d:B(small-height,lt) GOING PASS(-to-rt) HOUSE,	8-a
	MALE~cl-d:B(small-height,lt)	OTHER TIME-PERIOD pn:CLERC 3P-SELF(rc) SUMMONS(lc) MALE~cl-d:B(small-height,lt) GOING PASS(-to-rt) HOUSE,	8-a
	PASS(-to-rt)	OTHER TIME-PERIOD pn:CLERC 3P-SELF(rc) SUMMONS(lc) MALE~cl-d:B(small-height,lt) GOING PASS(-to-rt) HOUSE,	8-a
	ASK(rc)	ASK(rc) 2P-IX APPRECIATE++ TELL(triple-loci-to-rt) STEWARD++ S-T-E-W-A-R-D(l-hand) OVER-ALL INSTITUTE(l-hand)	8-b
	APPRECIATE++	ASK(rc) 2P-IX APPRECIATE++ TELL(triple-loci-to-rt) STEWARD++ S-T-E-W-A-R-D(l-hand) OVER-ALL INSTITUTE(l-hand)	8-b
	TELL(triple-loci-to-rt)	ASK(rc) 2P-IX APPRECIATE++ TELL(triple-loci-to-rt) STEWARD++ S-T-E-W-A-R-D(l-hand) OVER-ALL INSTITUTE(l-hand)	8-b
	STEWARD++	ASK(rc) 2P-IX APPRECIATE++ TELL(triple-loci-to-rt) STEWARD++ S-T-E-W-A-R-D(l-hand) OVER-ALL INSTITUTE(l-hand)	8-b
	S-T-E-W-A-R-D(l-hand)	ASK(rc) 2P-IX APPRECIATE++ TELL(triple-loci-to-rt) STEWARD++ S-T-E-W-A-R-D(l-hand) OVER-ALL INSTITUTE(l-hand)	8-b
	INSTITUTE(l-hand)	ASK(rc) 2P-IX APPRECIATE++ TELL(triple-loci-to-rt) STEWARD++ S-T-E-W-A-R-D(l-hand) OVER-ALL INSTITUTE(l-hand)	8-b
	TELL(-to-rt)	TELL(-to-rt) COMMAND COME-GET(rt-to-lt) WOOD BRING(rt-to-lt) 1P-IX+.	8-c
	COME-GET(rt-to-lt)	TELL(-to-rt) COMMAND COME-GET(rt-to-lt) WOOD BRING(rt-to-lt) 1P-IX+.	8-c
	BRING(rt-to-lt)	TELL(-to-rt) COMMAND COME-GET(rt-to-lt) WOOD BRING(rt-to-lt) 1P-IX+.	8-c
	1P-IX+	TELL(-to-rt) COMMAND COME-GET(rt-to-lt) WOOD BRING(rt-to-lt) 1P-IX+.	8-c
	MALE~cl-d:B(small-height)	MALE~cl-d:B(small-height) APPRECIATE~nod(-from-rt) GO-AWAY(l-hand,-to-lt)	8-d
	APPRECIATE~nod(-from-rt)	MALE~cl-d:B(small-height) APPRECIATE~nod(-from-rt) GO-AWAY(l-hand,-to-lt)	8-d
	GO-AWAY(l-hand,-to-lt)	MALE~cl-d:B(small-height) APPRECIATE~nod(-from-rt) GO-AWAY(l-hand,-to-lt)	8-d
	THAT(1h)	BUT THAT(1h) MALE~cl-d:B(small-height) FORGET THINKING ABOUT PLAY++(lt-to-rt)	8-e
	MALE~cl-d:B(small-height)	BUT THAT(1h) MALE~cl-d:B(small-height) FORGET THINKING ABOUT PLAY++(lt-to-rt)	8-e
	PLAY++(lt-to-rt)	BUT THAT(1h) MALE~cl-d:B(small-height) FORGET THINKING ABOUT PLAY++(lt-to-rt)	8-e
	FORGET~GONE	FORGET~GONE TELL(-to-rt) STEWARD++	8-f
	TELL(-to-rt)	FORGET~GONE TELL(-to-rt) STEWARD++	8-f
	STEWARD++	FORGET~GONE TELL(-to-rt) STEWARD++	8-f
	pn:CLERC	AND pn:CLERC GET 3P-IX(rt) WOOD gs:nothing.	8-g
	3P-IX(rt)	AND pn:CLERC GET 3P-IX(rt) WOOD gs:nothing.	8-g
	gs:nothing	AND pn:CLERC GET 3P-IX(rt) WOOD gs:nothing.	8-g
	TOMORROW~2-3	TOMORROW~1-2-3 3P-IX(rt) pn:CLERC MEET(-to-lt) THAT(rf) MALE~cl-d:B(small-height,lt) AGAIN.	9-a
	3P-IX(rt)	TOMORROW~1-2-3 3P-IX(rt) pn:CLERC MEET(-to-lt) THAT(rf) MALE~cl-d:B(small-height,lt) AGAIN.	9-a
	pn:CLERC	TOMORROW~1-2-3 3P-IX(rt) pn:CLERC MEET(-to-lt) THAT(rf) MALE~cl-d:B(small-height,lt) AGAIN.	9-a
	MEET(-to-lt)	TOMORROW~1-2-3 3P-IX(rt) pn:CLERC MEET(-to-lt) THAT(rf) MALE~cl-d:B(small-height,lt) AGAIN.	9-a
	THAT(rf)	TOMORROW~1-2-3 3P-IX(rt) pn:CLERC MEET(-to-lt) THAT(rf) MALE~cl-d:B(small-height,lt) AGAIN.	9-a
	MALE~cl-d:B(small-height,lt)	TOMORROW~1-2-3 3P-IX(rt) pn:CLERC MEET(-to-lt) THAT(rf) MALE~cl-d:B(small-height,lt) AGAIN.	9-a
	3P-SELF(rt)	3P-SELF(rt) cl-i:Xx+(walk-with-cane) cl-i:Xx(tap-boy) cl-i:SS(grab-3P-lapel) cl-i:SS(grab-1P-jacket-lapel) cl-i:SS(grab-3P-lapel),	9-b
	cl-i:Xx+(walk-with-cane)	3P-SELF(rt) cl-i:Xx+(walk-with-cane) cl-i:Xx(tap-boy) cl-i:SS(grab-3P-lapel) cl-i:SS(grab-1P-jacket-lapel) cl-i:SS(grab-3P-lapel),	9-b
	cl-i:Xx(tap-boy)	3P-SELF(rt) cl-i:Xx+(walk-with-cane) cl-i:Xx(tap-boy) cl-i:SS(grab-3P-lapel) cl-i:SS(grab-1P-jacket-lapel) cl-i:SS(grab-3P-lapel),	9-b
	cl-i:SS(grab-3P-lapel)	3P-SELF(rt) cl-i:Xx+(walk-with-cane) cl-i:Xx(tap-boy) cl-i:SS(grab-3P-lapel) cl-i:SS(grab-1P-jacket-lapel) cl-i:SS(grab-3P-lapel),	9-b
	cl-i:SS(grab-1P-jacket-lapel)	3P-SELF(rt) cl-i:Xx+(walk-with-cane) cl-i:Xx(tap-boy) cl-i:SS(grab-3P-lapel) cl-i:SS(grab-1P-jacket-lapel) cl-i:SS(grab-3P-lapel),	9-b
	cl-i:SS(grab-3P-lapel)	3P-SELF(rt) cl-i:Xx+(walk-with-cane) cl-i:Xx(tap-boy) cl-i:SS(grab-3P-lapel) cl-i:SS(grab-1P-jacket-lapel) cl-i:SS(grab-3P-lapel),	9-b
	1P-IX~2P-IX	2P-IX, 1P-IX~2P-IX, 1P-IX++ ASK(-to-lt) 2P-IX APPRECIATE+ TELL(-to-rt) STEWARD+BRING(rt-to-ctr) WOOD 2P-IX pose:nod++(-to-rt)	9-c
	1P-IX++	2P-IX, 1P-IX~2P-IX, 1P-IX++ ASK(-to-lt) 2P-IX APPRECIATE+ TELL(-to-rt) STEWARD+BRING(rt-to-ctr) WOOD 2P-IX pose:nod++(-to-rt)	9-c
	ASK(-to-lt)	2P-IX, 1P-IX~2P-IX, 1P-IX++ ASK(-to-lt) 2P-IX APPRECIATE+ TELL(-to-rt) STEWARD+BRING(rt-to-ctr) WOOD 2P-IX pose:nod++(-to-rt)	9-c
	APPRECIATE+	2P-IX, 1P-IX~2P-IX, 1P-IX++ ASK(-to-lt) 2P-IX APPRECIATE+ TELL(-to-rt) STEWARD+BRING(rt-to-ctr) WOOD 2P-IX pose:nod++(-to-rt)	9-c
	TELL(-to-rt)	2P-IX, 1P-IX~2P-IX, 1P-IX++ ASK(-to-lt) 2P-IX APPRECIATE+ TELL(-to-rt) STEWARD+BRING(rt-to-ctr) WOOD 2P-IX pose:nod++(-to-rt)	9-c
	STEWARD+	2P-IX, 1P-IX~2P-IX, 1P-IX++ ASK(-to-lt) 2P-IX APPRECIATE+ TELL(-to-rt) STEWARD+BRING(rt-to-ctr) WOOD 2P-IX pose:nod++(-to-rt)	9-c
	BRING(rt-to-ctr)	2P-IX, 1P-IX~2P-IX, 1P-IX++ ASK(-to-lt) 2P-IX APPRECIATE+ TELL(-to-rt) STEWARD+BRING(rt-to-ctr) WOOD 2P-IX pose:nod++(-to-rt)	9-c
	pose:nod++(-to-rt)	2P-IX, 1P-IX~2P-IX, 1P-IX++ ASK(-to-lt) 2P-IX APPRECIATE+ TELL(-to-rt) STEWARD+BRING(rt-to-ctr) WOOD 2P-IX pose:nod++(-to-rt)	9-c
	GO-AWAY(-to-lt)	GO-AWAY(-to-lt) FORGET~GONE gs:darn-it FORGET SNUB cl-i:Xx++(with-cane) GONE-AWAY(-to-rt)	9-d
	FORGET~GONE	GO-AWAY(-to-lt) FORGET~GONE gs:darn-it FORGET SNUB cl-i:Xx++(with-cane) GONE-AWAY(-to-rt)	9-d
	gs:darn-it	GO-AWAY(-to-lt) FORGET~GONE gs:darn-it FORGET SNUB cl-i:Xx++(with-cane) GONE-AWAY(-to-rt)	9-d
	cl-i:Xx++(with-cane)	GO-AWAY(-to-lt) FORGET~GONE gs:darn-it FORGET SNUB cl-i:Xx++(with-cane) GONE-AWAY(-to-rt)	9-d
	GONE-AWAY(-to-rt)	GO-AWAY(-to-lt) FORGET~GONE gs:darn-it FORGET SNUB cl-i:Xx++(with-cane) GONE-AWAY(-to-rt)	9-d
	TOMORROW++	TOMORROW++ MEET(-to-lc) THAT(1h) MALE TELL(-to-lt) SAME gs:darn-it 3P-IX+(lt) MALE FORGET SNUB GO-AWAY(-to-rt)	9-e
	MEET(-to-lc)	TOMORROW++ MEET(-to-lc) THAT(1h) MALE TELL(-to-lt) SAME gs:darn-it 3P-IX+(lt) MALE FORGET SNUB GO-AWAY(-to-rt)	9-e
	THAT(1h)	TOMORROW++ MEET(-to-lc) THAT(1h) MALE TELL(-to-lt) SAME gs:darn-it 3P-IX+(lt) MALE FORGET SNUB GO-AWAY(-to-rt)	9-e
	TELL(-to-lt)	TOMORROW++ MEET(-to-lc) THAT(1h) MALE TELL(-to-lt) SAME gs:darn-it 3P-IX+(lt) MALE FORGET SNUB GO-AWAY(-to-rt)	9-e
	gs:darn-it	TOMORROW++ MEET(-to-lc) THAT(1h) MALE TELL(-to-lt) SAME gs:darn-it 3P-IX+(lt) MALE FORGET SNUB GO-AWAY(-to-rt)	9-e
	3P-IX+(lt)	TOMORROW++ MEET(-to-lc) THAT(1h) MALE TELL(-to-lt) SAME gs:darn-it 3P-IX+(lt) MALE FORGET SNUB GO-AWAY(-to-rt)	9-e
	GO-AWAY(-to-rt)	TOMORROW++ MEET(-to-lc) THAT(1h) MALE TELL(-to-lt) SAME gs:darn-it 3P-IX+(lt) MALE FORGET SNUB GO-AWAY(-to-rt)	9-e
	3P-IX(lt)	UNTIL LAST 3P-IX(lt) MALE~cl-d:B(small-height) TROUBLE TIRED cl-i:1(prodding-1P)	10-a
	MALE~cl-d:B(small-height)	UNTIL LAST 3P-IX(lt) MALE~cl-d:B(small-height) TROUBLE TIRED cl-i:1(prodding-1P)	10-a
	cl-i:1(prodding-1P)	UNTIL LAST 3P-IX(lt) MALE~cl-d:B(small-height) TROUBLE TIRED cl-i:1(prodding-1P)	10-a
	GOING(-to-rt)	DECIDE GOING(-to-rt) MEET(-to-rt) ASK(rt) FORGIVE+ FOR 1P-POSS FORGET	10-b
	MEET(-to-rt)	DECIDE GOING(-to-rt) MEET(-to-rt) ASK(rt) FORGIVE+ FOR 1P-POSS FORGET	10-b
	ASK(rt)	DECIDE GOING(-to-rt) MEET(-to-rt) ASK(rt) FORGIVE+ FOR 1P-POSS FORGET	10-b
	FORGIVE+	DECIDE GOING(-to-rt) MEET(-to-rt) ASK(rt) FORGIVE+ FOR 1P-POSS FORGET	10-b
	pn:CLERC	QUICK pn:CLERC FACE SMILE CLEAR, gs:oh-well ALRIGHT FORGIVE(-to-lt), FORGIVE(-to-lt)	10-c
	gs:oh-well	QUICK pn:CLERC FACE SMILE CLEAR, gs:oh-well ALRIGHT FORGIVE(-to-lt), FORGIVE(-to-lt)	10-c
	FORGIVE(-to-lt)	QUICK pn:CLERC FACE SMILE CLEAR, gs:oh-well ALRIGHT FORGIVE(-to-lt), FORGIVE(-to-lt)	10-c
	FORGIVE(-to-lt)	QUICK pn:CLERC FACE SMILE CLEAR, gs:oh-well ALRIGHT FORGIVE(-to-lt), FORGIVE(-to-lt)	10-c
	gs:oh-well!	gs:oh-well! CL-d:GG(legs-walking-step-by-step) GO-AWAY(-to-rt).	10-d
	CL-d:GG(legs-walking-step-by-step)	gs:oh-well! CL-d:GG(legs-walking-step-by-step) GO-AWAY(-to-rt).	10-d
	GO-AWAY(-to-rt)	gs:oh-well! CL-d:GG(legs-walking-step-by-step) GO-AWAY(-to-rt).	10-d
	pn:CLERC	OTHER TIME-PERIOD pn:CLERC GOING PASS STAND LOOK-AT(1h,up,lt) cl-d:BB(statue,lt) DEAF ALL-OVER pn:AMERICA ESTABLISH FOR HONOR(1h,lt) pn:GALLAUDET	11-a
	LOOK-AT(1h,up,lt)	OTHER TIME-PERIOD pn:CLERC GOING PASS STAND LOOK-AT(1h,up,lt) cl-d:BB(statue,lt) DEAF ALL-OVER pn:AMERICA ESTABLISH FOR HONOR(1h,lt) pn:GALLAUDET	11-a
	cl-d:BB(statue,lt)	OTHER TIME-PERIOD pn:CLERC GOING PASS STAND LOOK-AT(1h,up,lt) cl-d:BB(statue,lt) DEAF ALL-OVER pn:AMERICA ESTABLISH FOR HONOR(1h,lt) pn:GALLAUDET	11-a
	pn:AMERICA	OTHER TIME-PERIOD pn:CLERC GOING PASS STAND LOOK-AT(1h,up,lt) cl-d:BB(statue,lt) DEAF ALL-OVER pn:AMERICA ESTABLISH FOR HONOR(1h,lt) pn:GALLAUDET	11-a
	HONOR(1h,lt)	OTHER TIME-PERIOD pn:CLERC GOING PASS STAND LOOK-AT(1h,up,lt) cl-d:BB(statue,lt) DEAF ALL-OVER pn:AMERICA ESTABLISH FOR HONOR(1h,lt) pn:GALLAUDET	11-a
	pn:GALLAUDET	OTHER TIME-PERIOD pn:CLERC GOING PASS STAND LOOK-AT(1h,up,lt) cl-d:BB(statue,lt) DEAF ALL-OVER pn:AMERICA ESTABLISH FOR HONOR(1h,lt) pn:GALLAUDET	11-a
	THAT(1h,lt)	THAT(1h,lt) STATUE 3P-IX-PL(ctr) MONEY~PAY(2h-alt) MONTH-2~3-several++ UP-TILL-NOW FOR MAKE SCULPT cl-i:BB(scrape-clean) CHANGE EXACT AGAIN	11-b
	3P-IX-PL(ctr)	THAT(1h,lt) STATUE 3P-IX-PL(ctr) MONEY~PAY(2h-alt) MONTH-2~3-several++ UP-TILL-NOW FOR MAKE SCULPT cl-i:BB(scrape-clean) CHANGE EXACT AGAIN	11-b
	MONEY~PAY(2h-alt)	THAT(1h,lt) STATUE 3P-IX-PL(ctr) MONEY~PAY(2h-alt) MONTH-2~3-several++ UP-TILL-NOW FOR MAKE SCULPT cl-i:BB(scrape-clean) CHANGE EXACT AGAIN	11-b
	MONTH-2~3-several++	THAT(1h,lt) STATUE 3P-IX-PL(ctr) MONEY~PAY(2h-alt) MONTH-2~3-several++ UP-TILL-NOW FOR MAKE SCULPT cl-i:BB(scrape-clean) CHANGE EXACT AGAIN	11-b
	cl-i:BB(scrape-clean)	THAT(1h,lt) STATUE 3P-IX-PL(ctr) MONEY~PAY(2h-alt) MONTH-2~3-several++ UP-TILL-NOW FOR MAKE SCULPT cl-i:BB(scrape-clean) CHANGE EXACT AGAIN	11-b
	pn:CLERC	pn:CLERC LOOK-AT(1h,circ,-to-lt) DURING MALE~cl-d:B(small-height) SEVERAL GO-TO(lt-to-rt) LOOK-AT(1h,-to-rt)	11-c
	LOOK-AT(1h,circ,-to-lt)	pn:CLERC LOOK-AT(1h,circ,-to-lt) DURING MALE~cl-d:B(small-height) SEVERAL GO-TO(lt-to-rt) LOOK-AT(1h,-to-rt)	11-c
	MALE~cl-d:B(small-height)	pn:CLERC LOOK-AT(1h,circ,-to-lt) DURING MALE~cl-d:B(small-height) SEVERAL GO-TO(lt-to-rt) LOOK-AT(1h,-to-rt)	11-c
	GO-TO(lt-to-rt)	pn:CLERC LOOK-AT(1h,circ,-to-lt) DURING MALE~cl-d:B(small-height) SEVERAL GO-TO(lt-to-rt) LOOK-AT(1h,-to-rt)	11-c
	LOOK-AT(1h,-to-rt)	pn:CLERC LOOK-AT(1h,circ,-to-lt) DURING MALE~cl-d:B(small-height) SEVERAL GO-TO(lt-to-rt) LOOK-AT(1h,-to-rt)	11-c
	gs:hey!(rt)	gs:hey!(rt) FUTURE STATUE ESTABLISH FOR 2P-IX(rt) FUTURE	11-d
	2P-IX(rt)	gs:hey!(rt) FUTURE STATUE ESTABLISH FOR 2P-IX(rt) FUTURE	11-d
	DET-back-to(-to-rt)	DET-back-to(-to-rt) pn:CLERC gs:oh-well DONT-KNOW gs:shrug MAYBE	11-e
	pn:CLERC	DET-back-to(-to-rt) pn:CLERC gs:oh-well DONT-KNOW gs:shrug MAYBE	11-e
	gs:oh-well	DET-back-to(-to-rt) pn:CLERC gs:oh-well DONT-KNOW gs:shrug MAYBE	11-e
	gs:shrug	DET-back-to(-to-rt) pn:CLERC gs:oh-well DONT-KNOW gs:shrug MAYBE	11-e
	gs:nod	MALE gs:nod WH:55-random(go-where) 2P-POSS STATUE ESTABLISH WHERE.	12-a
	WH:55-random(go-where)	MALE gs:nod WH:55-random(go-where) 2P-POSS STATUE ESTABLISH WHERE.	12-a
	pn:CLERC	pn:CLERC gs:well-now 1P-IX DONT-KNOW BUT 1P-IX APPRECIATE THERE(rt) BESIDE pn:GALLAUDET(l-hand) THERE(lt,l-hand) BESIDE.	12-b
	gs:well-now	pn:CLERC gs:well-now 1P-IX DONT-KNOW BUT 1P-IX APPRECIATE THERE(rt) BESIDE pn:GALLAUDET(l-hand) THERE(lt,l-hand) BESIDE.	12-b
	THERE(rt)	pn:CLERC gs:well-now 1P-IX DONT-KNOW BUT 1P-IX APPRECIATE THERE(rt) BESIDE pn:GALLAUDET(l-hand) THERE(lt,l-hand) BESIDE.	12-b
	pn:GALLAUDET(l-hand)	pn:CLERC gs:well-now 1P-IX DONT-KNOW BUT 1P-IX APPRECIATE THERE(rt) BESIDE pn:GALLAUDET(l-hand) THERE(lt,l-hand) BESIDE.	12-b
	THERE(lt,l-hand)	pn:CLERC gs:well-now 1P-IX DONT-KNOW BUT 1P-IX APPRECIATE THERE(rt) BESIDE pn:GALLAUDET(l-hand) THERE(lt,l-hand) BESIDE.	12-b
	3P-POSS(lt)	1P-IX 3P-POSS(lt) GO-WITH-ALL-OVER FRIEND DURING LIVE WANT BESIDE WITH IN DIE~BURY	12-c
	DIE~BURY	1P-IX 3P-POSS(lt) GO-WITH-ALL-OVER FRIEND DURING LIVE WANT BESIDE WITH IN DIE~BURY	12-c
	MONEY~PAY(2h-alt)	AND TRUE YEAR ONE-TWO-THREE FUTURE DEAF ALL-OVER MONEY~PAY(2h-alt) THREE~THOUSAND DOLLAR	12-d
	THREE~THOUSAND	AND TRUE YEAR ONE-TWO-THREE FUTURE DEAF ALL-OVER MONEY~PAY(2h-alt) THREE~THOUSAND DOLLAR	12-d
	cl-d-trace:X(profile)	BUILD STATUE NEAT WITH cl-d-trace:X(profile) IN B-R-O-N-Z-E 3P-POSS(rt) pn:CLERC	12-e
	3P-POSS(rt)	BUILD STATUE NEAT WITH cl-d-trace:X(profile) IN B-R-O-N-Z-E 3P-POSS(rt) pn:CLERC	12-e
	pn:CLERC	BUILD STATUE NEAT WITH cl-d-trace:X(profile) IN B-R-O-N-Z-E 3P-POSS(rt) pn:CLERC	12-e
	ESTABLISH(rt)	ESTABLISH(rt) THAT(1h,rt) AREA 3P-SELF AGO PICK-FROM(-from-rt)	12-f
	THAT(1h,rt)	ESTABLISH(rt) THAT(1h,rt) AREA 3P-SELF AGO PICK-FROM(-from-rt)	12-f
	PICK-FROM(-from-rt)	ESTABLISH(rt) THAT(1h,rt) AREA 3P-SELF AGO PICK-FROM(-from-rt)	12-f
	LEAVE-FROM(-from-lt)	FROM-THEN-ON 1P-IX LEAVE-FROM(-from-lt) SCHOOL SEE LITTLE-BIT pn:CLERC	13-a
	pn:CLERC	FROM-THEN-ON 1P-IX LEAVE-FROM(-from-lt) SCHOOL SEE LITTLE-BIT pn:CLERC	13-a
	SEE++(lt-to-rt)	BUT 1P-IX HAVE MUCH APPRECIATE IN SEE++(lt-to-rt) AND MINGLE WITH OTHER+ TEACH~AGENT	13-b
	OTHER+	BUT 1P-IX HAVE MUCH APPRECIATE IN SEE++(lt-to-rt) AND MINGLE WITH OTHER+ TEACH~AGENT	13-b
	TEACH~AGENT	BUT 1P-IX HAVE MUCH APPRECIATE IN SEE++(lt-to-rt) AND MINGLE WITH OTHER+ TEACH~AGENT	13-b
	EVERY++	EVERY++ TEACH~AGENT HEAR~SPEAK IN THAT(1h) SCHOOL SIGN CLEAR BEAUTIFUL	13-c
	TEACH~AGENT	EVERY++ TEACH~AGENT HEAR~SPEAK IN THAT(1h) SCHOOL SIGN CLEAR BEAUTIFUL	13-c
	HEAR~SPEAK	EVERY++ TEACH~AGENT HEAR~SPEAK IN THAT(1h) SCHOOL SIGN CLEAR BEAUTIFUL	13-c
	THAT(1h)	EVERY++ TEACH~AGENT HEAR~SPEAK IN THAT(1h) SCHOOL SIGN CLEAR BEAUTIFUL	13-c
	THINK~SUPERIOR	EVERY++ TEACH~AGENT HEAR~SPEAK IN THAT(1h) SCHOOL SIGN CLEAR BEAUTIFUL	13-c
	EVERY+++	THINK~SUPERIOR EVERY+++ HEAR~SPEAK MALE NEED gs:ordered-to-go(rt-to-lt) GOING(-to-lt) pn:CLERC C-L-E-R-C	13-d
	HEAR~SPEAK	THINK~SUPERIOR EVERY+++ HEAR~SPEAK MALE NEED gs:ordered-to-go(rt-to-lt) GOING(-to-lt) pn:CLERC C-L-E-R-C	13-d
	gs:ordered-to-go(rt-to-lt)	THINK~SUPERIOR EVERY+++ HEAR~SPEAK MALE NEED gs:ordered-to-go(rt-to-lt) GOING(-to-lt) pn:CLERC C-L-E-R-C	13-d
	GOING(-to-lt)	THINK~SUPERIOR EVERY+++ HEAR~SPEAK MALE NEED gs:ordered-to-go(rt-to-lt) GOING(-to-lt) pn:CLERC C-L-E-R-C	13-d
	pn:CLERC	THINK~SUPERIOR EVERY+++ HEAR~SPEAK MALE NEED gs:ordered-to-go(rt-to-lt) GOING(-to-lt) pn:CLERC C-L-E-R-C	13-d
	GIVE(-to-lt)	AND MONEY GIVE(-to-lt) FOR 3P-POSS(lt) TEACH(-to-rt)	13-e
	3P-POSS(lt)	AND MONEY GIVE(-to-lt) FOR 3P-POSS(lt) TEACH(-to-rt)	13-e
	TEACH(-to-rt)	AND MONEY GIVE(-to-lt) FOR 3P-POSS(lt) TEACH(-to-rt)	13-e
	3P-POSS(lt)	SO-AS ALL GET UNDERSTAND 3P-POSS(lt) SPIRIT SIGN	13-f
	FIRST(2h)	AMONG CLASS TWO MOST THAN OTHER FIRST(2h) D-R T-U-R-N-E-R OVER-ALL SCHOOL, SECOND(2h) M-R B-A-R-T-L-E-T-T pn:BARTLETT	14-a
	SECOND(2h)	AMONG CLASS TWO MOST THAN OTHER FIRST(2h) D-R T-U-R-N-E-R OVER-ALL SCHOOL, SECOND(2h) M-R B-A-R-T-L-E-T-T pn:BARTLETT	14-a
	pn:BARTLETT	AMONG CLASS TWO MOST THAN OTHER FIRST(2h) D-R T-U-R-N-E-R OVER-ALL SCHOOL, SECOND(2h) M-R B-A-R-T-L-E-T-T pn:BARTLETT	14-a
	DRAMA~AGENT	3P-IX-DUAL TRUE SAME DRAMA~AGENT AND(rf) DISTRIBUTE MUCH APPRECIATE TO CHILDREN	14-b
	AND(rf)	3P-IX-DUAL TRUE SAME DRAMA~AGENT AND(rf) DISTRIBUTE MUCH APPRECIATE TO CHILDREN	14-b
	APPRECIATE~MOST	SO-AS CHILDREN APPRECIATE~MOST LOSE(rt) 3P-POSS(lc-to-lt) EAT THAN LOSE(lt) SEE(-to-lt) THAT(1h,lt) MALE TWO 3P-POSS(lt) PREACH++ ALL-AFTERNOON SUNDAY DAY	14-c
	LOSE(rt)	SO-AS CHILDREN APPRECIATE~MOST LOSE(rt) 3P-POSS(lc-to-lt) EAT THAN LOSE(lt) SEE(-to-lt) THAT(1h,lt) MALE TWO 3P-POSS(lt) PREACH++ ALL-AFTERNOON SUNDAY DAY	14-c
	3P-POSS(lc-to-lt)	SO-AS CHILDREN APPRECIATE~MOST LOSE(rt) 3P-POSS(lc-to-lt) EAT THAN LOSE(lt) SEE(-to-lt) THAT(1h,lt) MALE TWO 3P-POSS(lt) PREACH++ ALL-AFTERNOON SUNDAY DAY	14-c
	LOSE(lt)	SO-AS CHILDREN APPRECIATE~MOST LOSE(rt) 3P-POSS(lc-to-lt) EAT THAN LOSE(lt) SEE(-to-lt) THAT(1h,lt) MALE TWO 3P-POSS(lt) PREACH++ ALL-AFTERNOON SUNDAY DAY	14-c
	SEE(-to-lt)	SO-AS CHILDREN APPRECIATE~MOST LOSE(rt) 3P-POSS(lc-to-lt) EAT THAN LOSE(lt) SEE(-to-lt) THAT(1h,lt) MALE TWO 3P-POSS(lt) PREACH++ ALL-AFTERNOON SUNDAY DAY	14-c
	THAT(1h,lt)	SO-AS CHILDREN APPRECIATE~MOST LOSE(rt) 3P-POSS(lc-to-lt) EAT THAN LOSE(lt) SEE(-to-lt) THAT(1h,lt) MALE TWO 3P-POSS(lt) PREACH++ ALL-AFTERNOON SUNDAY DAY	14-c
	3P-POSS(lt)	SO-AS CHILDREN APPRECIATE~MOST LOSE(rt) 3P-POSS(lc-to-lt) EAT THAN LOSE(lt) SEE(-to-lt) THAT(1h,lt) MALE TWO 3P-POSS(lt) PREACH++ ALL-AFTERNOON SUNDAY DAY	14-c
	PREACH++	SO-AS CHILDREN APPRECIATE~MOST LOSE(rt) 3P-POSS(lc-to-lt) EAT THAN LOSE(lt) SEE(-to-lt) THAT(1h,lt) MALE TWO 3P-POSS(lt) PREACH++ ALL-AFTERNOON SUNDAY DAY	14-c
	SEVERAL(2h)	1P-IX APPRECIATE DISTRIBUTE SHOW SEVERAL(2h) 3P-POSS-DUAL(lt) STORY BUT HAVE NEGATIVE TIME-PERIOD	14-d
	3P-POSS-DUAL(lt)	1P-IX APPRECIATE DISTRIBUTE SHOW SEVERAL(2h) 3P-POSS-DUAL(lt) STORY BUT HAVE NEGATIVE TIME-PERIOD	14-d
	PICK-FROM(-from-rt)	1P-IX PICK-FROM(-from-rt) ONE BY pn:BARTLETT M-R B-A-R-T-L-E-T-T STORY	14-e
	pn:BARTLETT	1P-IX PICK-FROM(-from-rt) ONE BY pn:BARTLETT M-R B-A-R-T-L-E-T-T STORY	14-e
	THAT++(2h)	THAT++(2h) OLD(2h) AND EASY ARRANGE STORY ABOUT pn:JESUS 3P-POSS(lt) CRUCIFY DIE ONE DAY E-A-S-T-E-R DAY SUNDAY	14-f
	OLD(2h)	THAT++(2h) OLD(2h) AND EASY ARRANGE STORY ABOUT pn:JESUS 3P-POSS(lt) CRUCIFY DIE ONE DAY E-A-S-T-E-R DAY SUNDAY	14-f
	pn:JESUS	THAT++(2h) OLD(2h) AND EASY ARRANGE STORY ABOUT pn:JESUS 3P-POSS(lt) CRUCIFY DIE ONE DAY E-A-S-T-E-R DAY SUNDAY	14-f
	3P-POSS(lt)	THAT++(2h) OLD(2h) AND EASY ARRANGE STORY ABOUT pn:JESUS 3P-POSS(lt) CRUCIFY DIE ONE DAY E-A-S-T-E-R DAY SUNDAY	14-f
	pn:JESUS	SPEAK, pn:JESUS cl-i:S\\B(spike-in-hand,alt) gs:hang-on-cross DIE(2h).	15-a
	cl-i:S\\B(spike-in-hand,alt)	SPEAK, pn:JESUS cl-i:S\\B(spike-in-hand,alt) gs:hang-on-cross DIE(2h).	15-a
	gs:hang-on-cross	SPEAK, pn:JESUS cl-i:S\\B(spike-in-hand,alt) gs:hang-on-cross DIE(2h).	15-a
	DIE(2h)	SPEAK, pn:JESUS cl-i:S\\B(spike-in-hand,alt) gs:hang-on-cross DIE(2h).	15-a
	3P-POSS(lt)	3P-POSS(lt) FRIEND ALL SAD CRY(2h-alt)	15-b
	CRY(2h-alt)	3P-POSS(lt) FRIEND ALL SAD CRY(2h-alt)	15-b
	3P-POSS(lt)	THINKING 3P-POSS(lt) pn:JESUS LIVE FAIL 3P-POSS(lt) DO WORTH~NOTHING ALL~WIPE-AWAY pose:grieving(hand-on-head).	15-c
	pn:JESUS	THINKING 3P-POSS(lt) pn:JESUS LIVE FAIL 3P-POSS(lt) DO WORTH~NOTHING ALL~WIPE-AWAY pose:grieving(hand-on-head).	15-c
	3P-POSS(lt)	THINKING 3P-POSS(lt) pn:JESUS LIVE FAIL 3P-POSS(lt) DO WORTH~NOTHING ALL~WIPE-AWAY pose:grieving(hand-on-head).	15-c
	WORTH~NOTHING	THINKING 3P-POSS(lt) pn:JESUS LIVE FAIL 3P-POSS(lt) DO WORTH~NOTHING ALL~WIPE-AWAY pose:grieving(hand-on-head).	15-c
	ALL~WIPE-AWAY	THINKING 3P-POSS(lt) pn:JESUS LIVE FAIL 3P-POSS(lt) DO WORTH~NOTHING ALL~WIPE-AWAY pose:grieving(hand-on-head).	15-c
	pose:grieving(hand-on-head)	THINKING 3P-POSS(lt) pn:JESUS LIVE FAIL 3P-POSS(lt) DO WORTH~NOTHING ALL~WIPE-AWAY pose:grieving(hand-on-head).	15-c
	HEAVEN~THERE(up_rt)	HEAVEN~THERE(up_rt) ANGEL SING GIVE(up_rt) GOD SEE(l-hand,lt) pn:JESUS(lt) DIE(1h,l-hand,lt), SAD STOP SING CRY(1h).	15-d
	GIVE(up_rt)	HEAVEN~THERE(up_rt) ANGEL SING GIVE(up_rt) GOD SEE(l-hand,lt) pn:JESUS(lt) DIE(1h,l-hand,lt), SAD STOP SING CRY(1h).	15-d
	SEE(l-hand,lt)	HEAVEN~THERE(up_rt) ANGEL SING GIVE(up_rt) GOD SEE(l-hand,lt) pn:JESUS(lt) DIE(1h,l-hand,lt), SAD STOP SING CRY(1h).	15-d
	pn:JESUS(lt)	HEAVEN~THERE(up_rt) ANGEL SING GIVE(up_rt) GOD SEE(l-hand,lt) pn:JESUS(lt) DIE(1h,l-hand,lt), SAD STOP SING CRY(1h).	15-d
	DIE(1h,l-hand,lt)	HEAVEN~THERE(up_rt) ANGEL SING GIVE(up_rt) GOD SEE(l-hand,lt) pn:JESUS(lt) DIE(1h,l-hand,lt), SAD STOP SING CRY(1h).	15-d
	CRY(1h)	HEAVEN~THERE(up_rt) ANGEL SING GIVE(up_rt) GOD SEE(l-hand,lt) pn:JESUS(lt) DIE(1h,l-hand,lt), SAD STOP SING CRY(1h).	15-d
	DET-IX(up_rt)	D-A-V-I-D DET-IX(up_rt) gs:strum-harp GIVE(up_rt) GOD SING, SEE(l-hand,lt) pn:JESUS DIE(2h), gs:strum-harp STOP gs:hold-harp.	15-e
	gs:strum-harp	D-A-V-I-D DET-IX(up_rt) gs:strum-harp GIVE(up_rt) GOD SING, SEE(l-hand,lt) pn:JESUS DIE(2h), gs:strum-harp STOP gs:hold-harp.	15-e
	GIVE(up_rt)	D-A-V-I-D DET-IX(up_rt) gs:strum-harp GIVE(up_rt) GOD SING, SEE(l-hand,lt) pn:JESUS DIE(2h), gs:strum-harp STOP gs:hold-harp.	15-e
	SEE(l-hand,lt)	D-A-V-I-D DET-IX(up_rt) gs:strum-harp GIVE(up_rt) GOD SING, SEE(l-hand,lt) pn:JESUS DIE(2h), gs:strum-harp STOP gs:hold-harp.	15-e
	pn:JESUS	D-A-V-I-D DET-IX(up_rt) gs:strum-harp GIVE(up_rt) GOD SING, SEE(l-hand,lt) pn:JESUS DIE(2h), gs:strum-harp STOP gs:hold-harp.	15-e
	DIE(2h)	D-A-V-I-D DET-IX(up_rt) gs:strum-harp GIVE(up_rt) GOD SING, SEE(l-hand,lt) pn:JESUS DIE(2h), gs:strum-harp STOP gs:hold-harp.	15-e
	gs:strum-harp	D-A-V-I-D DET-IX(up_rt) gs:strum-harp GIVE(up_rt) GOD SING, SEE(l-hand,lt) pn:JESUS DIE(2h), gs:strum-harp STOP gs:hold-harp.	15-e
	gs:hold-harp	D-A-V-I-D DET-IX(up_rt) gs:strum-harp GIVE(up_rt) GOD SING, SEE(l-hand,lt) pn:JESUS DIE(2h), gs:strum-harp STOP gs:hold-harp.	15-e
	DEVIL+++	BUT DEVIL+++ SEE(-to-lt) pn:JESUS(lt) DIE(1h,l-hand,lt), pose:hands-in-air HAPPY pose:stomping-and-wringing-hands	15-f
	SEE(-to-lt)	BUT DEVIL+++ SEE(-to-lt) pn:JESUS(lt) DIE(1h,l-hand,lt), pose:hands-in-air HAPPY pose:stomping-and-wringing-hands	15-f
	pn:JESUS(lt)	BUT DEVIL+++ SEE(-to-lt) pn:JESUS(lt) DIE(1h,l-hand,lt), pose:hands-in-air HAPPY pose:stomping-and-wringing-hands	15-f
	DIE(1h,l-hand,lt)	BUT DEVIL+++ SEE(-to-lt) pn:JESUS(lt) DIE(1h,l-hand,lt), pose:hands-in-air HAPPY pose:stomping-and-wringing-hands	15-f
	pose:hands-in-air	BUT DEVIL+++ SEE(-to-lt) pn:JESUS(lt) DIE(1h,l-hand,lt), pose:hands-in-air HAPPY pose:stomping-and-wringing-hands	15-f
	pose:stomping-and-wringing-hands	BUT DEVIL+++ SEE(-to-lt) pn:JESUS(lt) DIE(1h,l-hand,lt), pose:hands-in-air HAPPY pose:stomping-and-wringing-hands	15-f
	TAKE(2h,-to-lc)~ALL-OVER(lc)	NOW 1P-IX CAN TAKE(2h,-to-lc)~ALL-OVER(lc) ALL(exp) EARTH(lc) TRUE(int).	15-g
	ALL(exp)	NOW 1P-IX CAN TAKE(2h,-to-lc)~ALL-OVER(lc) ALL(exp) EARTH(lc) TRUE(int).	15-g
	EARTH(lc)	NOW 1P-IX CAN TAKE(2h,-to-lc)~ALL-OVER(lc) ALL(exp) EARTH(lc) TRUE(int).	15-g
	TRUE(int)	NOW 1P-IX CAN TAKE(2h,-to-lc)~ALL-OVER(lc) ALL(exp) EARTH(lc) TRUE(int).	15-g
	DAY+	BUT DAY+ THREE PASS END pn:JESUS 3P-SELF(lt) WAKE LIVE AGAIN	16-a
	pn:JESUS	BUT DAY+ THREE PASS END pn:JESUS 3P-SELF(lt) WAKE LIVE AGAIN	16-a
	3P-SELF(lt)	BUT DAY+ THREE PASS END pn:JESUS 3P-SELF(lt) WAKE LIVE AGAIN	16-a
	HEAVEN(up)	HEAVEN(up) THERE(up) ANGEL SEE(l-hand,lt) LIVE, gs:wonderful HAPPY SING+++ MORE(int) ENTHUSIASTIC.	16-b
	THERE(up)	HEAVEN(up) THERE(up) ANGEL SEE(l-hand,lt) LIVE, gs:wonderful HAPPY SING+++ MORE(int) ENTHUSIASTIC.	16-b
	SEE(l-hand,lt)	HEAVEN(up) THERE(up) ANGEL SEE(l-hand,lt) LIVE, gs:wonderful HAPPY SING+++ MORE(int) ENTHUSIASTIC.	16-b
	gs:wonderful	HEAVEN(up) THERE(up) ANGEL SEE(l-hand,lt) LIVE, gs:wonderful HAPPY SING+++ MORE(int) ENTHUSIASTIC.	16-b
	SING+++	HEAVEN(up) THERE(up) ANGEL SEE(l-hand,lt) LIVE, gs:wonderful HAPPY SING+++ MORE(int) ENTHUSIASTIC.	16-b
	MORE(int)	HEAVEN(up) THERE(up) ANGEL SEE(l-hand,lt) LIVE, gs:wonderful HAPPY SING+++ MORE(int) ENTHUSIASTIC.	16-b
	gs:hold-harp	D-A-V-I-D gs:hold-harp SEE(-to-lt) pn:JESUS GET-UP, gs:strum-harp++++(int) MORE BIG NOISE(diverges).	16-c
	SEE(-to-lt)	D-A-V-I-D gs:hold-harp SEE(-to-lt) pn:JESUS GET-UP, gs:strum-harp++++(int) MORE BIG NOISE(diverges).	16-c
	pn:JESUS	D-A-V-I-D gs:hold-harp SEE(-to-lt) pn:JESUS GET-UP, gs:strum-harp++++(int) MORE BIG NOISE(diverges).	16-c
	gs:strum-harp++++(int)	D-A-V-I-D gs:hold-harp SEE(-to-lt) pn:JESUS GET-UP, gs:strum-harp++++(int) MORE BIG NOISE(diverges).	16-c
	NOISE(diverges)	D-A-V-I-D gs:hold-harp SEE(-to-lt) pn:JESUS GET-UP, gs:strum-harp++++(int) MORE BIG NOISE(diverges).	16-c
	SEE(-to-lt)	BUT DEVIL SEE(-to-lt) pn:JESUS(lt) GET-UP(lt), WRONG(2h) FAIL(-to-rt),	16-d
	pn:JESUS(lt)	BUT DEVIL SEE(-to-lt) pn:JESUS(lt) GET-UP(lt), WRONG(2h) FAIL(-to-rt),	16-d
	GET-UP(lt)	BUT DEVIL SEE(-to-lt) pn:JESUS(lt) GET-UP(lt), WRONG(2h) FAIL(-to-rt),	16-d
	WRONG(2h)	BUT DEVIL SEE(-to-lt) pn:JESUS(lt) GET-UP(lt), WRONG(2h) FAIL(-to-rt),	16-d
	FAIL(-to-rt)	BUT DEVIL SEE(-to-lt) pn:JESUS(lt) GET-UP(lt), WRONG(2h) FAIL(-to-rt),	16-d
	pose:turns-around	pose:turns-around FLY~gs:go-away(-to-rt-bwd).	16-e
	FLY~gs:go-away(-to-rt-bwd)	pose:turns-around FLY~gs:go-away(-to-rt-bwd).	16-e
	TEACH~AGENT	1P-IX APPRECIATE STORY OTHER ABOUT TEACH~AGENT SIGN BUT TIME-PERIOD SMALL.	17-a
	ONE(l-hand)	1P-IX CAN ONE(l-hand) TELL(2h,arc) TO 2P-IX-PL SAME pn:TURNER D-R T-U-R-N-E-R TELL(2h,arc) TO 1P-IX-PL(-to-X) CHILDREN ONCE AGO.	17-b
	TELL(2h,arc)	1P-IX CAN ONE(l-hand) TELL(2h,arc) TO 2P-IX-PL SAME pn:TURNER D-R T-U-R-N-E-R TELL(2h,arc) TO 1P-IX-PL(-to-X) CHILDREN ONCE AGO.	17-b
	pn:TURNER	1P-IX CAN ONE(l-hand) TELL(2h,arc) TO 2P-IX-PL SAME pn:TURNER D-R T-U-R-N-E-R TELL(2h,arc) TO 1P-IX-PL(-to-X) CHILDREN ONCE AGO.	17-b
	TELL(2h,arc)	1P-IX CAN ONE(l-hand) TELL(2h,arc) TO 2P-IX-PL SAME pn:TURNER D-R T-U-R-N-E-R TELL(2h,arc) TO 1P-IX-PL(-to-X) CHILDREN ONCE AGO.	17-b
	1P-IX-PL(-to-X)	1P-IX CAN ONE(l-hand) TELL(2h,arc) TO 2P-IX-PL SAME pn:TURNER D-R T-U-R-N-E-R TELL(2h,arc) TO 1P-IX-PL(-to-X) CHILDREN ONCE AGO.	17-b
	LONG(-from-leg)	1P-IX HOPE NEGATIVE LONG(-from-leg) LONG(-from-leg) BEFORE 1P-IX-PL MEET AGAIN. pose:bow.	17-c
	LONG(-from-leg)	1P-IX HOPE NEGATIVE LONG(-from-leg) LONG(-from-leg) BEFORE 1P-IX-PL MEET AGAIN. pose:bow.	17-c
	pose:bow	1P-IX HOPE NEGATIVE LONG(-from-leg) LONG(-from-leg) BEFORE 1P-IX-PL MEET AGAIN. pose:bow.	17-c

Signer: Hubbard, Willis (1913) Title of film: An Address at the Tomb of Garfield Number of tags found: 151
Tag ID	Reference Gloss	Context	Paragraph-Clause
	gs:all(rt-to-ctr arc)	PRESIDENT, gs:all(rt-to-ctr arc), FEMALE~FANCY, MALE(rf)~FANCY,	1-a
	FEMALE~FANCY	PRESIDENT, gs:all(rt-to-ctr arc), FEMALE~FANCY, MALE(rf)~FANCY,	1-a
	MALE(rf)~FANCY	PRESIDENT, gs:all(rt-to-ctr arc), FEMALE~FANCY, MALE(rf)~FANCY,	1-a
	HAPPEN+	1P-IX-PL HERE ON H-A-L-L-O-W-E-D G-R-O-U-N-D, HAPPEN+ MUCH	1-b
	pn:AMERICA	DET-IX-PL DEAF GATHER HERE FROM pn:AMERICA THERE+++(rt-to-lt)	1-c
	THERE+++(rt-to-lt)	DET-IX-PL DEAF GATHER HERE FROM pn:AMERICA THERE+++(rt-to-lt)	1-c
	HONOR(bow)	HERE (glitch) FOR HONOR(bow) MALE~cl-d:B(height) THREE SPECIAL ONE fs:OF 1P-POSS-PL M-A-R-T-R-Y-R-E-D P-R-E-S-D-E-N-T-S	1-d
	MALE~cl-d:B(height)	HERE (glitch) FOR HONOR(bow) MALE~cl-d:B(height) THREE SPECIAL ONE fs:OF 1P-POSS-PL M-A-R-T-R-Y-R-E-D P-R-E-S-D-E-N-T-S	1-d
	fs:OF	HERE (glitch) FOR HONOR(bow) MALE~cl-d:B(height) THREE SPECIAL ONE fs:OF 1P-POSS-PL M-A-R-T-R-Y-R-E-D P-R-E-S-D-E-N-T-S	1-d
	TRY+	AND FRIEND 1P-POSS-PL TRY+ PROGRESS++ IMPROVE SCHOOL HELP DEAF.	1-e
	PROGRESS++	AND FRIEND 1P-POSS-PL TRY+ PROGRESS++ IMPROVE SCHOOL HELP DEAF.	1-e
	ATTRACT(reverse,-to-ctr)	J-A-M-E-S A G-A-R-F-I-E-L-D 3P-POSS LIVE FULL ATTRACT(reverse,-to-ctr).	2-a
	HAPPEN++	HAPPEN++ FROM cl-d:B++(small-height) POOR SUCCESS SUPERIOR+ RESPONSIBILITY MUCH.	2-b
	cl-d:B++(small-height)	HAPPEN++ FROM cl-d:B++(small-height) POOR SUCCESS SUPERIOR+ RESPONSIBILITY MUCH.	2-b
	SUPERIOR+	HAPPEN++ FROM cl-d:B++(small-height) POOR SUCCESS SUPERIOR+ RESPONSIBILITY MUCH.	2-b
	3P-SELF(rc)	3P-SELF(rc) LEARN+ SCHOOL TO MUCH DEGREE FROM W-I-L-L-I-A-M-S C-O-L-L-E-G-E.	2-c
	LEARN+	3P-SELF(rc) LEARN+ SCHOOL TO MUCH DEGREE FROM W-I-L-L-I-A-M-S C-O-L-L-E-G-E.	2-c
	3P-SELF(rc)	FROM-THEN-ON 3P-SELF(rc) OUT~GO-AWAY(-to-lt) TEACH+,	2-d
	OUT~GO-AWAY(-to-lt)	FROM-THEN-ON 3P-SELF(rc) OUT~GO-AWAY(-to-lt) TEACH+,	2-d
	TEACH+	FROM-THEN-ON 3P-SELF(rc) OUT~GO-AWAY(-to-lt) TEACH+,	2-d
	GO-AWAY(2h)	CHANGE ARMY GO-AWAY(2h) WAR.	2-e
	HAPPEN(int)	HAPPEN(int) WAR THROUGH~END.	2-f
	THROUGH~END	HAPPEN(int) WAR THROUGH~END.	2-f
	3P-SELF(rc)	3P-SELF(rc) OUT~GO-AWAY(-to-rt) HAVE DET-IX(shoulders,2h,ipsi_contact)~STARS SHOW A B-R-I-G-A-D-I-E-R G-E-N-E-R-A-L.	2-g
	OUT~GO-AWAY(-to-rt)	3P-SELF(rc) OUT~GO-AWAY(-to-rt) HAVE DET-IX(shoulders,2h,ipsi_contact)~STARS SHOW A B-R-I-G-A-D-I-E-R G-E-N-E-R-A-L.	2-g
	DET-IX(shoulders,2h,ipsi_contact)~STARS	3P-SELF(rc) OUT~GO-AWAY(-to-rt) HAVE DET-IX(shoulders,2h,ipsi_contact)~STARS SHOW A B-R-I-G-A-D-I-E-R G-E-N-E-R-A-L.	2-g
	3P-SELF++(rt)	FROM-THEN-ON 3P-SELF++(rt) GO-TO(-to-lt) CHOOSE-FROM(ctr-to-lt) IN C-O-N-G-R-E-S-S.	3-a
	GO-TO(-to-lt)	FROM-THEN-ON 3P-SELF++(rt) GO-TO(-to-lt) CHOOSE-FROM(ctr-to-lt) IN C-O-N-G-R-E-S-S.	3-a
	CHOOSE-FROM(ctr-to-lt)	FROM-THEN-ON 3P-SELF++(rt) GO-TO(-to-lt) CHOOSE-FROM(ctr-to-lt) IN C-O-N-G-R-E-S-S.	3-a
	MANY+	DURING 3P-SELF HAVE DUTY MANY+ OTHER+ IN C-O-N-G-R-E-S-S,	3-b
	OTHER+	DURING 3P-SELF HAVE DUTY MANY+ OTHER+ IN C-O-N-G-R-E-S-S,	3-b
	REMEMBER(int)	3P-SELF REMEMBER(int) LEARN(lc) SCHOOL(lc) THING(lc) PROGRESS.	3-c
	LEARN(lc)	3P-SELF REMEMBER(int) LEARN(lc) SCHOOL(lc) THING(lc) PROGRESS.	3-c
	SCHOOL(lc)	3P-SELF REMEMBER(int) LEARN(lc) SCHOOL(lc) THING(lc) PROGRESS.	3-c
	THING(lc)	3P-SELF REMEMBER(int) LEARN(lc) SCHOOL(lc) THING(lc) PROGRESS.	3-c
	THAT(1h)	DURING TIME-PERIOD THAT(1h), COLLEGE IN pn:WASHINGTON-DC HAVE PROBLEM+ TROUBLE.	3-d
	pn:WASHINGTON-DC	DURING TIME-PERIOD THAT(1h), COLLEGE IN pn:WASHINGTON-DC HAVE PROBLEM+ TROUBLE.	3-d
	PROBLEM+	DURING TIME-PERIOD THAT(1h), COLLEGE IN pn:WASHINGTON-DC HAVE PROBLEM+ TROUBLE.	3-d
	AGREE(lt)	3P-SELF SUPPORT HELP INFLUENCE MAKE MANY PEOPLE AGREE(lt).	3-e
	FUTURE(dn,lt)	FUTURE(dn,lt) COLLEGE(lt) ESTABLISH(lt) ON(lt) STRONG(lt) CONTINUE(lt) UP-TILL~NOW(lt).	3-f
	COLLEGE(lt)	FUTURE(dn,lt) COLLEGE(lt) ESTABLISH(lt) ON(lt) STRONG(lt) CONTINUE(lt) UP-TILL~NOW(lt).	3-f
	ESTABLISH(lt)	FUTURE(dn,lt) COLLEGE(lt) ESTABLISH(lt) ON(lt) STRONG(lt) CONTINUE(lt) UP-TILL~NOW(lt).	3-f
	ON(lt)	FUTURE(dn,lt) COLLEGE(lt) ESTABLISH(lt) ON(lt) STRONG(lt) CONTINUE(lt) UP-TILL~NOW(lt).	3-f
	STRONG(lt)	FUTURE(dn,lt) COLLEGE(lt) ESTABLISH(lt) ON(lt) STRONG(lt) CONTINUE(lt) UP-TILL~NOW(lt).	3-f
	CONTINUE(lt)	FUTURE(dn,lt) COLLEGE(lt) ESTABLISH(lt) ON(lt) STRONG(lt) CONTINUE(lt) UP-TILL~NOW(lt).	3-f
	UP-TILL~NOW(lt)	FUTURE(dn,lt) COLLEGE(lt) ESTABLISH(lt) ON(lt) STRONG(lt) CONTINUE(lt) UP-TILL~NOW(lt).	3-f
	CHOOSE-FROM+(ctr-to-lt)~be-nominated	PRESIDENT OVER-ALL 3P-SELF CHOOSE-FROM+(ctr-to-lt)~be-nominated THINK~GOAL PRESIDENT END WIN,	4-a
	THINK~GOAL	PRESIDENT OVER-ALL 3P-SELF CHOOSE-FROM+(ctr-to-lt)~be-nominated THINK~GOAL PRESIDENT END WIN,	4-a
	MALE(rf)~FEMALE(rf)~PEOPLE	DURING IN-FRONT-OF MALE(rf)~FEMALE(rf)~PEOPLE MANY+ THOUSAND cl-p:44(watching,-to-lt) INQUISITIVE(-to-lt).	4-b
	MANY+	DURING IN-FRONT-OF MALE(rf)~FEMALE(rf)~PEOPLE MANY+ THOUSAND cl-p:44(watching,-to-lt) INQUISITIVE(-to-lt).	4-b
	cl-p:44(watching,-to-lt)	DURING IN-FRONT-OF MALE(rf)~FEMALE(rf)~PEOPLE MANY+ THOUSAND cl-p:44(watching,-to-lt) INQUISITIVE(-to-lt).	4-b
	INQUISITIVE(-to-lt)	DURING IN-FRONT-OF MALE(rf)~FEMALE(rf)~PEOPLE MANY+ THOUSAND cl-p:44(watching,-to-lt) INQUISITIVE(-to-lt).	4-b
	pose:sworn-in	3P-SELF pose:sworn-in BECOME PRESIDENT pn:AMERICA.	4-c
	pn:AMERICA	3P-SELF pose:sworn-in BECOME PRESIDENT pn:AMERICA.	4-c
	3P-POSS(lt)	3P-POSS(lt) DO(lt) FIRST gs:what,	4-d
	DO(lt)	3P-POSS(lt) DO(lt) FIRST gs:what,	4-d
	gs:what	3P-POSS(lt) DO(lt) FIRST gs:what,	4-d
	3P-POSS(rt)	3P-POSS(rt) LOVE OLD(2h) FEMALE~pose:hold-baby gs:sit(lt) pose:embrace-and-kiss(lt-int)	4-e
	OLD(2h)	3P-POSS(rt) LOVE OLD(2h) FEMALE~pose:hold-baby gs:sit(lt) pose:embrace-and-kiss(lt-int)	4-e
	FEMALE~pose:hold-baby	3P-POSS(rt) LOVE OLD(2h) FEMALE~pose:hold-baby gs:sit(lt) pose:embrace-and-kiss(lt-int)	4-e
	gs:sit(lt)	3P-POSS(rt) LOVE OLD(2h) FEMALE~pose:hold-baby gs:sit(lt) pose:embrace-and-kiss(lt-int)	4-e
	pose:embrace-and-kiss(lt-int)	3P-POSS(rt) LOVE OLD(2h) FEMALE~pose:hold-baby gs:sit(lt) pose:embrace-and-kiss(lt-int)	4-e
	THAT(1h)	THAT(1h) DO MAKE~DISTRIBUTE MALE(rf)~FEMALE(rf)~PEOPLE pn:AMERICA FEEL(bs:bkwd,int) CRY(bow)	4-f
	MAKE~DISTRIBUTE	THAT(1h) DO MAKE~DISTRIBUTE MALE(rf)~FEMALE(rf)~PEOPLE pn:AMERICA FEEL(bs:bkwd,int) CRY(bow)	4-f
	MALE(rf)~FEMALE(rf)~PEOPLE	THAT(1h) DO MAKE~DISTRIBUTE MALE(rf)~FEMALE(rf)~PEOPLE pn:AMERICA FEEL(bs:bkwd,int) CRY(bow)	4-f
	pn:AMERICA	THAT(1h) DO MAKE~DISTRIBUTE MALE(rf)~FEMALE(rf)~PEOPLE pn:AMERICA FEEL(bs:bkwd,int) CRY(bow)	4-f
	FEEL(bs:bkwd,int)	THAT(1h) DO MAKE~DISTRIBUTE MALE(rf)~FEMALE(rf)~PEOPLE pn:AMERICA FEEL(bs:bkwd,int) CRY(bow)	4-f
	CRY(bow)	THAT(1h) DO MAKE~DISTRIBUTE MALE(rf)~FEMALE(rf)~PEOPLE pn:AMERICA FEEL(bs:bkwd,int) CRY(bow)	4-f
	3P-SELF(rt)	FROM-THEN-ON 3P-SELF(rt) RESPONSIBILITY DUTY PRESIDENT DO.	5-a
	OUT~GO-AWAY(-to-lt)	FUTURE DECIDE OUT~GO-AWAY(-to-lt) REST COLLECT STRONG.	5-c
	3P-IX(rt)	3P-IX(rt) BODY(rf)~STRONG, HAPPEN(int) MOMENT(int) SEEM(2h) BLINK.	5-d
	BODY(rf)~STRONG	3P-IX(rt) BODY(rf)~STRONG, HAPPEN(int) MOMENT(int) SEEM(2h) BLINK.	5-d
	HAPPEN(int)	3P-IX(rt) BODY(rf)~STRONG, HAPPEN(int) MOMENT(int) SEEM(2h) BLINK.	5-d
	MOMENT(int)	3P-IX(rt) BODY(rf)~STRONG, HAPPEN(int) MOMENT(int) SEEM(2h) BLINK.	5-d
	SEEM(2h)	3P-IX(rt) BODY(rf)~STRONG, HAPPEN(int) MOMENT(int) SEEM(2h) BLINK.	5-d
	DET-IX-TRACING(rt-along-the-fallen-body)	DET-IX-TRACING(rt-along-the-fallen-body) BECOME gs:laid-down-stricken,rt	5-e
	gs:laid-down-stricken,rt	DET-IX-TRACING(rt-along-the-fallen-body) BECOME gs:laid-down-stricken,rt	5-e
	pose:lay-there	pose:lay-there SUFFER-PAIN.	5-f
	3P-SELF(rt)	HELP 3P-SELF(rt) CANT+.	5-g
	CANT+	HELP 3P-SELF(rt) CANT+.	5-g
	KNOW~STAY	1P-IX-PL KNOW~STAY EIGHTEEN~HUNDRED~EIGHTY~ONE, SUMMER AFTER LONG SAD, FULL FEEL~HEAVY(int).	6-a
	EIGHTEEN~HUNDRED~EIGHTY~ONE	1P-IX-PL KNOW~STAY EIGHTEEN~HUNDRED~EIGHTY~ONE, SUMMER AFTER LONG SAD, FULL FEEL~HEAVY(int).	6-a
	FEEL~HEAVY(int)	1P-IX-PL KNOW~STAY EIGHTEEN~HUNDRED~EIGHTY~ONE, SUMMER AFTER LONG SAD, FULL FEEL~HEAVY(int).	6-a
	3P-IX(rt)	3P-IX(rt) IN HOUSE WANT 3P-IX(lt) DOCTOR TRY GIVE(-to-rt) BODY(rf)~STRONG(rt).	6-b
	3P-IX(lt)	3P-IX(rt) IN HOUSE WANT 3P-IX(lt) DOCTOR TRY GIVE(-to-rt) BODY(rf)~STRONG(rt).	6-b
	GIVE(-to-rt)	3P-IX(rt) IN HOUSE WANT 3P-IX(lt) DOCTOR TRY GIVE(-to-rt) BODY(rf)~STRONG(rt).	6-b
	BODY(rf)~STRONG(rt)	3P-IX(rt) IN HOUSE WANT 3P-IX(lt) DOCTOR TRY GIVE(-to-rt) BODY(rf)~STRONG(rt).	6-b
	3P-SELF(rt)	(false start) 3P-SELF(rt) AGENT TRY, 3P-POSS(lt) FEMALE~MARRY FAVOR+(rt).	6-c
	3P-POSS(lt)	(false start) 3P-SELF(rt) AGENT TRY, 3P-POSS(lt) FEMALE~MARRY FAVOR+(rt).	6-c
	FEMALE~MARRY	(false start) 3P-SELF(rt) AGENT TRY, 3P-POSS(lt) FEMALE~MARRY FAVOR+(rt).	6-c
	FAVOR+(rt)	(false start) 3P-SELF(rt) AGENT TRY, 3P-POSS(lt) FEMALE~MARRY FAVOR+(rt).	6-c
	FEMALE~BABY	FEMALE~BABY YOUNG LOVE FATHER.	6-d
	3P-HON(lt-ctr-int)	3P-HON(lt-ctr-int) PEOPLE ALL-OVER NATION IN FEEL pose:seize-heart MAYBE DET-OBJ(rt) H-O-P-E, DET-OBJ(lt) F-E-A-R DAILY cl:B(pendulum-swing)	6-e
	pose:seize-heart	3P-HON(lt-ctr-int) PEOPLE ALL-OVER NATION IN FEEL pose:seize-heart MAYBE DET-OBJ(rt) H-O-P-E, DET-OBJ(lt) F-E-A-R DAILY cl:B(pendulum-swing)	6-e
	DET-OBJ(rt)	3P-HON(lt-ctr-int) PEOPLE ALL-OVER NATION IN FEEL pose:seize-heart MAYBE DET-OBJ(rt) H-O-P-E, DET-OBJ(lt) F-E-A-R DAILY cl:B(pendulum-swing)	6-e
	DET-OBJ(lt)	3P-HON(lt-ctr-int) PEOPLE ALL-OVER NATION IN FEEL pose:seize-heart MAYBE DET-OBJ(rt) H-O-P-E, DET-OBJ(lt) F-E-A-R DAILY cl:B(pendulum-swing)	6-e
	cl:B(pendulum-swing)	3P-HON(lt-ctr-int) PEOPLE ALL-OVER NATION IN FEEL pose:seize-heart MAYBE DET-OBJ(rt) H-O-P-E, DET-OBJ(lt) F-E-A-R DAILY cl:B(pendulum-swing)	6-e
	CHANGE++	FUTURE CHANGE++ (lost_his_place) PISTOL~DET-IX(bullet-wound-in-chest) FUTURE.	6-f
	PISTOL~DET-IX(bullet-wound-in-chest)	FUTURE CHANGE++ (lost_his_place) PISTOL~DET-IX(bullet-wound-in-chest) FUTURE.	6-f
	HOPE++(anxiously)	PEOPLE ALL ALL-OVER INSPIRE HOPE++(anxiously).	6-g
	3P-IX(rt)	BUT LAST 3P-IX(rt) BRING(rt-to-ctr) FROM(rt) HOUSE~WHITE(rt) cl-p:BB(2-sides-of-street,dn_lt) THROUGH(-to-lt) cl-p:55(trees-in-2-rows,dn_lt)	7-a
	BRING(rt-to-ctr)	BUT LAST 3P-IX(rt) BRING(rt-to-ctr) FROM(rt) HOUSE~WHITE(rt) cl-p:BB(2-sides-of-street,dn_lt) THROUGH(-to-lt) cl-p:55(trees-in-2-rows,dn_lt)	7-a
	FROM(rt)	BUT LAST 3P-IX(rt) BRING(rt-to-ctr) FROM(rt) HOUSE~WHITE(rt) cl-p:BB(2-sides-of-street,dn_lt) THROUGH(-to-lt) cl-p:55(trees-in-2-rows,dn_lt)	7-a
	HOUSE~WHITE(rt)	BUT LAST 3P-IX(rt) BRING(rt-to-ctr) FROM(rt) HOUSE~WHITE(rt) cl-p:BB(2-sides-of-street,dn_lt) THROUGH(-to-lt) cl-p:55(trees-in-2-rows,dn_lt)	7-a
	cl-p:BB(2-sides-of-street,dn_lt)	BUT LAST 3P-IX(rt) BRING(rt-to-ctr) FROM(rt) HOUSE~WHITE(rt) cl-p:BB(2-sides-of-street,dn_lt) THROUGH(-to-lt) cl-p:55(trees-in-2-rows,dn_lt)	7-a
	THROUGH(-to-lt)	BUT LAST 3P-IX(rt) BRING(rt-to-ctr) FROM(rt) HOUSE~WHITE(rt) cl-p:BB(2-sides-of-street,dn_lt) THROUGH(-to-lt) cl-p:55(trees-in-2-rows,dn_lt)	7-a
	cl-p:55(trees-in-2-rows,dn_lt)	BUT LAST 3P-IX(rt) BRING(rt-to-ctr) FROM(rt) HOUSE~WHITE(rt) cl-p:BB(2-sides-of-street,dn_lt) THROUGH(-to-lt) cl-p:55(trees-in-2-rows,dn_lt)	7-a
	DET-IX(lt)	DET-IX(lt) cl-p:4onB(standing-on-each-side-of-road,lt) MALE(rf)~FEMALE(rf)~PEOPLE HUSH~QUIET CRY+(1h).	7-b
	cl-p:4onB(standing-on-each-side-of-road,lt)	DET-IX(lt) cl-p:4onB(standing-on-each-side-of-road,lt) MALE(rf)~FEMALE(rf)~PEOPLE HUSH~QUIET CRY+(1h).	7-b
	MALE(rf)~FEMALE(rf)~PEOPLE	DET-IX(lt) cl-p:4onB(standing-on-each-side-of-road,lt) MALE(rf)~FEMALE(rf)~PEOPLE HUSH~QUIET CRY+(1h).	7-b
	HUSH~QUIET	DET-IX(lt) cl-p:4onB(standing-on-each-side-of-road,lt) MALE(rf)~FEMALE(rf)~PEOPLE HUSH~QUIET CRY+(1h).	7-b
	CRY+(1h)	DET-IX(lt) cl-p:4onB(standing-on-each-side-of-road,lt) MALE(rf)~FEMALE(rf)~PEOPLE HUSH~QUIET CRY+(1h).	7-b
	3P-IX(lt_dn)	3P-IX(lt_dn) gs:wave(-to-rt) GO(l-hand,-to-lt) POWER H-O-S-P-I-T-A-L T-R-A-I-N RISE IN,	7-c
	gs:wave(-to-rt)	3P-IX(lt_dn) gs:wave(-to-rt) GO(l-hand,-to-lt) POWER H-O-S-P-I-T-A-L T-R-A-I-N RISE IN,	7-c
	GO(l-hand,-to-lt)	3P-IX(lt_dn) gs:wave(-to-rt) GO(l-hand,-to-lt) POWER H-O-S-P-I-T-A-L T-R-A-I-N RISE IN,	7-c
	BRING+(ctr-to-lt)	BRING+(ctr-to-lt) ACROSS(lt) COUNTRY(lt) TO(lt) LIQUID-CLASS~cl-d:55(ocean) E-L-B-E-R-O-N.	7-d
	ACROSS(lt)	BRING+(ctr-to-lt) ACROSS(lt) COUNTRY(lt) TO(lt) LIQUID-CLASS~cl-d:55(ocean) E-L-B-E-R-O-N.	7-d
	COUNTRY(lt)	BRING+(ctr-to-lt) ACROSS(lt) COUNTRY(lt) TO(lt) LIQUID-CLASS~cl-d:55(ocean) E-L-B-E-R-O-N.	7-d
	TO(lt)	BRING+(ctr-to-lt) ACROSS(lt) COUNTRY(lt) TO(lt) LIQUID-CLASS~cl-d:55(ocean) E-L-B-E-R-O-N.	7-d
	LIQUID-CLASS~cl-d:55(ocean)	BRING+(ctr-to-lt) ACROSS(lt) COUNTRY(lt) TO(lt) LIQUID-CLASS~cl-d:55(ocean) E-L-B-E-R-O-N.	7-d
	ALL(int)	ALL(int) CAN DO, DO END.	7-e
	MALE(rf)~FEMALE(rf)~PEOPLE	SMALL FROM-THEN-ON LITTLE-BIT MALE(rf)~FEMALE(rf)~PEOPLE KNOW+ 3P-IX(rt) pose:nod 3P-POSS(rt) HOUR++ FEW END.	8-a
	KNOW+	SMALL FROM-THEN-ON LITTLE-BIT MALE(rf)~FEMALE(rf)~PEOPLE KNOW+ 3P-IX(rt) pose:nod 3P-POSS(rt) HOUR++ FEW END.	8-a
	3P-IX(rt)	SMALL FROM-THEN-ON LITTLE-BIT MALE(rf)~FEMALE(rf)~PEOPLE KNOW+ 3P-IX(rt) pose:nod 3P-POSS(rt) HOUR++ FEW END.	8-a
	pose:nod	SMALL FROM-THEN-ON LITTLE-BIT MALE(rf)~FEMALE(rf)~PEOPLE KNOW+ 3P-IX(rt) pose:nod 3P-POSS(rt) HOUR++ FEW END.	8-a
	3P-POSS(rt)	SMALL FROM-THEN-ON LITTLE-BIT MALE(rf)~FEMALE(rf)~PEOPLE KNOW+ 3P-IX(rt) pose:nod 3P-POSS(rt) HOUR++ FEW END.	8-a
	HOUR++	SMALL FROM-THEN-ON LITTLE-BIT MALE(rf)~FEMALE(rf)~PEOPLE KNOW+ 3P-IX(rt) pose:nod 3P-POSS(rt) HOUR++ FEW END.	8-a
	gs:nothing	NIGHT DARK, PEOPLE SLEEP gs:nothing LISTEN pose:pulling-rope-to-ring-bell,	8-b
	pose:pulling-rope-to-ring-bell	NIGHT DARK, PEOPLE SLEEP gs:nothing LISTEN pose:pulling-rope-to-ring-bell,	8-b
	KNOW~BRING(2h-distributive)	KNOW~BRING(2h-distributive) 3P-IX(rt) GO-AWAY(rt-up) TO 3P-POSS(rt) GOOD(rf)~PRAISE++	8-c
	3P-IX(rt)	KNOW~BRING(2h-distributive) 3P-IX(rt) GO-AWAY(rt-up) TO 3P-POSS(rt) GOOD(rf)~PRAISE++	8-c
	GO-AWAY(rt-up)	KNOW~BRING(2h-distributive) 3P-IX(rt) GO-AWAY(rt-up) TO 3P-POSS(rt) GOOD(rf)~PRAISE++	8-c
	3P-POSS(rt)	KNOW~BRING(2h-distributive) 3P-IX(rt) GO-AWAY(rt-up) TO 3P-POSS(rt) GOOD(rf)~PRAISE++	8-c
	GOOD(rf)~PRAISE++	KNOW~BRING(2h-distributive) 3P-IX(rt) GO-AWAY(rt-up) TO 3P-POSS(rt) GOOD(rf)~PRAISE++	8-c
	AMONG~ONE	AMONG~ONE MALE(rf)~FEMALE(rf)~PEOPLE NATION(int) FEEL~GRIEVED SORRY, ANY SORRY~MOST+ THAN PEOPLE DEAF, NEGATIVE(neg).	8-d
	MALE(rf)~FEMALE(rf)~PEOPLE	AMONG~ONE MALE(rf)~FEMALE(rf)~PEOPLE NATION(int) FEEL~GRIEVED SORRY, ANY SORRY~MOST+ THAN PEOPLE DEAF, NEGATIVE(neg).	8-d
	NATION(int)	AMONG~ONE MALE(rf)~FEMALE(rf)~PEOPLE NATION(int) FEEL~GRIEVED SORRY, ANY SORRY~MOST+ THAN PEOPLE DEAF, NEGATIVE(neg).	8-d
	FEEL~GRIEVED	AMONG~ONE MALE(rf)~FEMALE(rf)~PEOPLE NATION(int) FEEL~GRIEVED SORRY, ANY SORRY~MOST+ THAN PEOPLE DEAF, NEGATIVE(neg).	8-d
	SORRY~MOST+	AMONG~ONE MALE(rf)~FEMALE(rf)~PEOPLE NATION(int) FEEL~GRIEVED SORRY, ANY SORRY~MOST+ THAN PEOPLE DEAF, NEGATIVE(neg).	8-d
	NEGATIVE(neg)	AMONG~ONE MALE(rf)~FEMALE(rf)~PEOPLE NATION(int) FEEL~GRIEVED SORRY, ANY SORRY~MOST+ THAN PEOPLE DEAF, NEGATIVE(neg).	8-d
	PAY(2h,ctr)	DEAF ALL PAY(2h,ctr) MAKE 3P-POSS SHAPE BONE~SCULPTURE	9-a
	BONE~SCULPTURE	DEAF ALL PAY(2h,ctr) MAKE 3P-POSS SHAPE BONE~SCULPTURE	9-a
	cl-i:SS(place-statue-to-lt)	cl-i:SS(place-statue-to-lt) IN(lc) COLLEGE(lc) CRUCIFY~CHURCH(lc) STILL(lc) NOW(lc).	9-b
	IN(lc)	cl-i:SS(place-statue-to-lt) IN(lc) COLLEGE(lc) CRUCIFY~CHURCH(lc) STILL(lc) NOW(lc).	9-b
	COLLEGE(lc)	cl-i:SS(place-statue-to-lt) IN(lc) COLLEGE(lc) CRUCIFY~CHURCH(lc) STILL(lc) NOW(lc).	9-b
	CRUCIFY~CHURCH(lc)	cl-i:SS(place-statue-to-lt) IN(lc) COLLEGE(lc) CRUCIFY~CHURCH(lc) STILL(lc) NOW(lc).	9-b
	STILL(lc)	cl-i:SS(place-statue-to-lt) IN(lc) COLLEGE(lc) CRUCIFY~CHURCH(lc) STILL(lc) NOW(lc).	9-b
	NOW(lc)	cl-i:SS(place-statue-to-lt) IN(lc) COLLEGE(lc) CRUCIFY~CHURCH(lc) STILL(lc) NOW(lc).	9-b
	HONOR(int-bow)	N-A-D COME HERE HONOR(int-bow) GIVE 1P-POSS-PL (false-start) KNOW~STAY 1P-POSS-PL FRIEND AND MALE~cl-d:B(height) NOBLE.	9-d
	KNOW~STAY	N-A-D COME HERE HONOR(int-bow) GIVE 1P-POSS-PL (false-start) KNOW~STAY 1P-POSS-PL FRIEND AND MALE~cl-d:B(height) NOBLE.	9-d
	MALE~cl-d:B(height)	N-A-D COME HERE HONOR(int-bow) GIVE 1P-POSS-PL (false-start) KNOW~STAY 1P-POSS-PL FRIEND AND MALE~cl-d:B(height) NOBLE.	9-d

Signer: Marshall, Winfield E. (1920) Title of film: Yankee Doodle Number of tags found: 178
Tag ID	Reference Gloss	Context	Paragraph-Clause
	gs:over-there+(rt)	DAD 1P-IX gs:over-there+(rt) cl-d:B(flat-ground,sweep_arc_rt) cl-d:BB++(tents,arc_rt)	1-a
	cl-d:B(flat-ground,sweep_arc_rt)	DAD 1P-IX gs:over-there+(rt) cl-d:B(flat-ground,sweep_arc_rt) cl-d:BB++(tents,arc_rt)	1-a
	cl-d:BB++(tents,arc_rt)	DAD 1P-IX gs:over-there+(rt) cl-d:B(flat-ground,sweep_arc_rt) cl-d:BB++(tents,arc_rt)	1-a
	gs:hearing	gs:hearing MANY+ ARMY cl-p:55(sweep-across-in-rank-and-file) cl:55(swirls-around-head) SAME 1P-POSS MOM cl-d:BB(bonnet-to-skirt) cl-d-trace:11(round) cl-d:CC(pot) STIR\cl-d:C(pot) cl:BB(stirred-up).	1-b
	MANY+	gs:hearing MANY+ ARMY cl-p:55(sweep-across-in-rank-and-file) cl:55(swirls-around-head) SAME 1P-POSS MOM cl-d:BB(bonnet-to-skirt) cl-d-trace:11(round) cl-d:CC(pot) STIR\cl-d:C(pot) cl:BB(stirred-up).	1-b
	cl-p:55(sweep-across-in-rank-and-file)	gs:hearing MANY+ ARMY cl-p:55(sweep-across-in-rank-and-file) cl:55(swirls-around-head) SAME 1P-POSS MOM cl-d:BB(bonnet-to-skirt) cl-d-trace:11(round) cl-d:CC(pot) STIR\cl-d:C(pot) cl:BB(stirred-up).	1-b
	cl:55(swirls-around-head)	gs:hearing MANY+ ARMY cl-p:55(sweep-across-in-rank-and-file) cl:55(swirls-around-head) SAME 1P-POSS MOM cl-d:BB(bonnet-to-skirt) cl-d-trace:11(round) cl-d:CC(pot) STIR\cl-d:C(pot) cl:BB(stirred-up).	1-b
	cl-d:BB(bonnet-to-skirt)	gs:hearing MANY+ ARMY cl-p:55(sweep-across-in-rank-and-file) cl:55(swirls-around-head) SAME 1P-POSS MOM cl-d:BB(bonnet-to-skirt) cl-d-trace:11(round) cl-d:CC(pot) STIR\cl-d:C(pot) cl:BB(stirred-up).	1-b
	cl-d-trace:11(round)	gs:hearing MANY+ ARMY cl-p:55(sweep-across-in-rank-and-file) cl:55(swirls-around-head) SAME 1P-POSS MOM cl-d:BB(bonnet-to-skirt) cl-d-trace:11(round) cl-d:CC(pot) STIR\cl-d:C(pot) cl:BB(stirred-up).	1-b
	cl-d:CC(pot)	gs:hearing MANY+ ARMY cl-p:55(sweep-across-in-rank-and-file) cl:55(swirls-around-head) SAME 1P-POSS MOM cl-d:BB(bonnet-to-skirt) cl-d-trace:11(round) cl-d:CC(pot) STIR\cl-d:C(pot) cl:BB(stirred-up).	1-b
	STIR\cl-d:C(pot)	gs:hearing MANY+ ARMY cl-p:55(sweep-across-in-rank-and-file) cl:55(swirls-around-head) SAME 1P-POSS MOM cl-d:BB(bonnet-to-skirt) cl-d-trace:11(round) cl-d:CC(pot) STIR\cl-d:C(pot) cl:BB(stirred-up).	1-b
	cl:BB(stirred-up)	gs:hearing MANY+ ARMY cl-p:55(sweep-across-in-rank-and-file) cl:55(swirls-around-head) SAME 1P-POSS MOM cl-d:BB(bonnet-to-skirt) cl-d-trace:11(round) cl-d:CC(pot) STIR\cl-d:C(pot) cl:BB(stirred-up).	1-b
	pose:dip-trunk-and-head-up	pose:dip-trunk-and-head-up cl:B(across-neck) cl:55(alt,stomping) cl-i:1+(strike-drum) cl:B(across-neck) cl:55(alt,stomping),	1-c
	cl:B(across-neck)	pose:dip-trunk-and-head-up cl:B(across-neck) cl:55(alt,stomping) cl-i:1+(strike-drum) cl:B(across-neck) cl:55(alt,stomping),	1-c
	cl:55(alt,stomping)	pose:dip-trunk-and-head-up cl:B(across-neck) cl:55(alt,stomping) cl-i:1+(strike-drum) cl:B(across-neck) cl:55(alt,stomping),	1-c
	cl-i:1+(strike-drum)	pose:dip-trunk-and-head-up cl:B(across-neck) cl:55(alt,stomping) cl-i:1+(strike-drum) cl:B(across-neck) cl:55(alt,stomping),	1-c
	cl:B(across-neck)	pose:dip-trunk-and-head-up cl:B(across-neck) cl:55(alt,stomping) cl-i:1+(strike-drum) cl:B(across-neck) cl:55(alt,stomping),	1-c
	cl:55(alt,stomping)	pose:dip-trunk-and-head-up cl:B(across-neck) cl:55(alt,stomping) cl-i:1+(strike-drum) cl:B(across-neck) cl:55(alt,stomping),	1-c
	pose:jump	pose:jump pose:play-fiddle cl-d:BB(bonnet-to-skirt) pose:hold-skirts-and-turn-around pose:swing-skirts-back-and-forth.	1-d
	pose:play-fiddle	pose:jump pose:play-fiddle cl-d:BB(bonnet-to-skirt) pose:hold-skirts-and-turn-around pose:swing-skirts-back-and-forth.	1-d
	cl-d:BB(bonnet-to-skirt)	pose:jump pose:play-fiddle cl-d:BB(bonnet-to-skirt) pose:hold-skirts-and-turn-around pose:swing-skirts-back-and-forth.	1-d
	pose:hold-skirts-and-turn-around	pose:jump pose:play-fiddle cl-d:BB(bonnet-to-skirt) pose:hold-skirts-and-turn-around pose:swing-skirts-back-and-forth.	1-d
	pose:swing-skirts-back-and-forth	pose:jump pose:play-fiddle cl-d:BB(bonnet-to-skirt) pose:hold-skirts-and-turn-around pose:swing-skirts-back-and-forth.	1-d
	1P-IX(rf)	1P-IX(rf) gs:over-there(rt) gs:hearing cl-d:BB(cannon,rt-to-lt) cl-i:1(vert-circ-to-strike\ignite,rt) SAME(exp) TREE TREE-FALL cl:BonARM(cut-at-wrist-to-cut-at-shoulder)	2-a
	gs:over-there(rt)	1P-IX(rf) gs:over-there(rt) gs:hearing cl-d:BB(cannon,rt-to-lt) cl-i:1(vert-circ-to-strike\ignite,rt) SAME(exp) TREE TREE-FALL cl:BonARM(cut-at-wrist-to-cut-at-shoulder)	2-a
	gs:hearing	1P-IX(rf) gs:over-there(rt) gs:hearing cl-d:BB(cannon,rt-to-lt) cl-i:1(vert-circ-to-strike\ignite,rt) SAME(exp) TREE TREE-FALL cl:BonARM(cut-at-wrist-to-cut-at-shoulder)	2-a
	cl-d:BB(cannon,rt-to-lt)	1P-IX(rf) gs:over-there(rt) gs:hearing cl-d:BB(cannon,rt-to-lt) cl-i:1(vert-circ-to-strike\ignite,rt) SAME(exp) TREE TREE-FALL cl:BonARM(cut-at-wrist-to-cut-at-shoulder)	2-a
	cl-i:1(vert-circ-to-strike\ignite,rt)	1P-IX(rf) gs:over-there(rt) gs:hearing cl-d:BB(cannon,rt-to-lt) cl-i:1(vert-circ-to-strike\ignite,rt) SAME(exp) TREE TREE-FALL cl:BonARM(cut-at-wrist-to-cut-at-shoulder)	2-a
	SAME(exp)	1P-IX(rf) gs:over-there(rt) gs:hearing cl-d:BB(cannon,rt-to-lt) cl-i:1(vert-circ-to-strike\ignite,rt) SAME(exp) TREE TREE-FALL cl:BonARM(cut-at-wrist-to-cut-at-shoulder)	2-a
	cl:BonARM(cut-at-wrist-to-cut-at-shoulder)	1P-IX(rf) gs:over-there(rt) gs:hearing cl-d:BB(cannon,rt-to-lt) cl-i:1(vert-circ-to-strike\ignite,rt) SAME(exp) TREE TREE-FALL cl:BonARM(cut-at-wrist-to-cut-at-shoulder)	2-a
	cl-i:BB(place-on-wagon)	cl-i:BB(place-on-wagon) ON cl-d-trace:11(wagon-wheels,bs:sideways) SMALL(exp), 1P-POSS DAD COW pose:lasso-above-head pose:pull-wagon(bs:rt-side) CANT(neg)	2-b
	cl-d-trace:11(wagon-wheels,bs:sideways)	cl-i:BB(place-on-wagon) ON cl-d-trace:11(wagon-wheels,bs:sideways) SMALL(exp), 1P-POSS DAD COW pose:lasso-above-head pose:pull-wagon(bs:rt-side) CANT(neg)	2-b
	SMALL(exp)	cl-i:BB(place-on-wagon) ON cl-d-trace:11(wagon-wheels,bs:sideways) SMALL(exp), 1P-POSS DAD COW pose:lasso-above-head pose:pull-wagon(bs:rt-side) CANT(neg)	2-b
	pose:lasso-above-head	cl-i:BB(place-on-wagon) ON cl-d-trace:11(wagon-wheels,bs:sideways) SMALL(exp), 1P-POSS DAD COW pose:lasso-above-head pose:pull-wagon(bs:rt-side) CANT(neg)	2-b
	pose:pull-wagon(bs:rt-side)	cl-i:BB(place-on-wagon) ON cl-d-trace:11(wagon-wheels,bs:sideways) SMALL(exp), 1P-POSS DAD COW pose:lasso-above-head pose:pull-wagon(bs:rt-side) CANT(neg)	2-b
	CANT(neg)	cl-i:BB(place-on-wagon) ON cl-d-trace:11(wagon-wheels,bs:sideways) SMALL(exp), 1P-POSS DAD COW pose:lasso-above-head pose:pull-wagon(bs:rt-side) CANT(neg)	2-b
	pose:dip-trunk-and-head-up	pose:dip-trunk-and-head-up cl:B(across-neck) cl:55(alt,stomping) cl-i:1+(strike-drum) cl:B(across-neck) cl:55(alt,stomping),	2-c
	cl:B(across-neck)	pose:dip-trunk-and-head-up cl:B(across-neck) cl:55(alt,stomping) cl-i:1+(strike-drum) cl:B(across-neck) cl:55(alt,stomping),	2-c
	cl:55(alt,stomping)	pose:dip-trunk-and-head-up cl:B(across-neck) cl:55(alt,stomping) cl-i:1+(strike-drum) cl:B(across-neck) cl:55(alt,stomping),	2-c
	cl-i:1+(strike-drum)	pose:dip-trunk-and-head-up cl:B(across-neck) cl:55(alt,stomping) cl-i:1+(strike-drum) cl:B(across-neck) cl:55(alt,stomping),	2-c
	cl:B(across-neck)	pose:dip-trunk-and-head-up cl:B(across-neck) cl:55(alt,stomping) cl-i:1+(strike-drum) cl:B(across-neck) cl:55(alt,stomping),	2-c
	cl:55(alt,stomping)	pose:dip-trunk-and-head-up cl:B(across-neck) cl:55(alt,stomping) cl-i:1+(strike-drum) cl:B(across-neck) cl:55(alt,stomping),	2-c
	pose:jump	pose:jump pose:play-fiddle cl-d:BB(bonnet-to-skirt) pose:hold-skirts-and-turn-around pose:swing-skirts-back-and-forth.	2-d
	pose:play-fiddle	pose:jump pose:play-fiddle cl-d:BB(bonnet-to-skirt) pose:hold-skirts-and-turn-around pose:swing-skirts-back-and-forth.	2-d
	cl-d:BB(bonnet-to-skirt)	pose:jump pose:play-fiddle cl-d:BB(bonnet-to-skirt) pose:hold-skirts-and-turn-around pose:swing-skirts-back-and-forth.	2-d
	pose:hold-skirts-and-turn-around	pose:jump pose:play-fiddle cl-d:BB(bonnet-to-skirt) pose:hold-skirts-and-turn-around pose:swing-skirts-back-and-forth.	2-d
	pose:swing-skirts-back-and-forth	pose:jump pose:play-fiddle cl-d:BB(bonnet-to-skirt) pose:hold-skirts-and-turn-around pose:swing-skirts-back-and-forth.	2-d
	1P-IX(rf)	1P-IX(rf) gs:over-there(rt) gs:seeing cl-d:55(large-round) SAME MELON~YELLOW cl:55(shove-in-cannonball,lt) cl-i:AA(stuffing-powder,lt),	3-a
	gs:over-there(rt)	1P-IX(rf) gs:over-there(rt) gs:seeing cl-d:55(large-round) SAME MELON~YELLOW cl:55(shove-in-cannonball,lt) cl-i:AA(stuffing-powder,lt),	3-a
	gs:seeing	1P-IX(rf) gs:over-there(rt) gs:seeing cl-d:55(large-round) SAME MELON~YELLOW cl:55(shove-in-cannonball,lt) cl-i:AA(stuffing-powder,lt),	3-a
	cl-d:55(large-round)	1P-IX(rf) gs:over-there(rt) gs:seeing cl-d:55(large-round) SAME MELON~YELLOW cl:55(shove-in-cannonball,lt) cl-i:AA(stuffing-powder,lt),	3-a
	MELON~YELLOW	1P-IX(rf) gs:over-there(rt) gs:seeing cl-d:55(large-round) SAME MELON~YELLOW cl:55(shove-in-cannonball,lt) cl-i:AA(stuffing-powder,lt),	3-a
	cl:55(shove-in-cannonball,lt)	1P-IX(rf) gs:over-there(rt) gs:seeing cl-d:55(large-round) SAME MELON~YELLOW cl:55(shove-in-cannonball,lt) cl-i:AA(stuffing-powder,lt),	3-a
	cl-i:AA(stuffing-powder,lt)	1P-IX(rf) gs:over-there(rt) gs:seeing cl-d:55(large-round) SAME MELON~YELLOW cl:55(shove-in-cannonball,lt) cl-i:AA(stuffing-powder,lt),	3-a
	gs:strike-match(from-leg-and-light)	gs:strike-match(from-leg-and-light) pose:foot-stomp cl:1(flee,rt), THUNDER SAME 1P-POSS DAD SHOOT-GUN.	3-b
	pose:foot-stomp	gs:strike-match(from-leg-and-light) pose:foot-stomp cl:1(flee,rt), THUNDER SAME 1P-POSS DAD SHOOT-GUN.	3-b
	cl:1(flee,rt)	gs:strike-match(from-leg-and-light) pose:foot-stomp cl:1(flee,rt), THUNDER SAME 1P-POSS DAD SHOOT-GUN.	3-b
	pose:dip-trunk-and-head-up	pose:dip-trunk-and-head-up cl:B(across-neck) cl:55(alt,stomping) cl-i:1+(strike-drum) cl:B(across-neck) cl:55(alt,stomping),	3-c
	cl:B(across-neck)	pose:dip-trunk-and-head-up cl:B(across-neck) cl:55(alt,stomping) cl-i:1+(strike-drum) cl:B(across-neck) cl:55(alt,stomping),	3-c
	cl:55(alt,stomping)	pose:dip-trunk-and-head-up cl:B(across-neck) cl:55(alt,stomping) cl-i:1+(strike-drum) cl:B(across-neck) cl:55(alt,stomping),	3-c
	cl-i:1+(strike-drum)	pose:dip-trunk-and-head-up cl:B(across-neck) cl:55(alt,stomping) cl-i:1+(strike-drum) cl:B(across-neck) cl:55(alt,stomping),	3-c
	cl:B(across-neck)	pose:dip-trunk-and-head-up cl:B(across-neck) cl:55(alt,stomping) cl-i:1+(strike-drum) cl:B(across-neck) cl:55(alt,stomping),	3-c
	cl:55(alt,stomping)	pose:dip-trunk-and-head-up cl:B(across-neck) cl:55(alt,stomping) cl-i:1+(strike-drum) cl:B(across-neck) cl:55(alt,stomping),	3-c
	pose:jump	pose:jump pose:play-fiddle cl-d:BB(bonnet-to-skirt) pose:hold-skirts-and-turn-around pose:swing-skirts-back-and-forth.	3-d
	pose:play-fiddle	pose:jump pose:play-fiddle cl-d:BB(bonnet-to-skirt) pose:hold-skirts-and-turn-around pose:swing-skirts-back-and-forth.	3-d
	cl-d:BB(bonnet-to-skirt)	pose:jump pose:play-fiddle cl-d:BB(bonnet-to-skirt) pose:hold-skirts-and-turn-around pose:swing-skirts-back-and-forth.	3-d
	pose:hold-skirts-and-turn-around	pose:jump pose:play-fiddle cl-d:BB(bonnet-to-skirt) pose:hold-skirts-and-turn-around pose:swing-skirts-back-and-forth.	3-d
	pose:swing-skirts-back-and-forth	pose:jump pose:play-fiddle cl-d:BB(bonnet-to-skirt) pose:hold-skirts-and-turn-around pose:swing-skirts-back-and-forth.	3-d
	1P-IX(rf)	1P-IX(rf) gs:over-there(rt) gs:seeing cl-d:SS(powder-horn) FULL BLACK(l-hand) cl-d:FgrabI(powder) cl:A(pour-in)\cl:O(horn) cl:SonS(stuff-powder-in) gs:strike-match(from_leg) cl-trace:1tip(path-to-rt)	4-a
	gs:over-there(rt)	1P-IX(rf) gs:over-there(rt) gs:seeing cl-d:SS(powder-horn) FULL BLACK(l-hand) cl-d:FgrabI(powder) cl:A(pour-in)\cl:O(horn) cl:SonS(stuff-powder-in) gs:strike-match(from_leg) cl-trace:1tip(path-to-rt)	4-a
	gs:seeing	1P-IX(rf) gs:over-there(rt) gs:seeing cl-d:SS(powder-horn) FULL BLACK(l-hand) cl-d:FgrabI(powder) cl:A(pour-in)\cl:O(horn) cl:SonS(stuff-powder-in) gs:strike-match(from_leg) cl-trace:1tip(path-to-rt)	4-a
	cl-d:SS(powder-horn)	1P-IX(rf) gs:over-there(rt) gs:seeing cl-d:SS(powder-horn) FULL BLACK(l-hand) cl-d:FgrabI(powder) cl:A(pour-in)\cl:O(horn) cl:SonS(stuff-powder-in) gs:strike-match(from_leg) cl-trace:1tip(path-to-rt)	4-a
	BLACK(l-hand)	1P-IX(rf) gs:over-there(rt) gs:seeing cl-d:SS(powder-horn) FULL BLACK(l-hand) cl-d:FgrabI(powder) cl:A(pour-in)\cl:O(horn) cl:SonS(stuff-powder-in) gs:strike-match(from_leg) cl-trace:1tip(path-to-rt)	4-a
	cl-d:FgrabI(powder)	1P-IX(rf) gs:over-there(rt) gs:seeing cl-d:SS(powder-horn) FULL BLACK(l-hand) cl-d:FgrabI(powder) cl:A(pour-in)\cl:O(horn) cl:SonS(stuff-powder-in) gs:strike-match(from_leg) cl-trace:1tip(path-to-rt)	4-a
	cl:A(pour-in)\cl:O(horn)	1P-IX(rf) gs:over-there(rt) gs:seeing cl-d:SS(powder-horn) FULL BLACK(l-hand) cl-d:FgrabI(powder) cl:A(pour-in)\cl:O(horn) cl:SonS(stuff-powder-in) gs:strike-match(from_leg) cl-trace:1tip(path-to-rt)	4-a
	cl:SonS(stuff-powder-in)	1P-IX(rf) gs:over-there(rt) gs:seeing cl-d:SS(powder-horn) FULL BLACK(l-hand) cl-d:FgrabI(powder) cl:A(pour-in)\cl:O(horn) cl:SonS(stuff-powder-in) gs:strike-match(from_leg) cl-trace:1tip(path-to-rt)	4-a
	gs:strike-match(from_leg)	1P-IX(rf) gs:over-there(rt) gs:seeing cl-d:SS(powder-horn) FULL BLACK(l-hand) cl-d:FgrabI(powder) cl:A(pour-in)\cl:O(horn) cl:SonS(stuff-powder-in) gs:strike-match(from_leg) cl-trace:1tip(path-to-rt)	4-a
	cl-trace:1tip(path-to-rt)	1P-IX(rf) gs:over-there(rt) gs:seeing cl-d:SS(powder-horn) FULL BLACK(l-hand) cl-d:FgrabI(powder) cl:A(pour-in)\cl:O(horn) cl:SonS(stuff-powder-in) gs:strike-match(from_leg) cl-trace:1tip(path-to-rt)	4-a
	LAND~cl:55(shake)	THUNDER LAND~cl:55(shake).	4-b
	pose:dip-trunk-and-head-up	pose:dip-trunk-and-head-up cl:B(across-neck) cl:55(alt,stomping) cl-i:1+(strike-drum) cl:B(across-neck) cl:55(alt,stomping),	4-c
	cl:B(across-neck)	pose:dip-trunk-and-head-up cl:B(across-neck) cl:55(alt,stomping) cl-i:1+(strike-drum) cl:B(across-neck) cl:55(alt,stomping),	4-c
	cl:55(alt,stomping)	pose:dip-trunk-and-head-up cl:B(across-neck) cl:55(alt,stomping) cl-i:1+(strike-drum) cl:B(across-neck) cl:55(alt,stomping),	4-c
	cl-i:1+(strike-drum)	pose:dip-trunk-and-head-up cl:B(across-neck) cl:55(alt,stomping) cl-i:1+(strike-drum) cl:B(across-neck) cl:55(alt,stomping),	4-c
	cl:B(across-neck)	pose:dip-trunk-and-head-up cl:B(across-neck) cl:55(alt,stomping) cl-i:1+(strike-drum) cl:B(across-neck) cl:55(alt,stomping),	4-c
	cl:55(alt,stomping)	pose:dip-trunk-and-head-up cl:B(across-neck) cl:55(alt,stomping) cl-i:1+(strike-drum) cl:B(across-neck) cl:55(alt,stomping),	4-c
	pose:jump	pose:jump pose:play-fiddle cl-d:BB(bonnet-to-skirt) pose:hold-skirts-and-turn-around pose:swing-skirts-back-and-forth.	4-d
	pose:play-fiddle	pose:jump pose:play-fiddle cl-d:BB(bonnet-to-skirt) pose:hold-skirts-and-turn-around pose:swing-skirts-back-and-forth.	4-d
	cl-d:BB(bonnet-to-skirt)	pose:jump pose:play-fiddle cl-d:BB(bonnet-to-skirt) pose:hold-skirts-and-turn-around pose:swing-skirts-back-and-forth.	4-d
	pose:hold-skirts-and-turn-around	pose:jump pose:play-fiddle cl-d:BB(bonnet-to-skirt) pose:hold-skirts-and-turn-around pose:swing-skirts-back-and-forth.	4-d
	pose:swing-skirts-back-and-forth	pose:jump pose:play-fiddle cl-d:BB(bonnet-to-skirt) pose:hold-skirts-and-turn-around pose:swing-skirts-back-and-forth.	4-d
	1P-IX(rf)	1P-IX(rf) gs:over-there(rt) gs:seeing MANY+ ARMY cl-d-trace:11(straps-down-chest-to-horiz-keg) cl-d:CC(keg) cl-d:BB(keg-flat-surface-top-and-bottom)	5-a
	gs:over-there(rt)	1P-IX(rf) gs:over-there(rt) gs:seeing MANY+ ARMY cl-d-trace:11(straps-down-chest-to-horiz-keg) cl-d:CC(keg) cl-d:BB(keg-flat-surface-top-and-bottom)	5-a
	gs:seeing	1P-IX(rf) gs:over-there(rt) gs:seeing MANY+ ARMY cl-d-trace:11(straps-down-chest-to-horiz-keg) cl-d:CC(keg) cl-d:BB(keg-flat-surface-top-and-bottom)	5-a
	MANY+	1P-IX(rf) gs:over-there(rt) gs:seeing MANY+ ARMY cl-d-trace:11(straps-down-chest-to-horiz-keg) cl-d:CC(keg) cl-d:BB(keg-flat-surface-top-and-bottom)	5-a
	cl-d-trace:11(straps-down-chest-to-horiz-keg)	1P-IX(rf) gs:over-there(rt) gs:seeing MANY+ ARMY cl-d-trace:11(straps-down-chest-to-horiz-keg) cl-d:CC(keg) cl-d:BB(keg-flat-surface-top-and-bottom)	5-a
	cl-d:CC(keg)	1P-IX(rf) gs:over-there(rt) gs:seeing MANY+ ARMY cl-d-trace:11(straps-down-chest-to-horiz-keg) cl-d:CC(keg) cl-d:BB(keg-flat-surface-top-and-bottom)	5-a
	cl-d:BB(keg-flat-surface-top-and-bottom)	1P-IX(rf) gs:over-there(rt) gs:seeing MANY+ ARMY cl-d-trace:11(straps-down-chest-to-horiz-keg) cl-d:CC(keg) cl-d:BB(keg-flat-surface-top-and-bottom)	5-a
	TWO(rf)	WOOD TWO(rf) pose:strumming-drum SUMMONS(at_elbow)~COME-HERE+(-from-bk_rt) SUMMONS(at_elbow)~COME-HERE+(-from-bk_lt) ARMY MARCH+ pose:strumming-drum.	5-b
	pose:strumming-drum	WOOD TWO(rf) pose:strumming-drum SUMMONS(at_elbow)~COME-HERE+(-from-bk_rt) SUMMONS(at_elbow)~COME-HERE+(-from-bk_lt) ARMY MARCH+ pose:strumming-drum.	5-b
	SUMMONS(at_elbow)~COME-HERE+(-from-bk_rt)	WOOD TWO(rf) pose:strumming-drum SUMMONS(at_elbow)~COME-HERE+(-from-bk_rt) SUMMONS(at_elbow)~COME-HERE+(-from-bk_lt) ARMY MARCH+ pose:strumming-drum.	5-b
	SUMMONS(at_elbow)~COME-HERE+(-from-bk_lt)	WOOD TWO(rf) pose:strumming-drum SUMMONS(at_elbow)~COME-HERE+(-from-bk_rt) SUMMONS(at_elbow)~COME-HERE+(-from-bk_lt) ARMY MARCH+ pose:strumming-drum.	5-b
	MARCH+	WOOD TWO(rf) pose:strumming-drum SUMMONS(at_elbow)~COME-HERE+(-from-bk_rt) SUMMONS(at_elbow)~COME-HERE+(-from-bk_lt) ARMY MARCH+ pose:strumming-drum.	5-b
	pose:strumming-drum	WOOD TWO(rf) pose:strumming-drum SUMMONS(at_elbow)~COME-HERE+(-from-bk_rt) SUMMONS(at_elbow)~COME-HERE+(-from-bk_lt) ARMY MARCH+ pose:strumming-drum.	5-b
	pose:dip-trunk-and-head-up	pose:dip-trunk-and-head-up cl:B(across-neck) cl:55(alt,stomping) cl-i:1+(strike-drum) cl:B(across-neck) cl:55(alt,stomping),	5-c
	cl:B(across-neck)	pose:dip-trunk-and-head-up cl:B(across-neck) cl:55(alt,stomping) cl-i:1+(strike-drum) cl:B(across-neck) cl:55(alt,stomping),	5-c
	cl:55(alt,stomping)	pose:dip-trunk-and-head-up cl:B(across-neck) cl:55(alt,stomping) cl-i:1+(strike-drum) cl:B(across-neck) cl:55(alt,stomping),	5-c
	cl-i:1+(strike-drum)	pose:dip-trunk-and-head-up cl:B(across-neck) cl:55(alt,stomping) cl-i:1+(strike-drum) cl:B(across-neck) cl:55(alt,stomping),	5-c
	cl:B(across-neck)	pose:dip-trunk-and-head-up cl:B(across-neck) cl:55(alt,stomping) cl-i:1+(strike-drum) cl:B(across-neck) cl:55(alt,stomping),	5-c
	cl:55(alt,stomping)	pose:dip-trunk-and-head-up cl:B(across-neck) cl:55(alt,stomping) cl-i:1+(strike-drum) cl:B(across-neck) cl:55(alt,stomping),	5-c
	pose:jump	pose:dip-trunk-and-head-up cl:B(across-neck) cl:55(alt,stomping) cl-i:1+(strike-drum) cl:B(across-neck) cl:55(alt,stomping),	5-c
	pose:play-fiddle	pose:dip-trunk-and-head-up cl:B(across-neck) cl:55(alt,stomping) cl-i:1+(strike-drum) cl:B(across-neck) cl:55(alt,stomping),	5-c
	cl-d:BB(bonnet-to-skirt)	pose:jump pose:play-fiddle cl-d:BB(bonnet-to-skirt) pose:hold-skirts-and-turn-around pose:swing-skirts-back-and-forth.	5-d
	pose:hold-skirts-and-turn-around	pose:jump pose:play-fiddle cl-d:BB(bonnet-to-skirt) pose:hold-skirts-and-turn-around pose:swing-skirts-back-and-forth.	5-d
	pose:swing-skirts-back-and-forth	pose:jump pose:play-fiddle cl-d:BB(bonnet-to-skirt) pose:hold-skirts-and-turn-around pose:swing-skirts-back-and-forth.	5-d
	1P-IX(rf)	1P-IX(rf) gs:over-there(rt) gs:hearing pn:WASHINGTON pose:mount-horse-to-ride	6-a
	gs:over-there(rt)	1P-IX(rf) gs:over-there(rt) gs:hearing pn:WASHINGTON pose:mount-horse-to-ride	6-a
	gs:hearing	1P-IX(rf) gs:over-there(rt) gs:hearing pn:WASHINGTON pose:mount-horse-to-ride	6-a
	pn:WASHINGTON	1P-IX(rf) gs:over-there(rt) gs:hearing pn:WASHINGTON pose:mount-horse-to-ride	6-a
	pose:mount-horse-to-ride	1P-IX(rf) gs:over-there(rt) gs:hearing pn:WASHINGTON pose:mount-horse-to-ride	6-a
	pose:draw-sword-to-swing-sword	1P-IX(rf) gs:over-there(rt) gs:hearing pn:WASHINGTON pose:mount-horse-to-ride	6-a
	MANY+	pose:draw-sword-to-swing-sword MANY+ MILLION ARMY pose:draw-sword-to-swing-sword	6-b
	pose:draw-sword-to-swing-sword	pose:draw-sword-to-swing-sword MANY+ MILLION ARMY pose:draw-sword-to-swing-sword	6-b
	pose:dip-trunk-and-head-up	pose:dip-trunk-and-head-up cl:B(across-neck) cl:55(alt,stomping) cl-i:1+(strike-drum) cl:B(across-neck) cl:55(alt,stomping),	6-c
	cl:B(across-neck)	pose:dip-trunk-and-head-up cl:B(across-neck) cl:55(alt,stomping) cl-i:1+(strike-drum) cl:B(across-neck) cl:55(alt,stomping),	6-c
	cl:55(alt,stomping)	pose:dip-trunk-and-head-up cl:B(across-neck) cl:55(alt,stomping) cl-i:1+(strike-drum) cl:B(across-neck) cl:55(alt,stomping),	6-c
	cl-i:1+(strike-drum)	pose:dip-trunk-and-head-up cl:B(across-neck) cl:55(alt,stomping) cl-i:1+(strike-drum) cl:B(across-neck) cl:55(alt,stomping),	6-c
	cl:B(across-neck)	pose:dip-trunk-and-head-up cl:B(across-neck) cl:55(alt,stomping) cl-i:1+(strike-drum) cl:B(across-neck) cl:55(alt,stomping),	6-c
	cl:55(alt,stomping)	pose:dip-trunk-and-head-up cl:B(across-neck) cl:55(alt,stomping) cl-i:1+(strike-drum) cl:B(across-neck) cl:55(alt,stomping),	6-c
	pose:jump	pose:jump pose:play-fiddle cl-d:BB(bonnet-to-skirt) pose:hold-skirts-and-turn-around pose:swing-skirts-back-and-forth.	6-d
	pose:play-fiddle	pose:jump pose:play-fiddle cl-d:BB(bonnet-to-skirt) pose:hold-skirts-and-turn-around pose:swing-skirts-back-and-forth.	6-d
	cl-d:BB(bonnet-to-skirt)	pose:jump pose:play-fiddle cl-d:BB(bonnet-to-skirt) pose:hold-skirts-and-turn-around pose:swing-skirts-back-and-forth.	6-d
	pose:hold-skirts-and-turn-around	pose:jump pose:play-fiddle cl-d:BB(bonnet-to-skirt) pose:hold-skirts-and-turn-around pose:swing-skirts-back-and-forth.	6-d
	pose:swing-skirts-back-and-forth	pose:jump pose:play-fiddle cl-d:BB(bonnet-to-skirt) pose:hold-skirts-and-turn-around pose:swing-skirts-back-and-forth.	6-d
	1P-IX(rf)	1P-IX(rf) gs:over-there(rt) gs:seeing cl-d:5(feather,circ-at-hat) HAT pose:pulling-down,l-hand-hold-at-hat RED BLUE WHITE BEAUTIFUL WONDERFUL	7-a
	gs:over-there(rt)	1P-IX(rf) gs:over-there(rt) gs:seeing cl-d:5(feather,circ-at-hat) HAT pose:pulling-down,l-hand-hold-at-hat RED BLUE WHITE BEAUTIFUL WONDERFUL	7-a
	gs:seeing	1P-IX(rf) gs:over-there(rt) gs:seeing cl-d:5(feather,circ-at-hat) HAT pose:pulling-down,l-hand-hold-at-hat RED BLUE WHITE BEAUTIFUL WONDERFUL	7-a
	cl-d:5(feather,circ-at-hat)	1P-IX(rf) gs:over-there(rt) gs:seeing cl-d:5(feather,circ-at-hat) HAT pose:pulling-down,l-hand-hold-at-hat RED BLUE WHITE BEAUTIFUL WONDERFUL	7-a
	pose:pulling-down,l-hand-hold-at-hat	1P-IX(rf) gs:over-there(rt) gs:seeing cl-d:5(feather,circ-at-hat) HAT pose:pulling-down,l-hand-hold-at-hat RED BLUE WHITE BEAUTIFUL WONDERFUL	7-a
	WANT(rt)	1P-IX WANT(rt) GET(-from-rt) WRAPUP(rt) pose:put-in-pocket BRING(-to-lt) LOVE FEMALE J-E-M-I-M-A GIVE(-to-lt).	7-b
	GET(-from-rt)	1P-IX WANT(rt) GET(-from-rt) WRAPUP(rt) pose:put-in-pocket BRING(-to-lt) LOVE FEMALE J-E-M-I-M-A GIVE(-to-lt).	7-b
	WRAPUP(rt)	1P-IX WANT(rt) GET(-from-rt) WRAPUP(rt) pose:put-in-pocket BRING(-to-lt) LOVE FEMALE J-E-M-I-M-A GIVE(-to-lt).	7-b
	pose:put-in-pocket	1P-IX WANT(rt) GET(-from-rt) WRAPUP(rt) pose:put-in-pocket BRING(-to-lt) LOVE FEMALE J-E-M-I-M-A GIVE(-to-lt).	7-b
	BRING(-to-lt)	1P-IX WANT(rt) GET(-from-rt) WRAPUP(rt) pose:put-in-pocket BRING(-to-lt) LOVE FEMALE J-E-M-I-M-A GIVE(-to-lt).	7-b
	GIVE(-to-lt)	1P-IX WANT(rt) GET(-from-rt) WRAPUP(rt) pose:put-in-pocket BRING(-to-lt) LOVE FEMALE J-E-M-I-M-A GIVE(-to-lt).	7-b
	pose:dip-trunk-and-head-up	pose:dip-trunk-and-head-up cl:B(across-neck) cl:55(alt,stomping) cl-i:1+(strike-drum) cl:B(across-neck) cl:55(alt,stomping),	7-c
	cl:B(across-neck)	pose:dip-trunk-and-head-up cl:B(across-neck) cl:55(alt,stomping) cl-i:1+(strike-drum) cl:B(across-neck) cl:55(alt,stomping),	7-c
	cl:55(alt,stomping)	pose:dip-trunk-and-head-up cl:B(across-neck) cl:55(alt,stomping) cl-i:1+(strike-drum) cl:B(across-neck) cl:55(alt,stomping),	7-c
	cl-i:1+(strike-drum)	pose:dip-trunk-and-head-up cl:B(across-neck) cl:55(alt,stomping) cl-i:1+(strike-drum) cl:B(across-neck) cl:55(alt,stomping),	7-c
	cl:B(across-neck)	pose:dip-trunk-and-head-up cl:B(across-neck) cl:55(alt,stomping) cl-i:1+(strike-drum) cl:B(across-neck) cl:55(alt,stomping),	7-c
	cl:55(alt,stomping)	pose:dip-trunk-and-head-up cl:B(across-neck) cl:55(alt,stomping) cl-i:1+(strike-drum) cl:B(across-neck) cl:55(alt,stomping),	7-c
	pose:jump	pose:jump pose:play-fiddle cl-d:BB(bonnet-to-skirt) pose:hold-skirts-and-turn-around pose:swing-skirts-back-and-forth.	7-d
	pose:play-fiddle	pose:jump pose:play-fiddle cl-d:BB(bonnet-to-skirt) pose:hold-skirts-and-turn-around pose:swing-skirts-back-and-forth.	7-d
	cl-d:BB(bonnet-to-skirt)	pose:jump pose:play-fiddle cl-d:BB(bonnet-to-skirt) pose:hold-skirts-and-turn-around pose:swing-skirts-back-and-forth.	7-d
	pose:hold-skirts-and-turn-around	pose:jump pose:play-fiddle cl-d:BB(bonnet-to-skirt) pose:hold-skirts-and-turn-around pose:swing-skirts-back-and-forth.	7-d
	pose:swing-skirts-back-and-forth	pose:jump pose:play-fiddle cl-d:BB(bonnet-to-skirt) pose:hold-skirts-and-turn-around pose:swing-skirts-back-and-forth.	7-d
	1P-IX(rf)	1P-IX(rf) gs:over-there(rt) gs:hearing MANY+ ARMY pose:mount-horse-to-ride, SHOOT-PISTOL(2h-alt),	8-a
	gs:over-there(rt)	1P-IX(rf) gs:over-there(rt) gs:hearing MANY+ ARMY pose:mount-horse-to-ride, SHOOT-PISTOL(2h-alt),	8-a
	gs:hearing	1P-IX(rf) gs:over-there(rt) gs:hearing MANY+ ARMY pose:mount-horse-to-ride, SHOOT-PISTOL(2h-alt),	8-a
	MANY+	1P-IX(rf) gs:over-there(rt) gs:hearing MANY+ ARMY pose:mount-horse-to-ride, SHOOT-PISTOL(2h-alt),	8-a
	pose:mount-horse-to-ride	1P-IX(rf) gs:over-there(rt) gs:hearing MANY+ ARMY pose:mount-horse-to-ride, SHOOT-PISTOL(2h-alt),	8-a
	SHOOT-PISTOL(2h-alt)	1P-IX(rf) gs:over-there(rt) gs:hearing MANY+ ARMY pose:mount-horse-to-ride, SHOOT-PISTOL(2h-alt),	8-a
	1P-IX(rf)	1P-IX(rf) AFRAID(int) 1P-IX cl:BB(feet-running,2h-alt) GO-AWAY(lt) HOME cl:B(rush-upstairs) cl-d:11(4-posters-of-bed,lt) BED.	8-b
	AFRAID(int)	1P-IX(rf) AFRAID(int) 1P-IX cl:BB(feet-running,2h-alt) GO-AWAY(lt) HOME cl:B(rush-upstairs) cl-d:11(4-posters-of-bed,lt) BED.	8-b
	cl:BB(feet-running,2h-alt)	1P-IX(rf) AFRAID(int) 1P-IX cl:BB(feet-running,2h-alt) GO-AWAY(lt) HOME cl:B(rush-upstairs) cl-d:11(4-posters-of-bed,lt) BED.	8-b
	GO-AWAY(lt)	1P-IX(rf) AFRAID(int) 1P-IX cl:BB(feet-running,2h-alt) GO-AWAY(lt) HOME cl:B(rush-upstairs) cl-d:11(4-posters-of-bed,lt) BED.	8-b
	cl:B(rush-upstairs)	1P-IX(rf) AFRAID(int) 1P-IX cl:BB(feet-running,2h-alt) GO-AWAY(lt) HOME cl:B(rush-upstairs) cl-d:11(4-posters-of-bed,lt) BED.	8-b
	cl-d:11(4-posters-of-bed,lt)	1P-IX(rf) AFRAID(int) 1P-IX cl:BB(feet-running,2h-alt) GO-AWAY(lt) HOME cl:B(rush-upstairs) cl-d:11(4-posters-of-bed,lt) BED.	8-b
	pose:dip-trunk-and-head-up	pose:dip-trunk-and-head-up cl:B(across-neck) cl:55(alt,stomping) cl-i:1+(strike-drum) cl:B(across-neck) cl:55(alt,stomping),	8-c
	cl:B(across-neck)	pose:dip-trunk-and-head-up cl:B(across-neck) cl:55(alt,stomping) cl-i:1+(strike-drum) cl:B(across-neck) cl:55(alt,stomping),	8-c
	cl:55(alt,stomping)	pose:dip-trunk-and-head-up cl:B(across-neck) cl:55(alt,stomping) cl-i:1+(strike-drum) cl:B(across-neck) cl:55(alt,stomping),	8-c
	cl-i:1+(strike-drum)	pose:dip-trunk-and-head-up cl:B(across-neck) cl:55(alt,stomping) cl-i:1+(strike-drum) cl:B(across-neck) cl:55(alt,stomping),	8-c
	cl:B(across-neck)	pose:dip-trunk-and-head-up cl:B(across-neck) cl:55(alt,stomping) cl-i:1+(strike-drum) cl:B(across-neck) cl:55(alt,stomping),	8-c
	cl:55(alt,stomping)	pose:dip-trunk-and-head-up cl:B(across-neck) cl:55(alt,stomping) cl-i:1+(strike-drum) cl:B(across-neck) cl:55(alt,stomping),	8-c
	pose:jump	pose:jump pose:play-fiddle cl-d:BB(bonnet-to-skirt) pose:hold-skirts-and-turn-around pose:swing-skirts-back-and-forth.	8-d
	pose:play-fiddle	pose:jump pose:play-fiddle cl-d:BB(bonnet-to-skirt) pose:hold-skirts-and-turn-around pose:swing-skirts-back-and-forth.	8-d
	cl-d:BB(bonnet-to-skirt)	pose:jump pose:play-fiddle cl-d:BB(bonnet-to-skirt) pose:hold-skirts-and-turn-around pose:swing-skirts-back-and-forth.	8-d
	pose:hold-skirts-and-turn-around	pose:jump pose:play-fiddle cl-d:BB(bonnet-to-skirt) pose:hold-skirts-and-turn-around pose:swing-skirts-back-and-forth.	8-d
	pose:swing-skirts-back-and-forth	pose:jump pose:play-fiddle cl-d:BB(bonnet-to-skirt) pose:hold-skirts-and-turn-around pose:swing-skirts-back-and-forth.	8-d

Signer: McGregor, Robert P. (1912a) Title of film: The Irishman's Flea Number of tags found: 52
Tag ID	Reference Gloss	Context	Paragraph-Clause
	FEMALE~FANCY(r-hand)	FEMALE~FANCY(r-hand) MALE~FANCY(l-hand) bow,	1-a
	MALE~FANCY(l-hand)	FEMALE~FANCY(r-hand) MALE~FANCY(l-hand) bow,	1-a
	THINK(int)	ALWAYS WHEN 1P-IX HEAR ABOUT R-E-S-T-O-R-E-D T-O S-O-C-I-E-T-Y DEAF, THINK(int) ABOUT pn:IRELAND 3P-POSS(rt) F-L-E-A.	1-b
	pn:IRELAND	ALWAYS WHEN 1P-IX HEAR ABOUT R-E-S-T-O-R-E-D T-O S-O-C-I-E-T-Y DEAF, THINK(int) ABOUT pn:IRELAND 3P-POSS(rt) F-L-E-A.	1-b
	3P-POSS(rt)	ALWAYS WHEN 1P-IX HEAR ABOUT R-E-S-T-O-R-E-D T-O S-O-C-I-E-T-Y DEAF, THINK(int) ABOUT pn:IRELAND 3P-POSS(rt) F-L-E-A.	1-b
	pn:IRELAND	pn:IRELAND DET-IX(rt,rf) TROUBLE WITH ONE cl:11+++(flea-biting,2h-alt_on-body) TROUBLE DECIDE CATCH(int).	2-a
	DET-IX(rt,rf)	pn:IRELAND DET-IX(rt,rf) TROUBLE WITH ONE cl:11+++(flea-biting,2h-alt_on-body) TROUBLE DECIDE CATCH(int).	2-a
	cl:11+++(flea-biting,2h-alt_on-body)	pn:IRELAND DET-IX(rt,rf) TROUBLE WITH ONE cl:11+++(flea-biting,2h-alt_on-body) TROUBLE DECIDE CATCH(int).	2-a
	CATCH(int)	pn:IRELAND DET-IX(rt,rf) TROUBLE WITH ONE cl:11+++(flea-biting,2h-alt_on-body) TROUBLE DECIDE CATCH(int).	2-a
	pose:undress++	pose:undress++ pose:look-on-body gs:aha!(raised-hands)	2-b
	pose:look-on-body	pose:undress++ pose:look-on-body gs:aha!(raised-hands)	2-b
	gs:aha!(raised-hands)	pose:undress++ pose:look-on-body gs:aha!(raised-hands)	2-b
	DET-IX(plus-lift-lt-leg~gaze-at-leg)	DET-IX(plus-lift-lt-leg~gaze-at-leg) HAPPY pose:grab-at-leg~hold-hand pose:gaze-at-hand~open-hand pose:gaze-tracing-flea-jumping.	2-c
	pose:grab-at-leg~hold-hand	DET-IX(plus-lift-lt-leg~gaze-at-leg) HAPPY pose:grab-at-leg~hold-hand pose:gaze-at-hand~open-hand pose:gaze-tracing-flea-jumping.	2-c
	pose:gaze-at-hand~open-hand	DET-IX(plus-lift-lt-leg~gaze-at-leg) HAPPY pose:grab-at-leg~hold-hand pose:gaze-at-hand~open-hand pose:gaze-tracing-flea-jumping.	2-c
	pose:gaze-tracing-flea-jumping	DET-IX(plus-lift-lt-leg~gaze-at-leg) HAPPY pose:grab-at-leg~hold-hand pose:gaze-at-hand~open-hand pose:gaze-tracing-flea-jumping.	2-c
	DET-IX(plus-gaze-at-rt-shoulder)	DET-IX(plus-gaze-at-rt-shoulder) pose:grab-at-shoulder~hold-hand pose:gaze-at-hand~open-hand pose:gaze-tracing-flea-jumping.	2-d
	pose:grab-at-shoulder~hold-hand	DET-IX(plus-gaze-at-rt-shoulder) pose:grab-at-shoulder~hold-hand pose:gaze-at-hand~open-hand pose:gaze-tracing-flea-jumping.	2-d
	pose:gaze-at-hand~open-hand	DET-IX(plus-gaze-at-rt-shoulder) pose:grab-at-shoulder~hold-hand pose:gaze-at-hand~open-hand pose:gaze-tracing-flea-jumping.	2-d
	pose:gaze-tracing-flea-jumping	DET-IX(plus-gaze-at-rt-shoulder) pose:grab-at-shoulder~hold-hand pose:gaze-at-hand~open-hand pose:gaze-tracing-flea-jumping.	2-d
	DET-IX(plus-gaze-at-chest)	DET-IX(plus-gaze-at-chest) pose:grab-at-chest.	2-e
	pose:grab-at-chest	DET-IX(plus-gaze-at-chest) pose:grab-at-chest.	2-e
	gs:giving-up	gs:giving-up NEVER GET.	2-f
	SAME(int)	SAME(int) OFTEN HEAR ABOUT DEAF	3-a
	THERE(rt)	INDEFINITE IN THERE(rt) B-O-S-T-O-N.	3-b
	SMART(int)	SMART(int) SPEAK LIPREAD~hand-on-hip(bs:lt).	3-c
	LIPREAD~hand-on-hip(bs:lt)	SMART(int) SPEAK LIPREAD~hand-on-hip(bs:lt).	3-c
	TRUE+	TRUE+ pose:ducked-for-speed(bs:rt) RIDE-ON-TRAIN(-to-rt)	4-a
	pose:ducked-for-speed(bs:rt)	TRUE+ pose:ducked-for-speed(bs:rt) RIDE-ON-TRAIN(-to-rt)	4-a
	RIDE-ON-TRAIN(-to-rt)	TRUE+ pose:ducked-for-speed(bs:rt) RIDE-ON-TRAIN(-to-rt)	4-a
	ARRIVE(rf)	ARRIVE(rf) pose:lean-fwd-looking OH-WELL?	4-b
	pose:lean-fwd-looking	ARRIVE(rf) pose:lean-fwd-looking OH-WELL?	4-b
	gs:back-there(-to-lt_bwd)	WRONG gs:back-there(-to-lt_bwd) pn:NEW-YORK.	4-c
	pn:NEW-YORK	WRONG gs:back-there(-to-lt_bwd) pn:NEW-YORK.	4-c
	1P-IX(rf)	1P-IX(rf) TRUE? pose:turn-around(-to-lt) SPEED pn:NEW-YORK pose:lean-fwd(lt) THERE(rf,lt).	5-a
	pose:turn-around(-to-lt)	1P-IX(rf) TRUE? pose:turn-around(-to-lt) SPEED pn:NEW-YORK pose:lean-fwd(lt) THERE(rf,lt).	5-a
	pn:NEW-YORK	1P-IX(rf) TRUE? pose:turn-around(-to-lt) SPEED pn:NEW-YORK pose:lean-fwd(lt) THERE(rf,lt).	5-a
	pose:lean-fwd(lt)	1P-IX(rf) TRUE? pose:turn-around(-to-lt) SPEED pn:NEW-YORK pose:lean-fwd(lt) THERE(rf,lt).	5-a
	gs:what	gs:what DEAF SMART LIPREAD SPEAK(rf)?	5-b
	SAY(rf)?	gs:what DEAF SMART LIPREAD SPEAK(rf)?	5-b
	gs:no-no	gs:no-no THERE(lc,arc_up) C-H-I-C-A-G-O.	5-c
	THERE(lc,arc_up)	gs:no-no THERE(lc,arc_up) C-H-I-C-A-G-O.	5-c
	1P-IX(rf)	1P-IX(rf) pose:darn-it! RIDE-ON-TRAIN(-to-lc) pose: lean-fwd-looking?	6-a
	pose:darn-it!	1P-IX(rf) pose:darn-it! RIDE-ON-TRAIN(-to-lc) pose: lean-fwd-looking?	6-a
	RIDE-ON-TRAIN(-to-lc)	1P-IX(rf) pose:darn-it! RIDE-ON-TRAIN(-to-lc) pose: lean-fwd-looking?	6-a
	pose:lean-fwd-looking?	1P-IX(rf) pose:darn-it! RIDE-ON-TRAIN(-to-lc) pose: lean-fwd-looking?	6-a
	FIND(2h)	NEVER FIND(2h)	6-b
	JUMP++(random-to-different-places)	ALWAYS JUMP++(random-to-different-places)	6-c
	FUTURE(l-hand)	1P-IX-PL FUTURE(l-hand) GET ONE(raised_brow)	7-a
	ONE(raised_brow)	1P-IX-PL FUTURE(l-hand) GET ONE(raised_brow)	7-a
	SPEAK++	CORRECT SMART LIPREAD SPEAK++, MINGLE PEOPLE?	7-b
	FUTURE(rf)	FUTURE(rf) NEVER.	7-c

Signer: McGregor, Robert P. (1912b) Title of film: The Lady and the Cake Number of tags found: 44
Tag ID	Reference Gloss	Context	Paragraph-Clause
	AGO+	AGO+ LIVE FEMALE~ONE QUEEN BEAUTIFUL INTELLIGENT(wg,int) pn:FRANCE(exp).	1-a
	FEMALE~ONE	AGO+ LIVE FEMALE~ONE QUEEN BEAUTIFUL INTELLIGENT(wg,int) pn:FRANCE(exp).	1-a
	INTELLIGENT(wg,int)	AGO+ LIVE FEMALE~ONE QUEEN BEAUTIFUL INTELLIGENT(wg,int) pn:FRANCE(exp).	1-a
	pn:FRANCE(exp)	AGO+ LIVE FEMALE~ONE QUEEN BEAUTIFUL INTELLIGENT(wg,int) pn:FRANCE(exp).	1-a
	3P-POSS-PL(arc_rt)	3P-POSS-PL(arc_rt) 3P-POSS(lt)++ FEMALE, MALE~UNDER~SERVE~AGENT TROUBLE EAT HUNGRY	1-b
	3P-POSS(lt)++	3P-POSS-PL(arc_rt) 3P-POSS(lt)++ FEMALE, MALE~UNDER~SERVE~AGENT TROUBLE EAT HUNGRY	1-b
	MALE~UNDER~SERVE~AGENT	3P-POSS-PL(arc_rt) 3P-POSS(lt)++ FEMALE, MALE~UNDER~SERVE~AGENT TROUBLE EAT HUNGRY	1-b
	GO-TO(2h)	GO-TO(2h) cl-d:55(people-swarming-to) FOUNDATION YELL(2h-alt) WANT(rf) BREAD++.	1-c
	cl-d:55(people-swarming-to)	GO-TO(2h) cl-d:55(people-swarming-to) FOUNDATION YELL(2h-alt) WANT(rf) BREAD++.	1-c
	YELL(2h-alt)	GO-TO(2h) cl-d:55(people-swarming-to) FOUNDATION YELL(2h-alt) WANT(rf) BREAD++.	1-c
	WANT(rf)	GO-TO(2h) cl-d:55(people-swarming-to) FOUNDATION YELL(2h-alt) WANT(rf) BREAD++.	1-c
	BREAD++	GO-TO(2h) cl-d:55(people-swarming-to) FOUNDATION YELL(2h-alt) WANT(rf) BREAD++.	1-c
	3P-IX(lt)	3P-IX(lt) FEMALE bs:-to-rt WHERE TROUBLE WHERE	2-a
	3P-POSS(lt)	bs:-to-lt 3P-POSS(lt) SERVE~AGENT EAT WANT BREAD+.	2-b
	SERVE~AGENT	bs:-to-lt 3P-POSS(lt) SERVE~AGENT EAT WANT BREAD+.	2-b
	BREAD+	bs:-to-lt 3P-POSS(lt) SERVE~AGENT EAT WANT BREAD+.	2-b
	W-H-Y(slow,int)	bs:-to-rt W-H-Y(slow,int) NEGATIVE GIVE-2P SWEET cl-d-trace:1onB(crepe)	2-c
	cl-d-trace:1onB(crepe)	bs:-to-rt W-H-Y(slow,int) NEGATIVE GIVE-2P SWEET cl-d-trace:1onB(crepe)	2-c
	1P-IX-PL(1P-arc-3P)	bs:-to-ctr MAYBE 1P-IX-PL(1P-arc-3P) THINK FEMALE DET-IX(lt) STUPID(int), NO-NO INTELLIGENT.	3-a
	DET-IX(lt)	bs:-to-ctr MAYBE 1P-IX-PL(1P-arc-3P) THINK FEMALE DET-IX(lt) STUPID(int), NO-NO INTELLIGENT.	3-a
	STUPID(int)	bs:-to-ctr MAYBE 1P-IX-PL(1P-arc-3P) THINK FEMALE DET-IX(lt) STUPID(int), NO-NO INTELLIGENT.	3-a
	3P-IX(lt)	BUT 3P-IX(lt) SAME(exp,int) NOW MANY+ TEACH~AGENT	3-b
	SAME(exp,int)	BUT 3P-IX(lt) SAME(exp,int) NOW MANY+ TEACH~AGENT	3-b
	MANY+	BUT 3P-IX(lt) SAME(exp,int) NOW MANY+ TEACH~AGENT	3-b
	TEACH~AGENT	BUT 3P-IX(lt) SAME(exp,int) NOW MANY+ TEACH~AGENT	3-b
	WANT+	WANT+ HELP(-to-rt) DEAF	3-c
	HELP(-to-rt)	WANT+ HELP(-to-rt) DEAF	3-c
	INTELLIGENT(int)	TRUE STUPID NOT, INTELLIGENT(int) 3P-IX(lt).	4-b
	3P-IX(lt)	TRUE STUPID NOT, INTELLIGENT(int) 3P-IX(lt).	4-b
	GIVE(rt)	DEAF, WANT GIVE(rt), gs:oh-well! GIVE(rt) SPEAK+++.	4-c
	gs:oh-well!	DEAF, WANT GIVE(rt), gs:oh-well! GIVE(rt) SPEAK+++.	4-c
	GIVE(rt)	DEAF, WANT GIVE(rt), gs:oh-well! GIVE(rt) SPEAK+++.	4-c
	SPEAK+++	DEAF, WANT GIVE(rt), gs:oh-well! GIVE(rt) SPEAK+++.	4-c
	NEGATIVE(int)	bs:-to-lt BUT DEAF WANT NEGATIVE(int) SPEAK+++.	5-a
	SPEAK+++	bs:-to-lt BUT DEAF WANT NEGATIVE(int) SPEAK+++.	5-a
	BREAD(int)	1P-IX WANT BREAD(int) SIGN WANT++++.	5-b
	WANT++++	1P-IX WANT BREAD(int) SIGN WANT++++.	5-b
	gs:no-no	bs:-to-rt gs:no-no 2P-IX UNDERSTAND gs:nothing, 1P-IX-PL KNOW GOOD LIVE(rf) GIVE RED~SWEET cl-d-trace:1onB(crepe,3x).	5-c
	gs:nothing	bs:-to-rt gs:no-no 2P-IX UNDERSTAND gs:nothing, 1P-IX-PL KNOW GOOD LIVE(rf) GIVE RED~SWEET cl-d-trace:1onB(crepe,3x).	5-c
	LIVE(rf)	bs:-to-rt gs:no-no 2P-IX UNDERSTAND gs:nothing, 1P-IX-PL KNOW GOOD LIVE(rf) GIVE RED~SWEET cl-d-trace:1onB(crepe,3x).	5-c
	RED~SWEET	bs:-to-rt gs:no-no 2P-IX UNDERSTAND gs:nothing, 1P-IX-PL KNOW GOOD LIVE(rf) GIVE RED~SWEET cl-d-trace:1onB(crepe,3x).	5-c
	cl-d-trace:1onB(crepe,3x)	bs:-to-rt gs:no-no 2P-IX UNDERSTAND gs:nothing, 1P-IX-PL KNOW GOOD LIVE(rf) GIVE RED~SWEET cl-d-trace:1onB(crepe,3x).	5-c
	gs:shun(int)	bs:-to-lt DEAF gs:shun(int) SWEET cl-d-trace:1onB(crepe,circ).	5-d
	cl-d-trace:1onB(crepe,circ)	bs:-to-lt DEAF gs:shun(int) SWEET cl-d-trace:1onB(crepe,circ).	5-d

Signer: McGregor, Robert P. (1913) Title of film: A Lay Sermon Number of tags found: 325
Tag ID	Reference Gloss	Context	Paragraph-Clause
	MALE~SAME	1P-POSS MALE~SAME FEMALE~SAME HERE(nod)	1-a
	FEMALE~SAME	1P-POSS MALE~SAME FEMALE~SAME HERE(nod)	1-a
	HERE(nod)	1P-POSS MALE~SAME FEMALE~SAME HERE(nod)	1-a
	BRING(rt-to-ctr)	1P-IX BRING(rt-to-ctr) TO 2P-IX-PL INDEFINITE M-E-S-S-A-G-E O-F LOVE~bow.	1-b
	LOVE~bow	1P-IX BRING(rt-to-ctr) TO 2P-IX-PL INDEFINITE M-E-S-S-A-G-E O-F LOVE~bow.	1-b
	PICK-FROM(2h)	1P-IX PICK-FROM(2h) FOR IP-POSS T-E-X-T(nod) WORD++ TWO QUOTE+ O-U-R F-A-T-H-E-R(nod).	1-c
	T-E-X-T(nod)	1P-IX PICK-FROM(2h) FOR IP-POSS T-E-X-T(nod) WORD++ TWO QUOTE+ O-U-R F-A-T-H-E-R(nod).	1-c
	WORD++	1P-IX PICK-FROM(2h) FOR IP-POSS T-E-X-T(nod) WORD++ TWO QUOTE+ O-U-R F-A-T-H-E-R(nod).	1-c
	QUOTE+	1P-IX PICK-FROM(2h) FOR IP-POSS T-E-X-T(nod) WORD++ TWO QUOTE+ O-U-R F-A-T-H-E-R(nod).	1-c
	F-A-T-H-E-R(nod)	1P-IX PICK-FROM(2h) FOR IP-POSS T-E-X-T(nod) WORD++ TWO QUOTE+ O-U-R F-A-T-H-E-R(nod).	1-c
	FUTURE(dn)	1P-IX-PL FUTURE(dn) FIND(1h) THAT(1h) IN pn:JESUS 3P-POSS(up) PRAY+(vert_circ)	1-d
	FIND(1h)	1P-IX-PL FUTURE(dn) FIND(1h) THAT(1h) IN pn:JESUS 3P-POSS(up) PRAY+(vert_circ)	1-d
	THAT(1h)	1P-IX-PL FUTURE(dn) FIND(1h) THAT(1h) IN pn:JESUS 3P-POSS(up) PRAY+(vert_circ)	1-d
	pn:JESUS	1P-IX-PL FUTURE(dn) FIND(1h) THAT(1h) IN pn:JESUS 3P-POSS(up) PRAY+(vert_circ)	1-d
	3P-POSS(up)	1P-IX-PL FUTURE(dn) FIND(1h) THAT(1h) IN pn:JESUS 3P-POSS(up) PRAY+(vert_circ)	1-d
	PRAY+(vert_circ)	1P-IX-PL FUTURE(dn) FIND(1h) THAT(1h) IN pn:JESUS 3P-POSS(up) PRAY+(vert_circ)	1-d
	pn:JESUS	WHEN pn:JESUS SAY(1x) THAT(1h) WORD+ IMPORTANT(int), 3P-SELF(rt) TRUE TRY+ TEACH+ 1P-IX-PL HOW PRAY(vert_circ)	2-a
	SAY(1x)	WHEN pn:JESUS SAY(1x) THAT(1h) WORD+ IMPORTANT(int), 3P-SELF(rt) TRUE TRY+ TEACH+ 1P-IX-PL HOW PRAY(vert_circ)	2-a
	THAT(1h)	WHEN pn:JESUS SAY(1x) THAT(1h) WORD+ IMPORTANT(int), 3P-SELF(rt) TRUE TRY+ TEACH+ 1P-IX-PL HOW PRAY(vert_circ)	2-a
	WORD+	WHEN pn:JESUS SAY(1x) THAT(1h) WORD+ IMPORTANT(int), 3P-SELF(rt) TRUE TRY+ TEACH+ 1P-IX-PL HOW PRAY(vert_circ)	2-a
	IMPORTANT(int)	WHEN pn:JESUS SAY(1x) THAT(1h) WORD+ IMPORTANT(int), 3P-SELF(rt) TRUE TRY+ TEACH+ 1P-IX-PL HOW PRAY(vert_circ)	2-a
	3P-SELF(rt)	WHEN pn:JESUS SAY(1x) THAT(1h) WORD+ IMPORTANT(int), 3P-SELF(rt) TRUE TRY+ TEACH+ 1P-IX-PL HOW PRAY(vert_circ)	2-a
	TRY+	WHEN pn:JESUS SAY(1x) THAT(1h) WORD+ IMPORTANT(int), 3P-SELF(rt) TRUE TRY+ TEACH+ 1P-IX-PL HOW PRAY(vert_circ)	2-a
	TEACH+	WHEN pn:JESUS SAY(1x) THAT(1h) WORD+ IMPORTANT(int), 3P-SELF(rt) TRUE TRY+ TEACH+ 1P-IX-PL HOW PRAY(vert_circ)	2-a
	PRAY(vert_circ)	WHEN pn:JESUS SAY(1x) THAT(1h) WORD+ IMPORTANT(int), 3P-SELF(rt) TRUE TRY+ TEACH+ 1P-IX-PL HOW PRAY(vert_circ)	2-a
	pn:JESUS	ASK-QUESTION pn:JESUS 3P-SELF gs:meekly PRAY 1P-POSS FATHER M-Y F-A-T-H-E-R?	2-b
	gs:meekly	ASK-QUESTION pn:JESUS 3P-SELF gs:meekly PRAY 1P-POSS FATHER M-Y F-A-T-H-E-R?	2-b
	3P-SELF(rt)	OR 3P-SELF(rt) PEOPLE(lt) cl-p:55(audience) DET-IX(ctr) 3P-POSS DET-IX++ Y-O-U-R FATHER?	2-c
	PEOPLE(lt)	OR 3P-SELF(rt) PEOPLE(lt) cl-p:55(audience) DET-IX(ctr) 3P-POSS DET-IX++ Y-O-U-R FATHER?	2-c
	cl-p:55(audience)	OR 3P-SELF(rt) PEOPLE(lt) cl-p:55(audience) DET-IX(ctr) 3P-POSS DET-IX++ Y-O-U-R FATHER?	2-c
	DET-IX(ctr)	OR 3P-SELF(rt) PEOPLE(lt) cl-p:55(audience) DET-IX(ctr) 3P-POSS DET-IX++ Y-O-U-R FATHER?	2-c
	DET-IX++	OR 3P-SELF(rt) PEOPLE(lt) cl-p:55(audience) DET-IX(ctr) 3P-POSS DET-IX++ Y-O-U-R FATHER?	2-c
	3P-SELF(rc)	OR 3P-SELF(rc) FRIEND FOLLOW~AGENT SEVERAL(2h) CLASS(diminutive,lt-to-rt), TELL-3P(rt) 1P-POSS-PL(at_rt) FATHER ASK-QUESTION?	2-d
	FOLLOW~AGENT	OR 3P-SELF(rc) FRIEND FOLLOW~AGENT SEVERAL(2h) CLASS(diminutive,lt-to-rt), TELL-3P(rt) 1P-POSS-PL(at_rt) FATHER ASK-QUESTION?	2-d
	SEVERAL(2h)	OR 3P-SELF(rc) FRIEND FOLLOW~AGENT SEVERAL(2h) CLASS(diminutive,lt-to-rt), TELL-3P(rt) 1P-POSS-PL(at_rt) FATHER ASK-QUESTION?	2-d
	CLASS(diminutive,lt-to-rt)	OR 3P-SELF(rc) FRIEND FOLLOW~AGENT SEVERAL(2h) CLASS(diminutive,lt-to-rt), TELL-3P(rt) 1P-POSS-PL(at_rt) FATHER ASK-QUESTION?	2-d
	TELL-3P(rt)	OR 3P-SELF(rc) FRIEND FOLLOW~AGENT SEVERAL(2h) CLASS(diminutive,lt-to-rt), TELL-3P(rt) 1P-POSS-PL(at_rt) FATHER ASK-QUESTION?	2-d
	1P-POSS-PL(at_rt)	OR 3P-SELF(rc) FRIEND FOLLOW~AGENT SEVERAL(2h) CLASS(diminutive,lt-to-rt), TELL-3P(rt) 1P-POSS-PL(at_rt) FATHER ASK-QUESTION?	2-d
	N-O!(neg,int,neg)	N-O!(neg,int,neg) pn:JESUS DO DET-IX-PL(dn)\FIVE THAT(2h,neg) gs:nothing.	2-e
	pn:JESUS	N-O!(neg,int,neg) pn:JESUS DO DET-IX-PL(dn)\FIVE THAT(2h,neg) gs:nothing.	2-e
	DET-IX-PL(dn)\FIVE	N-O!(neg,int,neg) pn:JESUS DO DET-IX-PL(dn)\FIVE THAT(2h,neg) gs:nothing.	2-e
	THAT(2h,neg)	N-O!(neg,int,neg) pn:JESUS DO DET-IX-PL(dn)\FIVE THAT(2h,neg) gs:nothing.	2-e
	gs:nothing	N-O!(neg,int,neg) pn:JESUS DO DET-IX-PL(dn)\FIVE THAT(2h,neg) gs:nothing.	2-e
	3P-SELF+(rc)	3P-SELF+(rc) STAND ON ROCK~cl-d:55(up-mountain,rt) IN-FRONT-OF WORLD	3-a
	ROCK~cl-d:55(up-mountain,rt)	3P-SELF+(rc) STAND ON ROCK~cl-d:55(up-mountain,rt) IN-FRONT-OF WORLD	3-a
	MANY+(int)	PEOPLE MANY+(int) cl-p:55(milling-around) cl-p:44(watch-Jesus,rt)	3-b
	cl-p:55(milling-around)	PEOPLE MANY+(int) cl-p:55(milling-around) cl-p:44(watch-Jesus,rt)	3-b
	cl-p:44(watch-Jesus,rt)	PEOPLE MANY+(int) cl-p:55(milling-around) cl-p:44(watch-Jesus,rt)	3-b
	THAT(1h,lt)	IN THAT(1h,lt) CLASS(exp) PEOPLE MANY+(int) FROM pn:CHINA(2h) NEAR++ ALL-OVER	3-c
	CLASS(exp)	IN THAT(1h,lt) CLASS(exp) PEOPLE MANY+(int) FROM pn:CHINA(2h) NEAR++ ALL-OVER	3-c
	MANY+(int)	IN THAT(1h,lt) CLASS(exp) PEOPLE MANY+(int) FROM pn:CHINA(2h) NEAR++ ALL-OVER	3-c
	pn:CHINA(2h)	IN THAT(1h,lt) CLASS(exp) PEOPLE MANY+(int) FROM pn:CHINA(2h) NEAR++ ALL-OVER	3-c
	NEAR++	IN THAT(1h,lt) CLASS(exp) PEOPLE MANY+(int) FROM pn:CHINA(2h) NEAR++ ALL-OVER	3-c
	THAT(1h,lt)	IN THAT(1h,lt) CLASS(exp) MANY+(int) FROM pn:ROME pn:GREECE pn:EUROPE.	3-d
	CLASS(exp)	IN THAT(1h,lt) CLASS(exp) MANY+(int) FROM pn:ROME pn:GREECE pn:EUROPE.	3-d
	MANY+(int)	IN THAT(1h,lt) CLASS(exp) MANY+(int) FROM pn:ROME pn:GREECE pn:EUROPE.	3-d
	pn:ROME	IN THAT(1h,lt) CLASS(exp) MANY+(int) FROM pn:ROME pn:GREECE pn:EUROPE.	3-d
	pn:GREECE	IN THAT(1h,lt) CLASS(exp) MANY+(int) FROM pn:ROME pn:GREECE pn:EUROPE.	3-d
	pn:EUROPE	IN THAT(1h,lt) CLASS(exp) MANY+(int) FROM pn:ROME pn:GREECE pn:EUROPE.	3-d
	THAT(1h,lt)	IN THAT(1h,lt) CLASS(exp) MANY+(int) FROM pn:EGYPT~PYRAMID THERE(rt,arc) NEAR++.	3-e
	CLASS(exp)	IN THAT(1h,lt) CLASS(exp) MANY+(int) FROM pn:EGYPT~PYRAMID THERE(rt,arc) NEAR++.	3-e
	MANY+(int)	IN THAT(1h,lt) CLASS(exp) MANY+(int) FROM pn:EGYPT~PYRAMID THERE(rt,arc) NEAR++.	3-e
	pn:EGYPT~PYRAMID	IN THAT(1h,lt) CLASS(exp) MANY+(int) FROM pn:EGYPT~PYRAMID THERE(rt,arc) NEAR++.	3-e
	THERE(rt,arc)	IN THAT(1h,lt) CLASS(exp) MANY+(int) FROM pn:EGYPT~PYRAMID THERE(rt,arc) NEAR++.	3-e
	NEAR++	IN THAT(1h,lt) CLASS(exp) MANY+(int) FROM pn:EGYPT~PYRAMID THERE(rt,arc) NEAR++.	3-e
	THAT(1h,rt)	TO THAT(1h,rt) CLASS(exp) pn:JESUS TELL	3-f
	CLASS(exp)	TO THAT(1h,rt) CLASS(exp) pn:JESUS TELL	3-f
	pn:JESUS	TO THAT(1h,rt) CLASS(exp) pn:JESUS TELL	3-f
	PRAY(vert_circ)	WHEN 1P-IX-PL PRAY(vert_circ) S-A-Y(int) 1P-POSS-PL(1P-to-arc-to-1P) O-U-R(int) FATHER(deliberate)	3-g
	S-A-Y(int)	WHEN 1P-IX-PL PRAY(vert_circ) S-A-Y(int) 1P-POSS-PL(1P-to-arc-to-1P) O-U-R(int) FATHER(deliberate)	3-g
	1P-POSS-PL(1P-to-arc-to-1P)	WHEN 1P-IX-PL PRAY(vert_circ) S-A-Y(int) 1P-POSS-PL(1P-to-arc-to-1P) O-U-R(int) FATHER(deliberate)	3-g
	O-U-R(int)	WHEN 1P-IX-PL PRAY(vert_circ) S-A-Y(int) 1P-POSS-PL(1P-to-arc-to-1P) O-U-R(int) FATHER(deliberate)	3-g
	FATHER(deliberate)	WHEN 1P-IX-PL PRAY(vert_circ) S-A-Y(int) 1P-POSS-PL(1P-to-arc-to-1P) O-U-R(int) FATHER(deliberate)	3-g
	WORD+(dual)	WONDERFUL WORD+(dual) IMPORTANT TO 1P-IX-PL	3-h
	pn:JESUS(false-start)	I-F pn:JESUS(false-start) GOD pn:JESUS 3P-POSS(rt) FATHER AND 1P-POSS FATHER AND 2P-POSS-PL(int) FATHER gs:oh-well FOLLOW:	4-a
	pn:JESUS	I-F pn:JESUS(false-start) GOD pn:JESUS 3P-POSS(rt) FATHER AND 1P-POSS FATHER AND 2P-POSS-PL(int) FATHER gs:oh-well FOLLOW:	4-a
	3P-POSS(rt)	I-F pn:JESUS(false-start) GOD pn:JESUS 3P-POSS(rt) FATHER AND 1P-POSS FATHER AND 2P-POSS-PL(int) FATHER gs:oh-well FOLLOW:	4-a
	2P-POSS-PL(int)	I-F pn:JESUS(false-start) GOD pn:JESUS 3P-POSS(rt) FATHER AND 1P-POSS FATHER AND 2P-POSS-PL(int) FATHER gs:oh-well FOLLOW:	4-a
	gs:oh-well	I-F pn:JESUS(false-start) GOD pn:JESUS 3P-POSS(rt) FATHER AND 1P-POSS FATHER AND 2P-POSS-PL(int) FATHER gs:oh-well FOLLOW:	4-a
	MALE~SAME	1P-IX-PL TRUE ALL MALE~SAME FEMALE~SAME ALL CHILDREN ONE FATHER.	4-b
	FEMALE~SAME	1P-IX-PL TRUE ALL MALE~SAME FEMALE~SAME ALL CHILDREN ONE FATHER.	4-b
	pn:JESUS	BUT WHEN pn:JESUS TELL(2h-alt)THAT(1h) WORD+++, WORLD ARRANGE gs:nothing	4-c
	TELL(2h-alt)	BUT WHEN pn:JESUS TELL(2h-alt)THAT(1h) WORD+++, WORLD ARRANGE gs:nothing	4-c
	THAT(1h)	BUT WHEN pn:JESUS TELL(2h-alt)THAT(1h) WORD+++, WORLD ARRANGE gs:nothing	4-c
	WORD+++	BUT WHEN pn:JESUS TELL(2h-alt)THAT(1h) WORD+++, WORLD ARRANGE gs:nothing	4-c
	gs:nothing	BUT WHEN pn:JESUS TELL(2h-alt)THAT(1h) WORD+++, WORLD ARRANGE gs:nothing	4-c
	AND(rf)	AND(rf) PEOPLE ALL-OVER LOOK-AT-3P(1h,up) UNDERSTAND CLEAR NOT.	4-d
	LOOK-AT-3P(1h,up)	AND(rf) PEOPLE ALL-OVER LOOK-AT-3P(1h,up) UNDERSTAND CLEAR NOT.	4-d
	THINK~SUPERIOR	THINK~SUPERIOR DURING THAT(1h) TIME-PERIOD, WORLD SEEM(2h) LARGE(int)	5-a
	THAT(1h)	THINK~SUPERIOR DURING THAT(1h) TIME-PERIOD, WORLD SEEM(2h) LARGE(int)	5-a
	SEEM(2h)	THINK~SUPERIOR DURING THAT(1h) TIME-PERIOD, WORLD SEEM(2h) LARGE(int)	5-a
	LARGE(int)	THINK~SUPERIOR DURING THAT(1h) TIME-PERIOD, WORLD SEEM(2h) LARGE(int)	5-a
	FAR(int,r-hand-to-rt)	PEOPLE FEEL FAR(int,r-hand-to-rt) FAR(l-hand-to-lt) FAR(r-hand-to-rc)	5-b
	FAR(l-hand-to-lt)	PEOPLE FEEL FAR(int,r-hand-to-rt) FAR(l-hand-to-lt) FAR(r-hand-to-rc)	5-b
	FAR(r-hand-to-rc)	PEOPLE FEEL FAR(int,r-hand-to-rt) FAR(l-hand-to-lt) FAR(r-hand-to-rc)	5-b
	FEEL(1x)	FEEL(1x) MINGLE CANT+++.	5-c
	CANT+++	FEEL(1x) MINGLE CANT+++.	5-c
	ROCK~cl-d:55(slope-upward,lt)	ROCK~cl-d:55(slope-upward,lt), DRY~cl-d:55(spread-flat-land,rt), LIQUID-CLASS~cl-d:55(wavy-sea) SPREAD(ctr)	5-d
	DRY~cl-d:55(spread-flat-land,rt)	ROCK~cl-d:55(slope-upward,lt), DRY~cl-d:55(spread-flat-land,rt), LIQUID-CLASS~cl-d:55(wavy-sea) SPREAD(ctr)	5-d
	LIQUID-CLASS~cl-d:55(wavy-sea)	ROCK~cl-d:55(slope-upward,lt), DRY~cl-d:55(spread-flat-land,rt), LIQUID-CLASS~cl-d:55(wavy-sea) SPREAD(ctr)	5-d
	SPREAD(ctr)	ROCK~cl-d:55(slope-upward,lt), DRY~cl-d:55(spread-flat-land,rt), LIQUID-CLASS~cl-d:55(wavy-sea) SPREAD(ctr)	5-d
	INTERFERE-1P++(rt-to-lt)	INTERFERE-1P++(rt-to-lt) GOING+(lt-to-rt) TAKE-EFFORT	5-e
	GOING+(lt-to-rt)	INTERFERE-1P++(rt-to-lt) GOING+(lt-to-rt) TAKE-EFFORT	5-e
	NEED++	NEED++ cl:LEGSonB(ride-horse) HORSE, CAMEL OR pose:handling-with-reins.	5-f
	cl:LEGSonB(ride-horse)	NEED++ cl:LEGSonB(ride-horse) HORSE, CAMEL OR pose:handling-with-reins.	5-f
	pose:handling-with-reins	NEED++ cl:LEGSonB(ride-horse) HORSE, CAMEL OR pose:handling-with-reins.	5-f
	gs:oh-well	gs:oh-well PEOPLE(rf) FEEL FAR(rt)	6-a
	PEOPLE(rf)	gs:oh-well PEOPLE(rf) FEEL FAR(rt)	6-a
	FAR(rt)	gs:oh-well PEOPLE(rf) FEEL FAR(rt)	6-a
	NEAR+	DONT-KNOW WHO LIVE NEAR+ 3P-IX-PL(lt-to-rt)	6-b
	3P-IX-PL(lt-to-rt)	DONT-KNOW WHO LIVE NEAR+ 3P-IX-PL(lt-to-rt)	6-b
	FEEL(deliberate)	CANT FEEL(deliberate) BROTHER gs:nothing	6-c
	gs:nothing	CANT FEEL(deliberate) BROTHER gs:nothing	6-c
	gs:nothing	UNDERSTAND gs:nothing pn:JESUS 3P-POSS(rt) WORD+	6-d
	pn:JESUS	UNDERSTAND gs:nothing pn:JESUS 3P-POSS(rt) WORD+	6-d
	3P-POSS(rt)	UNDERSTAND gs:nothing pn:JESUS 3P-POSS(rt) WORD+	6-d
	WORD+	UNDERSTAND gs:nothing pn:JESUS 3P-POSS(rt) WORD+	6-d
	NOW~DAY	BUT NOW~DAY ... gs:what?	7-a
	gs:what	BUT NOW~DAY ... gs:what?	7-a
	FIND(1h)	1P-IX-PL FIND(1h) THINGS DIFFERENT	7-b
	PROGRESS+++(fwd)	WORLD PROGRESS+++(fwd) TELEGRAPH(-to-rt) TRAIN(-to-lt) cl-d:BB(paddle-wheels) ATTRACT++(all-over-to-ctr)	7-c
	TELEGRAPH(-to-rt)	WORLD PROGRESS+++(fwd) TELEGRAPH(-to-rt) TRAIN(-to-lt) cl-d:BB(paddle-wheels) ATTRACT++(all-over-to-ctr)	7-c
	TRAIN(-to-lt)	WORLD PROGRESS+++(fwd) TELEGRAPH(-to-rt) TRAIN(-to-lt) cl-d:BB(paddle-wheels) ATTRACT++(all-over-to-ctr)	7-c
	cl-d:BB(paddle-wheels)	WORLD PROGRESS+++(fwd) TELEGRAPH(-to-rt) TRAIN(-to-lt) cl-d:BB(paddle-wheels) ATTRACT++(all-over-to-ctr)	7-c
	ATTRACT++(all-over-to-ctr)	WORLD PROGRESS+++(fwd) TELEGRAPH(-to-rt) TRAIN(-to-lt) cl-d:BB(paddle-wheels) ATTRACT++(all-over-to-ctr)	7-c
	NEAR++(all-over-to-ctr)	PEOPLE NEAR++(all-over-to-ctr)	7-d
	ALL-AROUND(all_around,exp)	EARTH ALL-AROUND(all_around,exp) SHRINK(abrupt,int), SMALL+++	7-e
	SHRINK(abrupt,int)	EARTH ALL-AROUND(all_around,exp) SHRINK(abrupt,int), SMALL+++	7-e
	SMALL+++	EARTH ALL-AROUND(all_around,exp) SHRINK(abrupt,int), SMALL+++	7-e
	AND(rf)	AND(rf) 1P-IX-PL KNOW+++(arc) EACH-OTHER(rt-to-ctr) BETTER	8-a
	KNOW+++(arc)	AND(rf) 1P-IX-PL KNOW+++(arc) EACH-OTHER(rt-to-ctr) BETTER	8-a
	EACH-OTHER(rt-to-ctr)	AND(rf) 1P-IX-PL KNOW+++(arc) EACH-OTHER(rt-to-ctr) BETTER	8-a
	UNDERSTAND+	1P-IX-PL CAN UNDERSTAND+ EACH-OTHER(ctr-to-rt) BETTER	8-b
	EACH-OTHER(ctr-to-rt)	1P-IX-PL CAN UNDERSTAND+ EACH-OTHER(ctr-to-rt) BETTER	8-b
	WORD+	1P-IX-PL NOW UNDERSTAND CLEAR TRUE WORD+ 1P-POSS-PL FATHER	8-d
	MALE~FEMALE~CHILDREN	1P-IX-PL TRUE ALL MALE~FEMALE~CHILDREN ONE FATHER,	8-e
	MALE~SAME	AND 1P-IX-PL TRUE ALL MALE~SAME AND FEMALE~SAME(bow).	8-f
	FEMALE~SAME(bow)	AND 1P-IX-PL TRUE ALL MALE~SAME AND FEMALE~SAME(bow).	8-f
	THAT++(2h)	THAT++(2h) FEEL++(lt_side) SPIRIT BROTHER SPREAD(prog) NOW DAY	9-a
	FEEL++(lt_side)	THAT++(2h) FEEL++(lt_side) SPIRIT BROTHER SPREAD(prog) NOW DAY	9-a
	SPREAD(prog)	THAT++(2h) FEEL++(lt_side) SPIRIT BROTHER SPREAD(prog) NOW DAY	9-a
	EXPAND+(prog)	EXPAND+(prog) DAILY++	9-b
	DAILY++	EXPAND+(prog) DAILY++	9-b
	THERE(rt)	HAPPEN THERE(rt) IN pn:CHINA(2h) LIQUID-CLASS~RAIN(wg) FLOOD(prog) DIE(2h-alt)	9-c
	pn:CHINA(2h)	HAPPEN THERE(rt) IN pn:CHINA(2h) LIQUID-CLASS~RAIN(wg) FLOOD(prog) DIE(2h-alt)	9-c
	LIQUID-CLASS~RAIN(wg)	HAPPEN THERE(rt) IN pn:CHINA(2h) LIQUID-CLASS~RAIN(wg) FLOOD(prog) DIE(2h-alt)	9-c
	FLOOD(prog)	HAPPEN THERE(rt) IN pn:CHINA(2h) LIQUID-CLASS~RAIN(wg) FLOOD(prog) DIE(2h-alt)	9-c
	DIE(2h-alt)	HAPPEN THERE(rt) IN pn:CHINA(2h) LIQUID-CLASS~RAIN(wg) FLOOD(prog) DIE(2h-alt)	9-c
	pn:ITALY	OR IN pn:ITALY, cl:SS(quake) cl:55+(things-falling-down,2h-alt) DIE+++++(2h-alt)	9-d
	cl:SS(quake)	OR IN pn:ITALY, cl:SS(quake) cl:55+(things-falling-down,2h-alt) DIE+++++(2h-alt)	9-d
	cl:55+(things-falling-down,2h-alt)	OR IN pn:ITALY, cl:SS(quake) cl:55+(things-falling-down,2h-alt) DIE+++++(2h-alt)	9-d
	DIE+++++(2h-alt)	OR IN pn:ITALY, cl:SS(quake) cl:55+(things-falling-down,2h-alt) DIE+++++(2h-alt)	9-d
	pn:RUSSIA	OR IN pn:RUSSIA EAT HUNGRY(2h-alt) ALL-OVER(2h)	9-e
	HUNGRY(2h-alt)	OR IN pn:RUSSIA EAT HUNGRY(2h-alt) ALL-OVER(2h)	9-e
	ALL-OVER(2h)	OR IN pn:RUSSIA EAT HUNGRY(2h-alt) ALL-OVER(2h)	9-e
	FIRE(fwd)	OR HERE FIRE(fwd) AWFUL	9-f
	2~3~4	IN HOUR 2~3~4 WORLD KNOW++ ABOUT THAT(2h,int)	10-a
	KNOW++	IN HOUR 2~3~4 WORLD KNOW++ ABOUT THAT(2h,int)	10-a
	THAT(2h,int)	IN HOUR 2~3~4 WORLD KNOW++ ABOUT THAT(2h,int)	10-a
	PEOPLE(rf)	AND QUICK DET-IX-PL PEOPLE(rf) FEEL GO-TO(-to-rt) FEEL PITY(rt)	10-b
	GO-TO(-to-rt)	AND QUICK DET-IX-PL PEOPLE(rf) FEEL GO-TO(-to-rt) FEEL PITY(rt)	10-b
	PITY(rt)	AND QUICK DET-IX-PL PEOPLE(rf) FEEL GO-TO(-to-rt) FEEL PITY(rt)	10-b
	SUMMONS+~GO-AWAY	QUICK SUMMONS+~GO-AWAY EAT, CLOTHES, MEDICINE, DOCTOR, SEND(rt)	10-c
	SEND(rt)	QUICK SUMMONS+~GO-AWAY EAT, CLOTHES, MEDICINE, DOCTOR, SEND(rt)	10-c
	NO-MATTER(neg)	NO-MATTER(neg) cl:1aroundS(to-bottom-of-earth) WORLD.	10-d
	cl:1aroundS(to-bottom-of-earth)	NO-MATTER(neg) cl:1aroundS(to-bottom-of-earth) WORLD.	10-d
	AND(int)	AND(int) 1P-IX-PL STOP gs:hold-and-wait	11-a
	gs:hold-and-wait	AND(int) 1P-IX-PL STOP gs:hold-and-wait	11-a
	ASK-QUESTION(-to-rt)	ASK-QUESTION(-to-rt) WHO THERE(rt)	11-b
	THERE(rt)	ASK-QUESTION(-to-rt) WHO THERE(rt)	11-b
	BLACK~APPEARANCE	BLACK~APPEARANCE OR YELLOW OR WHITE~APPEARANCE OR BROWN(ctr)	11-c
	WHITE~APPEARANCE	BLACK~APPEARANCE OR YELLOW OR WHITE~APPEARANCE OR BROWN(ctr)	11-c
	BROWN(ctr)	BLACK~APPEARANCE OR YELLOW OR WHITE~APPEARANCE OR BROWN(ctr)	11-c
	gs:none-at-all(exp)	gs:none-at-all(exp) gs:none-at-all(exp)	11-d
	gs:none-at-all(exp)	gs:none-at-all(exp) gs:none-at-all(exp)	11-d
	ALL(int)	ALL(int) 1P-POSS-PL BROTHER IN TROUBLE NEED+ HELP(-to-rt)	12-a
	NEED+	ALL(int) 1P-POSS-PL BROTHER IN TROUBLE NEED+ HELP(-to-rt)	12-a
	HELP(-to-rt)	ALL(int) 1P-POSS-PL BROTHER IN TROUBLE NEED+ HELP(-to-rt)	12-a
	THINK~SUPERIOR	THINK~SUPERIOR 1P-IX-PL KNOW WHAT+ HARM 3P-IX(rt) HARM-1P 1P-IX-PL,	12-b
	WHAT+	THINK~SUPERIOR 1P-IX-PL KNOW WHAT+ HARM 3P-IX(rt) HARM-1P 1P-IX-PL,	12-b
	3P-IX(rt)	THINK~SUPERIOR 1P-IX-PL KNOW WHAT+ HARM 3P-IX(rt) HARM-1P 1P-IX-PL,	12-b
	HELP(-to-rt)	ANY HELP(-to-rt) 3P-IX(rt) HELP-1P 1P-IX, AMEN.	12-c
	3P-IX(rt)	ANY HELP(-to-rt) 3P-IX(rt) HELP-1P 1P-IX, AMEN.	12-c
	1P-POSS~2P-POSS-PL(1P-to-arc)	1P-POSS~2P-POSS-PL(1P-to-arc) FATHER TRUE GOOD, KIND,	12-d
	ENOUGH++	DISTRIBUTE ENOUGH++ EAT CLOTHES FOR ALL 3P-POSS(up) MALE~FEMALE~CHILDREN.	12-e
	3P-POSS(up)	DISTRIBUTE ENOUGH++ EAT CLOTHES FOR ALL 3P-POSS(up) MALE~FEMALE~CHILDREN.	12-e
	MALE~FEMALE~CHILDREN	DISTRIBUTE ENOUGH++ EAT CLOTHES FOR ALL 3P-POSS(up) MALE~FEMALE~CHILDREN.	12-e
	3P-SELF(up)	3P-SELF(up) SPOIL+(dual,rt-to-lt) ANY (neg) NOTHING(int).	12-f
	SPOIL+(dual,rt-to-lt)	3P-SELF(up) SPOIL+(dual,rt-to-lt) ANY (neg) NOTHING(int).	12-f
	NOTHING(int)	3P-SELF(up) SPOIL+(dual,rt-to-lt) ANY (neg) NOTHING(int).	12-f
	SEVERAL(2h,rt)	BUT I-F 1P-IX-PL SEE IGNORANT SEVERAL(2h,rt) pose:take-away(2h-alt,ctr-to-rt) cl:d:CC-stack-growing(rt),	13-a
	pose:take-away(2h-alt,ctr-to-rt)	BUT I-F 1P-IX-PL SEE IGNORANT SEVERAL(2h,rt) pose:take-away(2h-alt,ctr-to-rt) cl:d:CC-stack-growing(rt),	13-a
	cl:d:CC-stack-growing(rt)	BUT I-F 1P-IX-PL SEE IGNORANT SEVERAL(2h,rt) pose:take-away(2h-alt,ctr-to-rt) cl:d:CC-stack-growing(rt),	13-a
	MANY+(lc)	AND MANY+(lc) HAVE ENOUGH NOT,	13-b
	THAT(2h)	1P-IX-PL UNDERSTAND THAT(2h)	13-c
	THINK~SUPERIOR	THINK~SUPERIOR 3P-IX(rt) UNDERSTAND NEGATIVE,	13-d
	3P-IX(rt)	THINK~SUPERIOR 3P-IX(rt) UNDERSTAND NEGATIVE,	13-d
	3P-SELF(rt)	3P-SELF(rt) TRUE TAKE(2h-alt,ctr) 3P-POSS(rt) O-W-N(int) MALE~SAME FEMALE~SAME.	13-e
	TAKE(2h-alt,ctr)	3P-SELF(rt) TRUE TAKE(2h-alt,ctr) 3P-POSS(rt) O-W-N(int) MALE~SAME FEMALE~SAME.	13-e
	3P-POSS(rt)	3P-SELF(rt) TRUE TAKE(2h-alt,ctr) 3P-POSS(rt) O-W-N(int) MALE~SAME FEMALE~SAME.	13-e
	O-W-N(int)	3P-SELF(rt) TRUE TAKE(2h-alt,ctr) 3P-POSS(rt) O-W-N(int) MALE~SAME FEMALE~SAME.	13-e
	MALE~SAME	3P-SELF(rt) TRUE TAKE(2h-alt,ctr) 3P-POSS(rt) O-W-N(int) MALE~SAME FEMALE~SAME.	13-e
	FEMALE~SAME	3P-SELF(rt) TRUE TAKE(2h-alt,ctr) 3P-POSS(rt) O-W-N(int) MALE~SAME FEMALE~SAME.	13-e
	3P-IX(rt)	WHEN 3P-IX(rt) UNDERSTAND CLEAR WORD+(dual) 1P-POSS-PL FATHER,	13-f
	WORD+(dual)	WHEN 3P-IX(rt) UNDERSTAND CLEAR WORD+(dual) 1P-POSS-PL FATHER,	13-f
	3P-SELF(rt)	3P-SELF(rt) FUTURE(int) DO THAT(1h) NEGATIVE.	13-g
	FUTURE(int)	3P-SELF(rt) FUTURE(int) DO THAT(1h) NEGATIVE.	13-g
	THAT(1h)	3P-SELF(rt) FUTURE(int) DO THAT(1h) NEGATIVE.	13-g
	1P-POSS-PL(1P-to-arc)	1P-POSS-PL(1P-to-arc) FATHER STRONG OVER-ALL SUN STARS WORLD.	14-a
	3P-IX(up)	3P-IX(up) NEED 1P-POSS-PL(1P-to-arc) HELP-3P(up)	14-b
	1P-POSS-PL(1P-to-arc)	3P-IX(up) NEED 1P-POSS-PL(1P-to-arc) HELP-3P(up)	14-b
	HELP-3P(up)	3P-IX(up) NEED 1P-POSS-PL(1P-to-arc) HELP-3P(up)	14-b
	3P-IX(up)	OR 3P-IX(up) REQUIRE HELP-3P(up), gs:nothing	14-c
	HELP-3P(up)	OR 3P-IX(up) REQUIRE HELP-3P(up), gs:nothing	14-c
	gs:nothing	OR 3P-IX(up) REQUIRE HELP-3P(up), gs:nothing	14-c
	3P-SELF(up)	3P-SELF(up) STRONG CAN PROGRESS WITHOUT 1P-POSS-PL(1P-to-arc) HELP-3P(up)+	14-d
	1P-POSS-PL(1P-to-arc)	3P-SELF(up) STRONG CAN PROGRESS WITHOUT 1P-POSS-PL(1P-to-arc) HELP-3P(up)+	14-d
	HELP-3P(up)+	3P-SELF(up) STRONG CAN PROGRESS WITHOUT 1P-POSS-PL(1P-to-arc) HELP-3P(up)+	14-d
	BUT(int)	BUT(int) 1P-POSS-PL(1P-to-arc) BROTHER ON EARTH TRUE REQUIRE 1P-POSS-PL(1P-to-arc-to-1P) HELP,	14-e
	1P-POSS-PL(1P-to-arc)	BUT(int) 1P-POSS-PL(1P-to-arc) BROTHER ON EARTH TRUE REQUIRE 1P-POSS-PL(1P-to-arc-to-1P) HELP,	14-e
	1P-POSS-PL(1P-to-arc-to-1P)	BUT(int) 1P-POSS-PL(1P-to-arc) BROTHER ON EARTH TRUE REQUIRE 1P-POSS-PL(1P-to-arc-to-1P) HELP,	14-e
	AND(error-placing-final location-on-L-shoulder)	AND(error-placing-final location-on-L-shoulder) NEED 1P-POSS-PL HELP	14-f
	1P-IX-PL(1P-to-arc-to-1P)	AND 1P-IX-PL(1P-to-arc-to-1P) REQUIRE-3P 3P-POSS-PL HELP-1P WHEN 1P-IX-PL IN TROUBLE.	14-g
	PEACE~QUIET	AGO MALE ONE GOOD SLEEP ALL-NIGHT PEACE~QUIET	15-a
	THINK~TROUBLE	THINK~TROUBLE NOTHING(1h) BECAUSE 3P-SELF HAVE OPPOSITE+ NOTHING(1h)	15-b
	NOTHING(1h)	THINK~TROUBLE NOTHING(1h) BECAUSE 3P-SELF HAVE OPPOSITE+ NOTHING(1h)	15-b
	OPPOSITE+	THINK~TROUBLE NOTHING(1h) BECAUSE 3P-SELF HAVE OPPOSITE+ NOTHING(1h)	15-b
	NOTHING(1h)	THINK~TROUBLE NOTHING(1h) BECAUSE 3P-SELF HAVE OPPOSITE+ NOTHING(1h)	15-b
	pose:sleeping-on-bed	DURING ALL-NIGHT 3P-SELF pose:sleeping-on-bed,	15-c
	cl:55(light-shining,wg-to-1P)~cl:55(shake,shining-from-1P)	cl:55(light-shining,wg-to-1P)~cl:55(shake,shining-from-1P) WAKE-UP.	15-d
	gs:pointing-with-wonder(-to-lt)	gs:pointing-with-wonder(-to-lt) SEE(with-wonder,lt) SPIRIT(rf)~FLY SIT WRITE+ BOOK YELLOW.	15-e
	SEE(with-wonder,lt)	gs:pointing-with-wonder(-to-lt) SEE(with-wonder,lt) SPIRIT(rf)~FLY SIT WRITE+ BOOK YELLOW.	15-e
	SPIRIT(rf)~FLY	gs:pointing-with-wonder(-to-lt) SEE(with-wonder,lt) SPIRIT(rf)~FLY SIT WRITE+ BOOK YELLOW.	15-e
	WRITE+	gs:pointing-with-wonder(-to-lt) SEE(with-wonder,lt) SPIRIT(rf)~FLY SIT WRITE+ BOOK YELLOW.	15-e
	3P-SELF(rt)	3P-SELF(rt) ASK-QUESTION(-to-lt) WHERE WRITE IN BOOK 3P-IX(lt)	15-f
	ASK-QUESTION(-to-lt)	3P-SELF(rt) ASK-QUESTION(-to-lt) WHERE WRITE IN BOOK 3P-IX(lt)	15-f
	3P-IX(lt)	3P-SELF(rt) ASK-QUESTION(-to-lt) WHERE WRITE IN BOOK 3P-IX(lt)	15-f
	TELL-2P(rt)	TELL-2P(rt) 1P-IX PUT-DOWN+ NAME++ MALE++ ALL-OVER WH-APPEARANCE++ GOD(up) 3P-SELF(up) LOVE.	15-g
	PUT-DOWN+	TELL-2P(rt) 1P-IX PUT-DOWN+ NAME++ MALE++ ALL-OVER WH-APPEARANCE++ GOD(up) 3P-SELF(up) LOVE.	15-g
	NAME++	TELL-2P(rt) 1P-IX PUT-DOWN+ NAME++ MALE++ ALL-OVER WH-APPEARANCE++ GOD(up) 3P-SELF(up) LOVE.	15-g
	MALE++~ALL-OVER	TELL-2P(rt) 1P-IX PUT-DOWN+ NAME++ MALE++ ALL-OVER WH-APPEARANCE++ GOD(up) 3P-SELF(up) LOVE.	15-g
	WH-APPEARANCE++	TELL-2P(rt) 1P-IX PUT-DOWN+ NAME++ MALE++ ALL-OVER WH-APPEARANCE++ GOD(up) 3P-SELF(up) LOVE.	15-g
	GOD(up)	TELL-2P(rt) 1P-IX PUT-DOWN+ NAME++ MALE++ ALL-OVER WH-APPEARANCE++ GOD(up) 3P-SELF(up) LOVE.	15-g
	3P-SELF(up)	TELL-2P(rt) 1P-IX PUT-DOWN+ NAME++ MALE++ ALL-OVER WH-APPEARANCE++ GOD(up) 3P-SELF(up) LOVE.	15-g
	3P-IX(rt)	3P-IX(rt) ASK-QUESTION(-to-lt),1P-POSS NAME IN.	15-h
	ASK-QUESTION(-to-lt)	3P-IX(rt) ASK-QUESTION(-to-lt),1P-POSS NAME IN.	15-h
	2P-IX(-to-rt)	2P-IX(-to-rt) pose:turning-pages+ NEGATIVE (glitch)	15-i
	pose:turning-pages+	2P-IX(-to-rt) pose:turning-pages+ NEGATIVE (glitch)	15-i
	3P-SELF(rt)	TOMORROW NIGHT 3P-SELF(rt) AGAIN SLEEP pose:sleeping-on-bed WAKE-UP, cl:55+(shaking-light-rays),	16-a
	pose:sleeping-on-bed	TOMORROW NIGHT 3P-SELF(rt) AGAIN SLEEP pose:sleeping-on-bed WAKE-UP, cl:55+(shaking-light-rays),	16-a
	cl:55+(shaking-light-rays)	TOMORROW NIGHT 3P-SELF(rt) AGAIN SLEEP pose:sleeping-on-bed WAKE-UP, cl:55+(shaking-light-rays),	16-a
	cl:55+(shake,shining-spreads)	cl:55+(shake,shining-spreads) THAN YESTERDAY.	16-b
	SEE(lt)	SEE(lt) gs:pointing-with-wonder(-to-lt) SPIRIT(rf)~FLY COME AGAIN,	16-c
	gs:pointing-with-wonder(-to-lt)	SEE(lt) gs:pointing-with-wonder(-to-lt) SPIRIT(rf)~FLY COME AGAIN,	16-c
	SPIRIT(rf)~FLY	SEE(lt) gs:pointing-with-wonder(-to-lt) SPIRIT(rf)~FLY COME AGAIN,	16-c
	3P-SELF(lt)+	3P-SELF(lt)+ GOING(-to-rt) gs:come-here++ SHOW~gaze-shift(to-3P,rt), pose:surprised	16-d
	GOING(-to-rt)	3P-SELF(lt)+ GOING(-to-rt) gs:come-here++ SHOW~gaze-shift(to-3P,rt), pose:surprised	16-d
	gs:come-here++	3P-SELF(lt)+ GOING(-to-rt) gs:come-here++ SHOW~gaze-shift(to-3P,rt), pose:surprised	16-d
	SHOW~gaze-shift(to-3P(rt)	3P-SELF(lt)+ GOING(-to-rt) gs:come-here++ SHOW~gaze-shift(to-3P,rt), pose:surprised	16-d
	pose:surprised	3P-SELF(lt)+ GOING(-to-rt) gs:come-here++ SHOW~gaze-shift(to-3P,rt), pose:surprised	16-d
	NAME+	NAME+ 2P-POSS(rt) FIRST(1h) LEAD O-F ALL MALE++	16-e
	2P-POSS(rt)	NAME+ 2P-POSS(rt) FIRST(1h) LEAD O-F ALL MALE++	16-e
	FIRST(1h)	NAME+ 2P-POSS(rt) FIRST(1h) LEAD O-F ALL MALE++	16-e
	MALE++	NAME+ 2P-POSS(rt) FIRST(1h) LEAD O-F ALL MALE++	16-e
	LOVE(4P-bow)	NAME+ 2P-POSS(rt) FIRST(1h) LEAD O-F ALL MALE++	16-e
	THINK~SUPERIOR	GOD LOVE(4P-bow) THINK~SUPERIOR 2P-SELF(rt) LOVE(int-to-lt) ALL MALE++.	16-f
	2P-SELF(rt)	GOD LOVE(4P-bow) THINK~SUPERIOR 2P-SELF(rt) LOVE(int-to-lt) ALL MALE++.	16-f
	LOVE(int-to-lt)	GOD LOVE(4P-bow) THINK~SUPERIOR 2P-SELF(rt) LOVE(int-to-lt) ALL MALE++.	16-f
	MALE++	GOD LOVE(4P-bow) THINK~SUPERIOR 2P-SELF(rt) LOVE(int-to-lt) ALL MALE++.	16-f
	THAT(2h)	TRUE THAT(2h) SUPERIOR(2h) KNOW~STAY(int).	16-g
	SUPERIOR(2h)	TRUE THAT(2h) SUPERIOR(2h) KNOW~STAY(int).	16-g
	KNOW~STAY(int)	TRUE THAT(2h) SUPERIOR(2h) KNOW~STAY(int).	16-g
	SHOW-3P(up_rt)	1P-IX-PL WANT SHOW-3P(up_rt) HONOR LOVE TO FATHER,	17-a
	DO++	1P-IX-PL CAN DO++ KIND(body_arc) TO 1P-POSS-PL MALE~SAME FEMALE~SAME GOOD~MOST.	17-b
	KIND(body_arc)	1P-IX-PL CAN DO++ KIND(body_arc) TO 1P-POSS-PL MALE~SAME FEMALE~SAME GOOD~MOST.	17-b
	MALE~SAME	1P-IX-PL CAN DO++ KIND(body_arc) TO 1P-POSS-PL MALE~SAME FEMALE~SAME GOOD~MOST.	17-b
	FEMALE~SAME	1P-IX-PL CAN DO++ KIND(body_arc) TO 1P-POSS-PL MALE~SAME FEMALE~SAME GOOD~MOST.	17-b
	GOOD~MOST	1P-IX-PL CAN DO++ KIND(body_arc) TO 1P-POSS-PL MALE~SAME FEMALE~SAME GOOD~MOST.	17-b
	MALE~FEMALE	I-F MALE~FEMALE COME-UP, 2P-IX-PL TELL++	17-c
	TELL++	I-F MALE~FEMALE COME-UP, 2P-IX-PL TELL++	17-c
	1P-IX+	1P-IX+ LOVE 1P-POSS FATHER gs:adoring TRUE.	17-d
	gs:adoring	1P-IX+ LOVE 1P-POSS FATHER gs:adoring TRUE.	17-d
	BUT(int)	BUT(int) gs:shun 3P-POSS(ctr) BROTHER,	17-e
	gs:shun	BUT(int) gs:shun 3P-POSS(ctr) BROTHER,	17-e
	3P-POSS(ctr)	BUT(int) gs:shun 3P-POSS(ctr) BROTHER,	17-e
	THAT(1h,int)	THAT(1h,int) MALE++ TRUE LIE~AGENT.	17-f
	MALE++	THAT(1h,int) MALE++ TRUE LIE~AGENT.	17-f
	LIE~AGENT	THAT(1h,int) MALE++ TRUE LIE~AGENT.	17-f
	gs:what	WORTH THING MOST ON EARTH gs:what?	18-a
	SERVE(int)	SERVE(int) TO OTHER++(arc) 1P-POSS-PL MALE~SAME(glitch) 1P-POSS-PL MALE~SAME FEMALE~SAME	18-b
	OTHER++(arc)	SERVE(int) TO OTHER++(arc) 1P-POSS-PL MALE~SAME(glitch) 1P-POSS-PL MALE~SAME FEMALE~SAME	18-b
	MALE~SAME(glitch)	SERVE(int) TO OTHER++(arc) 1P-POSS-PL MALE~SAME(glitch) 1P-POSS-PL MALE~SAME FEMALE~SAME	18-b
	MALE~SAME	SERVE(int) TO OTHER++(arc) 1P-POSS-PL MALE~SAME(glitch) 1P-POSS-PL MALE~SAME FEMALE~SAME	18-b
	FEMALE~SAME	SERVE(int) TO OTHER++(arc) 1P-POSS-PL MALE~SAME(glitch) 1P-POSS-PL MALE~SAME FEMALE~SAME	18-b
	WHEN(error)	WHEN(error) UNTIL WORLD UNDERSTAND CLEAR pn:JESUS 3P-POSS(up,rt) WORD+(dual), 1P-POSS-PL FATHER IN 3P-POSS(rt) TRUE MEANING,	18-c
	pn:JESUS	WHEN(error) UNTIL WORLD UNDERSTAND CLEAR pn:JESUS 3P-POSS(up,rt) WORD+(dual), 1P-POSS-PL FATHER IN 3P-POSS(rt) TRUE MEANING,	18-c
	3P-POSS(up,rt)	WHEN(error) UNTIL WORLD UNDERSTAND CLEAR pn:JESUS 3P-POSS(up,rt) WORD+(dual), 1P-POSS-PL FATHER IN 3P-POSS(rt) TRUE MEANING,	18-c
	WORD+(dual)	WHEN(error) UNTIL WORLD UNDERSTAND CLEAR pn:JESUS 3P-POSS(up,rt) WORD+(dual), 1P-POSS-PL FATHER IN 3P-POSS(rt) TRUE MEANING,	18-c
	3P-POSS(rt)	WHEN(error) UNTIL WORLD UNDERSTAND CLEAR pn:JESUS 3P-POSS(up,rt) WORD+(dual), 1P-POSS-PL FATHER IN 3P-POSS(rt) TRUE MEANING,	18-c
	FUTURE(2h)	FUTURE(2h) TAKE(2h-alt) STRUGGLE, WAR STOP(int) END	18-d
	TAKE(2h-alt,)	FUTURE(2h) TAKE(2h-alt) STRUGGLE, WAR STOP(int) END	18-d
	STOP(int)	FUTURE(2h) TAKE(2h-alt) STRUGGLE, WAR STOP(int) END	18-d
	3P-POSS(up,int,rt)	AND 3P-POSS(up,int,rt) KING TRUE COME(-from-up) ON EARTH.	18-e
	COME(-from-up)	AND 3P-POSS(up,int,rt) KING TRUE COME(-from-up) ON EARTH.	18-e
	pose:praying	pose:praying, L-E-T U-S P-R-A-Y, pose:praying-bow	19-a
	pose:praying-bow	pose:praying, L-E-T U-S P-R-A-Y, pose:praying-bow	19-a
	FATHER(rf)	1P-POSS-PL FATHER(rf) IN~HEAVEN pose:bow	19-b
	IN~HEAVEN	1P-POSS-PL FATHER(rf) IN~HEAVEN pose:bow	19-b
	pose:bow	1P-POSS-PL FATHER(rf) IN~HEAVEN pose:bow	19-b
	2P-POSS(up)	2P-POSS(up) KING COME(down-to-),	19-c
	COME(down-to-)	2P-POSS(up) KING COME(down-to-),	19-c
	2P-POSS(up)	2P-POSS(up) APPRECIATE DO ON EARTH SO-AS HEAVEN pose:praying-bow	19-d
	pose:praying-bow	2P-POSS(up) APPRECIATE DO ON EARTH SO-AS HEAVEN pose:praying-bow	19-d
	1P-IX-PL(1P-to-arc-to-1P)	REQUEST DISTRIBUTE 1P-IX-PL(1P-to-arc-to-1P) DAY(rf,1h)~NOW 1P-POSS-PL DAILY BREAD pose:praying-bow	19-e
	DAY(rf,1h)~NOW	REQUEST DISTRIBUTE 1P-IX-PL(1P-to-arc-to-1P) DAY(rf,1h)~NOW 1P-POSS-PL DAILY BREAD pose:praying-bow	19-e
	pose:praying-bow	REQUEST DISTRIBUTE 1P-IX-PL(1P-to-arc-to-1P) DAY(rf,1h)~NOW 1P-POSS-PL DAILY BREAD pose:praying-bow	19-e
	HARM+	SO-AS 1P-IX-PL FORGIVE ALL WH-APPEARANCE HARM+ 1P-IX-PL pose:praying-bow	19-g
	pose:praying-bow	SO-AS 1P-IX-PL FORGIVE ALL WH-APPEARANCE HARM+ 1P-IX-PL pose:praying-bow	19-g
	TEMPT~FAIL(lt)	REQUEST LEAD 1P-IX-PL NEGATIVE IN TEMPT~FAIL(lt)	19-h
	gs:hold-hand-away(-to-rt)	BUT gs:hold-hand-away(-to-rt) FREE FROM TROUBLE pose:praying-bow	19-i
	pose:praying-bow	BUT gs:hold-hand-away(-to-rt) FREE FROM TROUBLE pose:praying-bow	19-i
	2P-POSS(up,int)	BECAUSE TRUE 2P-POSS(up,int) KING~OVER-ALL STRONG	19-j
	KING~OVER-ALL	BECAUSE TRUE 2P-POSS(up,int) KING~OVER-ALL STRONG	19-j
	ALWAYS(int)	AND GLORY ALWAYS(int) CONTINUE pose:praying-bow	19-k
	pose:praying-bow	AND GLORY ALWAYS(int) CONTINUE pose:praying-bow	19-k

Signer: Regensburg, Oscar H. (1913) Title of film: The Discovery of Chloroform Number of tags found: 4
Tag ID	Reference Gloss	Context	Paragraph-Clause
	GENTLEMAN(l-hand)	LADY GENTLEMAN(l-hand) 2P-HON,	1-a
	1P-IX-PL(rf)	NOW 1P-IX-PL(rf) INTRODUCE D-R G T D-O-U-G-H-E-R-T-Y O-F C-H-I-C-A-G-O I-L-L	1-b
	3P-IX(rt)	3P-IX(rt) FAMOUS DEAF SCIENCE	1-c
	THAT(1h)	LEAD IN THAT(1h) WORK.	1-d

Signer: Veditz, George W. (1913) Title of film: Preservation of the Sign Language Number of tags found: 312
Tag ID	Reference Gloss	Context	Paragraph-Clause
	pn:FRANCE	T-H-E pn:FRANCE DEAF LOVE D-E-L-E-P-E-E.	1-b
	YEARLY(lt-to-rt)	YEARLY(lt-to-rt) HAPPEN 3P-POSS(ctr) BORN~DAY ARRIVE,	1-c
	3P-POSS(ctr)	YEARLY(lt-to-rt) HAPPEN 3P-POSS(ctr) BORN~DAY ARRIVE,	1-c
	BORN~DAY	YEARLY(lt-to-rt) HAPPEN 3P-POSS(ctr) BORN~DAY ARRIVE,	1-c
	THAT(ctr,2h)	THAT(ctr,2h) 3P-SELF-PL(rt-to-ctr) cl-p:55(gather) DURING B-A-N-Q-U-E-T-S EAT+++(2h-alt),	1-d
	3P-SELF-PL(rt-to-ctr)	THAT(ctr,2h) 3P-SELF-PL(rt-to-ctr) cl-p:55(gather) DURING B-A-N-Q-U-E-T-S EAT+++(2h-alt),	1-d
	cl-p:55(gather)	THAT(ctr,2h) 3P-SELF-PL(rt-to-ctr) cl-p:55(gather) DURING B-A-N-Q-U-E-T-S EAT+++(2h-alt),	1-d
	EAT+++(2h-alt)	THAT(ctr,2h) 3P-SELF-PL(rt-to-ctr) cl-p:55(gather) DURING B-A-N-Q-U-E-T-S EAT+++(2h-alt),	1-d
	SMILE~PLEASANT	SMILE~PLEASANT SHOW 3P-SELF-PL(rt-to-ctr) HAPPY++ THAT(2h) MALE~cl-d:B(height) BORN ON HERE EARTH.	1-e
	3P-SELF-PL(rt-to-ctr)	SMILE~PLEASANT SHOW 3P-SELF-PL(rt-to-ctr) HAPPY++ THAT(2h) MALE~cl-d:B(height) BORN ON HERE EARTH.	1-e
	HAPPY++	SMILE~PLEASANT SHOW 3P-SELF-PL(rt-to-ctr) HAPPY++ THAT(2h) MALE~cl-d:B(height) BORN ON HERE EARTH.	1-e
	THAT(2h)	SMILE~PLEASANT SHOW 3P-SELF-PL(rt-to-ctr) HAPPY++ THAT(2h) MALE~cl-d:B(height) BORN ON HERE EARTH.	1-e
	MALE~cl-d:B(height)	SMILE~PLEASANT SHOW 3P-SELF-PL(rt-to-ctr) HAPPY++ THAT(2h) MALE~cl-d:B(height) BORN ON HERE EARTH.	1-e
	3P-SELF(rt)	OR 3P-SELF(rt) PROCESSION(rt-to-lt) TO 3P-POSS(lt) DIE~BURY(at_lt) IN THERE(lt) V-E-R-S-A-I-L-L-E-S,	2-a
	PROCESSION(rt-to-lt)	OR 3P-SELF(rt) PROCESSION(rt-to-lt) TO 3P-POSS(lt) DIE~BURY(at_lt) IN THERE(lt) V-E-R-S-A-I-L-L-E-S,	2-a
	3P-POSS(lt)	OR 3P-SELF(rt) PROCESSION(rt-to-lt) TO 3P-POSS(lt) DIE~BURY(at_lt) IN THERE(lt) V-E-R-S-A-I-L-L-E-S,	2-a
	DIE~BURY(at_lt)	OR 3P-SELF(rt) PROCESSION(rt-to-lt) TO 3P-POSS(lt) DIE~BURY(at_lt) IN THERE(lt) V-E-R-S-A-I-L-L-E-S,	2-a
	THERE(lt)	OR 3P-SELF(rt) PROCESSION(rt-to-lt) TO 3P-POSS(lt) DIE~BURY(at_lt) IN THERE(lt) V-E-R-S-A-I-L-L-E-S,	2-a
	PUT++(2h-alt_at_lt)	AND PUT++(2h-alt_at_lt) FLOWER, OR(rf) GREEN cl-d:CC(wreath,circ,lt) ON 3P-POSS(lt) BURY(lt)	2-b
	OR(rf)	AND PUT++(2h-alt_at_lt) FLOWER, OR(rf) GREEN cl-d:CC(wreath,circ,lt) ON 3P-POSS(lt) BURY(lt)	2-b
	cl-d:CC(wreath,circ,lt)	AND PUT++(2h-alt_at_lt) FLOWER, OR(rf) GREEN cl-d:CC(wreath,circ,lt) ON 3P-POSS(lt) BURY(lt)	2-b
	3P-POSS(lt)	AND PUT++(2h-alt_at_lt) FLOWER, OR(rf) GREEN cl-d:CC(wreath,circ,lt) ON 3P-POSS(lt) BURY(lt)	2-b
	BURY(lt)	AND PUT++(2h-alt_at_lt) FLOWER, OR(rf) GREEN cl-d:CC(wreath,circ,lt) ON 3P-POSS(lt) BURY(lt)	2-b
	SHOW(-to-lt)	SHOW(-to-lt) 3P-POSS-PL(rt-to-ctr) RESPECT(-to-lt,bow) FOR 3P-POSS(lt) KNOW~STAY.	2-c
	3P-POSS-PL(rt-to-ctr)	SHOW(-to-lt) 3P-POSS-PL(rt-to-ctr) RESPECT(-to-lt,bow) FOR 3P-POSS(lt) KNOW~STAY.	2-c
	RESPECT(-to-lt,bow)	SHOW(-to-lt) 3P-POSS-PL(rt-to-ctr) RESPECT(-to-lt,bow) FOR 3P-POSS(lt) KNOW~STAY.	2-c
	3P-POSS(lt)	SHOW(-to-lt) 3P-POSS-PL(rt-to-ctr) RESPECT(-to-lt,bow) FOR 3P-POSS(lt) KNOW~STAY.	2-c
	KNOW~STAY	SHOW(-to-lt) 3P-POSS-PL(rt-to-ctr) RESPECT(-to-lt,bow) FOR 3P-POSS(lt) KNOW~STAY.	2-c
	3P-SELF-PL(rt-to-ctr)	3P-SELF-PL(rt-to-ctr) LOVE 3P-IX(lt) KNOW~SUPERIOR 3P-SELF(lt) 3P-POSS-PL(rt-to-ctr) FIRST TEACH+~AGENT.	3-a
	3P-IX(lt)	3P-SELF-PL(rt-to-ctr) LOVE 3P-IX(lt) KNOW~SUPERIOR 3P-SELF(lt) 3P-POSS-PL(rt-to-ctr) FIRST TEACH+~AGENT.	3-a
	KNOW~SUPERIOR	3P-SELF-PL(rt-to-ctr) LOVE 3P-IX(lt) KNOW~SUPERIOR 3P-SELF(lt) 3P-POSS-PL(rt-to-ctr) FIRST TEACH+~AGENT.	3-a
	3P-SELF(lt)	3P-SELF-PL(rt-to-ctr) LOVE 3P-IX(lt) KNOW~SUPERIOR 3P-SELF(lt) 3P-POSS-PL(rt-to-ctr) FIRST TEACH+~AGENT.	3-a
	3P-POSS-PL(rt-to-ctr)	3P-SELF-PL(rt-to-ctr) LOVE 3P-IX(lt) KNOW~SUPERIOR 3P-SELF(lt) 3P-POSS-PL(rt-to-ctr) FIRST TEACH+~AGENT.	3-a
	TEACH+~AGENT	3P-SELF-PL(rt-to-ctr) LOVE 3P-IX(lt) KNOW~SUPERIOR 3P-SELF(lt) 3P-POSS-PL(rt-to-ctr) FIRST TEACH+~AGENT.	3-a
	3P-SELF-PL(rt-to-ctr)	BUT 3P-SELF-PL(rt-to-ctr) LOVE MORE KNOW~SUPERIOR 3P-SELF(lt) TRUE FATHER AND(rf) INVENT~AGENT O-F(rf) 1P-POSS-PL(1P-to-arc-to-1P) BEAUTIFUL SIGN.	3-b
	KNOW~SUPERIOR	BUT 3P-SELF-PL(rt-to-ctr) LOVE MORE KNOW~SUPERIOR 3P-SELF(lt) TRUE FATHER AND(rf) INVENT~AGENT O-F(rf) 1P-POSS-PL(1P-to-arc-to-1P) BEAUTIFUL SIGN.	3-b
	3P-SELF(lt)	BUT 3P-SELF-PL(rt-to-ctr) LOVE MORE KNOW~SUPERIOR 3P-SELF(lt) TRUE FATHER AND(rf) INVENT~AGENT O-F(rf) 1P-POSS-PL(1P-to-arc-to-1P) BEAUTIFUL SIGN.	3-b
	AND(rf)	BUT 3P-SELF-PL(rt-to-ctr) LOVE MORE KNOW~SUPERIOR 3P-SELF(lt) TRUE FATHER AND(rf) INVENT~AGENT O-F(rf) 1P-POSS-PL(1P-to-arc-to-1P) BEAUTIFUL SIGN.	3-b
	INVENT~AGENT	BUT 3P-SELF-PL(rt-to-ctr) LOVE MORE KNOW~SUPERIOR 3P-SELF(lt) TRUE FATHER AND(rf) INVENT~AGENT O-F(rf) 1P-POSS-PL(1P-to-arc-to-1P) BEAUTIFUL SIGN.	3-b
	O-F(rf)	BUT 3P-SELF-PL(rt-to-ctr) LOVE MORE KNOW~SUPERIOR 3P-SELF(lt) TRUE FATHER AND(rf) INVENT~AGENT O-F(rf) 1P-POSS-PL(1P-to-arc-to-1P) BEAUTIFUL SIGN.	3-b
	1P-POSS-PL(1P-to-arc-to-1P)	BUT 3P-SELF-PL(rt-to-ctr) LOVE MORE KNOW~SUPERIOR 3P-SELF(lt) TRUE FATHER AND(rf) INVENT~AGENT O-F(rf) 1P-POSS-PL(1P-to-arc-to-1P) BEAUTIFUL SIGN.	3-b
	YEAR+	FOR YEAR+ THIRTY-THREE UP-TILL-NOW THAT(2h) pn:FRANCE DEAF SEE(-to-lc) WITH EYES FULL CRY, WITH HEART BREAK, THAT(1h) BEAUTIFUL L-A-N-G-U-A-G-E O-F S-I-G-N-S FIRED FROM 3P-POSS(-to-lt) SCHOOL(lt).	4-a
	THAT(2h)	FOR YEAR+ THIRTY-THREE UP-TILL-NOW THAT(2h) pn:FRANCE DEAF SEE(-to-lc) WITH EYES FULL CRY, WITH HEART BREAK, THAT(1h) BEAUTIFUL L-A-N-G-U-A-G-E O-F S-I-G-N-S FIRED FROM 3P-POSS(-to-lt) SCHOOL(lt).	4-a
	pn:FRANCE	FOR YEAR+ THIRTY-THREE UP-TILL-NOW THAT(2h) pn:FRANCE DEAF SEE(-to-lc) WITH EYES FULL CRY, WITH HEART BREAK, THAT(1h) BEAUTIFUL L-A-N-G-U-A-G-E O-F S-I-G-N-S FIRED FROM 3P-POSS(-to-lt) SCHOOL(lt).	4-a
	SEE(-to-lc)	FOR YEAR+ THIRTY-THREE UP-TILL-NOW THAT(2h) pn:FRANCE DEAF SEE(-to-lc) WITH EYES FULL CRY, WITH HEART BREAK, THAT(1h) BEAUTIFUL L-A-N-G-U-A-G-E O-F S-I-G-N-S FIRED FROM 3P-POSS(-to-lt) SCHOOL(lt).	4-a
	THAT(1h)	FOR YEAR+ THIRTY-THREE UP-TILL-NOW THAT(2h) pn:FRANCE DEAF SEE(-to-lc) WITH EYES FULL CRY, WITH HEART BREAK, THAT(1h) BEAUTIFUL L-A-N-G-U-A-G-E O-F S-I-G-N-S FIRED FROM 3P-POSS(-to-lt) SCHOOL(lt).	4-a
	3P-POSS(-to-lt)	FOR YEAR+ THIRTY-THREE UP-TILL-NOW THAT(2h) pn:FRANCE DEAF SEE(-to-lc) WITH EYES FULL CRY, WITH HEART BREAK, THAT(1h) BEAUTIFUL L-A-N-G-U-A-G-E O-F S-I-G-N-S FIRED FROM 3P-POSS(-to-lt) SCHOOL(lt).	4-a
	SCHOOL(lt)	FOR YEAR+ THIRTY-THREE UP-TILL-NOW THAT(2h) pn:FRANCE DEAF SEE(-to-lc) WITH EYES FULL CRY, WITH HEART BREAK, THAT(1h) BEAUTIFUL L-A-N-G-U-A-G-E O-F S-I-G-N-S FIRED FROM 3P-POSS(-to-lt) SCHOOL(lt).	4-a
	YEAR+	YEAR+ THIRTY-THREE UP-TILL-NOW 3P-SELF-PL(rt-to-lt) TRY STRUGGLE WAR(-to-lt) FOR AGAIN ESTABLISH(lc) IN SCHOOL(lt);	4-b
	3P-SELF-PL(rt-to-lt)	YEAR+ THIRTY-THREE UP-TILL-NOW 3P-SELF-PL(rt-to-lt) TRY STRUGGLE WAR(-to-lt) FOR AGAIN ESTABLISH(lc) IN SCHOOL(lt);	4-b
	WAR(-to-lt)	YEAR+ THIRTY-THREE UP-TILL-NOW 3P-SELF-PL(rt-to-lt) TRY STRUGGLE WAR(-to-lt) FOR AGAIN ESTABLISH(lc) IN SCHOOL(lt);	4-b
	ESTABLISH(lc)	YEAR+ THIRTY-THREE UP-TILL-NOW 3P-SELF-PL(rt-to-lt) TRY STRUGGLE WAR(-to-lt) FOR AGAIN ESTABLISH(lc) IN SCHOOL(lt);	4-b
	SCHOOL(lt)	YEAR+ THIRTY-THREE UP-TILL-NOW 3P-SELF-PL(rt-to-lt) TRY STRUGGLE WAR(-to-lt) FOR AGAIN ESTABLISH(lc) IN SCHOOL(lt);	4-b
	YEAR+	BUT YEAR+ THIRTY-THREE UP-TILL-NOW 3P-POSS-PL(rt-to-ctr) TEACH+~AGENT TAKE-AWAY(1h,dn,lt-to-rt)	5-a
	3P-POSS-PL(rt-to-ctr)	BUT YEAR+ THIRTY-THREE UP-TILL-NOW 3P-POSS-PL(rt-to-ctr) TEACH+~AGENT TAKE-AWAY(1h,dn,lt-to-rt)	5-a
	TEACH+~AGENT	BUT YEAR+ THIRTY-THREE UP-TILL-NOW 3P-POSS-PL(rt-to-ctr) TEACH+~AGENT TAKE-AWAY(1h,dn,lt-to-rt)	5-a
	TAKE-AWAY(1h,dn,lt-to-rt)	BUT YEAR+ THIRTY-THREE UP-TILL-NOW 3P-POSS-PL(rt-to-ctr) TEACH+~AGENT TAKE-AWAY(1h,dn,lt-to-rt)	5-a
	fs:NO	fs:NO LISTEN(dn-to-rt) TO 3P-POSS-PL(rt-to-ctr) PLEAD+	5-b
	LISTEN(dn-to-rt)	fs:NO LISTEN(dn-to-rt) TO 3P-POSS-PL(rt-to-ctr) PLEAD+	5-b
	3P-POSS-PL(rt-to-ctr)	fs:NO LISTEN(dn-to-rt) TO 3P-POSS-PL(rt-to-ctr) PLEAD+	5-b
	PLEAD+	fs:NO LISTEN(dn-to-rt) TO 3P-POSS-PL(rt-to-ctr) PLEAD+	5-b
	APPRECIATE~BETTER	BUT APPRECIATE~BETTER LISTEN(lt) TO UNFAIR FEEL~ROCK REQUIRE PEOPLE	5-c
	LISTEN(lt)	BUT APPRECIATE~BETTER LISTEN(lt) TO UNFAIR FEEL~ROCK REQUIRE PEOPLE	5-c
	FEEL~ROCK	BUT APPRECIATE~BETTER LISTEN(lt) TO UNFAIR FEEL~ROCK REQUIRE PEOPLE	5-c
	THAT(1h)	THAT(1h) THINK KNOW ALL ABOUT TEACH+ DEAF;	5-d
	TEACH+	THAT(1h) THINK KNOW ALL ABOUT TEACH+ DEAF;	5-d
	NOTHING(2h)	BUT KNOW NOTHING(2h) ABOUT 3P-POSS-PL(rt-to-lt) MIND+ AND SPIRIT, FEEL, WANT, NEED++.	5-e
	3P-POSS-PL(rt-to-lt)	BUT KNOW NOTHING(2h) ABOUT 3P-POSS-PL(rt-to-lt) MIND+ AND SPIRIT, FEEL, WANT, NEED++.	5-e
	MIND+	BUT KNOW NOTHING(2h) ABOUT 3P-POSS-PL(rt-to-lt) MIND+ AND SPIRIT, FEEL, WANT, NEED++.	5-e
	NEED++	BUT KNOW NOTHING(2h) ABOUT 3P-POSS-PL(rt-to-lt) MIND+ AND SPIRIT, FEEL, WANT, NEED++.	5-e
	SAME+	SAME+ THAT(2h) IN THERE(rt) pn:GERMANY(rc).	6-a
	THAT(2h)	SAME+ THAT(2h) IN THERE(rt) pn:GERMANY(rc).	6-a
	THERE(rt)	SAME+ THAT(2h) IN THERE(rt) pn:GERMANY(rc).	6-a
	pn:GERMANY(rc)	SAME+ THAT(2h) IN THERE(rt) pn:GERMANY(rc).	6-a
	pn:GERMANY(lt)	pn:GERMANY(lt) DEAF(l-hand), THEN pn:FRANCE(rt) DEAF(r-hand), LOOK-AT(2h,rt-to-lt) ON DET-IX-PL(arc-to-X) pn:AMERICA DEAF(l-hand) WITH EYES ENVY.	6-b
	DEAF(l-hand)	pn:GERMANY(lt) DEAF(l-hand), THEN pn:FRANCE(rt) DEAF(r-hand), LOOK-AT(2h,rt-to-lt) ON DET-IX-PL(arc-to-X) pn:AMERICA DEAF(l-hand) WITH EYES ENVY.	6-b
	pn:FRANCE(rt)	pn:GERMANY(lt) DEAF(l-hand), THEN pn:FRANCE(rt) DEAF(r-hand), LOOK-AT(2h,rt-to-lt) ON DET-IX-PL(arc-to-X) pn:AMERICA DEAF(l-hand) WITH EYES ENVY.	6-b
	DEAF(r-hand)	pn:GERMANY(lt) DEAF(l-hand), THEN pn:FRANCE(rt) DEAF(r-hand), LOOK-AT(2h,rt-to-lt) ON DET-IX-PL(arc-to-X) pn:AMERICA DEAF(l-hand) WITH EYES ENVY.	6-b
	LOOK-AT(2h,rt-to-lt)	pn:GERMANY(lt) DEAF(l-hand), THEN pn:FRANCE(rt) DEAF(r-hand), LOOK-AT(2h,rt-to-lt) ON DET-IX-PL(arc-to-X) pn:AMERICA DEAF(l-hand) WITH EYES ENVY.	6-b
	DET-IX-PL(arc-to-X)	pn:GERMANY(lt) DEAF(l-hand), THEN pn:FRANCE(rt) DEAF(r-hand), LOOK-AT(2h,rt-to-lt) ON DET-IX-PL(arc-to-X) pn:AMERICA DEAF(l-hand) WITH EYES ENVY.	6-b
	pn:AMERICA	pn:GERMANY(lt) DEAF(l-hand), THEN pn:FRANCE(rt) DEAF(r-hand), LOOK-AT(2h,rt-to-lt) ON DET-IX-PL(arc-to-X) pn:AMERICA DEAF(l-hand) WITH EYES ENVY.	6-b
	DEAF(l-hand)	pn:GERMANY(lt) DEAF(l-hand), THEN pn:FRANCE(rt) DEAF(r-hand), LOOK-AT(2h,rt-to-lt) ON DET-IX-PL(arc-to-X) pn:AMERICA DEAF(l-hand) WITH EYES ENVY.	6-b
	3P-SELF-PL(rt-to-ctr)	3P-SELF-PL(rt-to-ctr) LOOK-AT(2h,rt-to-ctr) ON 1P-IX-PL(arc-to-1P) SAME+ INDEFINITE(rt) JAIL(dn_rt)~AGENT IRON(dn-at-leg,rt) CHAINS+(dn-at-leg,rt), LOOK-AT(2h,rt_dn-to-ctr_up) ON INDEFINITE(ctr) OUT FREE TRAVEL(arc).	6-c
	LOOK-AT(2h,rt-to-ctr)	3P-SELF-PL(rt-to-ctr) LOOK-AT(2h,rt-to-ctr) ON 1P-IX-PL(arc-to-1P) SAME+ INDEFINITE(rt) JAIL(dn_rt)~AGENT IRON(dn-at-leg,rt) CHAINS+(dn-at-leg,rt), LOOK-AT(2h,rt_dn-to-ctr_up) ON INDEFINITE(ctr) OUT FREE TRAVEL(arc).	6-c
	1P-IX-PL(arc-to-1P)	3P-SELF-PL(rt-to-ctr) LOOK-AT(2h,rt-to-ctr) ON 1P-IX-PL(arc-to-1P) SAME+ INDEFINITE(rt) JAIL(dn_rt)~AGENT IRON(dn-at-leg,rt) CHAINS+(dn-at-leg,rt), LOOK-AT(2h,rt_dn-to-ctr_up) ON INDEFINITE(ctr) OUT FREE TRAVEL(arc).	6-c
	SAME+	3P-SELF-PL(rt-to-ctr) LOOK-AT(2h,rt-to-ctr) ON 1P-IX-PL(arc-to-1P) SAME+ INDEFINITE(rt) JAIL(dn_rt)~AGENT IRON(dn-at-leg,rt) CHAINS+(dn-at-leg,rt), LOOK-AT(2h,rt_dn-to-ctr_up) ON INDEFINITE(ctr) OUT FREE TRAVEL(arc).	6-c
	INDEFINITE(rt)	3P-SELF-PL(rt-to-ctr) LOOK-AT(2h,rt-to-ctr) ON 1P-IX-PL(arc-to-1P) SAME+ INDEFINITE(rt) JAIL(dn_rt)~AGENT IRON(dn-at-leg,rt) CHAINS+(dn-at-leg,rt), LOOK-AT(2h,rt_dn-to-ctr_up) ON INDEFINITE(ctr) OUT FREE TRAVEL(arc).	6-c
	JAIL(dn_rt)~AGENT	3P-SELF-PL(rt-to-ctr) LOOK-AT(2h,rt-to-ctr) ON 1P-IX-PL(arc-to-1P) SAME+ INDEFINITE(rt) JAIL(dn_rt)~AGENT IRON(dn-at-leg,rt) CHAINS+(dn-at-leg,rt), LOOK-AT(2h,rt_dn-to-ctr_up) ON INDEFINITE(ctr) OUT FREE TRAVEL(arc).	6-c
	IRON(dn-at-leg,rt)	3P-SELF-PL(rt-to-ctr) LOOK-AT(2h,rt-to-ctr) ON 1P-IX-PL(arc-to-1P) SAME+ INDEFINITE(rt) JAIL(dn_rt)~AGENT IRON(dn-at-leg,rt) CHAINS+(dn-at-leg,rt), LOOK-AT(2h,rt_dn-to-ctr_up) ON INDEFINITE(ctr) OUT FREE TRAVEL(arc).	6-c
	CHAINS+(dn-at-leg,rt)	3P-SELF-PL(rt-to-ctr) LOOK-AT(2h,rt-to-ctr) ON 1P-IX-PL(arc-to-1P) SAME+ INDEFINITE(rt) JAIL(dn_rt)~AGENT IRON(dn-at-leg,rt) CHAINS+(dn-at-leg,rt), LOOK-AT(2h,rt_dn-to-ctr_up) ON INDEFINITE(ctr) OUT FREE TRAVEL(arc).	6-c
	LOOK-AT(2h,rt_dn-to-ctr_up)	3P-SELF-PL(rt-to-ctr) LOOK-AT(2h,rt-to-ctr) ON 1P-IX-PL(arc-to-1P) SAME+ INDEFINITE(rt) JAIL(dn_rt)~AGENT IRON(dn-at-leg,rt) CHAINS+(dn-at-leg,rt), LOOK-AT(2h,rt_dn-to-ctr_up) ON INDEFINITE(ctr) OUT FREE TRAVEL(arc).	6-c
	INDEFINITE(ctr)	3P-SELF-PL(rt-to-ctr) LOOK-AT(2h,rt-to-ctr) ON 1P-IX-PL(arc-to-1P) SAME+ INDEFINITE(rt) JAIL(dn_rt)~AGENT IRON(dn-at-leg,rt) CHAINS+(dn-at-leg,rt), LOOK-AT(2h,rt_dn-to-ctr_up) ON INDEFINITE(ctr) OUT FREE TRAVEL(arc).	6-c
	TRAVEL(arc)	3P-SELF-PL(rt-to-ctr) LOOK-AT(2h,rt-to-ctr) ON 1P-IX-PL(arc-to-1P) SAME+ INDEFINITE(rt) JAIL(dn_rt)~AGENT IRON(dn-at-leg,rt) CHAINS+(dn-at-leg,rt), LOOK-AT(2h,rt_dn-to-ctr_up) ON INDEFINITE(ctr) OUT FREE TRAVEL(arc).	6-c
	3P-SELF-PL(rt-to-ctr_near_body)	3P-SELF-PL(rt-to-ctr_near_body) ADMIT pn:AMERICA DEAF SUPERIOR(l-hand,lt) THAN 3P-SELF-PL(dn,rt-to-ctr) IN MIND+, IN SPIRIT, IN SUCCEED IN WORLD, IN HAPPY+++.	7-a
	pn:AMERICA	3P-SELF-PL(rt-to-ctr_near_body) ADMIT pn:AMERICA DEAF SUPERIOR(l-hand,lt) THAN 3P-SELF-PL(dn,rt-to-ctr) IN MIND+, IN SPIRIT, IN SUCCEED IN WORLD, IN HAPPY+++.	7-a
	SUPERIOR(l-hand,lt)	3P-SELF-PL(rt-to-ctr_near_body) ADMIT pn:AMERICA DEAF SUPERIOR(l-hand,lt) THAN 3P-SELF-PL(dn,rt-to-ctr) IN MIND+, IN SPIRIT, IN SUCCEED IN WORLD, IN HAPPY+++.	7-a
	3P-SELF-PL(dn,rt-to-ctr)	3P-SELF-PL(rt-to-ctr_near_body) ADMIT pn:AMERICA DEAF SUPERIOR(l-hand,lt) THAN 3P-SELF-PL(dn,rt-to-ctr) IN MIND+, IN SPIRIT, IN SUCCEED IN WORLD, IN HAPPY+++.	7-a
	MIND+	3P-SELF-PL(rt-to-ctr_near_body) ADMIT pn:AMERICA DEAF SUPERIOR(l-hand,lt) THAN 3P-SELF-PL(dn,rt-to-ctr) IN MIND+, IN SPIRIT, IN SUCCEED IN WORLD, IN HAPPY+++.	7-a
	HAPPY+++	3P-SELF-PL(rt-to-ctr_near_body) ADMIT pn:AMERICA DEAF SUPERIOR(l-hand,lt) THAN 3P-SELF-PL(dn,rt-to-ctr) IN MIND+, IN SPIRIT, IN SUCCEED IN WORLD, IN HAPPY+++.	7-a
	3P-SELF-PL(rt-to-ctr)	AND 3P-SELF-PL(rt-to-ctr) ADMIT THAT+(2h) SUPERIOR(lt) SHOW THANK(2h,lt) TO WHAT, TO ONE THING, 1P-IX-PL(1P-to-arc-to-1P) ALLOW+ USE(1h) SIGN IN 1P-POSS-PL(arc-to-1P) SCHOOL.	7-b
	THAT+(2h)	AND 3P-SELF-PL(rt-to-ctr) ADMIT THAT+(2h) SUPERIOR(lt) SHOW THANK(2h,lt) TO WHAT, TO ONE THING, 1P-IX-PL(1P-to-arc-to-1P) ALLOW+ USE(1h) SIGN IN 1P-POSS-PL(arc-to-1P) SCHOOL.	7-b
	SUPERIOR(lt)	AND 3P-SELF-PL(rt-to-ctr) ADMIT THAT+(2h) SUPERIOR(lt) SHOW THANK(2h,lt) TO WHAT, TO ONE THING, 1P-IX-PL(1P-to-arc-to-1P) ALLOW+ USE(1h) SIGN IN 1P-POSS-PL(arc-to-1P) SCHOOL.	7-b
	THANK(2h,lt)	AND 3P-SELF-PL(rt-to-ctr) ADMIT THAT+(2h) SUPERIOR(lt) SHOW THANK(2h,lt) TO WHAT, TO ONE THING, 1P-IX-PL(1P-to-arc-to-1P) ALLOW+ USE(1h) SIGN IN 1P-POSS-PL(arc-to-1P) SCHOOL.	7-b
	1P-IX-PL(1P-to-arc-to-1P)	AND 3P-SELF-PL(rt-to-ctr) ADMIT THAT+(2h) SUPERIOR(lt) SHOW THANK(2h,lt) TO WHAT, TO ONE THING, 1P-IX-PL(1P-to-arc-to-1P) ALLOW+ USE(1h) SIGN IN 1P-POSS-PL(arc-to-1P) SCHOOL.	7-b
	ALLOW+	AND 3P-SELF-PL(rt-to-ctr) ADMIT THAT+(2h) SUPERIOR(lt) SHOW THANK(2h,lt) TO WHAT, TO ONE THING, 1P-IX-PL(1P-to-arc-to-1P) ALLOW+ USE(1h) SIGN IN 1P-POSS-PL(arc-to-1P) SCHOOL.	7-b
	USE(1h)	AND 3P-SELF-PL(rt-to-ctr) ADMIT THAT+(2h) SUPERIOR(lt) SHOW THANK(2h,lt) TO WHAT, TO ONE THING, 1P-IX-PL(1P-to-arc-to-1P) ALLOW+ USE(1h) SIGN IN 1P-POSS-PL(arc-to-1P) SCHOOL.	7-b
	1P-POSS-PL(arc-to-1P)	AND 3P-SELF-PL(rt-to-ctr) ADMIT THAT+(2h) SUPERIOR(lt) SHOW THANK(2h,lt) TO WHAT, TO ONE THING, 1P-IX-PL(1P-to-arc-to-1P) ALLOW+ USE(1h) SIGN IN 1P-POSS-PL(arc-to-1P) SCHOOL.	7-b
	3P-SELF-PL(rt-to-ctr)	3P-SELF-PL(rt-to-ctr) DEAF ESTABLISH(rt) 3P-POSS(lt) INFERIOR(rt) ON ONE(l-hand) THING(r-hand);	7-c
	ESTABLISH(rt)	3P-SELF-PL(rt-to-ctr) DEAF ESTABLISH(rt) 3P-POSS(lt) INFERIOR(rt) ON ONE(l-hand) THING(r-hand);	7-c
	3P-POSS(lt)	3P-SELF-PL(rt-to-ctr) DEAF ESTABLISH(rt) 3P-POSS(lt) INFERIOR(rt) ON ONE(l-hand) THING(r-hand);	7-c
	INFERIOR(rt)	3P-SELF-PL(rt-to-ctr) DEAF ESTABLISH(rt) 3P-POSS(lt) INFERIOR(rt) ON ONE(l-hand) THING(r-hand);	7-c
	ONE(l-hand)	3P-SELF-PL(rt-to-ctr) DEAF ESTABLISH(rt) 3P-POSS(lt) INFERIOR(rt) ON ONE(l-hand) THING(r-hand);	7-c
	THING(r-hand)	3P-SELF-PL(rt-to-ctr) DEAF ESTABLISH(rt) 3P-POSS(lt) INFERIOR(rt) ON ONE(l-hand) THING(r-hand);	7-c
	THAT(1h,rt)	THAT(1h,rt) ESTABLISH(rc) ORAL MUST TEACH+ IN 3P-POSS-PL(rt-to-ctr) SCHOOL.	7-d
	ESTABLISH(rc)	THAT(1h,rt) ESTABLISH(rc) ORAL MUST TEACH+ IN 3P-POSS-PL(rt-to-ctr) SCHOOL.	7-d
	TEACH+	THAT(1h,rt) ESTABLISH(rc) ORAL MUST TEACH+ IN 3P-POSS-PL(rt-to-ctr) SCHOOL.	7-d
	3P-POSS-PL(rt-to-ctr)	THAT(1h,rt) ESTABLISH(rc) ORAL MUST TEACH+ IN 3P-POSS-PL(rt-to-ctr) SCHOOL.	7-d
	REJECT++(rt-to-ctr-to-lt)	REJECT++(rt-to-ctr-to-lt) FINGERSPELLING	7-e
	REJECT(lt)	REJECT(lt) SIGN.	7-f
	DET-IX-PL(1P-to-arc-to-1P)	BUT DET-IX-PL(1P-to-arc-to-1P) pn:AMERICA DEAF(l-hand) QUICK NEAR+ INDEFINITE BAD TIME-PERIOD FOR 1P-POSS-PL(arc-to-1P) SCHOOL.	8-a
	pn:AMERICA	BUT DET-IX-PL(1P-to-arc-to-1P) pn:AMERICA DEAF(l-hand) QUICK NEAR+ INDEFINITE BAD TIME-PERIOD FOR 1P-POSS-PL(arc-to-1P) SCHOOL.	8-a
	DEAF(l-hand)	BUT DET-IX-PL(1P-to-arc-to-1P) pn:AMERICA DEAF(l-hand) QUICK NEAR+ INDEFINITE BAD TIME-PERIOD FOR 1P-POSS-PL(arc-to-1P) SCHOOL.	8-a
	NEAR+	BUT DET-IX-PL(1P-to-arc-to-1P) pn:AMERICA DEAF(l-hand) QUICK NEAR+ INDEFINITE BAD TIME-PERIOD FOR 1P-POSS-PL(arc-to-1P) SCHOOL.	8-a
	1P-POSS-PL(arc-to-1P)	BUT DET-IX-PL(1P-to-arc-to-1P) pn:AMERICA DEAF(l-hand) QUICK NEAR+ INDEFINITE BAD TIME-PERIOD FOR 1P-POSS-PL(arc-to-1P) SCHOOL.	8-a
	THAT+(2h)	F-A-L-S-E P-R-O-P-H-E-T-S APPEAR THAT+(2h) INFORM(2h,arc) TO PEOPLE, 1P-POSS-PL(1P-to-arc-to-1P) pn:AMERICA HOW TEACH(dn)+ DEAF ALL WRONG+.	8-b
	INFORM(2h,arc)	F-A-L-S-E P-R-O-P-H-E-T-S APPEAR THAT+(2h) INFORM(2h,arc) TO PEOPLE, 1P-POSS-PL(1P-to-arc-to-1P) pn:AMERICA HOW TEACH(dn)+ DEAF ALL WRONG+.	8-b
	1P-POSS-PL(1P-to-arc-to-1P)	F-A-L-S-E P-R-O-P-H-E-T-S APPEAR THAT+(2h) INFORM(2h,arc) TO PEOPLE, 1P-POSS-PL(1P-to-arc-to-1P) pn:AMERICA HOW TEACH(dn)+ DEAF ALL WRONG+.	8-b
	pn:AMERICA	F-A-L-S-E P-R-O-P-H-E-T-S APPEAR THAT+(2h) INFORM(2h,arc) TO PEOPLE, 1P-POSS-PL(1P-to-arc-to-1P) pn:AMERICA HOW TEACH(dn)+ DEAF ALL WRONG+.	8-b
	TEACH(dn)+	F-A-L-S-E P-R-O-P-H-E-T-S APPEAR THAT+(2h) INFORM(2h,arc) TO PEOPLE, 1P-POSS-PL(1P-to-arc-to-1P) pn:AMERICA HOW TEACH(dn)+ DEAF ALL WRONG+.	8-b
	WRONG+	F-A-L-S-E P-R-O-P-H-E-T-S APPEAR THAT+(2h) INFORM(2h,arc) TO PEOPLE, 1P-POSS-PL(1P-to-arc-to-1P) pn:AMERICA HOW TEACH(dn)+ DEAF ALL WRONG+.	8-b
	THAT(1h)	THAT(1h) MALE~cl-d:B(height) TRY+ TEACH+(arc) PEOPLE(arc), CAUSE(rf,rt) PEOPLE(arc) BELIEVE T-H-E(rf) O-R-A-L M-E-T-H-O-D TRUE BEST(1h).	8-c
	MALE~cl-d:B(height)	THAT(1h) MALE~cl-d:B(height) TRY+ TEACH+(arc) PEOPLE(arc), CAUSE(rf,rt) PEOPLE(arc) BELIEVE T-H-E(rf) O-R-A-L M-E-T-H-O-D TRUE BEST(1h).	8-c
	TRY+	THAT(1h) MALE~cl-d:B(height) TRY+ TEACH+(arc) PEOPLE(arc), CAUSE(rf,rt) PEOPLE(arc) BELIEVE T-H-E(rf) O-R-A-L M-E-T-H-O-D TRUE BEST(1h).	8-c
	TEACH+(arc)	THAT(1h) MALE~cl-d:B(height) TRY+ TEACH+(arc) PEOPLE(arc), CAUSE(rf,rt) PEOPLE(arc) BELIEVE T-H-E(rf) O-R-A-L M-E-T-H-O-D TRUE BEST(1h).	8-c
	PEOPLE(arc)	THAT(1h) MALE~cl-d:B(height) TRY+ TEACH+(arc) PEOPLE(arc), CAUSE(rf,rt) PEOPLE(arc) BELIEVE T-H-E(rf) O-R-A-L M-E-T-H-O-D TRUE BEST(1h).	8-c
	CAUSE(rf,rt)	THAT(1h) MALE~cl-d:B(height) TRY+ TEACH+(arc) PEOPLE(arc), CAUSE(rf,rt) PEOPLE(arc) BELIEVE T-H-E(rf) O-R-A-L M-E-T-H-O-D TRUE BEST(1h).	8-c
	PEOPLE(arc)	THAT(1h) MALE~cl-d:B(height) TRY+ TEACH+(arc) PEOPLE(arc), CAUSE(rf,rt) PEOPLE(arc) BELIEVE T-H-E(rf) O-R-A-L M-E-T-H-O-D TRUE BEST(1h).	8-c
	T-H-E(rf)	THAT(1h) MALE~cl-d:B(height) TRY+ TEACH+(arc) PEOPLE(arc), CAUSE(rf,rt) PEOPLE(arc) BELIEVE T-H-E(rf) O-R-A-L M-E-T-H-O-D TRUE BEST(1h).	8-c
	BEST(1h)	THAT(1h) MALE~cl-d:B(height) TRY+ TEACH+(arc) PEOPLE(arc), CAUSE(rf,rt) PEOPLE(arc) BELIEVE T-H-E(rf) O-R-A-L M-E-T-H-O-D TRUE BEST(1h).	8-c
	DET-IX-PL(X-to-arc-to-X)	BUT DET-IX-PL(X-to-arc-to-X) pn:AMERICA(rc) DEAF(l-hand) KNOW(r-hand), pn:FRANCE(rt) DEAF(r-hand) KNOW(r-hand), pn:GERMANY(lt) DEAF(l-hand) KNOW(l-hand) TRUE fs:THE ORAL M-E-T-H-O-D POOR~MOST.	9-a
	pn:AMERICA(rc)	BUT DET-IX-PL(X-to-arc-to-X) pn:AMERICA(rc) DEAF(l-hand) KNOW(r-hand), pn:FRANCE(rt) DEAF(r-hand) KNOW(r-hand), pn:GERMANY(lt) DEAF(l-hand) KNOW(l-hand) TRUE fs:THE ORAL M-E-T-H-O-D POOR~MOST.	9-a
	DEAF(l-hand)	BUT DET-IX-PL(X-to-arc-to-X) pn:AMERICA(rc) DEAF(l-hand) KNOW(r-hand), pn:FRANCE(rt) DEAF(r-hand) KNOW(r-hand), pn:GERMANY(lt) DEAF(l-hand) KNOW(l-hand) TRUE fs:THE ORAL M-E-T-H-O-D POOR~MOST.	9-a
	KNOW(r-hand)	BUT DET-IX-PL(X-to-arc-to-X) pn:AMERICA(rc) DEAF(l-hand) KNOW(r-hand), pn:FRANCE(rt) DEAF(r-hand) KNOW(r-hand), pn:GERMANY(lt) DEAF(l-hand) KNOW(l-hand) TRUE fs:THE ORAL M-E-T-H-O-D POOR~MOST.	9-a
	pn:FRANCE(rt)	BUT DET-IX-PL(X-to-arc-to-X) pn:AMERICA(rc) DEAF(l-hand) KNOW(r-hand), pn:FRANCE(rt) DEAF(r-hand) KNOW(r-hand), pn:GERMANY(lt) DEAF(l-hand) KNOW(l-hand) TRUE fs:THE ORAL M-E-T-H-O-D POOR~MOST.	9-a
	DEAF(r-hand)	BUT DET-IX-PL(X-to-arc-to-X) pn:AMERICA(rc) DEAF(l-hand) KNOW(r-hand), pn:FRANCE(rt) DEAF(r-hand) KNOW(r-hand), pn:GERMANY(lt) DEAF(l-hand) KNOW(l-hand) TRUE fs:THE ORAL M-E-T-H-O-D POOR~MOST.	9-a
	KNOW(r-hand)	BUT DET-IX-PL(X-to-arc-to-X) pn:AMERICA(rc) DEAF(l-hand) KNOW(r-hand), pn:FRANCE(rt) DEAF(r-hand) KNOW(r-hand), pn:GERMANY(lt) DEAF(l-hand) KNOW(l-hand) TRUE fs:THE ORAL M-E-T-H-O-D POOR~MOST.	9-a
	pn:GERMANY(lt)	BUT DET-IX-PL(X-to-arc-to-X) pn:AMERICA(rc) DEAF(l-hand) KNOW(r-hand), pn:FRANCE(rt) DEAF(r-hand) KNOW(r-hand), pn:GERMANY(lt) DEAF(l-hand) KNOW(l-hand) TRUE fs:THE ORAL M-E-T-H-O-D POOR~MOST.	9-a
	DEAF(l-hand)	BUT DET-IX-PL(X-to-arc-to-X) pn:AMERICA(rc) DEAF(l-hand) KNOW(r-hand), pn:FRANCE(rt) DEAF(r-hand) KNOW(r-hand), pn:GERMANY(lt) DEAF(l-hand) KNOW(l-hand) TRUE fs:THE ORAL M-E-T-H-O-D POOR~MOST.	9-a
	KNOW(l-hand)	BUT DET-IX-PL(X-to-arc-to-X) pn:AMERICA(rc) DEAF(l-hand) KNOW(r-hand), pn:FRANCE(rt) DEAF(r-hand) KNOW(r-hand), pn:GERMANY(lt) DEAF(l-hand) KNOW(l-hand) TRUE fs:THE ORAL M-E-T-H-O-D POOR~MOST.	9-a
	fs:THE	BUT DET-IX-PL(X-to-arc-to-X) pn:AMERICA(rc) DEAF(l-hand) KNOW(r-hand), pn:FRANCE(rt) DEAF(r-hand) KNOW(r-hand), pn:GERMANY(lt) DEAF(l-hand) KNOW(l-hand) TRUE fs:THE ORAL M-E-T-H-O-D POOR~MOST.	9-a
	POOR~MOST	BUT DET-IX-PL(X-to-arc-to-X) pn:AMERICA(rc) DEAF(l-hand) KNOW(r-hand), pn:FRANCE(rt) DEAF(r-hand) KNOW(r-hand), pn:GERMANY(lt) DEAF(l-hand) KNOW(l-hand) TRUE fs:THE ORAL M-E-T-H-O-D POOR~MOST.	9-a
	1P-POSS-PL(1P-to-arc-to-1P)	1P-POSS-PL(1P-to-arc-to-1P) BEAUTIFUL SIGN QUICK NOW(rf) BEGIN SHOW RESULT 3P-POSS+(rt) TRY+.	9-b
	NOW(rf)	1P-POSS-PL(1P-to-arc-to-1P) BEAUTIFUL SIGN QUICK NOW(rf) BEGIN SHOW RESULT 3P-POSS+(rt) TRY+.	9-b
	3P-POSS+(rt)	1P-POSS-PL(1P-to-arc-to-1P) BEAUTIFUL SIGN QUICK NOW(rf) BEGIN SHOW RESULT 3P-POSS+(rt) TRY+.	9-b
	TRY+	1P-POSS-PL(1P-to-arc-to-1P) BEAUTIFUL SIGN QUICK NOW(rf) BEGIN SHOW RESULT 3P-POSS+(rt) TRY+.	9-b
	3P-SELF-PL(rt)	3P-SELF-PL(rt) TRY REMOVE(int,lt-to-rt) SIGN FROM SCHOOL(lt) ROOM, FROM CHURCH, FROM(lt) EARTH; REMOVE(rt-to-lt) TRY+ S-O 1P-POSS-PL(arc-to-1P) SIGN DETERIORATE+++.	9-c
	REMOVE(int,lt-to-rt)	3P-SELF-PL(rt) TRY REMOVE(int,lt-to-rt) SIGN FROM SCHOOL(lt) ROOM, FROM CHURCH, FROM(lt) EARTH; REMOVE(rt-to-lt) TRY+ S-O 1P-POSS-PL(arc-to-1P) SIGN DETERIORATE+++.	9-c
	SCHOOL(lt)	3P-SELF-PL(rt) TRY REMOVE(int,lt-to-rt) SIGN FROM SCHOOL(lt) ROOM, FROM CHURCH, FROM(lt) EARTH; REMOVE(rt-to-lt) TRY+ S-O 1P-POSS-PL(arc-to-1P) SIGN DETERIORATE+++.	9-c
	FROM(lt)	3P-SELF-PL(rt) TRY REMOVE(int,lt-to-rt) SIGN FROM SCHOOL(lt) ROOM, FROM CHURCH, FROM(lt) EARTH; REMOVE(rt-to-lt) TRY+ S-O 1P-POSS-PL(arc-to-1P) SIGN DETERIORATE+++.	9-c
	REMOVE(rt-to-lt)	3P-SELF-PL(rt) TRY REMOVE(int,lt-to-rt) SIGN FROM SCHOOL(lt) ROOM, FROM CHURCH, FROM(lt) EARTH; REMOVE(rt-to-lt) TRY+ S-O 1P-POSS-PL(arc-to-1P) SIGN DETERIORATE+++.	9-c
	TRY+	3P-SELF-PL(rt) TRY REMOVE(int,lt-to-rt) SIGN FROM SCHOOL(lt) ROOM, FROM CHURCH, FROM(lt) EARTH; REMOVE(rt-to-lt) TRY+ S-O 1P-POSS-PL(arc-to-1P) SIGN DETERIORATE+++.	9-c
	1P-POSS-PL(arc-to-1P)	3P-SELF-PL(rt) TRY REMOVE(int,lt-to-rt) SIGN FROM SCHOOL(lt) ROOM, FROM CHURCH, FROM(lt) EARTH; REMOVE(rt-to-lt) TRY+ S-O 1P-POSS-PL(arc-to-1P) SIGN DETERIORATE+++.	9-c
	DETERIORATE+++	3P-SELF-PL(rt) TRY REMOVE(int,lt-to-rt) SIGN FROM SCHOOL(lt) ROOM, FROM CHURCH, FROM(lt) EARTH; REMOVE(rt-to-lt) TRY+ S-O 1P-POSS-PL(arc-to-1P) SIGN DETERIORATE+++.	9-c
	OLD~AGO	OLD~AGO TIME-PERIOD, OVER-ALL~AGENT THAT+(2h) SIGN, T-H-E P-E-E-T-S(ctr), T-H-E D-U-D-L-E-Y-S(rt), T-H-E E-L-Y-S(ctr), T-H-E B-A-L-L-A-R-D-S(rt), QUICK GONE++(ctr-to-rt)	10-a
	OVER-ALL~AGENT	OLD~AGO TIME-PERIOD, OVER-ALL~AGENT THAT+(2h) SIGN, T-H-E P-E-E-T-S(ctr), T-H-E D-U-D-L-E-Y-S(rt), T-H-E E-L-Y-S(ctr), T-H-E B-A-L-L-A-R-D-S(rt), QUICK GONE++(ctr-to-rt)	10-a
	THAT+(2h)	OLD~AGO TIME-PERIOD, OVER-ALL~AGENT THAT+(2h) SIGN, T-H-E P-E-E-T-S(ctr), T-H-E D-U-D-L-E-Y-S(rt), T-H-E E-L-Y-S(ctr), T-H-E B-A-L-L-A-R-D-S(rt), QUICK GONE++(ctr-to-rt)	10-a
	P-E-E-T-S(ctr)	OLD~AGO TIME-PERIOD, OVER-ALL~AGENT THAT+(2h) SIGN, T-H-E P-E-E-T-S(ctr), T-H-E D-U-D-L-E-Y-S(rt), T-H-E E-L-Y-S(ctr), T-H-E B-A-L-L-A-R-D-S(rt), QUICK GONE++(ctr-to-rt)	10-a
	D-U-D-L-E-Y-S(rt)	OLD~AGO TIME-PERIOD, OVER-ALL~AGENT THAT+(2h) SIGN, T-H-E P-E-E-T-S(ctr), T-H-E D-U-D-L-E-Y-S(rt), T-H-E E-L-Y-S(ctr), T-H-E B-A-L-L-A-R-D-S(rt), QUICK GONE++(ctr-to-rt)	10-a
	E-L-Y-S(ctr)	OLD~AGO TIME-PERIOD, OVER-ALL~AGENT THAT+(2h) SIGN, T-H-E P-E-E-T-S(ctr), T-H-E D-U-D-L-E-Y-S(rt), T-H-E E-L-Y-S(ctr), T-H-E B-A-L-L-A-R-D-S(rt), QUICK GONE++(ctr-to-rt)	10-a
	B-A-L-L-A-R-D-S(rt)	OLD~AGO TIME-PERIOD, OVER-ALL~AGENT THAT+(2h) SIGN, T-H-E P-E-E-T-S(ctr), T-H-E D-U-D-L-E-Y-S(rt), T-H-E E-L-Y-S(ctr), T-H-E B-A-L-L-A-R-D-S(rt), QUICK GONE++(ctr-to-rt)	10-a
	GONE++(ctr-to-rt)	OLD~AGO TIME-PERIOD, OVER-ALL~AGENT THAT+(2h) SIGN, T-H-E P-E-E-T-S(ctr), T-H-E D-U-D-L-E-Y-S(rt), T-H-E E-L-Y-S(ctr), T-H-E B-A-L-L-A-R-D-S(rt), QUICK GONE++(ctr-to-rt)	10-a
	1P-IX-PL(1P-to-arc-to-1P)	AND 1P-IX-PL(1P-to-arc-to-1P) AGO LOVE(slight_int) THAT(1h,lc) MALE~cl-d:B(height)	10-b
	LOVE(slight_int)	AND 1P-IX-PL(1P-to-arc-to-1P) AGO LOVE(slight_int) THAT(1h,lc) MALE~cl-d:B(height)	10-b
	THAT(1h,lc)	AND 1P-IX-PL(1P-to-arc-to-1P) AGO LOVE(slight_int) THAT(1h,lc) MALE~cl-d:B(height)	10-b
	MALE~cl-d:B(height)	AND 1P-IX-PL(1P-to-arc-to-1P) AGO LOVE(slight_int) THAT(1h,lc) MALE~cl-d:B(height)	10-b
	3P-SELF(ctr)	3P-SELF(ctr) OVER-ALL SIGN ALL~PERFECT	10-c
	ALL~PERFECT	3P-SELF(ctr) OVER-ALL SIGN ALL~PERFECT	10-c
	1P-IX-PL(1P-to-arc-to-1P)	3P-SELF-PL CAN TALK TO 1P-IX-PL(1P-to-arc-to-1P) IN DET-IX-PL(X-to-arc-to-X) ONLY SIGN 1P-IX-PL(1P-to-arc-to-1P) UNDERSTAND CAN.	10-d
	DET-IX-PL(X-to-arc-to-X)	3P-SELF-PL CAN TALK TO 1P-IX-PL(1P-to-arc-to-1P) IN DET-IX-PL(X-to-arc-to-X) ONLY SIGN 1P-IX-PL(1P-to-arc-to-1P) UNDERSTAND CAN.	10-d
	1P-IX-PL(1P-to-arc-to-1P)	3P-SELF-PL CAN TALK TO 1P-IX-PL(1P-to-arc-to-1P) IN DET-IX-PL(X-to-arc-to-X) ONLY SIGN 1P-IX-PL(1P-to-arc-to-1P) UNDERSTAND CAN.	10-d
	HAPPY+++	BUT HAPPY+++ 1P-IX-PL(1P-to-arc-to-1P) HAVE SEVERAL(2h,arc) OVER-ALL(int) 1P-POSS-PL(1P-to-arc-to-1P) S-I-G-N L-A-N-G-U-A-G-E CONTINUE WITH 1P-IX-PL(1P-to-arc-to-1P)	11-a
	1P-IX-PL(1P-to-arc-to-1P)	BUT HAPPY+++ 1P-IX-PL(1P-to-arc-to-1P) HAVE SEVERAL(2h,arc) OVER-ALL(int) 1P-POSS-PL(1P-to-arc-to-1P) S-I-G-N L-A-N-G-U-A-G-E CONTINUE WITH 1P-IX-PL(1P-to-arc-to-1P)	11-a
	SEVERAL(2h,arc)	BUT HAPPY+++ 1P-IX-PL(1P-to-arc-to-1P) HAVE SEVERAL(2h,arc) OVER-ALL(int) 1P-POSS-PL(1P-to-arc-to-1P) S-I-G-N L-A-N-G-U-A-G-E CONTINUE WITH 1P-IX-PL(1P-to-arc-to-1P)	11-a
	OVER-ALL(int)	BUT HAPPY+++ 1P-IX-PL(1P-to-arc-to-1P) HAVE SEVERAL(2h,arc) OVER-ALL(int) 1P-POSS-PL(1P-to-arc-to-1P) S-I-G-N L-A-N-G-U-A-G-E CONTINUE WITH 1P-IX-PL(1P-to-arc-to-1P)	11-a
	1P-POSS-PL(1P-to-arc-to-1P)	BUT HAPPY+++ 1P-IX-PL(1P-to-arc-to-1P) HAVE SEVERAL(2h,arc) OVER-ALL(int) 1P-POSS-PL(1P-to-arc-to-1P) S-I-G-N L-A-N-G-U-A-G-E CONTINUE WITH 1P-IX-PL(1P-to-arc-to-1P)	11-a
	1P-IX-PL(1P-to-arc-to-1P)	BUT HAPPY+++ 1P-IX-PL(1P-to-arc-to-1P) HAVE SEVERAL(2h,arc) OVER-ALL(int) 1P-POSS-PL(1P-to-arc-to-1P) S-I-G-N L-A-N-G-U-A-G-E CONTINUE WITH 1P-IX-PL(1P-to-arc-to-1P)	11-a
	pn:EMG	E-D-W-A-R-D M-I-N-E-R G-A-L-L-A-U-D-E-T, pn:EMG, LEARN(up-from-lt) GET(-from-lt) THAT(2h) SIGN FROM 3P-POSS(dn_rt) FATHER pn:GALLAUDET.	11-b
	LEARN(up-from-lt)	E-D-W-A-R-D M-I-N-E-R G-A-L-L-A-U-D-E-T, pn:EMG, LEARN(up-from-lt) GET(-from-lt) THAT(2h) SIGN FROM 3P-POSS(dn_rt) FATHER pn:GALLAUDET.	11-b
	GET(-from-lt)	E-D-W-A-R-D M-I-N-E-R G-A-L-L-A-U-D-E-T, pn:EMG, LEARN(up-from-lt) GET(-from-lt) THAT(2h) SIGN FROM 3P-POSS(dn_rt) FATHER pn:GALLAUDET.	11-b
	THAT(2h)	E-D-W-A-R-D M-I-N-E-R G-A-L-L-A-U-D-E-T, pn:EMG, LEARN(up-from-lt) GET(-from-lt) THAT(2h) SIGN FROM 3P-POSS(dn_rt) FATHER pn:GALLAUDET.	11-b
	3P-POSS(dn_rt)	E-D-W-A-R-D M-I-N-E-R G-A-L-L-A-U-D-E-T, pn:EMG, LEARN(up-from-lt) GET(-from-lt) THAT(2h) SIGN FROM 3P-POSS(dn_rt) FATHER pn:GALLAUDET.	11-b
	pn:GALLAUDET	E-D-W-A-R-D M-I-N-E-R G-A-L-L-A-U-D-E-T, pn:EMG, LEARN(up-from-lt) GET(-from-lt) THAT(2h) SIGN FROM 3P-POSS(dn_rt) FATHER pn:GALLAUDET.	11-b
	SEVERAL(2h)	SEVERAL(2h) OTHER++ ALSO D-R J-O-H-N B. H-O-T-C-H-K-I-S-S(lt-to-rt), pn:HOTCHKISS, D-R E-D-W-A-R-D A-L-L-E-N F-A-Y(lt-to-rt), pn:FAY, R-O-B-E-R-T K M-C-G-R-E-G-O-R(lt-to-rt), pn:MCGREGOR, CONTINUE WITH 1P-IX-PL(1P-to-arc-to-1P).	11-c
	OTHER++	SEVERAL(2h) OTHER++ ALSO D-R J-O-H-N B. H-O-T-C-H-K-I-S-S(lt-to-rt), pn:HOTCHKISS, D-R E-D-W-A-R-D A-L-L-E-N F-A-Y(lt-to-rt), pn:FAY, R-O-B-E-R-T K M-C-G-R-E-G-O-R(lt-to-rt), pn:MCGREGOR, CONTINUE WITH 1P-IX-PL(1P-to-arc-to-1P).	11-c
	H-O-T-C-H-K-I-S-S(lt-to-rt)	SEVERAL(2h) OTHER++ ALSO D-R J-O-H-N B. H-O-T-C-H-K-I-S-S(lt-to-rt), pn:HOTCHKISS, D-R E-D-W-A-R-D A-L-L-E-N F-A-Y(lt-to-rt), pn:FAY, R-O-B-E-R-T K M-C-G-R-E-G-O-R(lt-to-rt), pn:MCGREGOR, CONTINUE WITH 1P-IX-PL(1P-to-arc-to-1P).	11-c
	pn:HOTCHKISS	SEVERAL(2h) OTHER++ ALSO D-R J-O-H-N B. H-O-T-C-H-K-I-S-S(lt-to-rt), pn:HOTCHKISS, D-R E-D-W-A-R-D A-L-L-E-N F-A-Y(lt-to-rt), pn:FAY, R-O-B-E-R-T K M-C-G-R-E-G-O-R(lt-to-rt), pn:MCGREGOR, CONTINUE WITH 1P-IX-PL(1P-to-arc-to-1P).	11-c
	F-A-Y(lt-to-rt)	SEVERAL(2h) OTHER++ ALSO D-R J-O-H-N B. H-O-T-C-H-K-I-S-S(lt-to-rt), pn:HOTCHKISS, D-R E-D-W-A-R-D A-L-L-E-N F-A-Y(lt-to-rt), pn:FAY, R-O-B-E-R-T K M-C-G-R-E-G-O-R(lt-to-rt), pn:MCGREGOR, CONTINUE WITH 1P-IX-PL(1P-to-arc-to-1P).	11-c
	pn:FAY	SEVERAL(2h) OTHER++ ALSO D-R J-O-H-N B. H-O-T-C-H-K-I-S-S(lt-to-rt), pn:HOTCHKISS, D-R E-D-W-A-R-D A-L-L-E-N F-A-Y(lt-to-rt), pn:FAY, R-O-B-E-R-T K M-C-G-R-E-G-O-R(lt-to-rt), pn:MCGREGOR, CONTINUE WITH 1P-IX-PL(1P-to-arc-to-1P).	11-c
	M-C-G-R-E-G-O-R(lt-to-rt)	SEVERAL(2h) OTHER++ ALSO D-R J-O-H-N B. H-O-T-C-H-K-I-S-S(lt-to-rt), pn:HOTCHKISS, D-R E-D-W-A-R-D A-L-L-E-N F-A-Y(lt-to-rt), pn:FAY, R-O-B-E-R-T K M-C-G-R-E-G-O-R(lt-to-rt), pn:MCGREGOR, CONTINUE WITH 1P-IX-PL(1P-to-arc-to-1P).	11-c
	pn:MCGREGOR	SEVERAL(2h) OTHER++ ALSO D-R J-O-H-N B. H-O-T-C-H-K-I-S-S(lt-to-rt), pn:HOTCHKISS, D-R E-D-W-A-R-D A-L-L-E-N F-A-Y(lt-to-rt), pn:FAY, R-O-B-E-R-T K M-C-G-R-E-G-O-R(lt-to-rt), pn:MCGREGOR, CONTINUE WITH 1P-IX-PL(1P-to-arc-to-1P).	11-c
	1P-IX-PL(1P-to-arc-to-1P)	SEVERAL(2h) OTHER++ ALSO D-R J-O-H-N B. H-O-T-C-H-K-I-S-S(lt-to-rt), pn:HOTCHKISS, D-R E-D-W-A-R-D A-L-L-E-N F-A-Y(lt-to-rt), pn:FAY, R-O-B-E-R-T K M-C-G-R-E-G-O-R(lt-to-rt), pn:MCGREGOR, CONTINUE WITH 1P-IX-PL(1P-to-arc-to-1P).	11-c
	1P-IX-PL(1P-to-arc-to-1P)	AND 1P-IX-PL(1P-to-arc-to-1P) WANT KEEP++ fs:THE SIGN SAME~THAT(1h,lc) MALE~cl-d:B(height) NOW USE(1h)	12-a
	KEEP++	AND 1P-IX-PL(1P-to-arc-to-1P) WANT KEEP++ fs:THE SIGN SAME~THAT(1h,lc) MALE~cl-d:B(height) NOW USE(1h)	12-a
	fs:THE	AND 1P-IX-PL(1P-to-arc-to-1P) WANT KEEP++ fs:THE SIGN SAME~THAT(1h,lc) MALE~cl-d:B(height) NOW USE(1h)	12-a
	SAME~THAT(1h,lc)	AND 1P-IX-PL(1P-to-arc-to-1P) WANT KEEP++ fs:THE SIGN SAME~THAT(1h,lc) MALE~cl-d:B(height) NOW USE(1h)	12-a
	MALE~cl-d:B(height)	AND 1P-IX-PL(1P-to-arc-to-1P) WANT KEEP++ fs:THE SIGN SAME~THAT(1h,lc) MALE~cl-d:B(height) NOW USE(1h)	12-a
	USE(1h)	AND 1P-IX-PL(1P-to-arc-to-1P) WANT KEEP++ fs:THE SIGN SAME~THAT(1h,lc) MALE~cl-d:B(height) NOW USE(1h)	12-a
	AND(rf)	KEEP AND(rf) GIVE++(lt-to-rt) TO(rt) FUTURE(rt) C-O-M-I-N-G G-E-N-E-R-A-T-I-O-N-S.	12-b
	GIVE++(lt-to-rt)	KEEP AND(rf) GIVE++(lt-to-rt) TO(rt) FUTURE(rt) C-O-M-I-N-G G-E-N-E-R-A-T-I-O-N-S.	12-b
	TO(rt)	KEEP AND(rf) GIVE++(lt-to-rt) TO(rt) FUTURE(rt) C-O-M-I-N-G G-E-N-E-R-A-T-I-O-N-S.	12-b
	FUTURE(rt)	KEEP AND(rf) GIVE++(lt-to-rt) TO(rt) FUTURE(rt) C-O-M-I-N-G G-E-N-E-R-A-T-I-O-N-S.	12-b
	HAVE(rf)	HAVE(rf) MANY++(int) MALE~cl-d:B(height) NOW LIVE LEARN 3P-POSS-PL(arc,rt) SIGN FROM MALE SAME+ THAT(2h).	12-c
	MANY++(int)	HAVE(rf) MANY++(int) MALE~cl-d:B(height) NOW LIVE LEARN 3P-POSS-PL(arc,rt) SIGN FROM MALE SAME+ THAT(2h).	12-c
	MALE~cl-d:B(height)	HAVE(rf) MANY++(int) MALE~cl-d:B(height) NOW LIVE LEARN 3P-POSS-PL(arc,rt) SIGN FROM MALE SAME+ THAT(2h).	12-c
	3P-POSS-PL(arc,rt)	HAVE(rf) MANY++(int) MALE~cl-d:B(height) NOW LIVE LEARN 3P-POSS-PL(arc,rt) SIGN FROM MALE SAME+ THAT(2h).	12-c
	SAME+	HAVE(rf) MANY++(int) MALE~cl-d:B(height) NOW LIVE LEARN 3P-POSS-PL(arc,rt) SIGN FROM MALE SAME+ THAT(2h).	12-c
	THAT(2h)	HAVE(rf) MANY++(int) MALE~cl-d:B(height) NOW LIVE LEARN 3P-POSS-PL(arc,rt) SIGN FROM MALE SAME+ THAT(2h).	12-c
	MANY+	MANY+ TRY LOOK-AFTER(2h,up-to-lt) GIVE(lt-to-rt) 3P-POSS(rc_facing_lt) SIGN.	12-d
	LOOK-AFTER(2h,up-to-lt)	MANY+ TRY LOOK-AFTER(2h,up-to-lt) GIVE(lt-to-rt) 3P-POSS(rc_facing_lt) SIGN.	12-d
	GIVE(lt-to-rt)	MANY+ TRY LOOK-AFTER(2h,up-to-lt) GIVE(lt-to-rt) 3P-POSS(rc_facing_lt) SIGN.	12-d
	3P-POSS(rc_facing_lt)	MANY+ TRY LOOK-AFTER(2h,up-to-lt) GIVE(lt-to-rt) 3P-POSS(rc_facing_lt) SIGN.	12-d
	GIVE(lt-to-rt)	BUT ONE KNOW HOW GIVE(lt-to-rt) CAN, ONE THROUGH M-O-V-I-N-G P-I-C-T-U-R-E F-I-L-M-S.	12-e
	TRUE(int)	TRUE(int) 1P-POSS-PL(1P-to-arc-to-1P) N-A-T-I-O-N-A-L A-S-S-O-C-I-A-T-I-O-N O-F T-H-E D-E-A-F END COLLECT INDEFINITE F-U-N-D FIVE~THOUSAND cl-d-trace:1onB(dollar) FOR THAT(1h) PURPOSE.	13-a
	1P-POSS-PL(1P-to-arc-to-1P)	TRUE(int) 1P-POSS-PL(1P-to-arc-to-1P) N-A-T-I-O-N-A-L A-S-S-O-C-I-A-T-I-O-N O-F T-H-E D-E-A-F END COLLECT INDEFINITE F-U-N-D FIVE~THOUSAND cl-d-trace:1onB(dollar) FOR THAT(1h) PURPOSE.	13-a
	FIVE~THOUSAND	TRUE(int) 1P-POSS-PL(1P-to-arc-to-1P) N-A-T-I-O-N-A-L A-S-S-O-C-I-A-T-I-O-N O-F T-H-E D-E-A-F END COLLECT INDEFINITE F-U-N-D FIVE~THOUSAND cl-d-trace:1onB(dollar) FOR THAT(1h) PURPOSE.	13-a
	cl-d-trace:1onB(dollar)	TRUE(int) 1P-POSS-PL(1P-to-arc-to-1P) N-A-T-I-O-N-A-L A-S-S-O-C-I-A-T-I-O-N O-F T-H-E D-E-A-F END COLLECT INDEFINITE F-U-N-D FIVE~THOUSAND cl-d-trace:1onB(dollar) FOR THAT(1h) PURPOSE.	13-a
	THAT(1h)	TRUE(int) 1P-POSS-PL(1P-to-arc-to-1P) N-A-T-I-O-N-A-L A-S-S-O-C-I-A-T-I-O-N O-F T-H-E D-E-A-F END COLLECT INDEFINITE F-U-N-D FIVE~THOUSAND cl-d-trace:1onB(dollar) FOR THAT(1h) PURPOSE.	13-a
	GIVE(2h_diverge)	END MAKE GIVE(2h_diverge) cl-d:SonB(film)~PHOTOGRAPH++++(lc-to-rt).	13-b
	cl-d:SonB(film)~PHOTOGRAPH++++(lc-to-rt)	END MAKE GIVE(2h_diverge) cl-d:SonB(film)~PHOTOGRAPH++++(lc-to-rt).	13-b
	pn:EMG	HAVE F-I-L-M-S O-F pn:EMG, O-F pn:FAY(rc), O-F pn:HOTCHKISS(rc), O-F pn:MCGREGOR, AND SEVERAL(2h) OTHER++(ctr-to-rt).	13-c
	pn:FAY(rc)	HAVE F-I-L-M-S O-F pn:EMG, O-F pn:FAY(rc), O-F pn:HOTCHKISS(rc), O-F pn:MCGREGOR, AND SEVERAL(2h) OTHER++(ctr-to-rt).	13-c
	pn:HOTCHKISS(rc)	HAVE F-I-L-M-S O-F pn:EMG, O-F pn:FAY(rc), O-F pn:HOTCHKISS(rc), O-F pn:MCGREGOR, AND SEVERAL(2h) OTHER++(ctr-to-rt).	13-c
	pn:MCGREGOR	HAVE F-I-L-M-S O-F pn:EMG, O-F pn:FAY(rc), O-F pn:HOTCHKISS(rc), O-F pn:MCGREGOR, AND SEVERAL(2h) OTHER++(ctr-to-rt).	13-c
	SEVERAL(2h)	HAVE F-I-L-M-S O-F pn:EMG, O-F pn:FAY(rc), O-F pn:HOTCHKISS(rc), O-F pn:MCGREGOR, AND SEVERAL(2h) OTHER++(ctr-to-rt).	13-c
	OTHER++(ctr-to-rt)	HAVE F-I-L-M-S O-F pn:EMG, O-F pn:FAY(rc), O-F pn:HOTCHKISS(rc), O-F pn:MCGREGOR, AND SEVERAL(2h) OTHER++(ctr-to-rt).	13-c
	1P-IX+	1P-IX+ SORRY 1P-IX-PL(1P-to-arc-to-1P) NOT HAVE TWENTY~THOUSAND cl-d-trace:1onB(dollar).	13-d
	1P-IX-PL(1P-to-arc-to-1P)	1P-IX+ SORRY 1P-IX-PL(1P-to-arc-to-1P) NOT HAVE TWENTY~THOUSAND cl-d-trace:1onB(dollar).	13-d
	TWENTY~THOUSAND	1P-IX+ SORRY 1P-IX-PL(1P-to-arc-to-1P) NOT HAVE TWENTY~THOUSAND cl-d-trace:1onB(dollar).	13-d
	cl-d-trace:1onB(dollar)	1P-IX+ SORRY 1P-IX-PL(1P-to-arc-to-1P) NOT HAVE TWENTY~THOUSAND cl-d-trace:1onB(dollar).	13-d
	1P-IX-PL(1P-to-arc-to-1P)	1P-IX-PL(1P-to-arc-to-1P) CAN(int) USE THAT+(2h) ALL(int).	13-e
	CAN(int)	1P-IX-PL(1P-to-arc-to-1P) CAN(int) USE THAT+(2h) ALL(int).	13-e
	THAT+(2h)	1P-IX-PL(1P-to-arc-to-1P) CAN(int) USE THAT+(2h) ALL(int).	13-e
	ALL(int)	1P-IX-PL(1P-to-arc-to-1P) CAN(int) USE THAT+(2h) ALL(int).	13-e
	1P-IX-PL(1P-to-arc-to-1P)	1P-IX-PL(1P-to-arc-to-1P) HAVE THAT(2h,rc) AMOUNT MONEY, 1P-IX-PL(1P-to-arc-to-1P) CAN HAVE DRAMA IN SIGN, CAN HAVE(rf) PREACH+++ IN SIGN, CAN(1h) HAVE(rf) LECTURE++ IN SIGN.	13-f
	THAT(2h,rc)	1P-IX-PL(1P-to-arc-to-1P) HAVE THAT(2h,rc) AMOUNT MONEY, 1P-IX-PL(1P-to-arc-to-1P) CAN HAVE DRAMA IN SIGN, CAN HAVE(rf) PREACH+++ IN SIGN, CAN(1h) HAVE(rf) LECTURE++ IN SIGN.	13-f
	1P-IX-PL(1P-to-arc-to-1P)	1P-IX-PL(1P-to-arc-to-1P) HAVE THAT(2h,rc) AMOUNT MONEY, 1P-IX-PL(1P-to-arc-to-1P) CAN HAVE DRAMA IN SIGN, CAN HAVE(rf) PREACH+++ IN SIGN, CAN(1h) HAVE(rf) LECTURE++ IN SIGN.	13-f
	HAVE(rf)	1P-IX-PL(1P-to-arc-to-1P) HAVE THAT(2h,rc) AMOUNT MONEY, 1P-IX-PL(1P-to-arc-to-1P) CAN HAVE DRAMA IN SIGN, CAN HAVE(rf) PREACH+++ IN SIGN, CAN(1h) HAVE(rf) LECTURE++ IN SIGN.	13-f
	PREACH+++	1P-IX-PL(1P-to-arc-to-1P) HAVE THAT(2h,rc) AMOUNT MONEY, 1P-IX-PL(1P-to-arc-to-1P) CAN HAVE DRAMA IN SIGN, CAN HAVE(rf) PREACH+++ IN SIGN, CAN(1h) HAVE(rf) LECTURE++ IN SIGN.	13-f
	CAN(1h)	1P-IX-PL(1P-to-arc-to-1P) HAVE THAT(2h,rc) AMOUNT MONEY, 1P-IX-PL(1P-to-arc-to-1P) CAN HAVE DRAMA IN SIGN, CAN HAVE(rf) PREACH+++ IN SIGN, CAN(1h) HAVE(rf) LECTURE++ IN SIGN.	13-f
	HAVE(rf)	1P-IX-PL(1P-to-arc-to-1P) HAVE THAT(2h,rc) AMOUNT MONEY, 1P-IX-PL(1P-to-arc-to-1P) CAN HAVE DRAMA IN SIGN, CAN HAVE(rf) PREACH+++ IN SIGN, CAN(1h) HAVE(rf) LECTURE++ IN SIGN.	13-f
	LECTURE++	1P-IX-PL(1P-to-arc-to-1P) HAVE THAT(2h,rc) AMOUNT MONEY, 1P-IX-PL(1P-to-arc-to-1P) CAN HAVE DRAMA IN SIGN, CAN HAVE(rf) PREACH+++ IN SIGN, CAN(1h) HAVE(rf) LECTURE++ IN SIGN.	13-f
	DET-IX-PL(arc-to-X)	AND NOT SPECIAL DET-IX-PL(arc-to-X) pn:AMERICA DEAF COLLECT HELP(up) FROM(rf) THAT(2h) ONE NEGATIVE.	14-a
	pn:AMERICA	AND NOT SPECIAL DET-IX-PL(arc-to-X) pn:AMERICA DEAF COLLECT HELP(up) FROM(rf) THAT(2h) ONE NEGATIVE.	14-a
	HELP(up)	AND NOT SPECIAL DET-IX-PL(arc-to-X) pn:AMERICA DEAF COLLECT HELP(up) FROM(rf) THAT(2h) ONE NEGATIVE.	14-a
	FROM(rf)	AND NOT SPECIAL DET-IX-PL(arc-to-X) pn:AMERICA DEAF COLLECT HELP(up) FROM(rf) THAT(2h) ONE NEGATIVE.	14-a
	THAT(2h)	AND NOT SPECIAL DET-IX-PL(arc-to-X) pn:AMERICA DEAF COLLECT HELP(up) FROM(rf) THAT(2h) ONE NEGATIVE.	14-a
	THERE(rt)	BUT DEAF IN THERE(rt) pn:GERMANY(rc), IN pn:ENGLAND(lt), IN pn:FRANCE(l-hand,lt), IN pn:ITALY(r-hand,facing_lc), FUTURE(-to-rt) SEE THAT(2h) cl-d:SonB(film) F-I-L-M-S (glitch) AND SEE THAT(2h,rc) F-I-L-M-S.	14-b
	pn:GERMANY(rc)	BUT DEAF IN THERE(rt) pn:GERMANY(rc), IN pn:ENGLAND(lt), IN pn:FRANCE(l-hand,lt), IN pn:ITALY(r-hand,facing_lc), FUTURE(-to-rt) SEE THAT(2h) cl-d:SonB(film) F-I-L-M-S (glitch) AND SEE THAT(2h,rc) F-I-L-M-S.	14-b
	pn:ENGLAND(lt)	BUT DEAF IN THERE(rt) pn:GERMANY(rc), IN pn:ENGLAND(lt), IN pn:FRANCE(l-hand,lt), IN pn:ITALY(r-hand,facing_lc), FUTURE(-to-rt) SEE THAT(2h) cl-d:SonB(film) F-I-L-M-S (glitch) AND SEE THAT(2h,rc) F-I-L-M-S.	14-b
	pn:FRANCE(l-hand,lt)	BUT DEAF IN THERE(rt) pn:GERMANY(rc), IN pn:ENGLAND(lt), IN pn:FRANCE(l-hand,lt), IN pn:ITALY(r-hand,facing_lc), FUTURE(-to-rt) SEE THAT(2h) cl-d:SonB(film) F-I-L-M-S (glitch) AND SEE THAT(2h,rc) F-I-L-M-S.	14-b
	pn:ITALY(r-hand,facing_lc)	BUT DEAF IN THERE(rt) pn:GERMANY(rc), IN pn:ENGLAND(lt), IN pn:FRANCE(l-hand,lt), IN pn:ITALY(r-hand,facing_lc), FUTURE(-to-rt) SEE THAT(2h) cl-d:SonB(film) F-I-L-M-S (glitch) AND SEE THAT(2h,rc) F-I-L-M-S.	14-b
	FUTURE(-to-rt)	BUT DEAF IN THERE(rt) pn:GERMANY(rc), IN pn:ENGLAND(lt), IN pn:FRANCE(l-hand,lt), IN pn:ITALY(r-hand,facing_lc), FUTURE(-to-rt) SEE THAT(2h) cl-d:SonB(film) F-I-L-M-S (glitch) AND SEE THAT(2h,rc) F-I-L-M-S.	14-b
	THAT(2h)	BUT DEAF IN THERE(rt) pn:GERMANY(rc), IN pn:ENGLAND(lt), IN pn:FRANCE(l-hand,lt), IN pn:ITALY(r-hand,facing_lc), FUTURE(-to-rt) SEE THAT(2h) cl-d:SonB(film) F-I-L-M-S (glitch) AND SEE THAT(2h,rc) F-I-L-M-S.	14-b
	cl-d:SonB(film)	BUT DEAF IN THERE(rt) pn:GERMANY(rc), IN pn:ENGLAND(lt), IN pn:FRANCE(l-hand,lt), IN pn:ITALY(r-hand,facing_lc), FUTURE(-to-rt) SEE THAT(2h) cl-d:SonB(film) F-I-L-M-S (glitch) AND SEE THAT(2h,rc) F-I-L-M-S.	14-b
	THAT(2h,rc)	BUT DEAF IN THERE(rt) pn:GERMANY(rc), IN pn:ENGLAND(lt), IN pn:FRANCE(l-hand,lt), IN pn:ITALY(r-hand,facing_lc), FUTURE(-to-rt) SEE THAT(2h) cl-d:SonB(film) F-I-L-M-S (glitch) AND SEE THAT(2h,rc) F-I-L-M-S.	14-b
	YEAR+	YEAR+ FIFTY FUTURE(-to-rt), THAT(1h) PHOTOGRAPH~cl-d:SonB(film) FUTURE TRUE P-R-I-C-E-L-E-S-S.	14-c
	FUTURE(-to-rt)	YEAR+ FIFTY FUTURE(-to-rt), THAT(1h) PHOTOGRAPH~cl-d:SonB(film) FUTURE TRUE P-R-I-C-E-L-E-S-S.	14-c
	THAT(1h)	YEAR+ FIFTY FUTURE(-to-rt), THAT(1h) PHOTOGRAPH~cl-d:SonB(film) FUTURE TRUE P-R-I-C-E-L-E-S-S.	14-c
	PHOTOGRAPH~cl-d:SonB(film)	YEAR+ FIFTY FUTURE(-to-rt), THAT(1h) PHOTOGRAPH~cl-d:SonB(film) FUTURE TRUE P-R-I-C-E-L-E-S-S.	14-c
	N-E-V-E-R(lt-to-rt)	ONE NEW R-A-C-E O-F P-H-A-R-O-A-H-S T-H-A-T N-E-V-E-R(lt-to-rt) K-N-E-W J-O-S-E-P-H(ctr-to-rt), NOW(1h) TAKE++(2h-alt,rt-to-lt) OVER-ALL MANY+(slightly_to_rt) 1P-POSS-PL(arc-to-1P) pn:AMERICA SCHOOL++.	15-a
	J-O-S-E-P-H(ctr-to-rt)	ONE NEW R-A-C-E O-F P-H-A-R-O-A-H-S T-H-A-T N-E-V-E-R(lt-to-rt) K-N-E-W J-O-S-E-P-H(ctr-to-rt), NOW(1h) TAKE++(2h-alt,rt-to-lt) OVER-ALL MANY+(slightly_to_rt) 1P-POSS-PL(arc-to-1P) pn:AMERICA SCHOOL++.	15-a
	NOW(1h)	ONE NEW R-A-C-E O-F P-H-A-R-O-A-H-S T-H-A-T N-E-V-E-R(lt-to-rt) K-N-E-W J-O-S-E-P-H(ctr-to-rt), NOW(1h) TAKE++(2h-alt,rt-to-lt) OVER-ALL MANY+(slightly_to_rt) 1P-POSS-PL(arc-to-1P) pn:AMERICA SCHOOL++.	15-a
	TAKE++(2h-alt,rt-to-lt)	ONE NEW R-A-C-E O-F P-H-A-R-O-A-H-S T-H-A-T N-E-V-E-R(lt-to-rt) K-N-E-W J-O-S-E-P-H(ctr-to-rt), NOW(1h) TAKE++(2h-alt,rt-to-lt) OVER-ALL MANY+(slightly_to_rt) 1P-POSS-PL(arc-to-1P) pn:AMERICA SCHOOL++.	15-a
	MANY+(slightly_to_rt)	ONE NEW R-A-C-E O-F P-H-A-R-O-A-H-S T-H-A-T N-E-V-E-R(lt-to-rt) K-N-E-W J-O-S-E-P-H(ctr-to-rt), NOW(1h) TAKE++(2h-alt,rt-to-lt) OVER-ALL MANY+(slightly_to_rt) 1P-POSS-PL(arc-to-1P) pn:AMERICA SCHOOL++.	15-a
	1P-POSS-PL(arc-to-1P)	ONE NEW R-A-C-E O-F P-H-A-R-O-A-H-S T-H-A-T N-E-V-E-R(lt-to-rt) K-N-E-W J-O-S-E-P-H(ctr-to-rt), NOW(1h) TAKE++(2h-alt,rt-to-lt) OVER-ALL MANY+(slightly_to_rt) 1P-POSS-PL(arc-to-1P) pn:AMERICA SCHOOL++.	15-a
	pn:AMERICA	ONE NEW R-A-C-E O-F P-H-A-R-O-A-H-S T-H-A-T N-E-V-E-R(lt-to-rt) K-N-E-W J-O-S-E-P-H(ctr-to-rt), NOW(1h) TAKE++(2h-alt,rt-to-lt) OVER-ALL MANY+(slightly_to_rt) 1P-POSS-PL(arc-to-1P) pn:AMERICA SCHOOL++.	15-a
	SCHOOL++	ONE NEW R-A-C-E O-F P-H-A-R-O-A-H-S T-H-A-T N-E-V-E-R(lt-to-rt) K-N-E-W J-O-S-E-P-H(ctr-to-rt), NOW(1h) TAKE++(2h-alt,rt-to-lt) OVER-ALL MANY+(slightly_to_rt) 1P-POSS-PL(arc-to-1P) pn:AMERICA SCHOOL++.	15-a
	3P-SELF-PL(rt-to-lt)	3P-SELF-PL(rt-to-lt) NOT UNDERSTAND SIGN	15-b
	3P-SELF-PL(rt-to-ctr)	BECAUSE 3P-SELF-PL(rt-to-ctr) CANT+ SIGN.	15-c
	CANT+	BECAUSE 3P-SELF-PL(rt-to-ctr) CANT+ SIGN.	15-c
	3P-SELF+(rt)	3P-SELF+(rt) TELL(2h,arc) HERE SIGN WORTH(rf)~gs:nothing HELP gs:nothing TO DEAF.	15-d
	TELL(2h,arc)	3P-SELF+(rt) TELL(2h,arc) HERE SIGN WORTH(rf)~gs:nothing HELP gs:nothing TO DEAF.	15-d
	WORTH(rf)~gs:nothing	3P-SELF+(rt) TELL(2h,arc) HERE SIGN WORTH(rf)~gs:nothing HELP gs:nothing TO DEAF.	15-d
	gs:nothing	3P-SELF+(rt) TELL(2h,arc) HERE SIGN WORTH(rf)~gs:nothing HELP gs:nothing TO DEAF.	15-d
	T-H-E(rf)	E-N-E-M-I-E-S O-F T-H-E(rf) S-I-G-N L-A-N-G-U-A-G-E(lt-to-rt), T-H-E-Y A-R-E E-N-E-M-I-E-S O-F T-H-E T-R-U-E W-E-L-F-A-R-E(lt-to-rt) O-F T-H-E D-E-A-F(lt-to-rt).	15-e
	L-A-N-G-U-A-G-E(lt-to-rt)	E-N-E-M-I-E-S O-F T-H-E(rf) S-I-G-N L-A-N-G-U-A-G-E(lt-to-rt), T-H-E-Y A-R-E E-N-E-M-I-E-S O-F T-H-E T-R-U-E W-E-L-F-A-R-E(lt-to-rt) O-F T-H-E D-E-A-F(lt-to-rt).	15-e
	W-E-L-F-A-R-E(lt-to-rt)	E-N-E-M-I-E-S O-F T-H-E(rf) S-I-G-N L-A-N-G-U-A-G-E(lt-to-rt), T-H-E-Y A-R-E E-N-E-M-I-E-S O-F T-H-E T-R-U-E W-E-L-F-A-R-E(lt-to-rt) O-F T-H-E D-E-A-F(lt-to-rt).	15-e
	D-E-A-F(lt-to-rt)	E-N-E-M-I-E-S O-F T-H-E(rf) S-I-G-N L-A-N-G-U-A-G-E(lt-to-rt), T-H-E-Y A-R-E E-N-E-M-I-E-S O-F T-H-E T-R-U-E W-E-L-F-A-R-E(lt-to-rt) O-F T-H-E D-E-A-F(lt-to-rt).	15-e
	1P-IX-PL(1P-to-arc-to-1P)	1P-IX-PL(1P-to-arc-to-1P) MUST THAT(2h) VARIOUS F-I-L-M-S FOR LOOK-AT(2h,up) AND KEEP NEAT, GIVE++(ctr-to-rt) 1P-POSS-PL(1P-to-arc-to-1P) BEAUTIFUL SIGN SAME+ HAVE NOW+.	16-a
	THAT(2h)	1P-IX-PL(1P-to-arc-to-1P) MUST THAT(2h) VARIOUS F-I-L-M-S FOR LOOK-AT(2h,up) AND KEEP NEAT, GIVE++(ctr-to-rt) 1P-POSS-PL(1P-to-arc-to-1P) BEAUTIFUL SIGN SAME+ HAVE NOW+.	16-a
	LOOK-AT(2h,up)	1P-IX-PL(1P-to-arc-to-1P) MUST THAT(2h) VARIOUS F-I-L-M-S FOR LOOK-AT(2h,up) AND KEEP NEAT, GIVE++(ctr-to-rt) 1P-POSS-PL(1P-to-arc-to-1P) BEAUTIFUL SIGN SAME+ HAVE NOW+.	16-a
	GIVE++(ctr-to-rt)	1P-IX-PL(1P-to-arc-to-1P) MUST THAT(2h) VARIOUS F-I-L-M-S FOR LOOK-AT(2h,up) AND KEEP NEAT, GIVE++(ctr-to-rt) 1P-POSS-PL(1P-to-arc-to-1P) BEAUTIFUL SIGN SAME+ HAVE NOW+.	16-a
	1P-POSS-PL(1P-to-arc-to-1P)	1P-IX-PL(1P-to-arc-to-1P) MUST THAT(2h) VARIOUS F-I-L-M-S FOR LOOK-AT(2h,up) AND KEEP NEAT, GIVE++(ctr-to-rt) 1P-POSS-PL(1P-to-arc-to-1P) BEAUTIFUL SIGN SAME+ HAVE NOW+.	16-a
	SAME+	1P-IX-PL(1P-to-arc-to-1P) MUST THAT(2h) VARIOUS F-I-L-M-S FOR LOOK-AT(2h,up) AND KEEP NEAT, GIVE++(ctr-to-rt) 1P-POSS-PL(1P-to-arc-to-1P) BEAUTIFUL SIGN SAME+ HAVE NOW+.	16-a
	NOW+	1P-IX-PL(1P-to-arc-to-1P) MUST THAT(2h) VARIOUS F-I-L-M-S FOR LOOK-AT(2h,up) AND KEEP NEAT, GIVE++(ctr-to-rt) 1P-POSS-PL(1P-to-arc-to-1P) BEAUTIFUL SIGN SAME+ HAVE NOW+.	16-a
	1P-IX-PL(1P-to-arc-to-1P)	A-S L-O-N-G A-S 1P-IX-PL(1P-to-arc-to-1P) HAVE DEAF ON EARTH, 1P-IX-PL(1P-to-arc-to-1P) FUTURE HAVE SIGN.	16-b
	1P-IX-PL(1P-to-arc-to-1P)	A-S L-O-N-G A-S 1P-IX-PL(1P-to-arc-to-1P) HAVE DEAF ON EARTH, 1P-IX-PL(1P-to-arc-to-1P) FUTURE HAVE SIGN.	16-b
	1P-IX-PL(1P-to-arc-to-1P)	AND A-S L-O-N-G A-S 1P-IX-PL(1P-to-arc-to-1P) HAVE 1P-POSS-PL(1P-to-arc-to-1P) F-I-L-M-S, 1P-IX-PL(1P-to-arc-to-1P) FUTURE CAN P-R-E-S-E-R-V-E 1P-POSS-PL+(arc-to-1P) BEAUTIFUL SIGN ENTER 3P-POSS(-to-lc) OLD(2h)~AGO P-U-R-I-T-Y.	16-c
	1P-POSS-PL(1P-to-arc-to-1P)	AND A-S L-O-N-G A-S 1P-IX-PL(1P-to-arc-to-1P) HAVE 1P-POSS-PL(1P-to-arc-to-1P) F-I-L-M-S, 1P-IX-PL(1P-to-arc-to-1P) FUTURE CAN P-R-E-S-E-R-V-E 1P-POSS-PL+(arc-to-1P) BEAUTIFUL SIGN ENTER 3P-POSS(-to-lc) OLD(2h)~AGO P-U-R-I-T-Y.	16-c
	1P-IX-PL(1P-to-arc-to-1P)	AND A-S L-O-N-G A-S 1P-IX-PL(1P-to-arc-to-1P) HAVE 1P-POSS-PL(1P-to-arc-to-1P) F-I-L-M-S, 1P-IX-PL(1P-to-arc-to-1P) FUTURE CAN P-R-E-S-E-R-V-E 1P-POSS-PL+(arc-to-1P) BEAUTIFUL SIGN ENTER 3P-POSS(-to-lc) OLD(2h)~AGO P-U-R-I-T-Y.	16-c
	1P-POSS-PL+(arc-to-1P)	AND A-S L-O-N-G A-S 1P-IX-PL(1P-to-arc-to-1P) HAVE 1P-POSS-PL(1P-to-arc-to-1P) F-I-L-M-S, 1P-IX-PL(1P-to-arc-to-1P) FUTURE CAN P-R-E-S-E-R-V-E 1P-POSS-PL+(arc-to-1P) BEAUTIFUL SIGN ENTER 3P-POSS(-to-lc) OLD(2h)~AGO P-U-R-I-T-Y.	16-c
	3P-POSS(-to-lc)	AND A-S L-O-N-G A-S 1P-IX-PL(1P-to-arc-to-1P) HAVE 1P-POSS-PL(1P-to-arc-to-1P) F-I-L-M-S, 1P-IX-PL(1P-to-arc-to-1P) FUTURE CAN P-R-E-S-E-R-V-E 1P-POSS-PL+(arc-to-1P) BEAUTIFUL SIGN ENTER 3P-POSS(-to-lc) OLD(2h)~AGO P-U-R-I-T-Y.	16-c
	OLD(2h)~AGO	AND A-S L-O-N-G A-S 1P-IX-PL(1P-to-arc-to-1P) HAVE 1P-POSS-PL(1P-to-arc-to-1P) F-I-L-M-S, 1P-IX-PL(1P-to-arc-to-1P) FUTURE CAN P-R-E-S-E-R-V-E 1P-POSS-PL+(arc-to-1P) BEAUTIFUL SIGN ENTER 3P-POSS(-to-lc) OLD(2h)~AGO P-U-R-I-T-Y.	16-c
	HOPE+	1P-IX HOPE+ 1P-IX-PL(arc-to-1P) ALL FUTURE LOVE AND PROTECT(arc,lt-to-rt) 1P-POSS-PL(1P-to-arc-to-1P) BEAUTIFUL S-I-G-N L-A-N-G-U-A-G-E(ctr-to-rt) A-S T-H-E N-O-B-L-E-S-T(lt-to-rt) G-I-F-T(ctr) GOD~DET-IX(up) GIVE TO DEAF pose:bow.	16-d
	1P-IX-PL(arc-to-1P)	1P-IX HOPE+ 1P-IX-PL(arc-to-1P) ALL FUTURE LOVE AND PROTECT(arc,lt-to-rt) 1P-POSS-PL(1P-to-arc-to-1P) BEAUTIFUL S-I-G-N L-A-N-G-U-A-G-E(ctr-to-rt) A-S T-H-E N-O-B-L-E-S-T(lt-to-rt) G-I-F-T(ctr) GOD~DET-IX(up) GIVE TO DEAF pose:bow.	16-d
	PROTECT(arc,lt-to-rt)	1P-IX HOPE+ 1P-IX-PL(arc-to-1P) ALL FUTURE LOVE AND PROTECT(arc,lt-to-rt) 1P-POSS-PL(1P-to-arc-to-1P) BEAUTIFUL S-I-G-N L-A-N-G-U-A-G-E(ctr-to-rt) A-S T-H-E N-O-B-L-E-S-T(lt-to-rt) G-I-F-T(ctr) GOD~DET-IX(up) GIVE TO DEAF pose:bow.	16-d
	1P-POSS-PL(1P-to-arc-to-1P)	1P-IX HOPE+ 1P-IX-PL(arc-to-1P) ALL FUTURE LOVE AND PROTECT(arc,lt-to-rt) 1P-POSS-PL(1P-to-arc-to-1P) BEAUTIFUL S-I-G-N L-A-N-G-U-A-G-E(ctr-to-rt) A-S T-H-E N-O-B-L-E-S-T(lt-to-rt) G-I-F-T(ctr) GOD~DET-IX(up) GIVE TO DEAF pose:bow.	16-d
	L-A-N-G-U-A-G-E(ctr-to-rt)	1P-IX HOPE+ 1P-IX-PL(arc-to-1P) ALL FUTURE LOVE AND PROTECT(arc,lt-to-rt) 1P-POSS-PL(1P-to-arc-to-1P) BEAUTIFUL S-I-G-N L-A-N-G-U-A-G-E(ctr-to-rt) A-S T-H-E N-O-B-L-E-S-T(lt-to-rt) G-I-F-T(ctr) GOD~DET-IX(up) GIVE TO DEAF pose:bow.	16-d
	N-O-B-L-E-S-T(lt-to-rt)	1P-IX HOPE+ 1P-IX-PL(arc-to-1P) ALL FUTURE LOVE AND PROTECT(arc,lt-to-rt) 1P-POSS-PL(1P-to-arc-to-1P) BEAUTIFUL S-I-G-N L-A-N-G-U-A-G-E(ctr-to-rt) A-S T-H-E N-O-B-L-E-S-T(lt-to-rt) G-I-F-T(ctr) GOD~DET-IX(up) GIVE TO DEAF pose:bow.	16-d
	G-I-F-T(ctr)	1P-IX HOPE+ 1P-IX-PL(arc-to-1P) ALL FUTURE LOVE AND PROTECT(arc,lt-to-rt) 1P-POSS-PL(1P-to-arc-to-1P) BEAUTIFUL S-I-G-N L-A-N-G-U-A-G-E(ctr-to-rt) A-S T-H-E N-O-B-L-E-S-T(lt-to-rt) G-I-F-T(ctr) GOD~DET-IX(up) GIVE TO DEAF pose:bow.	16-d
	GOD~DET-IX(up)	1P-IX HOPE+ 1P-IX-PL(arc-to-1P) ALL FUTURE LOVE AND PROTECT(arc,lt-to-rt) 1P-POSS-PL(1P-to-arc-to-1P) BEAUTIFUL S-I-G-N L-A-N-G-U-A-G-E(ctr-to-rt) A-S T-H-E N-O-B-L-E-S-T(lt-to-rt) G-I-F-T(ctr) GOD~DET-IX(up) GIVE TO DEAF pose:bow.	16-d
	pose:bow	1P-IX HOPE+ 1P-IX-PL(arc-to-1P) ALL FUTURE LOVE AND PROTECT(arc,lt-to-rt) 1P-POSS-PL(1P-to-arc-to-1P) BEAUTIFUL S-I-G-N L-A-N-G-U-A-G-E(ctr-to-rt) A-S T-H-E N-O-B-L-E-S-T(lt-to-rt) G-I-F-T(ctr) GOD~DET-IX(up) GIVE TO DEAF pose:bow.	16-d

Sign Token Search findings for target gloss:
Book token matches: 3770. Film token matches: 2629. Total items found: 6399.